CHAPTER XII

Hardly conscious of her movements, Clodagh left the card-room and

passed down the corridor.

Her only tangible sensations were anger and self-contempt. The thought

that Serracauld, who had seemed less than nothing in the scheme of her

life--Serracauld, with whom she had laughed and jested and flirted

because he was a boy and of no account--should have treated her

lightly; should have presumed to kiss her, to seize her violently in

his arms, was something shameful and intolerable. The simplicity of her

upbringing--the uncontaminated childhood that her country had given

her--rose to confront her in this newest crisis. Vain, frivolous,

foolish she might be, but beneath the vanity, the frivolity, the folly,

she was--and always had been--good, in the primitive, fundamental sense

of the word.

She hurried down the corridor, and down the staircase that she had

ascended so short a time before; but, reaching the ground floor, she

did not turn towards the ballroom, from which the sound of the violins

still floated. Instinctively, she moved in the opposite direction,

towards the quieter portion of the house in which stood the music-room.

The door of the room was closed when she reached it, and no sound came

to her from within. For a space she stood hesitating outside; then the

distant murmur of talk and laughter roused her to action. Her hesitancy

fled before her distaste for companionship. She raised her hand and

noiselessly opened the door.

To enter the music-room was to enter a region of romance. For, as the

card-room upstairs suggested the world and the things of the world,

this room seemed to embrace all the repose, all the dignity, all the

peace that such places as Tuffnell gather unto themselves with the

passage of time. It was a long, low-ceiled room with wainscoted walls

and a polished oak floor; and the first object that met the visitor's

eye, was an old harpsichord, mutely eloquent of bygone days; for, with

rare good taste, Lady Diana had hidden her piano behind a tapestry

screen, worked many centuries ago by another lady of the house. Even on

this night of festivity, the place retained its peculiar quiet; only

half a dozen candles burned in the sconces that hung upon the walls;

and the scent of lavender and dried rose-leaves lingered upon the air.

It seemed what it was--a room in which, for numberless generations,

women of refinement had made music, read poetry or sung songs, while

they wove about them the indescribable atmosphere of home.

And into this room Clodagh stepped, her heart burning, her mind

distressed, pained, and hurt.

For an instant she paused upon the threshold, overwhelmed by the

contrast between the aloofness, the graceful repose of the place, and

tumult of her own thoughts; then, yielding to the spirit of peace, she

closed the door resolutely and went forward into the room.

But at sound of the closing door, at sound of her dress upon the

polished floor, an answering sound came from behind the tapestry

screen--the noise of a chair being quietly pushed back--of some one

rising to his feet.

In sudden consternation, she stopped. For one instant she glanced

behind her, contemplating flight; the next, a faint exclamation of

surprise--the merest audible breath-escaped her; and her figure became

motionless.

The occupant of the room came quietly round the screen; and in the

uncertain light of the candles she recognised Gore.

The position was unusual; the moment was unusual. For the first time

since the night at the Palazzo Ugochini, they were entirely alone--for

the first time since the night at the Palazzo Ugochini they looked at

each other without the commentary of other eyes--without the atmosphere

of conventional things.

Involuntarily, inevitably, their eyes met. Clodagh looked into his; and

in the contact of glances it seemed that a miracle came to pass. By

power of that magnetism that indisputably exists--the magnetism that

draws certain natures irrevocably together, although circumstance and

time may delay their union--she saw the gleam of comprehension, of

question, of acknowledgment spring from his eyes to hers; and she knew,

without the need of words, that he stood within the circle of her

power, that--whether with, or against his will--his personality claimed

response from hers.

She did not move; for it seemed to her, in that instant of

understanding, that her life and his were mysteriously suspended. Her

heart beat extraordinarily fast, yet her mental vision was curiously

clear. By the light of her recent misgivings, by the light of her

sudden confidence she seemed to see and to read herself and him with a

strange and vivid clearness. Some power, tangible yet invincibly

compelling, drew them together. In the personal scheme of things there

were only two persons--he and she. Beyond the walls of the music-room

life swept forward as relentlessly, as rapidly as before; but inside

the walls of the music-room there were only he and she.

Almost unconsciously she took a step towards him.

"Do you remember that night in Venice?" she asked. "The night you said

all the things that sounded so hard, and hurt so much, and--and were so

true?"

She did not know why she had spoken. She did not know how she had

framed her words. She only knew that, exalted by the consciousness of

great good within her reach, she was moved to dare greatly.

It was the moment of her life. The moment when all social barriers of

prejudice and of etiquette fell away before a tremendous

self-knowledge. She realised in that space of time that her thoughts of

Gore--her attraction towards him--her reluctant admiration--had been

insensibly leading up to this instant of action; that on the evening

when they stood together on the terrace of the hotel at Venice, and

watched the night steal in from the lagoon, it had been irrevocably

written in the book of fate that they should one day look into each

other's hearts--for happiness or sorrow.

"Do you remember that night in Venice?" she said again, almost below

her breath. And in the pause that followed the whispered words, the

most wonderful--the most wholly perfect--incident of her life occurred.

The voice that had power to chill or stir her, spoke her name; the

hands she had believed closed to her for ever were held out towards

her. Gore came slowly forward across the shadowed room.

"I do remember," he said. "I have never forgotten, I never shall

forget."

The Gambler: A Novel · 第 12 / 20 章