CHAPTER I

[Illustration: Grant Allen.]

L I N N E T

_=A     R O M A N C E=_

_ B y _ G R A N T A L L E N

_Author of_ “UNDER SEALED ORDERS,”

“MISS CAYLEY’S ADVENTURES,” ETC.

_N e w Y o r k_ : : : N E W A M S T E R D A M

B O O K C O M P A N Y : : : : _M C M_

COPYRIGHT, 1900

BY

NEW AMSTERDAM BOOK COMPANY

NOTE

This story was written in the midst of the scenery which

it describes; but the author desires to acknowledge his

obligations for many touches of local colour to Mr.

Baillie-Grohman’s admirable work on “Tyrol and the

Tyrolese.” The quatrain on p. 283 is quoted, with

some slight modifications (to adapt it to its place

in this novel), from a poem by Mr. William Watson.

CONTENTS

I. “TO INTRODUCE MR FLORIAN WOOD”

II. A FRESH ACQUAINTANCE

III. WITHIN SIGHT OF A HEROINE

IV. ENTER LINNET

V. THE WIRTH’S THEORY

VI. THE ROBBLER

VII. WAGER OF BATTLE

VIII. THE HUMAN HEART

IX. THE MAN OF THE WORLD

X. HAIL, COLUMBIA!

XI. PRIVATE INQUIRY

XII. THE MADDING CROWD

XIII. A FIRST NIGHT

XIV. AND IF FOR EVER

XV. A CRITICAL EVENING

XVI. SCHLOSS TYROL

XVII. CAUGHT OUT

XVIII. TAKEN BY SURPRISE

XIX. SPIRITUAL WEAPONS

XX. FLORIAN ON MATRIMONY

XXI. FORTUNE’S WHEEL

XXII. A WOMAN’S STRATAGEM

XXIII. A PROPHET INDEED!

XXIV. THE ART OF PROPHESYING

XXV. A DRAMATIC VENTURE

XXVI. A WOMAN’S HEART

XXVII. AULD LAND SYNE

XXVIII. SIGNORA CASALMONTE

XXIX. FROM LINNET’S STANDPOINT

XXX. AN UNEXPECTED VISITOR

XXXI. WHEN GREEK MEETS GREEK

XXXII. WEDDED FELICITY

XXXIII. PLAYING WITH FIRE

XXXIV. AN OLD ACQUAINTANCE

XXXV. GOLDEN HOPES

XXXVI. AN ECCLESIASTICAL QUESTION

XXXVII. BEGINNINGS OF EVIL

XXXVIII. HUSBAND OR LOVER?

XXXIX. DOCUMENTARY EVIDENCE

XL. OPEN WAR

XLI. GOD’S LAW—OR MAN’S?

XLII. PRUDENCE

XLIII. LINNET’S RIVAL

XLIV. AND WILL’S

XLV. BY AUTHORITY

XLVI. HOME AGAIN!

XLVII. SEEMINGLY UNCONNECTED

XLVIII. THE BUBBLE BURSTS

XLIX. THE PIGEON FLIES HOME

L. ANDREAS HAUSBERGER PAYS

LI. EXIT FRANZ LINDNER

LII. A CONFESSION OF FAITH

L I N N E T

CHAPTER I

“TO INTRODUCE MR FLORIAN WOOD”

’Twas at Zell in the Zillerthal.

Now, whoever knows the Alps, knows the Zillerthal well as the centre of

all that is most Tyrolese in the Tyrol. From that beautiful green

valley, softly smiling below, majestically grand and ice-clad in its

upper forks and branches, issue forth from time to time all the

itinerant zither-players and picturesquely-clad singers who pervade

every capital and every spa in Europe. Born and bred among the rich

lawns of their upland villages, they come down in due time, with a

feather in their hats and a jodel in their throats, true modern

troubadours, setting out on the untried ocean of the outer world—their

voice for their fortune—in search of wealth and adventures. Guitar on

back and green braces on shoulders, they start blithely from home with a

few copper kreuzers in their leather belts, and return again after a

year or two, changed men to behold, their pockets full to bursting with

dollars or louis or good English sovereigns.

Not that you must expect to see the Tyrolese peasant of sober reality

masquerading about in that extremely operatic and brigand-like costume

in the upper Zillerthal. The Alpine minstrel in the sugar-loaf hat,

much-gartered as to the legs, and clad in a Joseph’s coat of many

colours, with whom we are all so familiar in cosmopolitan concert-halls,

has donned his romantic polychromatic costume as an integral part of the

business, and would be regarded with surprise, not unmixed with

contempt, were he to appear in it among the pastures of his native

valley. The ladies in corset-bodices and loose white lawn sleeves, who

trill out startling notes from the back attics of their larynx, or

elicit sweet harmonies from mediæval-looking mandolines in Kursaals and

Alcazars, have purchased their Tyrolese dress direct from some Parisian

_costumier_. The real cowherds and milkmaids of the actual Zillerthal

are much more prosaic, not to say commonplace, creatures. A green string

for a hat-band, with a blackcock’s plume stuck jauntily or saucily at

the back of the hat, and a dirty red lappel to the threadbare coat, is

all that distinguishes the Tyrolese mountaineer of solid fact from the

universal peasant of European Christendom. Indeed, is it not true, after

all, that the stage has led us to expect far too much—in costume and

otherwise—from the tillers of the soil everywhere? Is it not true that

the agricultural and pastoral classes all the world over, in spite of

Theocritus and Thomas Hardy, are apt, when one observes them impartially

in the flesh, to be earthy, grimy, dull-eyed, and unintelligent?

Florian Wood didn’t think so, however, or affected not to think

so—which in his case was probably very much the same thing; for what he

_really_ thought about anything on earth, affectation aside, it would

have puzzled even himself not a little to determine. He was a tiny man

of elegant proportions: so tiny, so elegant, that one felt inclined to

put him under a glass case and stick him on a mantelpiece. He leant his

small arms upon the parapet of a wall as they were approaching Zell,

shifted the knapsack on his back with sylph-like grace, and murmured

ecstatically, with a side glance at the stalwart peasant-women carrying

basketfuls of fodder in huge creels on their backs in the field close

by, “How delicious! How charming! How essentially picturesque! How

characteristically Tyrolean!”

His companion scanned him up and down with an air of some passing

amusement. “Why, I didn’t know you’d ever been in the Tyrol before,” he

objected, bluntly. And, in point of fact, when they started together

from Munich that morning on their autumn tour, Florian Wood had never

yet crossed the Austrian frontier. But what of that? He had got out of

the train some five hours back at Jenbach station, and walked the

sixteen miles from there to Zell; and in the course of the tramp he had

matured his views on the characteristics of the Tyrol.

But he waved one lily-white hand over the earth none the less with airy

dismissal of his friend’s implied criticism. “How often shall I have to

tell you, my dear Deverill,” he said blandly, in his lofty didactic

tone—the tone which, as often happens with very small men, came most

familiarly of all to him—“that you unduly subordinate the ideal to the

real, where you ought rather to subordinate the real to the ideal. This,

you say, is the Tyrol—the solid, uncompromising, geographically

definite Tyrol of the tax-gatherer, the post-master, and the commercial

traveller—bounded on the north by Bavaria, on the south by Italy, on

the east by the rude Carinthian boor, and on the west by the collection

of hotels and pensions marked down on the map as the Swiss Republic.

Very well then; let me see if there’s anything Tyrolese at all to be

found in it. I have instinctive within me a picture of the true, the

ideal Tyrol. I know well its green pastures, its upland slopes, its

innocent peasantry, its fearless chamois-hunters, its beautiful,

guileless, fair-haired maidens. Arriving by rail to-day in this its

prosaic prototype—cast up, as it were, from the train on the sea-coast

of this Bohemia—I turn my eyes with interest upon the imitation Tyrol

of real life, and strive earnestly to discover some faint points of

resemblance, if such there be, with the genuine article as immediately

revealed to me.”

“And you find none?” Deverill put in, smiling.

Florian waved that dainty Dresden china hand expansively once more over

the landscape before him, as if it belonged to him. “Pardon me,” he

said, sententiously; “in many things, I admit, the reality might be

improved upon. The mountains, for example, should be higher, their forms

more varied, their peaks more jagged, their sides more precipitous; the

snow should drape them with more uniform white, regardless of the petty

restrictions of gravity; the river should tear down far rockier ravines,

in more visible cataracts. But Nature has sometimes her happy moments,

too. And I call this one of them! Those women, now, so Millet-like in

their patient toil—how sympathetic! how charming! A less primitive

society, a less idyllic folk, would have imposed such burdens upon a

horse or a donkey. The Tyrol knows better. It is more naïve, more

picturesque—in one word, more original. It imposes them on the willing

neck of beautiful woman!”

“It’s terribly hard work for them,” Deverill answered, observing them

with half a sigh.

“For _them_? Ah, yes, I admit it, of course, poor souls!—but for _me_,

my dear fellow—for _me_, just consider! It gives me a thrill of the

intensest sensibility. In the first place, the picture is a beautiful

one in itself—the figures, the baskets, the frame, the setting. In the

second place, it suggests to the observant mind an Arcadian life, a true

Dorian simplicity. In the third place—which is perhaps the most

important of all—it affords me an opportunity for the luxury of

sympathy. What is the trifling inconvenience of a heavy load on their

backs to these poor ignorant creatures, compared with the refined and

artistic pleasure—of an altruistic kind—which I derive from pitying

them?”

“Florian!” his friend said, surveying him comically from head to foot,

“you really are _impayable_. It’s no use arguing with you; it only

flatters you. You know very well in your heart you never mean a word of

anything you say; so stop your nonsense and put yourself in marching

order again. Let’s get on to Zell, and see what sort of quarters we can

find in the village.”

Florian Wood came down at once from his epicurean clouds, and strode out

with his little legs in the direction of their resting-place. In spite

of his tininess, he was a capital walker. If Nature, as he averred, has

sometimes her happy moments, she certainly had one when she created her

critic. Florian Wood was a young man of a delicate habit of mind and

body—a just and pleasing compromise between a philosopher and a

butterfly. His figure was small but extremely graceful; his limbs were

dainty but well-knit and gazelle-like; his face, though small-featured,

was very intelligent, and distinctly good-humoured; his voice was

melodious and exquisitely modulated. And what Nature had left undone,

his godfathers and godmothers did for him at his baptism when they

christened him Florian. As plain John Wood, to be sure, he would have

been nobody at all; as William or Thomas or Henry or George, he would

have been lost in the multitudinous deep sea of London. But his parents

had the glorious inspiration of dubbing him Florian, and it acted like a

charm: all went well in life with him. A baronetcy would have been a far

less valuable social passport—for there are many baronets, but only one

Florian. Before the romantic rarity of that unique Christian name, the

need for a surname paled and faded away into utter nothingness. Nobody

ever dreamt of calling him “Wood”: they spoke of Florian as they once

spoke of “Randolph.” On this somewhat illogical but very natural ground,

he became from his schooldays upward the spoiled child of society. He

was a toy—a plaything. Clubs hung on his clear voice; women petted and

made much of him. When you talk of a man always by his Christian name

alone, depend upon it, he becomes in the end as one of the family: mere

association of ideas begets in you at last a friendly—nay, almost a

fraternal feeling towards him.

They walked along briskly in the direction of Zell, Florian humming as

he went a few stray snatches of Tyrolese songs (or what pass in the

world for such), by way of putting himself in emotional harmony with the

environment. For Florian was modern, intensely modern. He played with

science as he played with everything else; and he could talk of the

environment by the hour with the best of them, in his airy style, as if

environments and he had been lifelong companions. But Zell itself, when

they got to it, failed somehow to come up to either of their

expectations. Florian would have made the valley narrower, or

transplanted the village three hundred feet higher up the slope of the

hill. As for Will Deverill, less critical of Nature’s handicraft, he

found the inns over-civilised; the _Post_ and the _Bräu_ were too fine

for his taste: they had come thus far in search of solitude and Alpine

wilds, and they lighted instead on a sort of miniature Grindelwald, with

half-a-dozen inns, a respectable café, experienced (or in other words

extortionate) guides, and a regular tourist-trap for the sale of

chamois-horns and carved models of châlets. “This will never do!” Will

Deverill exclaimed, gazing round him in disgust at the Greiderer Hotel

and the comfortable Welschwirth. “This is pure civilisation!”

And Florian, looking down instinctively at his dust-encumbered boots,

murmured with a faint sigh, “A perfect Bond Street!” For Florian loved

to do everything “consummately,”—’twas his own pet adverb; he aimed at

universality, but he aimed quite as much at perfection in detail of the

most Pharisaical description. In Piccadilly, he went clad in a faultless

miniature frock-coat, surmounted by the silken sheen of Lincoln and

Bennet’s glossiest; but if he made up his mind to Alps and snow-fields,

then Alps he would have, pure, simple, and unadulterated. No half-way

houses for him! He would commune at first hand with the eternal hills;

he would behold the free life of the mountain folk in all its

unsophisticated and primitive simplicity.

So he gazed at his Tom Thumb boots with a regretful eye, and murmured

pensively once more, “A perfect Bond Street!”

“What shall we do now?” Will Deverill asked, stopping short and glancing

ahead towards the glaciers that close the valley.

“See that village on the left there,” Florian answered, in a rapt tone

of sudden inspiration, seizing his arm theatrically; “—no, _not_ the

lower one on the edge of the level, but that high-perched group of

little wooden houses with the green steeple by the edge of the ravine:

what a magnificent view of the snow-fields to the south! From there, one

must look at a single glance over all the spreading fingers and

ramifications of the valley.”

“Perhaps there’s no inn there,” Will responded, dubiously.

“No inn! You prate to me of inns?” Florian exclaimed, striking an

attitude. “In full view of these virgin peaks, you venture to raise a

question of mere earthly bedrooms—landlord, waiter, chambermaid! Who

cares where he sleeps—or whether he sleeps at all—in such a village as

that?” He struck his stick on the ground hard to enforce and emphasise

the absoluteness of his determination. “The die is cast,” he cried, with

the Caesaric firmness of five-feet-nothing. “We cross the stream at

once, and we make for the village!”

“Well, there’s probably somewhere we can put up for the night and

reconnoitre the neighbourhood,” Will Deverill answered, as he followed

his friend’s lead. “If the worst comes to the worst, we can fall back

upon Zell; but the priest will most likely find us a lodging.”

No sooner said than done. They mounted the steep slope, and rose by

gentle zig-zags towards the upland hamlet. At each step they took, the

view over the glacier-bound peaks that close the glen to southward,

opened wider and wider. Near an Alpine farmhouse they paused for breath.

It was built of brown wood, toned and darkened by age, with projecting

eaves and basking southern front, where endless cobs of Indian corn in

treble tiers and rows hung out drying in the sunshine. Florian drank in

the pretty picture with the intense enjoyment of youth and health and a

rich sensuous nature. There was a human element, too, giving life to the

foreground. Three Tyrolese children, a boy and two girls, in costumes

more obtrusively national than they had yet observed, stood playing with

one another on the platform in front of the farmhouse. Florian beamed on

them, enchanted. “What innocence!” he cried, ecstatically. “What

untrammelled forms! What freedom of limb! What Hellenic suppleness! How

different from the cramped motions of our London-bred children! You can

see in a moment those vigorous young muscles have strengthened

themselves from the cradle in the bracing air of the mountains—so fresh

they are, so lithe, so gracious, so lissom! I recognise there at once

the true note of the Tyrol.”

As he spoke, the younger girl, playing roughly with the boy, gave him a

violent push which nearly sent him over into a neighbouring puddle. At

that, the elder sister clutched her hard by the wrist and gave her a

good shaking, observing at the same time in very familiar accents:

“Naow then, Mariar-Ann, if you do like that to ’Arry agin, I’ll tike you

stright in, an’ tell your mother.”

It was the genuine unmistakable Cockney dialect!

In an agony of injured nerves, Florian seized the elder girl by the

collar of her dress, and, holding her at arm’s-length, as one might do

some venomous reptile, demanded of her, sternly, in his severest tone:

“Now, where on earth did you ever learn English?”

The little Tyrolese, trembling violently in his grasp, stammered out in

deadly fear: “Wy, o’ course, in London.”

“Pa was a waiter at the Criterion,” the younger sister volunteered in a

shrill little voice from a safe distance; “and ma’s an Englishwoman.

We’ve come ’ere to retire. Pa’s tiken the farm. But _we_ can’t none of

us speak any German.”

Florian relaxed his grasp, a dejected, dispirited, disappointed

mannikin. “Go, wretched little mudlark!” he exclaimed, with a frank

gesture of discomfiture, flinging her from him as he spoke. “There

isn’t, there never was, any objective Tyrol!”

The child retreated prudently to the safe shelter of the doorway, before

venturing on a repartee. Then she put out her tongue and took up a stone

in her hand. “Who are you a-callin’ a mudlark?” she answered, with the

just indignation of injured innocence. “If my pa was ’ere ’e’d punch yer

bloomin’ ’ead for yer.”

It ill became Florian Wood, that man of taste, to bandy words before the

eternal hills with social waifs from the slums of Drury Lane. He strode

on up the path in moody silence. It was some minutes, indeed, before he

had sufficiently recovered from this crushing blow to murmur in a

subdued voice: “What an incongruous circumstance!”

“Not so unusual as you’d suppose, though,” his companion answered with a

smile; for he knew the Tyrol. “There are no people on earth so vagrant

in their ways as the Tyrolese. They go away as pedlars, musicians, or

waiters; but when they’ve made their pile, almost without exception,

they come back in the end to their native valleys. I’ve more than once

met hunters or farmers in these upland glens who spoke to me in English,

not always without a tinge of American accent. Perhaps it’s not so much

that these people emigrate as that they always come back again. They

think other countries good enough to make money in, but the Zillerthal’s

the one place where they’d care to spend it.”

Florian answered nothing. He strode on, sore distressed. The only Tyrol

worth tuppence, he now knew to his cost, was the one he had erected,

anterior to experience, in his own imagination.

Linnet: A Romance · 第 1 / 52 章