"That was on account of the play," he explained. "She came to one or two

of the rehearsals, and, on the strength of that, it was always 'our

play.' . . . I say, have you really heard that from many people? She's a

very great friend of mine, and I shouldn't like to feel that our names

were being coupled."

Lord Ettrick wrinkled his forehead in surprise and shook his head with a

grim smile.

"Then, my young friend, if that's your ambition, you're not going the

right way about it. I'm too busy by day to go out much at night, but any

time during the last month or two . . . You know how people talk; and

you're both of you pretty well known." Eric's look of mortification

roused him to a more conciliatory tone. "It's done now, and, if it

doesn't blow over, you'll only have yourself to thank. I wouldn't have

mentioned the subject, if I thought it was going to spoil your dinner.

But I very nearly congratulated you publicly. . . . Let's see if we're

all here."

They returned to the fire, and Ettrick called the roll. Throughout

dinner, when Eric ought to have been thinking over his speech, he sat

dazed by the warning and his own blindness. Six weeks before, Lady

Maitland was proclaiming that he and Barbara were in love with each

other; now a dry stick of a law lord, retiring and uninterested in

gossip, heard of their engagement from a dozen different mouths and was

an inch removed from congratulating him before half the club. Eric might

assume that other eyes had observed him calling for her, shopping with

her; it was accepted that, when they dined in the same house, he should

always take her home; it was almost accepted that one could not be

invited to dine without the other. . . .

It hardly lay in his mouth to tell Barbara that she must not compromise

herself.

A waiter entered with a telegram for Lord Ettrick, which he read and

handed to Eric.

"_Regret confined bed severe chill all success to dinner and

congratulations and best wishes to our distinguished young friend._"

It was signed by the one absentee, whose chair still stood empty on the

opposite side. Eric suddenly remembered Barbara's note: "_Imagine I'm

sitting by you, darling._" As he read it, he wished that he could have

brought her there; in the morning-room he had wished--no, he had thought

how proud he would have been to tell Lord Ettrick that the story was

true. If he could see her now in the empty chair, a rose behind one ear,

a silk shawl broidered with grey birds in flight, as on the evening when

they first met. . . .

But she would hardly come dressed as Carmen. And, however she arrayed

herself, the Thespian Club would not admit her. . . .

"Well, have you thought out your speech?" asked Lord Ettrick.

"I've been thinking about what you said before dinner," Eric answered.

"Don't take it too seriously. You know how people talk."

"Yes, but I don't want them to talk like that about _her_! She's the

best friend I've got."

He hesitated in surprise at his own vehemence.

"Have you observed one thing?" Lord Ettrick enquired after a pause.

"Neither of us has mentioned the lady's name."

"Well----"

"Exactly. Well, if it wasn't necessary for me, who after all don't go

about very much--But you needn't take it to heart."

"Oh, I'm not," said Eric carelessly. "And, as you said, I shall only

have myself to blame if the story's not scotched here and now."

"I'll propose the King's health now," said Lord Ettrick, "and then we

can have something to smoke."

2

By the simple standard of applause, Eric achieved a success. Abandoning

his prepared speech, he followed Lord Ettrick's lead, picked up his cues

and surrendered himself to the moment. It was something of a triumph to

amuse others when he was so little amused himself.

"Not nearly long enough," said Dr. Gaisford, as Eric looked furtively at

the watch on his wrist. He was wondering how soon he could go home and

telephone to Barbara.

"Shall we go upstairs or sit here?" asked Lord Ettrick. "Manders ought

to be with us in another half-hour."

Eric remembered with consternation that he would be expected to stay at

least until midnight. There was no escaping it. Five and thirty men, his

friends and entertainers, were preparing for a long, happy session;

their chairs were turned at comfortable angles, they had shuffled and

sorted themselves into congenial groups, each was at the earliest stage

of a long cigar, and they waited on him in turn like an endless series

of deputations.

"I've discussed the nightly takings of a theatre with Ettrick," he

whispered, when Manders arrived at half-past eleven as vigorous and

high-spirited as if he had just got out of bed; "the Dardanelles

expedition with Gaisford, the plays of Synge with George Oakleigh, 'The

Bomb-Shell' with Vincent Grayle, memories of Jessie Farborough with

Deganway, 'The Bomb-Shell' with Grierson, Ibsen with Harry Greenbank,

and 'The Bomb-Shell' with Donald Butler. I'm worn out!"

"Stay a bit longer, boy," Manders begged. "I've only just come."

When at last he escaped, there was no taxi to be had, though Eric told a

waiter to keep the first that drove up. He covered half of the way to

Ryder Street at a run, threw himself on his bed and asked for the

familiar number in Berkeley Square.

After a long interval a sleepy voice said: "Yes? My dear, you _are_

late! I've rung you up again and again. I--Eric, I was afraid you were

angry with me for sulking."

"I say, Babs!" He began earnestly and had no idea how to go on. "Angry

with you? Don't be so ridiculous! I got a very sweet note from you

to-night. Thank you. And I think the speech went down all right. I say,

Babs. . . ."

"You're out of breath, sweetheart."

"I came home in rather a hurry. Can you see me some time? I suppose

you're going to Crawleigh to-morrow--That's no good. Can you dine with

me on Tuesday?"

"I wanted you to come here on Tuesday."

"You never said anything about it. Will you be alone?"

"I'm afraid not. Eric, will you be honourable? It's my half-birthday; I

always have two a year. I didn't tell you, because I was afraid you'd

rush out and buy me a present. And I couldn't bear to receive anything

more from you. But will you come _without_ a present? I've got a little

party."

"I should love it. Thank you, Babs. But I want to see you alone."

She was silent for several moments.

"You're very mysterious, darling," she said at last.

"I heard something to-night that rather upset me----"

"About Jack?"

A thrill of expectation had come into her voice.

"Oh, no! It's one of those things that wouldn't matter if we weren't all

congenital idiots."

"It's not something I've done?"

"My dear child, no!"

"Won't you tell me what it is?"

"I'd rather not on the telephone. I may get a moment on Tuesday; if not,

can you dine with me here the next night?"

"_Alone?_" Her laugh mocked him without malice. "I insist on bringing my

kitten."

He joined in the laugh.

"You may bring the kitten. I know I'm asking you to do something that I

disapprove of, but I'm rather worried and I must see you alone."

For three days he explored cautiously to discover how far the Ettrick

story had spread. Saturday brought him a heavy bundle of news-cuttings;

but they were all concerned with "The Bomb-Shell." No one wrote to him,

no one confronted him with a blunt question, though Ettrick had

protested that the story was common property. When Eric walked to

Berkeley Square for the birthday party, he was embarrassed for the first

time in shaking hands with Lord Crawleigh; sooner or later he would be

summoned to a very unpleasant interview.

It was obvious at a glance that no one would have private conversation

with Barbara that night. She stood in the drawing-room at the apex of a

triangle with a compact row of parents behind and, supporting them, a

longer row of silent, embarrassed brothers; cousins in every degree

described a circle round the triangle, and in a wider, looser circle

stood people who knew Eric and needed diplomatic handling to hide his

forgetfulness of them.

"My aunt's parties are like a Derby Day crowd," panted Amy Loring, as an

unseen pianist began to play and they were squeezed into the embrasure

of a window. "I've not had time to see who's here yet. Babs, of course,

looks divine."

"She looks well in anything," Eric answered. It was dangerous to praise

her even to her own cousin lest one more voice should rise to proclaim

that he was in love with her.

"You're a great friend of hers, aren't you?" Amy asked. "Some one told

me at tea to-day----"

Eric became rigid, and she stopped.

"Yes?"

"My dear Mr. Lane, you don't even know what I was going to say!"

"I think I do."

"Then you aren't very complimentary to Babs."

"I feel a certain responsibility towards her."

"You mustn't mind too much what people say. . . . You know George

Oakleigh? Well, in the dark ages, when I came out, he and I were very

great friends; we always have been; I've known him all my life, and his

cousin married my poor brother. . . . Need I say that _quite_ a number

of people . . .? If they'd troubled to think for a moment, they might

have remembered that I was a Catholic, but a little thing like that

never occurs to them. . . . D'you mind my talking to you like this?" she

asked with a smile that sweetened the abruptness of her tone. "When I

introduced the subject, you froze up so----"

"Can't you understand?" he interrupted. "I'm very fond indeed of

Barbara, but if people talk like this . . ."

"Don't mind what people say, Mr. Lane. . . . I feel we--all the

family--owe you such an enormous debt. No one knows what was the matter

with Babs, but my aunt was really afraid we might lose her. Of course,

she'd led rather a wild and wearing life since she was a child; suddenly

she collapsed. I do feel that you've saved her life, you know; she's the

old, vital, irresistible Babs once more--except that you've taught her

to take care of herself."

"The position is a little awkward. If people talk, if Lord

Crawleigh----"

"I think he quite likes you," Amy interrupted.

Eric bowed and pretended for a moment to listen to the music. It was

common knowledge that Barbara's fortune was forfeit on the day when she

married any one but a Catholic; if he had ever contemplated marrying

her, the fees from the "Divorce" and "The Bomb-Shell" would not keep

them for six months. He wondered whether Amy Loring's embassage had been

inspired.

"I always feel that Lord Crawleigh condemned the world and then allowed

it to continue existing on day-to-day reprieves," he said.

"That's rather my uncle's manner. He hasn't insulted you yet? He

_will_."

"He's only seen me once by daylight. I fancy he thinks I'm one of the

footmen. If I came to him in any other capacity . . . The industrious

ink-slinger, you know----"

Amy tossed her head impatiently.

"I don't know whether you're a genius or not, because I'm not clever

about books and things. But you've made an enormous name for yourself,

you've a big career before you; and, so long as a man's a gentleman--by

which I _don't_ mean what most people do,--I wouldn't let anything stand

in the way--except religion, of course. And I'm afraid that doesn't

count very much with Babs." She lapsed into silence, as though she had

already said too much. "And I know I'm right," she added at length.

"I daresay you are. . . . You see, I've never regarded Barbara as

anything but a wonderful friend. We casually dropped into an

extraordinary intimacy----"

"It's been too easy, too casual!" she cried. "You've taken it as a

matter of course. Neither of you appreciate what you are to the

other--I'm simply speaking from my impression; Babs hasn't said

anything, naturally, and I've hardly had two words with you until

to-night----; if it had been less easy----"

"If your uncle had forbidden me the house?" he suggested.

"If either of you were in danger of losing the other . . . I wonder what

you think of me, talking like this?"

"I'm grateful."

The music came to an end, and Gerald Deganway gave imitations of the

various ministers whom he had served as private secretary. Eric looked

across the room and identified Barbara leaning against the piano. She

was better, happier; and he had grown to be very fond of her. So long as

they met daily without marrying, he shirked deciding whether he wanted

to marry her. It would be pleasant to drift; but, when the cloud of

gossip and speculation penetrated into the heart of the Crawleighs' own

home, a man of honour could not shirk the decision any longer. He could

ask Barbara to marry him; or her father could inspire a paragraph in the

press, admitting the rumour in order to contradict it. Failing that, he

would have to say good-bye to her, though she had become so much a habit

as almost to be part of his life. . . .

The imitations were succeeded by more music, and Eric threaded his way

to the piano where Carstairs and Oakleigh were begging Barbara to sing.

"Honestly, I've no voice to-night," he heard her say.

As he drew near, she seemed to feel his presence and turned with a quick

smile.

"Can't you manage one?" he asked.

"Well, perhaps one, if you want me to. What shall it be?"

"That thing out of '_Butterfly_,'" Eric suggested.

"I'll sing it, if you like."

As Eric sought a chair, Oakleigh looked at him, stroked his chin, sighed

gently and withdrew to the bridge-room as though he could not face

seeing them together.

3

"I want you to take this seriously," said Eric, when Barbara arrived for

dinner. "Don't try to laugh it off by saying I'm conventional; I _know_

I am. The fact is, people are beginning to talk about us. I want to

discuss what's to be done."

His earnestness kept Barbara from smiling, and, as he was worried and

ill at ease, she beckoned him to a place by her side on the sofa.

"Do you find it so intolerable to have your name joined with mine?" she

asked a little wearily.

He looked at her in perplexity. Instead of being embarrassed herself or

feeling gratitude that he was embarrassed for her reputation, she spoke

as though the gossipers had conferred a favour upon him.

"If the thing were true, it would be another matter altogether. Subject

to your parents' approval, I think the best thing would be to get a

paragraph into the papers, saying that there's no foundation for the

rumour."

"But the rumour hasn't got into the papers yet," she objected.

"I'm meeting it on every hand."

"But, if I don't mind, why should you?" she asked.

"Well, I _do_ mind. I don't like you to be 'talked about.' And I don't

care to have people saying that I'm getting you 'talked about,'" he

added with heat. "You must try to look at this from a man's point of

view. If you were my sister, and some man who had no intention of

marrying you, some man whom you had no intention of marrying----"

"You've never asked me," she interrupted.

Eric was shocked into silence. When he was fighting for her reputation,

she was once more the coquette as he remembered her at their first

meeting.

"I've thought this over, Babs, from every point of view," he went on,

with an effort keeping his temper under her look of slightly bored

amusement. "There are three ways out of the difficulty; the first is

what certain people think the most obvious--that we should make the

story true; the second is that we should contradict it publicly--it's

the easiest thing in the world to do--and the third is that we should

give up seeing each other."

He stood up with the pretence of warming his hands and fidgeted

restlessly by the fire. Barbara had lost her expression of amusement and

was honestly puzzled that he should make so great a pother about a piece

of idle gossip.

They remained without speaking until a maid entered to announce dinner.

"I'm sorry you've been worried," she said gently. "For once it really

wasn't my fault. . . . I suppose I'm hardened to this sort of thing. Why

don't you just not worry? And give me dinner, because I'm very hungry."

"I can't leave it like that," said Eric, as he accompanied her to the

dining-room. "A plain statement in the press----"

"It would simply draw attention to it."

"Well, that's one of the solutions ruled out."

"And I'm left with the choice of marrying you--you haven't asked me

_yet_!--or saying good-bye? There _is_ another alternative, Eric: and

that is to shew you're too sensible to mind what silly people say about

you."

Eric shook his head obstinately.

"No good, I'm afraid."

"Well, try to think of something else," she sighed. "Don't spoil our

evening, sweetheart."

The intermittent presence of the maid, rather than any state of mental

satisfaction in Eric, kept the conversation peaceful. He almost forgot

the annoyances of the last week in watching Barbara's delighted

enjoyment of a new experience so trivial as dining with him for the

first time in his own flat. Nothing escaped her curious notice--a wine

that he gave her to try with the scallops, the Lashmar chrysanthemums in

a flat, blue-glass bowl, the unaging pleasure of an invisibly lighted

room, Australian passion-fruit at dessert, a new artist's proof. . . .

"You're really like a child at a pantomime, Babs," he laughed, when they

were alone.

She rose slowly and bent over him, touching his forehead with her lips

and then kneeling beside his chair.

"I'm interested in everything!" she cried. "I love new experiences! At

least, I _did_. I loved meeting new people, hearing new things--the

world was so wonderful. And then--I never understood why I went on

living. . . . _You_ made life wonderful for me again. The first night

we met, when I came here. . . . You were quite right, Eric, I was a

fool. . . . But somehow I wasn't afraid. I knew you'd put your hand in

the fire for me."

He stroked her head and gave a sudden shiver. No one would ever know

what path he might have chosen that night out of the maze of his

disordered emotions.

"In those days you were nothing to me," he murmured.

"But you put all women on pedestals. . . . Eric, will you believe me if

I say that I've tried to live up to your conception of me?"

"But do you know what my conception of you is?"

"Something a thousand miles higher than I can ever climb! When I'm

restless, lonely, I think of our love, your wonderful devotion--like a

mother's to her child . . . and my love for you. Give me your cigarette,

Eric."

Before he could see what she was doing, the glowing end had been pressed

against her hand until it blackened and died. He saw her eyes shut and

her lip whitening as she bit it. Her body swayed and fell forward before

the crumpled cigarette dropped on to the carpet.

"You little--Babs, what's the matter with you?"

She opened her eyes, breathing quickly and holding out her hand to shew

a vermilion ring with a leprous-white centre.

"_I'd_ put my hand in the fire for _you_!" she panted.

"You little fool!" He was filled with a desire to hurt her for having

hurt herself. "Look here, Barbara. . . ."

But she had risen to her feet and was pressing the wounded hand to her

lips.

"You don't _know_ how it hurt!" she cried with a tremble in her voice.

"What good, precisely, d'you think you've done?" he asked.

She snatched a spill from the mantel-piece and thrust it between the

bars of the fire.

"If you want it again----!"

Eric dragged her upright with one arm and rang the bell.

"We'll have coffee in the smoking-room," he said. "Barbara, what's the

matter with you?"

She laughed almost hysterically.

"I feel I'm fighting for my life! That was to shew you I'd do anything

in the world you asked me to! And you talk about our giving up meeting

. . . like giving up smoking!"

Eric drew a chair to the fire and lighted her cigarette in silence. Only

a fool would break that silence for twenty-four hours. . . .

"A bit rash that, isn't it?" he asked, as he cut his cigar.

"You won't ask me anything that I don't want you to," she answered. "And

you know there are some things I _can't_ give you."

Coffee was brought in, and he offered her sugar, knowing well--if he had

been able to collect himself--that she never took it. Her cigarette went

out and required another match. A pile of five books, still in their

wrappers, absorbed her.

It was only half-past ten when she forced a yawn and asked him to get

her a taxi. He collected a coat and hat from the hall and arranged his

muffler elaborately with his back to her.

"Returning to the other thing," he began slowly. "We've not exactly

disposed of it, have we?"

"I thought we were going to leave it alone," she answered timidly.

"That's out of the question." He banged open his opera hat and squeezed

it shut again. "Why won't you have a simple contradiction in the press?"

he pleaded.

"I don't want it. Isn't that enough?"

"Certainly. But . . . I don't want to say good-bye, if I can help it."

Barbara looked at him slowly and carefully; she was utterly at fault.

"It's for you to decide," she said.

"There doesn't seem to be any alternative."

She stood up and wrapped a lace scarf round her throat. As he helped her

into her cloak, she looked reflectively round the room. Save that the

windows were closed to shut out the December fog, save that there were

chrysanthemums in place of roses, nothing had changed since the night

when she forced her way in and sipped soda-water from a heavy goblet and

broke the glass horseshoe and laughed and talked and suddenly cried. . . .

As he watched, her bones seemed to bend like soft wax, and she sank on

to the sofa, burying her face in her arms and sobbing convulsively. Eric

stood motionless by the fire, because he could not trust himself to

move. Her shoulders, which he had always admired for their line and

wonderful whiteness, rose in quick jerks and subsided with a quiver; she

shook with the abandonment of a bird in its death-spasm.

"Barbara!"

"Oh, can't I even cry?" she moaned.

"Darling, you break my heart when you go on like this!" He found himself

kneeling on the floor with his arm round her shoulder and drawing her

head back until he could kiss her wet cheek. "If you'll shew me _any_

other way out of it----"

"Why can't you let it go on?" she wailed.

"I can't; I suppose I love you too much."

"Too much to give me the one thing--Eric, you're not going to turn me

away?"

"I'm not going to take risks with your reputation."

"But it would be just the same! If you _put_ your denial into the

paper, people would still go on talking as long as we went on meeting!

Does it matter? Do you mind it so much, Eric? Oh, my dear, I can't

afford to lose you!"

She fell away from him, and he walked back to the fire. This, then, was

the moment that came to every man once--the moment that he forced into

the lives of his puppets once a play.

"Barbara!"

She was still shaken with sobs.

"Barbara, are you listening? You said you'd put your hand in the fire

for me. Well, did you mean that?"

He snapped the question at her, and she was galvanized to drag herself

upright on the sofa.

"Yes, I said that."

"You'll do anything I ask?"

"Yes." From the slow-drawn answer he knew that more was coming. "I've

told you everything. I don't belong to myself. . . . There's one thing

that--that I don't think you're going to ask me."

"Why not?"

"Because you know I trust you. I always have. I always shall. Oh, God

forgive me for the way I've treated you! But it's your fault. Whatever I

did, I should know that I could always trust you and that in time you'd

understand!" A single sob escaped her, and she steadied herself like a

man stopping short at the edge of a precipice. "You've quite made up

your mind? . . . I must go now. Will you do something for me?"

"What is it?"

"Won't _you_ trust _me_? I don't want you to see me home, that's all.

It'll remind me of too much. Good-bye, Eric. I used to think I didn't

believe in God, but somebody's got to reward you, and I can't. Kiss

me--quickly, or I shall start crying again. Good-bye, Eric! Oh, oh--my

God!"

She stumbled to the door and twisted blindly at the handle. It was open

before he could help her. A grey wedge of fog thrust itself past her as

she hurried out of the hall.

"You're not going home alone!" he cried.

Half-way down the first flight of stairs she turned with arms

outstretched like a figure nailed to a cross.

"My darling; it's the last thing I shall ever ask you!"

4

Eric slept little that night. From eleven till two he walked up and down

his smoking-room, occasionally throwing himself into a chair for very

exhaustion, only to jump up restlessly and resume his aimless pacing.

The fingers of his right hand were yellow from the cigarettes that he

was always lighting and throwing away; the rest of him became stiff and

chilled as the fire died down. "_As if I'd murdered her._ . . ." The

phrase, self-coined, repeated itself in his brain even when he was not

thinking of the shaken, nerveless body which he had tried to revive.

The Education of Eric Lane · 第 10 / 19 段