CHAPTER IV

THE CAVES

The "labyrinth" beneath the West End of London was rediscovered in our

own time when the foundations for the Carlton Hotel and his Majesty's

Theatre were laid. It is a network of old cellars, subterranean passages

and, it may even be, of disused conduits, extended from the corner of

Suffolk Street, Pall Mall, away to the confines of St. James' Park--and,

as more daring explorers aver, to the river Thames itself. Here is a

very town of tunnels and arches, of odd angled rooms, of veritable caves

and depths as dark as Styx. If, in a common way, it be shut by the

circumstance of the buildings above to the riff-raff and night-hawks who

would frequent it, there are seasons, nevertheless, when the laying of

new foundations, the building of hotels and the demolition of ancient

streets in the name of "improvement" fling its gates open to the more

cunning of the "destitutes," and they flock there as rooks to a field

newly sown.

Of these welcome opportunities, the building of the Carlton Hotel is the

best remembered within recent times; but the erection of new houses off

St. James' Street in the year 1903 brought the ladies and the gentlemen

of the road again to its harborage; and they basked there for many weeks

in undisputed possession. Molesting none and by none molested, it was

an affair neither for the watchmen (whose glances askance earned them

many a handsome supper) or for the police who had sufficient to do in

the light of the street lamps that they should busy themselves with

supposed irregularities where that light was not. The orgies thus became

a nightly feature of the vagrant's life. There was no more popular hotel

in London than the "Coal Hole," as the wits of the company delighted to

style their habitation.

A city below a city! Indeed imagination might call it that. A replica of

famous catacombs with horrid faces for your spectres, ghoulish women and

unspeakable men groping in the darkness as though, vampire-like, afraid

of the light. Why Alban Kennedy visited this place, he himself could not

have said. Possibly a certain morbid horror of it attracted him. He had,

admittedly, such a passport to the caves as may be the reward of a

shabby appearance and a resolute air. The criminal company he met with

believed that he also was a criminal. Enjoying their confidence because

he had never excited their suspicion, they permitted him to lie his

length before reddened embers and hear tales which fire the blood with

every passion of anger and of hate. Here, in these caverns, he had seen

men fight as dogs--with teeth and claws and resounding yells; he had

heard the screams of a woman and the cries of helpless children. A

sufficient sense of prudence compelled him to be but an apathetic

spectator of these infamies. The one battle he had fought had been

impotent to save the object of his chivalry.

When first he came here, heroic resolutions followed him. He had

thrashed a ruffian who struck a woman, and narrowly escaped with his

life for doing so. Henceforth he could but assent to a truce which

implied mutual toleration; and yet he understood that his presence was

not without its influence even on these irredeemables. Men called him

"The Hunter," or in mockery "The Dook." He had done small services for

one or two of them--even written a begging letter for a rogue who could

not write at all, but posed as an "old public school man," fallen upon

evil days. Alban was perfectly well aware that this was a shameless

imposition, but his ideas of morality as it affected the relations of

rich and poor were ever primitive and unstable. "If this old thief gets

half a sovereign, what's it matter?" he would argue; "the other man

stole his money, I suppose, and can well afford to pay up." Here was a

gospel preached every day in Thrawl Street. He had never stopped to ask

its truth.

Alban crossed St. James' Street furtively, and climbed, as an athlete

should climb, the boarding which defended the entrance to this amazing

habitation. A contented watchman, dozing by a comfortable fire, cared

little who came or went and rarely bestirred himself to ask the

question. There were two entrances to the caves: one cramped and

difficult, the other broad and open; and you took your choice of them

according to the position of the policeman on the beat. This night, or

rather this morning, of the day following upon the meeting in Union

Street, discovered Alban driven to the more hazardous way. His quick eye

had detected, on the far side of the enclosure, an amiable flirtation

between a man of law and a lady of the dusters; and avoiding both

discreetly, he slipped into a trench of the newly made foundations and

crawled as swiftly through an aperture which this descent revealed.

Here, laid bare by the picks and shovels of twentieth-century Trade

Unionism, was a veritable Gothic arch, bricked up to the height of a

tall man's waist, but open at the tympanum. Alban hoisted himself to the

aperture and, slipping through, his feet discovered the reeking floor of

a dank and dripping subway; and guiding himself now by hands

outstretched and fingers touching the fungi of the walls, he went on

with confidence until the roof lifted above him and the watch-fires of

the confraternity were disclosed. He had come by now into a vast cellar

not very far from the Carlton Hotel itself. There were offshoots

everywhere, passages more remote, the arches as of crypts, smaller

apartments, odd corners which had guarded the casks five hundred years

ago. Each of these could show you its little company safe harbored for

the night; each had some face from which Master Timidity might well

avert his eyes. But Alban went in amongst them as though he had been

their friend. They knew his very footstep, the older "lags" would

declare.

"All well, Jack?"

"All well, old cove."

"The Panorama come along?"

"Straight art of the coffee shawp, s'help me blind."

"Ship come in?"

"Two tharsand next Toosday--same as usual."

A lanky hawker, lying full length upon a sack, his pipe glowing in the

darkness, exchanged these pleasantries with Alban at the entrance. There

were fires by here and there in these depths and the smoke was often

suffocating. The huddled groups declared all grades of ill-fortune and

of crime; from that of the "pauper parson" to the hoariest house-breaker

"resting" for a season. Alban's little set, so far as he had a "set" at

all, consisted of the sometime curate of a fashionable West End Church,

known to the company as the Archbishop of Bloomsbury; the Lady Sarah, a

blooming, red-cheeked girl who sold flowers in Regent Street, "the

Panorama," an old showman's son who had not a sixpenny piece in his

pocket, but whose schemes were invariably about to bring him in "two

thousand next Tuesday morning"; and "Betty," a pretty, fair-haired lad,

thrown on the streets God knows how or by what callous act of

indifferent parentage. Regularly as the clock struck, this quartette

would gather in a tiny "chapel" of the cellars and sleep about a fire

kindled in a grate which might have baked meats for the Tudors. They

spoke of the events of the day with moderation and wise philosophy. It

would be different to-morrow. Such was ever their text.

"My lord the Duke is late. Does aught of fortune keep your nobility?"

The ex-parson made way for Alban, grandiloquently offering a niche upon

the bare floor and a view of the reddening embers. The boy "Betty" was

already asleep, while the Lady Sarah and "the Panorama" divided a

fourpenny pie most faithfully between them. A reeking atmosphere of

spirit (but not of water) testified to the general conviviality. A hum

of conversation was borne in upon them from the greater cellar--at odd

times a rough oath of protest or the mad complainings of a drunkard. For

the most part, however, the night promised to be uneventful. Alban had

never seen the Lady Sarah more gracious, and as for "the Panorama" he

had no doubt whatever that his fortune was made.

"My contract for America's going through and I shall be out there with a

show in a month," this wild youth said--and added patronizingly, "When I

come back, it will be dinner upstairs, old chaps--and some of the best.

Do you suppose that I could forget you? I would as soon forget my

father's grave."

They heard him with respect--no one differing from him.

"I shall certainly be pleased to accept your kind invitation," said the

Archbishop, "that is, should circumstance--and Providence--enable me to

redeem the waistcoat, without which--eh--hem--I understand no visitor

would be admitted to those noble precincts."

The Lady Sarah expressed her opinion even more decidedly.

"Don't 'e talk," she said pleasantly, "can't you 'ear the thick 'uns a

rattlin' in his mouse-trap. Poor little man and 'im a horphin. Stun me

mother if I ain't a goin' ter Jay's termerrer ter buy mournin' in honor

of him."

"I presume," continued the Archbishop, "that we shall all be admitted to

this entertainment as it were--that is--as the colloquial expression

goes--on the nod. It will be enough to mention that we are the

proprietor's friends."

"You shall have a season-ticket for life, Archbishop. Just you tell me

where you want a church built and I'll see that it's done. Of course I

don't mind your chaff--I'm dead in earnest and the money will be there."

"A real contract this time?" Alban suggested kindly.

"A real contract. I saw Philips about it to-day, and he knows a man who

is Pierpont Morgan's cousin. We are to open in New York in September and

be in San Francisco the following week."

"Rather a long journey, isn't it, old chap?"

"Oh, they do those things out there. I'm told you play Hamlet one night

and Othello six hours afterwards, which is really the next night because

of the long distances and the differences in the latitudes. Ask the

Archbishop. I expect he hasn't forgotten all his geography."

"A Cambridge man," said the Archbishop, loftily, "despises geography.

Heat, light, electricity, the pure and the impure mathematics--these are

his proper study. I rise superior to the occasion and tell you that San

Francisco is a long way from New York. The paper in which I wrapped a

ham sandwich yesterday--the advertisement of a shipping company, I may

inform you--brings that back to my recollection. San Francisco is the

thickness of two slices of stale bread from the seaport you mention. And

I believe there are Red Indians in between."

The Lady Sarah murmured lightly the refrain of the old song concerning

houses which stood in that annoying position; but Alban had already

lighted a cigarette and was watching the girl's face critically.

"You've had some luck to-day, Sarah?"

"A bloomin' prophet and that I won't deny. Gar'n, Dowie."

"But you did have some luck?"

"Sure and certain. What d'ye fink? A bit of a boy, same as 'Betty' 'ere,

'e comes up and says, 'What'll ye take fer the whole bloomin' caravan?'

he says, 'for ter send ter a lidy?' 'Gentleman,' I says, 'I'm only a

poor girl and a widered muver ter keep, and, gentleman, I can't tike

less than two pound fer 'em sure and certain as there's a God in 'eaven,

I can't.' 'Well,' says he, 'it's a blarsted swindle but I'll take

'em--and mind you deliver 'em ter the lidy yerself.' 'They shall go this

very minute,' says I, 'and, oh, sir, God bless you both and may yer have

long life and 'appiness ter-gether.' Strike me dead, wot d'yer think he

said next? Why he arst me fer my bloomin' name, same as if I wus a

Countess a steepin' art of a moter-kar at the door of Buckingem Peliss.

'What's yer name, girl?' says 'e. 'Sarah Geddes, an it please yer

capting,' says I. 'Then send the bally flowers to Sarah Geddes,' says

'e, 'and take precious good care as she gets 'em.' Gawd's truth, yer

could 'ave knocked me darn with a 'at pin. I never was took so suddin in

all me life."

"I wonder you didn't have your dinner in the Carlton Hotel, Sarah."

"So I would 'a' done if I'd hev bed time ter chinge me dress. You orter

know, Dook, as no lidy ever goes inter them plices in wot she's bin a

wearin' afore she cleaned herself. I'ad ter go ter Marlborough 'Ouse ter

tell the Prince of Wales, and that's wot kept me."

"Better luck next time, Sarah. So it only ran to a 'fourpenny' between

you and 'the Panorama.'"

"You shall all dine with me next week," said the young man in question.

"On my honor, I'll give you the best dinner you ever had in your life.

As for Sarah here, I'm going to put her in a flower shop in Bond

Street."

"Gar'n, silly, what 'ud I do in Bond Street? Much better buy the

Archbishop a church."

The erstwhile clergyman did not take the suggestion, in good part.

"I have always doubted my ability to conduct the affairs of a parish

methodically," he said, "that is--a little habit--a slight partiality to

the drug called morphia is not in my favor. This, I am aware, is a

drawback. The world judges my profession very harshly. A man in the city

who counts the collection indifferently will certainly become Lord

Mayor. The Establishment has no use for him--he is _de trop_, or as we

might say, a drop too much. This I recognize in frankly declining our

young friend's offer--with grateful thanks."

Sarah, the flower girl, seemed particularly amused by this frank

admission. Feeling in the depth of her shawl she produced a capacious

flask and a bundle of cigars.

"'Ere, boys," she said, "let's talk 'am and heggs. 'Ere's a drop of the

best and five bob's worth of chimney afire, stun me mother if there

ain't. I'm sick of talkin' and so's 'the Panerawma.' Light up yer

sherbooks and think as you're in Buckingem Peliss. There ain't no 'arm

thinkin' anyways."

"I dreamed last night," said the Archbishop very sadly, "that this

cellar had become a cottage and that the sun was shining in it."

"I never dream," said "the Panorama," stoically; "put my head on the

floor and I won't lift it until the clock strikes ten."

"Then begin now, my dear," exclaimed the Lady Sarah with a sudden

tenderness, "put it there now and forget what London is ter you and me."

The words were uttered almost with a womanly tenderness, not without its

influence upon the company. Some phrase spoken of Frivolity's mouth had

touched this group of outcasts and spoken straight to their hearts. They

bandied, pleasantries no more, but lighting the cigars--the Lady Sarah

boldly charging a small clay pipe--they fell to an expressive silence,

of introspection, it may be, or even of unutterable despair. The woman

alone amongst them had not been cast down from a comparative altitude to

this very abyss of destitution. For the others life was a vista far

behind them; a vista, perchance, of a cottage and the sunshine, as the

parson had said; an echo of voices from a forgotten world; the memory of

a hand that was cold and of dead faces reproaching them. Such pauses are

not infrequent in the conversation of the very poor. Men bend their

heads to destiny less willingly than we think. The lowest remembers the

rungs of the ladder he has descended.

Alban had lighted one of the cigars and he smoked it stoically,

wondering again why the caves attracted him and what there was in this

company which should not have made him ashamed of such associations.

That he was not ashamed admitted of no question. In very truth, the

humanities were conquering him in spite of inherited prejudice. Had the

full account of it been written down by a philosopher, such a sage would

have said that the girl Sarah stood for a type of womanly pity, of

sympathy, and, in its way, of motherhood; qualities which demand no gift

of birth for their appeal. The unhappy parson, too, was there not much

of good in him, and might he not yet prove a human field worthy to be

tilled by a husbandman of souls? His humor was kindly; his disposition

gentle; his faults punished none but himself. And for what did "the

Panorama" stand if not for the whole gospel of human hope without which

no life may be lived at all? Alban had some glimmering of this, but he

could not have set down his reasons in so many words. As for the little

lad "Betty"--was not the affection they lavished upon him that which

manhood ever owes to the weak and helpless. Search London over and you

will not find elemental goodness in a shape more worthy than it was to

be found in the caves--nor can we forego a moment's reflection upon the

cant which ever preaches the vice of the poor and so rarely stops to

preach their virtues.

This was the human argument of Alban's association, but the romantic

must not be forgotten. More imaginative than most youths of his age, his

boyish delight in these grim surroundings was less to him than a real

and inspiring sense of the power of contrast they typified. Was he not

this very night sleeping beneath some famous London house, it might be

below that very temple of the great God Mammon, the Carlton Hotel? Far

above him were the splendid rooms, fair sleepers in robes of lace, tired

men who had earned enough that very day perhaps to feed all the hungry

children in Thrawl Street for a lifetime and to remain rich men

afterwards. Of what were the dreams of such as those--not of sunshine

and a cottage as the old parson had dreamed, surely? Not of these nor of

the devoted sacrifice of motherhood or of that gentle sympathy which the

unfortunate so readily give their fellows. Not this certainly--and yet

who should blame them? Alban, at least, had the candor to admit that he

would be much as they were if his conditions of life were the same. He

never deceived himself, young as he was, with the false platitudes of

boastful altruists. "I should enjoy myself if I were rich," he would

say--and sigh upon it; for what assumption could be more grotesque?

No, indeed, there could be no sunshine for him to-morrow. Nothing but

the shadows of toil; and, in the background, that grim figure of

uncertainty which never fails to haunt the lives of the very poor.

Aladdin of London; Or, Lodestar · 第 4 / 32 章