Mr. Polly made no rash promises, and thought a great deal.
"It seems a good sort of Crib," he said, and added, "for a chap who's
looking for trouble."
But he stayed on and did various things out of the list I have already
given, and worked the ferry, and it was four days before he saw anything
of Uncle Jim. And so _resistent_ is the human mind to things not yet
experienced that he could easily have believed in that time that there
was no such person in the world as Uncle Jim. The plump woman, after
her one outbreak of confidence, ignored the subject, and little Polly
seemed to have exhausted her impressions in her first communication,
and engaged her mind now with a simple directness in the study and
subjugation of the new human being Heaven had sent into her world. The
first unfavourable impression of his punting was soon effaced; he could
nickname ducklings very amusingly, create boats out of wooden splinters,
and stalk and fly from imaginary tigers in the orchard with a convincing
earnestness that was surely beyond the power of any other human being.
She conceded at last that he should be called Mr. Polly, in honour of
her, Miss Polly, even as he desired.
Uncle Jim turned up in the twilight.
Uncle Jim appeared with none of the disruptive violence Mr. Polly had
dreaded. He came quite softly. Mr. Polly was going down the lane
behind the church that led to the Potwell Inn after posting a letter
to the lime-juice people at the post-office. He was walking slowly,
after his habit, and thinking discursively. With a sudden tightening
of the muscles he became aware of a figure walking noiselessly beside
him. His first impression was of a face singularly broad above and
with a wide empty grin as its chief feature below, of a slouching body
and dragging feet.
"Arf a mo'," said the figure, as if in response to his start, and
speaking in a hoarse whisper. "Arf a mo', mister. You the noo bloke at
the Potwell Inn?"
Mr. Polly felt evasive. "'Spose I am," he replied hoarsely, and
quickened his pace.
"Arf a mo'," said Uncle Jim, taking his arm. "We ain't doing a
(sanguinary) Marathon. It ain't a (decorated) cinder track. I want a
word with you, mister. See?"
Mr. Polly wriggled his arm free and stopped. "What is it?" he asked,
and faced the terror.
"I jest want a (decorated) word wiv you. See?--just a friendly word or
two. Just to clear up any blooming errors. That's all I want. No need
to be so (richly decorated) proud, if you _are_ the noo bloke at
Potwell Inn. Not a bit of it. See?"
Uncle Jim was certainly not a handsome person. He was short, shorter
than Mr. Polly, with long arms and lean big hands, a thin and wiry
neck stuck out of his grey flannel shirt and supported a big head that
had something of the snake in the convergent lines of its broad knotty
brow, meanly proportioned face and pointed chin. His almost toothless
mouth seemed a cavern in the twilight. Some accident had left him with
one small and active and one large and expressionless reddish eye, and
wisps of straight hair strayed from under the blue cricket cap he wore
pulled down obliquely over the latter. He spat between his teeth and
wiped his mouth untidily with the soft side of his fist.
"You got to blurry well shift," he said. "See?"
"Shift!" said Mr. Polly. "How?"
"'Cos the Potwell Inn's _my_ beat. See?"
Mr. Polly had never felt less witty. "How's it your beat?" he asked.
Uncle Jim thrust his face forward and shook his open hand, bent like a
claw, under Mr. Polly's nose. "Not your blooming business," he said.
"You got to shift."
"S'pose I don't," said Mr. Polly.
"You got to shift."
The tone of Uncle Jim's voice became urgent and confidential.
"You don't know who you're up against," he said. "It's a kindness I'm
doing to warn you. See? I'm just one of those blokes who don't stick
at things, see? I don't stick at nuffin'."
Mr. Polly's manner became detached and confidential--as though the
matter and the speaker interested him greatly, but didn't concern him
over-much. "What do you think you'll do?" he asked.
"If you don't clear out?"
"Yes."
"_Gaw!_" said Uncle Jim. "You'd better. '_Ere!_"
He gripped Mr. Polly's wrist with a grip of steel, and in an instant
Mr. Polly understood the relative quality of their muscles. He
breathed, an uninspiring breath, into Mr. Polly's face.
"What _won't_ I do?" he said. "Once I start in on you."
He paused, and the night about them seemed to be listening. "I'll make
a mess of you," he said in his hoarse whisper. "I'll do you--injuries.
I'll 'urt you. I'll kick you ugly, see? I'll 'urt you in 'orrible
ways--'orrible, ugly ways...."
He scrutinised Mr. Polly's face.
"You'll cry," he said, "to see yourself. See? Cry you will."
"You got no right," began Mr. Polly.
"Right!" His note was fierce. "Ain't the old woman me aunt?"
He spoke still closer. "I'll make a gory mess of you. I'll cut bits
orf you--"
He receded a little. "I got no quarrel with _you_," he said.
"It's too late to go to-night," said Mr. Polly.
"I'll be round to-morrer--'bout eleven. See? And if I finds you--"
He produced a blood-curdling oath.
"H'm," said Mr. Polly, trying to keep things light. "We'll consider
your suggestions."
"You better," said Uncle Jim, and suddenly, noiselessly, was going.
His whispering voice sank until Mr. Polly could hear only the dim
fragments of sentences. "Orrible things to you--'orrible things....
Kick yer ugly.... Cut yer--liver out... spread it all about, I
will.... Outing doos. See? I don't care a dead rat one way or the
uvver."
And with a curious twisting gesture of the arm Uncle Jim receded until
his face was a still, dim thing that watched, and the black shadows of
the hedge seemed to have swallowed up his body altogether.