CHAPTER XXXII

WEDDED FELICITY

Signora Casalmonte scored a distinct success. She was the great dramatic

and musical reality of that London season. All the world flocked to hear

her; her voice made the fortune of the Harmony Theatre. She was invited

everywhere—“You must have the Casalmonte,” Florian laid down the law in

his dictatorial way to Belgravian hostesses—and Andreas Hausberger went

always in charge, wherever she moved, to guard his splendid operatic

property. And what care Andreas took of her! It was beautiful,

beautiful! Unobservant people thought him a most devoted husband. He

lingered always by the Signora’s side; he supplied wraps and shawls on

the remotest threat of a coming chill; he watched what she ate and drank

with the composite eye of a lynx and a physician; he guarded her health

from the faintest suspicion of danger in any way. On off-nights, he

would seldom allow her to dine out or attend evening parties; on

Sundays, he took her down for change of scene and fresh air to the sea

or the country. Ozone was his hobby. Every day, the prima donna drove

out in the Park, and then walked for exercise a full hour in Kensington

Gardens. Unobservant people set all this down to the account of the

domestic affections; Will Deverill noticed rather that Andreas guarded

his wife as a racing man guards the rising hope of his stables. Andreas

was far too sensible a man of the world to run any needless risks with

the throat of the woman who made his fortune. He had staked a great deal

on her, and he meant to be repaid with compound interest.

As for London itself, it went wild about Linnet. ’Twas the Casalmonte

here, the Casalmonte there; the _diva_ will sing at Lady Smith’s

to-night; the _diva_ will go with Sir Thomas Brown and party to supper.

Linnet’s head was half-turned with so much admiration; if she hadn’t

been Linnet, indeed, it would have been turned altogether. But that

simple childlike nature, though artistically developed and

intellectually expanded, remained in emotion as straightforward and

unaffected and confiding as ever. Still, that season did the best it

knew to spoil her. She was queen of the situation. It rained choice

flowers; diamond bracelets and painted fans showered down upon her

plentifully. Linnet accepted all this homage, hardly realising its money

worth; she was pleased if she gave pleasure; what others gave in return,

she took as her right, quite simply and naturally. This charm of her

simplicity surprised and delighted all who grew to know her; she had

none of the affected airs and graces of the everyday great singer; she

sang because she must; at heart she was, as always, the mountain-bred

peasant-girl.

Will Deverill saw but little of her. ’Twas better so, he knew, and

kinder so for Linnet. Once or twice that year, however, he supped after

the theatre in the Strand with “the Hausbergers,” as he had learned to

call them. On all these occasions, he noticed, Andreas watched his wife

close. “_One_ glass of champagne, Linnet; you remember, last time, when

you dined at the Mowbrays’, you took _two_ glasses, and you sang next

day very much less well for it”; or else—“If I were you, Linnet, I

wouldn’t touch that lobster. It disagreed with you once, and I noticed

in the evening one or two of your high notes were decidedly not so clear

or so sharp as usual.”

“But, Andreas,” Linnet answered, on one such occasion, “I’m sure it

doesn’t hurt me. I _must_ take _something_. I’ve hardly eaten a single

mouthful yet, and to-night I’m so hungry.”

“It does you no harm to be hungry,” Andreas answered, philosophically.

“Nobody ever reproached himself afterwards for having eaten too little.

A taste of something to eat, after playing a trying part like Melinda,

before you go to bed, helps you to sleep sound, and keeps you well and

healthy; but a square meal at this hour can’t be good for anybody. It

interferes with rest; and what interferes with rest, tells, of course,

upon the voice—which is very serious. You may have a bit of that

sweetbread, if you like—no; that’s a great deal too much; half that

quantity, if you please, Mr Florian. Pull your woollen thing over your

shoulder, so, Linnet; there’s a draught from that door! I can’t have you

getting as hoarse as a frog to-night, with the Prince and Princess

coming to hear you on Monday!”

“Why on earth does she stand it?” Florian asked of Will afterwards, as

they walked home together down the unpeopled Strand. “I can’t make it

out. There she’s earning Heaven only knows how much a night, and filling

the treasury; yet she allows this fellow to bully her and badger her

like this; to dictate to her how much she’s to eat and to drink; to make

her whole life one perpetual torment to her. Why doesn’t she rise and

strike for freedom, I wonder? He’d have to come to terms; she’s too

useful to him, you see, for him to risk a quarrel with her.”

“She’s too good—that’s where it is,” Will responded, with a tinge of

stifled sadness in his voice; “and, besides, she doesn’t care for him.”

“Of course she doesn’t,” Florian answered, airily. “How could she,

indeed!—a mass of selfishness like him!—so mean, so sordid! But that

only makes it all the stranger she should ever put up with it. If she

doesn’t love him, why on earth does she permit him to dictate to her as

he does—to order her and domineer over her?”

“Ah, that’s how it looks to you,” Will answered, with a sigh; “but

Linnet—well, Linnet sees things otherwise. You must remember, Florian,

above all things, she’s a Catholic. She doesn’t _love_ that man, but

she’s entered with him into the sacrament of marriage. To her, it has

all a religious significance. The less she loves Andreas, the more does

she feel she must honour and obey him, and be a good true wife to him.

If she loved him, she might perhaps sometimes rebel a little; because

she doesn’t love him, she has become a mere slave to do his bidding.”

“I suppose that’s it,” Florian answered, swinging his stick in his hand,

and stepping along gingerly. “_Drôle de croyance_, isn’t it? Still, I

call it disgraceful. An exquisite creature like that—a

divinely-inspired singer, a supply-moulded form of Hellenic sculpture,

whom the Gods above have given us as a precious gift for the common

delight and the common enjoyment—to be thwarted and pulled up short at

every twist and turn—and by whom, I’d like to know? Why, by a Tyrolese

innkeeper—a mere village host—who arrogates to himself the right of

monopolising what Heaven meant for us all—_Ach!_ I call it detestable,

just simply detestable. He hardly allows her enough to eat and drink.

She might just as well be a _sennerin_ on her hillside again, for any

pleasure or delight she gets out of her success, tied and hampered as

she is with this creature Hausberger.”

“That’s quite true,” Will replied. “She was happier in the Zillerthal.

She has money, and fine dresses, and jewellery, and applause; but, for

any good they can do her, she might as well be without them. Hausberger

treats her as a mere machine for making money for him. He’s careful to

see the machine works thoroughly well, and doesn’t get out of

order—absurdly careful, in fact, for he’s by nature over-cautious; but

as for allowing her to enjoy anything of what she earns herself, in any

reasonable way—why, it never even occurs to him.”

“Do you think he’s unkind to her?” Florian asked, somewhat carelessly.

“I mean, do you think he ill-treats her—keeps her short, and so forth?”

“He doesn’t actively ill-treat her, I’m sure,” Will answered with

confidence; “he has far too great a sense of the value of her health to

do anything to injure it. And I don’t suppose he even keeps her actually

short; she’s always beautifully dressed, of course—that’s part of the

advertisement; and he takes her about as much as he can, without risk to

her voice, and lavishes a certain sort of wooden care upon her. But I

don’t think he ever regards her as a human being at all; he regards her

as a delicate musical instrument in which he has invested money, and out

of which, during a given number of years, he has to recoup himself and

make his fortune. As to sympathy between them, why, naturally, that’s

quite out of the question; he’s a harsh, stern man who hardly knows how

to be kind, I should say, to anyone.”

Florian brought down his stick on the pavement with a bang. “It’s

atrocious,” he said, snorting; “I declare, quite atrocious. Here’s this

exquisite creature—a banquet fit for the Gods—with her superb voice

and her queenly beauty; a creature almost too ethereal for ordinary

humanity to touch or handle; one that should be reserved by common

consent for the delectation of the very pink and pick of the

species”—and he drew himself up to his five feet nothing with a full

consciousness of his own claim to be duly enrolled in that select

category—“here’s this exquisite creature, who should be held in trust,

as it were, for the noblest and truest and best of our kind—a

Koh-i-noor among women—flung away upon a solid, stolid, three-per-cent.

investing, money-grubbing, German-speaking beerhouse-keeper. Pah! It

makes me sick! This Danae to a Satyr! How a Greek would have writhed at

it!”

“And yet I thought,” Will murmured, reflectively, with a quiet little

smile, “you considered her a cow-girl, and looked upon her as just fit

for gentlemen to play skittles with!”

It took a great deal to abash Florian. He paused for a second, then he

answered with warmth, “Now, there, Deverill! that’s just like you. You

want me to be consistent! But the philosophic mind, as Herbert Spencer

remarks, is always open to modification by circumstances. Consistency is

the virtue of the Philistine intellect; it means, inability to march

abreast with events, to readjust one’s ideas, one’s sympathies, one’s

sentiments, to the ever-changing face of circumambient nature. When we

saw Linnet first in the Tyrol, long ago, why, the girl was a cow-girl; a

cow-girl she was, and a cow-girl I called her. I frankly recognised the

facts of life as I found them—though I saw even then, with a voice like

that, there was no perilous pinnacle of name or fame to which fate might

not summon her. Now that she reappears in London once more, a flaming

meteor of song, the cynosure of neighbouring eyes, a flashing diamond of

the purest water, I recognise equally the altered facts. I allow that

training, education, travel, the society of cultivated men and women,

have practically made a brand-new Linnet of her. It’s that brand-new

Linnet I admire and adore—that queen of the stage, not the Tyrolese

cow-girl.”

Will turned sharp down Craven Street “And I,” he said, with a Parthian

shot, “I admire and adore the real woman herself—the same Linnet still

that we knew in the Zillerthal.”

Meanwhile, Andreas Hausberger, lighting a big cigar, had taken his wife

down to a cab outside the supper-room.

“O Andreas!” Linnet cried, in German, “you’ve called a hansom. I can’t

bear those things, you know. I wanted a four-wheeler.”

Andreas looked at her fixedly. “Get in!” he said, with curt decision.

“Don’t stand and talk like that out here in the cold street, opening

your throat in this foggy air after those over-heated rooms. It’s simply

ridiculous. And mind you don’t knock your dress against that muddy

wheel! Pick it up, I say! pick it up! You _are_ so careless!”

“But, Andreas!” Linnet exclaimed, in an imploring tone, “I hate these

hansoms so. Whenever I go in one, the horse invariably either kicks or

jibs. I wish, just this once, you’d let me have a four-wheeler.”

She spoke almost coaxingly. Andreas turned to her with an angry German

oath. “Didn’t I tell you to get in at once?” he cried. “Pull that thing

over your shoulder. Don’t stand here chattering and catching cold all

night. Jump in when I bid you. A pretty sort of thing, indeed, if you’re

going to stop and discuss in a dress like that on an English evening

upon these muddy pavements!” He helped her up the step, guarding her

skirt with one hand, and jumped after her sulkily. “Avenue Road, St

John’s Wood!” he called out through the flap to the attentive cabman.

“Half-past twelve! Ach, _donner-wetter_! How late we’ve stayed! We’ll

have to pay double fare! Have you got your purse with you?”

“Yes,” Linnet half sobbed out; “but I’ve hardly any money—not enough

for the cab in it. You gave me half-a-sovereign, you know, and I paid

for those gloves, and got a new bottle of that mixture at the

chemist’s.”

“Only three shillings left!” Andreas exclaimed, opening the purse, and

screwing his mouth up curiously. “Only three shillings left, out of a

whole half-sovereign! So! London’s the dearest town for everything on

earth I ever lived in. Only three shillings left! Well, that’s enough

for the cab; it’s a one-and-sixpenny fare, and I rather think they

double it at midnight.”

“Mayn’t I have sixpence over for _trinkgeld_?” Linnet ventured to

inquire, in a timid voice. “When they go so far at this time of night,

they always expect something.”

“No; certainly not,” Andreas answered; “why on earth should you give it

to them? If you or I expect something, do other people make that any

reason for giving it us? Three shillings is the legal fare; if he

doesn’t like that—there’s no compulsion—he needn’t be a cabman.

Three-and-sixpence indeed! why you talk as if it was water!

Three-and-sixpence is a lot to spend on oneself in a single evening.”

“I should have thought so at St Valentin,” Linnet answered, softly; “but

I earn so much, now. You must save a great deal, Andreas.”

“And I spent a great deal in getting you trained and educated,” Andreas

retorted with a sneer. “But that’s all forgotten. You never think about

_that_. You talk as though it was you yourself by your unaided skill who

earned all the money. How could you ever have earned it, I should like

to know, if I hadn’t put you in the way of getting a thorough musical

training? You were a _sennerin_ when I married you—and now you’re a

lady, Signora. Besides, there’s your dress; remember, that swallows up a

good third of what we earn. I say _we_ advisedly, for the capital

invested earns its share of the total just as truly as you do.”

“But, Andreas, I only want sixpence,” Linnet pleaded, earnestly. “For

the poor cold cabman! I’m sure I don’t spend much—not compared with

what I get; and the man looks old and cold and tired. I ought to have a

shilling or two a week for pocket money. It’s like a child to have to

ask you for every penny I’m spending.”

Andreas pulled out half-a-crown, which he handed her grudgingly. “There,

take that, and hold your tongue,” he said. “It’s no use speaking to you.

I told you before not to talk in this misty air. If you don’t care

yourself whether it hurts you or not, you owe it to _me_, at least,

after all I’ve done for you.”

Linnet leant back in her place, and began to cry silently. She let the

tears trickle one by one down her cheeks. As Andreas grew richer, she

thought, he grew harder and harder to her. For some minutes, however,

her husband didn’t seem even to notice her tears. Then he turned upon

her suddenly. “If you’re going to do like that,” he said, “your eyes’ll

be too red and swollen to appear at all on Monday—and what’ll happen

then, I’d like to know, Signora. Dry them up; dry them up at once, I

tell you. Haven’t I given you the money?”

Linnet dried her eyes as she was bid; she always obeyed him. But she

thought involuntarily of how kind Will had been, and how nicely he had

spoken to her. And then—oh, then, she clasped the little Madonna hard

in her fist once more, and prayed low to be given strength to endure her

burden!

Linnet: A Romance · 第 32 / 52 章