CHAPTER IV.

Some weeks have passed since Graham's talk with Isaura in the garden; he

has not visited the villa since. His cousins the D'Altons have passed

through Paris on their way to Italy, meaning to stay a few days; they

stayed nearly a month, and monopolized much of Graham's companionship.

Both these were reasons why, in the habitual society of the Duke,

Graham's persuasion that he was not yet free to court the hand of Isaura

became strengthened, and with that persuasion necessarily came a question

equally addressed to his conscience. "If not yet free to court her hand,

am I free to expose myself to the temptation of seeking to win her

affection?" But when his cousin was gone, his heart began to assert its

own rights, to argue its own case, and suggest modes of reconciling its

dictates to the obligations which seemed to oppose them. In this

hesitating state of mind he received the following note:--

VILLA ------, LAC D'ENGHIEN.

MY DEAR MR. VANE,--We have retreated from Paris to the banks of this

beautiful little lake. Come and help to save Frank and myself from

quarrelling with each other, which, until the Rights of Women are firmly

established, married folks always will do when left to themselves,

especially if they are still lovers, as Frank and I are. Love is a

terribly quarrelsome thing. Make us a present of a few days out of your

wealth of time. We will visit Montmorency and the haunts of Rousseau,

sail on the lake at moonlight, dine at gypsy restaurants under trees not

yet embrowned by summer heats, discuss literature and politics,

"Shakspeare and the musical glasses,"--and be as sociable and pleasant as

Boccaccio's tale-tellers, at Fiesole. We shall be but a small party,

only the Savarins, that unconscious sage and humourist Signora Venosta,

and that dimple-cheeked Isaura, who embodies the song of nightingales and

the smile of summer. Refuse, and Frank shall not have an easy moment

till he sends in his claims for thirty millions against the Alabama.

Yours, as you behave,

LIZZIE MORLEY.

Graham did not refuse. He went to Enghien for four days and a quarter.

He was under the same roof as Isaura. Oh, those happy days! so happy

that they defy description. But though to Graham the happiest days he

had ever known, they were happier still to Isaura. There were drawbacks

to his happiness, none to hers,--drawbacks partly from reasons the weight

of which the reader will estimate later; partly from reasons the reader

may at once comprehend and assess. In the sunshine of her joy, all the

vivid colourings of Isaura's artistic temperament came forth, so that

what I may call the homely, domestic woman-side of her nature faded into

shadow. If, my dear reader, whether you be man or woman, you have come

into familiar contact with some creature of a genius to which, even

assuming that you yourself have a genius in its own way, you have no

special affinities, have you not felt shy with that creature? Have you

not, perhaps, felt how intensely you could love that creature, and

doubted if that creature could possibly love you? Now I think that

shyness and that disbelief are common with either man or woman, if,

however conscious of superiority in the prose of life, he or she

recognizes inferiority in the poetry of it. And yet this self-abasement

is exceedingly mistaken. The poetical kind of genius is so grandly

indulgent, so inherently deferential, bows with such unaffected modesty

to the superiority in which it fears it may fail (yet seldom does fail),

--the superiority of common-sense. And when we come to women, what

marvellous truth is conveyed by the woman who has had no superior in

intellectual gifts among her own sex! Corinne, crowned at the Capitol,

selects out of the whole world as the hero of her love no rival poet and

enthusiast, but a cold-blooded, sensible Englishman.

Graham Vane, in his strong masculine form of intellect--Graham Vane, from

whom I hope much, if he live to fulfil his rightful career--had, not

unreasonably, the desire to dominate the life of the woman whom he

selected as the partner of his own; but the life of Isaura seemed to

escape him. If at moments, listening to her, he would say to himself,

"What a companion! life could never be dull with her," at other moments

he would say, "True, never dull, but would it be always safe?" And then

comes in that mysterious power of love which crushes all beneath its

feet, and makes us end self-commune by that abject submission of reason,

which only murmurs, "Better be unhappy with the one you love than happy

with one whom you do not." All such self-communes were unknown to

Isaura. She lived in the bliss of the hour. If Graham could have read

her heart, he would have dismissed all doubt whether he could dominate

her life. Could a Fate or an Angel have said to her, "Choose,--on one

side I promise you the glories of a Catalani, a Pasta, a Sappho, a De

Stael, a Georges Sand, all combined into one immortal name; or, on the

other side, the whole heart of the man who would estrange himself from

you if you had such combination of glories,"--her answer would have

brought Graham Vane to her feet. All scruples, all doubts, would have

vanished; he would have exclaimed, with the generosity inherent in the

higher order of man, "Be glorious, if your nature wills it so. Glory

enough to me that you would have resigned glory itself to become mine."

But how is it that men worth a woman's loving become so diffident when

they love intensely? Even in ordinary cases of love there is so

ineffable a delicacy in virgin woman, that a man, be he how refined

soever, feels himself rough and rude and coarse in comparison; and while

that sort of delicacy was pre-eminent in this Italian orphan, there came,

to increase the humility of the man so proud and so confident in himself

when he had only men to deal with, the consciousness that his

intellectual nature was hard and positive beside the angel-like purity

and the fairy-like play of hers.

There was a strong wish on the part of Mrs. Morley to bring about the

union of these two. She had a great regard and a great admiration for

both. To her mind, unconscious of all Graham's doubts and prejudices,

they were exactly suited to each other. A man of intellect so cultivated

as Graham's, if married to a commonplace English "Miss," would surely

feel as if life had no sunshine and no flowers. The love of an Isaura

would steep it in sunshine, pave it with flowers. Mrs. Morley admitted

--all American Republicans of gentle birth do admit--the instincts which

lead "like" to match with "like," an equality of blood and race. With

all her assertion of the Rights of Woman, I do not think that Mrs. Morley

would ever have conceived the possibility of consenting that the richest

and prettiest and cleverest girl in the States could become the wife of a

son of hers if the girl had the taint of negro blood, even though shown

nowhere save the slight distinguishing hue of her finger-nails. So had

Isaura's merits been threefold what they were and she had been the

wealthy heiress of a retail grocer, this fair Republican would have

opposed (more strongly than many an English duchess, or at least a Scotch

duke, would do, the wish of a son), the thought of an alliance between

Graham Vane and the grocer's daughter! But Isaura was a Cicogna, an

offspring of a very ancient and very noble house. Disparities of

fortune, or mere worldly position, Mrs. Morley supremely despised. Here

were the great parities of alliance,--parities in years and good looks

and mental culture. So, in short, she in the invitation given to them

had planned for the union between Isaura and Graham. To this plan she

had an antagonist, whom she did not even guess, in Madame Savarin. That

lady, as much attached to Isaura as was Mrs. Morley herself, and still

more desirous of seeing a girl, brilliant and parentless, transferred

from the companionship of Signora Venosta to the protection of a husband,

entertained no belief in the serious attentions of Graham Vane. Perhaps

she exaggerated his worldly advantages, perhaps she undervalued the

warmth of his affections; but it was not within the range of her

experience, confined much to Parisian life, nor in harmony with her

notions of the frigidity and morgue of the English national character,

that a rich and high-born young man, to whom a great career in practical

public life was predicted, should form a matrimonial alliance with a

foreign orphan girl, who, if of gentle birth, had no useful connections,

would bring no correspondent dot, and had been reared and intended for

the profession of the stage. She much more feared that the result of any

attentions on the part of such a man would be rather calculated to

compromise the orphan's name, or at least to mislead her expectations,

than to secure her the shelter of a wedded home. Moreover, she had

cherished plans of her own for Isaura's future. Madame Savarin had

conceived for Gustave Rameau a friendly regard, stronger than that which

Mrs. Morley entertained for Graham Vane, for it was more motherly.

Gustave had been familiarized to her sight and her thoughts since he had

first been launched into the literary world under her husband's auspices;

he had confided to her his mortification in his failures, his joy in his

successes. His beautiful countenance, his delicate health, his very

infirmities and defects, had endeared him to her womanly heart. Isaura

was the wife of all others who, in Madame Savarin's opinion, was made for

Rameau. Her fortune, so trivial beside the wealth of the Englishman,

would be a competence to Rameau; then that competence might swell into

vast riches if Isaura succeeded on the stage. She found with extreme

displeasure that Isaura's mind had become estranged from the profession

to which she had been destined, and divined that a deference to the

Englishman's prejudices had something to do with that estrangement. It

was not to be expected that a Frenchwoman, wife to a sprightly man of

letters, who had intimate friends and allies in every department of the

artistic world, should cherish any prejudice whatever against the

exercise of an art in which success achieved riches and renown; but she

was prejudiced, as most Frenchwomen are, against allowing to unmarried

girls the same freedom and independence of action that are the rights of

women--French women--when married; and she would have disapproved the

entrance of Isaura on her professional career until she could enter it as

a wife, the wife of an artist, the wife of Gustave Rameau.

Unaware of the rivalry between these friendly diplomatists and schemers,

Graham and Isaura glided hourly more and more down the current, which as

yet ran smooth. No words by which love is spoken were exchanged between

them; in fact, though constantly together, they were very rarely, and

then but for moments, alone with each other. Mrs. Morley artfully

schemed more than once to give them such opportunities for that mutual

explanation of heart which, she saw, had not yet taken place; with art

more practised and more watchful, Madame Savarin contrived to baffle her

hostess's intention. But, indeed, neither Graham nor Isaura sought to

make opportunities for themselves. He, as we know, did not deem himself

wholly justified in uttering the words of love by which a man of honour

binds himself for life; and she!--what girl pure-hearted and loving truly

does not shrink from seeking the opportunities which it is for the man to

court? Yet Isaura needed no words to tell her that she was loved,--no,

nor even a pressure of the hand, a glance of the eye; she felt it

instinctively, mysteriously, by the glow of her own being in the presence

of her lover. She knew that she herself could not so love unless she

were beloved.

Here woman's wit is keener and truthfuller than man's. Graham, as I have

said, did not feel confident that he had reached the heart of Isaura. He

was conscious that he had engaged her interest, that he had attracted her

fancy; but often, when charmed by the joyous play of her imagination, he

would sigh to himself, "To natures so gifted what single mortal can be

the all in all."

They spent the summer mornings in excursions round the beautiful

neigbbourhood, dined early, and sailed on the calm lake at moonlight.

Their talk was such as might be expected from lovers of books in summer

holidays. Savarin was a critic by profession; Graham Vane, if not that,

at least owed such literary reputation as he had yet gained to essays in

which the rare critical faculty was conspicuously developed.

It was pleasant to hear the clash of these two minds encountering each

other; they differed perhaps less in opinions than in the mode by which

opinions are discussed. The Englishman's range of reading was wider than

the Frenchman's, and his scholarship more accurate; but the Frenchman had

a compact neatness of expression, a light and nimble grace, whether in

the advancing or the retreat of his argument, which covered deficiencies,

and often made them appear like merits. Graham was compelled, indeed, to

relinquish many of the forces of superior knowledge or graver eloquence,

which with less lively antagonists he could have brought into the field,

for the witty sarcasm of Savarin would have turned them aside as pedantry

or declamation. But though Graham was neither dry nor diffuse, and the

happiness at his heart brought out the gayety of humour which had been

his early characteristic, and yet rendered his familiar intercourse

genial and playful, still there was this distinction between his humour

and Savarin's wit,--that in the first there was always something earnest,

in the last always something mocking. And in criticism Graham seemed

ever anxious to bring out a latent beauty, even in writers comparatively

neglected; Savarin was acutest when dragging forth a blemish never before

discovered in writers universally read.

Graham did not perhaps notice the profound attention with which Isaura

listened to him in these intellectual skirmishes with the more glittering

Parisian. There was this distinction she made between him and Savarin,--

when the last spoke she often chimed in with some happy sentiment of her

own; but she never interrupted Graham, never intimated a dissent from his

theories of art, or the deductions he drew from them; and she would

remain silent and thoughtful for some minutes when his voice ceased.

There was passing from his mind into hers an ambition which she imagined,

poor girl, that he would be pleased to think he had inspired, and which

might become a new bond of sympathy between them. But as yet the

ambition was vague and timid,--an idea or a dream to be fulfilled in some

indefinite future.

The last night of this short-lived holiday-time, the party, after staying

out on the lake to a later hour than usual, stood lingering still on the

lawn of the villa; and their host, who was rather addicted to superficial

studies of the positive sciences, including, of course, the most popular

of all, astronomy, kept his guests politely listening to speculative

conjectures on the probable size of the inhabitants of Sirius, that very

distant and very gigantic inhabitant of heaven who has led philosophers

into mortifying reflections upon the utter insignificance of our own poor

little planet, capable of producing nothing greater than Shakspeares and

Newtons, Aristotles and Caesars,--mannikins, no doubt, beside intellects

proportioned to the size of the world in which they flourish.

As it chanced, Isaura and Graham were then standing close to each other

and a little apart from the rest. "It is very strange," said Graham,

laughing low, "how little I care about Sirius. He is the sun of some

other system, and is perhaps not habitable at all, except by Salamanders.

He cannot be one of the stars with which I have established familiar

acquaintance, associated with fancies and dreams and hopes, as most of us

do, for instance, with Hesperus, the moon's harbinger and comrade. But

amid all those stars there is one--not Hesperus--which has always had

from my childhood a mysterious fascination for me. Knowing as little of

astrology as I do of astronomy, when I gaze upon that star I become

credulously superstitious, and fancy it has an influence on my life.

Have you, too, any favourite star?"

"Yes," said Isaura; "and I distinguish it now, but I do not even know its

name, and never would ask it."

"So like me. I would not vulgarize my unknown source of beautiful

illusions by giving it the name it takes in technical catalogues. For

fear of learning that name I never have pointed it out to any one before.

I too at this moment distinguish it apart from all its brotherhood. Tell

me which is yours."

Isaura pointed and explained. The Englishman was startled. By what

strange coincidence could they both have singled out from all the host of

heaven the same favourite star? "Cher Vane," cried Savarin, "Colonel

Morley declares that what America is to the terrestrial system Sirius is

to the heavenly. America is to extinguish Europe, and then Sirius is to

extinguish the world."

"Not for some millions of years; time to look about us," said the

Colonel, gravely. "But I certainly differ from those who maintain that

Sirius recedes from us. I say that he approaches. The principles of a

body so enlightened must be those of progress." Then addressing Graham

in English, he added, "there will be a mulling in this fogified planet

some day, I predicate. Sirius is a keener!"

"I have not imagination lively enough to interest myself in the destinies

of Sirius in connection with our planet at a date so remote," said

Graham, smiling. Then he added in a whisper to Isaura, "My imagination

does not carry me further than to wonder whether this day twelvemonth--

the 8th of July-we two shall both be singling out that same star, and

gazing on it as now, side by side."

This was the sole utterance of that sentiment in which the romance of

love is so rich that the Englishman addressed to Isaura during those

memorable summer days at Enghien.

The Parisians — Volume 04 · 第 4 / 9 章