No. 31.
Come to me, come, O come!
Let me not die, but come!
Hyria hysria nazaza
Trillirivos.
Fair is thy face, O fair!
Fair thine eyes, O how fair!
Hyria hysria nazaza
Trillirivos.
Fair is thy flowing hair!
O fair, O fair, how fair!
Hyria hysria nazaza
Trillirivos.
Redder than rose art thou,
Whiter than lily thou!
Hyria hysria nazaza
Trillirivos.
Fairer than all, I vow,
Ever my pride art thou!
Hyria hysria nazaza
Trillirivos.
The following displays an almost classical intensity of voluptuous
passion, and belongs in all probability to a period later than the
_Carmina Burana_. I have ventured, in translating it, to borrow the
structure of a song which occurs in Fletcher's _Rollo_ (act v. scene
2), the first stanza of which is also found in Shakespeare's _Measure
for Measure_ (act iv. scene 1), and to insert one or two phrases from
Fletcher's version. Whether the composer of that song had ever met
with the Latin lyric to Lydia can scarcely form the subject of
critical conjecture. Yet there is a faint evanescent resemblance
between the two poems.