CHAPTER IV.

It was as Mr. Joseph had said. His brother, George Albert Dacre Foxley,

of Foxley Manor, Notts, was indeed contemplating marriage with Milly,

niece of Mrs. Cox, landlady of the Ipswich Inn. If it seem strange,

remember that he had passed the meridian of his years, health was gone,

life rapidly passing away and it was impossible now for him to make any

new departure in his life or habits. He had become firmly attached

to Mrs. Cox's comfortable _ménage_ and wanted nothing more. Never in

England, even while in the enjoyment of fairly good health and luxurious

surroundings had he ever felt so completely at rest, satisfied with

himself and his small immediate world, every want cared for, every wish

guessed at, and the best of company to his idea--company that called

for nothing but pure naturalness. He could smoke for hours in Mrs. Cox's

kitchen, or in her neat yard or even in the chintz-hung drawing-room

and no one would interrupt him with dissertations on politics, art or

literature. Like all Englishmen of the quiet country-loving stamp, he

cared little about politics except when some general crisis assented

itself, and knew less about art or literature. He thought Wilkie and

Landseer about the summit of the one and Byron the chief modern pillar

of the other. Twenty years ago, Tennyson had not made a very deep

impression on a mind of his calibre. Yet this handsome, quiet, delicate

gentleman when he did choose to talk had such an audience as is not

given to many men, for Mrs. Cox would leave her work (if she dared) and

Milly would listen with her young eyes fastened in a kind of ecstasy

on the dark ones turned to hers, and Squires would come along with his

hands in his trousers pockets and his fiddle under his arm, and Bess

would put her paws upon her master's knees and devour him with her own

dark eyes--a quintette of friends unsurpassed in the world for loyal

attachment and generous devotion. What if what he had to tell was but

some simple story of hunting England, or some bald description of London

life seen under the surveillance of a tutor fifteen or twenty years

previous to the time of narration--he was their oracle, prophet, God,

what you will, and they were his dearest, yes, his very dearest friends.

When Mr. Joseph appeared as one of this happy circle, it became more

boisterous of course though not necessarily any happier, for it

was already as happy as it could be. But the news from town and the

occasional English mail, flowers and a cheap new novel--these were some

of the simple delights that Mr. Joseph used to bring with him. During

the first couple of years, both the brothers would saunter out to the

Miss Dexters' or to the Rectory, Mr. Joseph in particular, never failing

to appear on Saturday nights at choir-practice and Sunday evening

service--but Mr. George gradually discontinued his visits as I have

hinted and towards the fourth year of his stay hardly ever went beyond

the Inn. For at the back the small terraced garden met the orchard, and

the orchard sloping down met a small pebbly brook, and the brook flowing

along in sweet rippling fashion met the most charming of wheat covered

golden meadows in which it was pleasant and good to stroll and which

moreover all belonged to that matchless paragon among landladies, Mrs.

Cox. In those days people grew their own kitchen stuff, and their own

fruit and their own grain, fed their own live stock, made their own

butter and cheese, cured their own hams, laid their own eggs, even

brewed their own beer. Now, everything is different, and let no

confiding Englishman, allured by my tempting picture come out to Canada

today in search of such a Utopia for he will not find it. Moreover all

this pleasant prospect of wood and stream and meadow and orchard lay

well _behind_ the Inn, let it be understood, and it was perfectly

possible for Mr. George Foxley to have all the air, walking and

exploration he desired and even a little shooting and fishing if he

wanted them without, as I have said, going beyond it. When he grew

really weak, he was obliged to give up both the latter occupations of

course, but he still walked or strolled a great deal, generally with

Milly by his side. She would leave anything she was at when he called

her and opening the little gate by the one hawthorn tree leading into

the orchard, see him safe down the slope to the side of the little brook

where she would give him her arm, and thus their walk would commence in

earnest. Four years had brought a great change in Milly. New ideas, new

habits, association with such thorough and high-bred gentleman and

the natural desire to improve and grow worthy of such dearly esteemed

company, had altered her completely. Where before she had been pink,

now she was pale; thin, where she had been plump; her features actually

aquiline from the girlish snub of the rounded contour four years back,

her hair, three shades darker, her dress, almost that of a lady. The

most perfect sympathy appeared to exist, and really did, between these

two strangely met natures.

One day, they had sat down at the side of the brook as a couple of

children would have done to cast in sticks and leaves and watch them

float by. Sometimes these would get caught in the numberless little

eddies that such a stream possesses and be whirled round and round until

it was necessary to dislodge them and send them on their way after the

others. One fine yellow leaf on this November day attracted Mr. Foxley's

attention particularly, for it was obstinate in returning again and

again to a cosy little bay formed by a couple of large stones. Often

as he poked it out, back it came into the bay and anchored itself

contentedly on the calm water.

Milly laughed.

“He has found a haven,” said Mr. George. “Yes, without doubt he has

found his haven. What do you think, Milly?”

“I think so, sir.”

“Don't call me sir, child. What makes you do so?”

“There is nothing else I can call you, is there,--sir.”

“Ah!” said Mr. Foxley. He lay back at full length on the grass and put

his hands over his eyes. The river rippled on and Milly watched him

anxiously. “Is the leaf there still, Milly?”

“Yes, sir.”

“Now!” said Mr. Foxley in a warning tone. “I tell you I won't have it.”

“No, sir--I beg your pardon, Mr. George.”

“Nor that either,” said Mr. Foxley, slowly rising into a sitting posture

again. He had another poke at the yellow leaf. “Call me Dacre, my child,

will you?” Milly no longer watched him with those loving, anxious, eyes.

She was trembling from head to foot and had she spoken, she must have

wept. Mr. Foxley's voice was of itself enough to make any woman weep, it

was so soft, so tender, so subdued and indrawn. Once more he said, “Call

me Dacre, my child!” That pleading voice, so low, so musical, and that

it should plead to her? They were so close together that he could

feel her tremble. Weak as he was, he was the stronger of the two for

a moment, and turning slightly towards her met her rapturous eyes, and

heard her call him the name he wanted to hear. The same instant they

kissed, a long thrilling dark-enfolding kiss that was the first Milly

had ever known from a man and might have been, for its purity and

restraint, the first also that he had ever given to a woman.

“Have I found my haven too, like the wise leaf of autumn? Have I! Tell

me, my child, my darling!”

“O sir, dearest sir--I mean, dear Dacre, it is I who have found mine. If

indeed you care for me, sir!”

Mr. Foxley laid his head just on her shoulder, then let it slide into

her lap, taking her trembling hands and putting them over his eyes.

“I do more than care for you, my child. I love you. Stoop and kiss me.

There. Don't take your head away again like that. Leave it. Your face

against mine. Your lips on mine. Is it a haven, child? Truly, yes or

no?”

“Dear Dacre!”

“Well!”

“You know it is. And I have always wanted so much to--to--care for you,

but I did not dare.”

“Dare! There is no dare about it my child. If you will give me your

young life--how old are you now, love?”

“Nineteen,” whispered Milly into his ear.

“Only nineteen, and such a tall girl, with such long hair--if you will

give it to me and be happy in giving it, child, that must be thought of,

there is no one else--”

“You know there is not, sir.”

“Then I will do all I can to deserve it. And nobody must call you Milly

any more. You are Mildred now. Miss Mildred if you like and soon, very

soon, to bear another name, mine. It is a good one, child.”

“I am sure of it, dear Dacre, and too good--far too good--for me.”

“Do you know how old I am, my child?”

“I heard your brother say.”

“And did he dare? What did he say it was, my age?”

“He said--you were forty-one.”

“Then he was out. It is more than that I am exactly forty-three; I say

exactly, for, Milly, this is my birthday, and--I cannot hope--neither of

as must dare to hope, child--that I shall see many more. You will marry

me whenever I say, my love?”

The girl bent over him in a passion of weeping.

“There is nothing I would not do for you, dear sir--”

“Except call me by my dearly-beloved third name!”

It began to turn cold as they sat by the stream and Milly or Mildred as

she is henceforth to be called, drying her eyes, fell into a fever over

her lover and besought him to return to the house.

Standing face to face, he put her arms around his neck.

“Before we go, dear child, you are sure you love me?”

“O do not ask me again, dear Dacre!”

“That is right. And you know how old I am?”

Another assent.

“And that you are to marry me whenever I say?”

“If I can.”

“Of course you can. And that you are to give me all the love you

possibly have to give and more and more. I shall be exacting!”

“Dear Dacre!”

“Very well. Remember all those clauses, and now take me back to the

house. And some day, my child, I will tell you all my life and what it

was--or rather who it was--that sent me out of England, dear England--”

“Ah! you love it still,” murmured Mildred, looking at the ground.

“I shall always love it _now_, since I have found my happiness in

Canada, but once I hated it, Milly, yes, I hated it!”

So was accomplished the wooing of Mr. George Foxley. He was earnestly

and sincerely in love. The girl had grown up under his eye as it

were and was in fact almost a part of himself already. Marriage would

complete the refining and gilding process. The tones of her voice,

her accent, her pronunciation, her habits of sitting, of standing, of

walking were all more or less unconsciously imitated from him, she had

modelled herself upon him, she was indeed his “child” as he loved to

call her. For a month these two people enjoyed as pure and perfect and

isolated an happiness as can be experienced on earth. Then it became

necessary to inform Mr. Joseph and worthy Mrs. Cox. As if Mr. Joseph and

Mrs. Cox didn't know! There are two things that nothing can hide in

this life. One is, the light in the eyes of a girl who has found herself

loved by the man she adores, and the other is, the unutterable content

in the mien of that man himself. And there is no phase of passion

sweeter, nor purer, nor warmer, nor more satisfying, than that which is

the result of a young girl's affection for a man many years older than

herself.

As for the telling, Mr. George, though he could talk fast enough and

fluently enough to Mildred, hated much talk or fuss about anything and

so made everything the easier by informing his brother, Mr. Joseph, by

note. A few lines sufficed as preparation for the news and he ended

by requesting him to purchase some small and inexpensive gift as from

himself in appreciation of the occasion. Mr. Joseph with characteristic

good taste and delicate feeling, concluded that flowers, though

perishable, were the most appropriate purchase he could light upon, and

consequently walked out from town a certain Saturday afternoon late in

November with a monster affair in smilax and roses in his hand. When

it was placed, though not by himself, in Mildred's hands she felt a

disappointment she could not altogether conceal.

“Never mind,” said Mr. George at full length on a sofa with Milly beside

him on a chair. He did indeed prove a most exacting lover. For a long

time her share of daily work in the Inn and out of it, had been growing

less and less, until now she hardly did anything at all besides wait on

her master, lover and friend, prepare what he eat, read to him, and

sit by him for hours, never leaving him in the evenings till long after

twelve and then it was understood that in case of night attacks of the

dreadful pleurisy and asthma combined that were slowing killing him, she

would always be at hand to come at the sound of his bell--or indeed his

voice, for Milly, sleeping in the room opposite his own, always left

both doors open and would lie fully dressed on her bed night after

night, listening in the dark, with wide open eyes and strained ears, for

the slightest cough or sigh that came from that worshipped one across

the narrow hall.

“Never mind,” said he on that Saturday night “My brother _is_ busy just

now. Don't you remember, he found it difficult to come out last week.

It's an awful grind for Joseph, poor Joseph! But he enjoys life, I

think; at the present moment I expect he is flirting audaciously in town

with some charming girl. Or some fearfully plain one. You never know who

next, with my brother. He'll turn up on Monday.”

And Mr. Joseph did turn up on Monday. Farmer Wise had fetched some

doctor from Orangetown on Sunday, who after examining his injury,

pronounced it incurable. Mr. Joseph was as stoical as Englishmen are

generally expected to be and saw that it was absolutely imperative to

tell his brother.

“I brought it on myself” he said to the farmer, “At least I try to

believe I did. By Jove! to think--to think of some men! Well, I _must_

tell my brother.”

When he did tell him late on Monday night, having been driven over by

Farmer Wise himself, with his poor eyes bandaged and the sturdy farmer's

hand to guide him into the little back parlor where Mr. George and

Mildred sat alone, for Mrs. Cox had been ordered out by that exacting

gentleman as early as eight o'clock. Nothing but the presence of Mildred

herself and the love divine and human that filled Mr. George's breast to

overflowing could have saved him from succumbing to the painful shock.

“Well, I should think you are cured now, my poor Joseph!” said his

brother presently.

“Of what, in heaven's name?” said poor Mr. Joseph. “By Jove to think--to

think of some men, George! What had I done, what had I done?”

“I do think of them,” said Mr. Foxley gravely. “I do think of them.

And but for my happiness here,” touching Mildred's dress reverently,

“I could wish--” wistfully, “That we had never come here--'twas I who

brought you my poor Joseph, 'twas I, 'twas I.”

“Oh! that's rubbish!” pronounced Mr. Joseph energetically. “The main

point is now, how am I to get my living. God! I am perfectly useless!

They won't take me back in town there.”

“Dear Mr. Joseph,” said Mildred, with her eyes shining on the brother of

her lover. “You will live with us of course, with--Dacre, Dacre and me,

and my aunt. We all love you--see,” and Milly rose, first pressing Mr.

George's fingers as they touched her dress in passing and giving him a

look which was meant to keep him in order for a few moments, “no one can

nurse you as well as I can--ask Dacre--let me take off that bandage and

put it on again more comfortably for you! Will you, dear Mr. Joseph?”

Mr. Joseph groaned and hid his face against Milly's heaving breast.

“She is to be your angel as well as mine, perhaps,” murmured his

brother.

“I have always been so active,” groaned poor Mr. Joseph, “What is to

become of me? To live here with you would have been beautiful, but

now--the simple thought of existence at all anywhere is unbearable! And

the money--good God, George, how can I Help giving way!”

Some few other such scenes had naturally to be gone through before any

course could be suggested to Mr. Joseph. Mrs. Cox had been taken into

confidence, and Farmer Wise made to understand that nothing must be said

about the unhappy affair. Mr. Joseph wrote into town explaining in some

way his resignation of the rather important clerkship he had but just

begun to fill creditably, and sending for all his belongings took to

Mrs. Cox's remaining little room under the roof in the character of an

invalid. The secret was admirably kept, even by the doctor who had been

written to and who had seen a similar case some years ago.

“A jealous devil, I suppose,” said he, when he read Mr. George Foxley's

note.

“Well, he might have come off worse. But I should like to know who the

country lass was that he'd been sparkin', and who revenged herself like

that.”

A few weeks afterwards Mildred was married to George Albert Dacre

Foxley, of Foxley Manor, Notts, by the Rev. Mr. Higgs in the village

church. Her lover looked wonderfully well and strong on the occasion

and was so happy that he was actually mischievously inclined during the

ceremony, nearly causing his bride to laugh out audibly. Handsome and

distinguished and aristocratic a gentleman as he looked, Mildred was not

unworthy of him, as a straighter, firmer, more composed and more smiling

a bride never entered a church. The girl was too happy to know what

nervousness meant nor self-consciousness. She sat with her lover after

he was dressed and had lain down a few moments to rest, until it

was time to start in the carriage which Mr. Rattray had in the most

unexpected manner offered them and which Mr. George accepted with the

easy languid grace that characterized his acceptance of most things in

this world excepting Milly. He had plenty of force and passion and to

spare concerning _that_ gift. Stipulating that “Squires” must sit on

the box seat, he and Milly and Mrs. Cox, an ideal little wedding party,

drove off in actually high glee, laughing and chatting and joking

immoderately to the amazement of the villagers, prominent among whom

were Mrs. Woods and “Woods” himself, rescued in a dazed condition from

the back premises of the “Temperance Hotel” according to popular local

tradition, and Mrs. Lyman, B. Rattray, _née_ Maria Higgs. Mr. Joseph

alas! could not be present.

In the year that followed this remarkable marriage, the relative

positions of the Mr. Foxleys underwent a great change. So much love and

so much care lightened the elder brother's existence so materially,

that his health actually improved, and by the end of the sixth month

of marriage he was able to shoot and fish once more, and walk with his

adoring wife without the help of her strong arm and shoulder. Indeed it

was she who about this time began to need his assistance during those

long strolls by the side of the brook or through the tall grain

grown meadows--a matter which astonished them both to the extent of

stupefaction. Mr. George took his trouble to Mrs. Cox.

“I don't know what you expected, Mr. George, I don't indeed,” said she,

secretly amused at his simplicity. “You went and got married, as was

only natural, and now you are frightened at the results, as is only

natural.”

“But, my dear lady,” expostulated the perplexed gentleman, “it involves

so many things, all manner of complications. For instance, money. I

shall have--I really believe, my dear good Mrs. Cox--I shall have to

make some money.”

“You!” ejaculated Mrs. Cox.

“I know. It appears hopeless. I never turned a penny, honest or

otherwise in my life. Joseph you see--ah! poor Joseph!”

Poor Joseph indeed, darkness for light, solitude for society, enforced

idleness for long-continued habits of activity, who could enjoy life

under these circumstances--and careful of him as Mildred was, and

sympathetic as his brother was, these two were too intensely absorbed

in each other to give him all the amusement and attention he craved.

He grew thin and weak and slightly perverse and seemed to care more for

Mrs. Cox's company than for his brother's. And yet there was nothing

wrong with him except his terrible affliction. Mrs. Cox was sure he

had something on his mind, and one day she ventured to tell him so. He

flushed all over his pale freckled skin, and feeling for her motherly

hands took them in his own.

“There is,” he said. “I wonder no one has ever guessed it. Miss Dexter,

where is she? Does anyone ever see her?”

“My poor boy, my dear Mr. Joseph,” cried Mrs. Cox. “You did not really

care for her, did you? Surely! You did not care for her!”

“No,” said he decidedly. “No, I did not care for her--I didn't, never

could have cared for her as George cares for Mildred, say--but she was

a lady and kind to me, and I liked to go there, and the fact is--I miss

her--and I am so sorry for her! and yet, you know, I am half frightened

of her too and afraid to go out, thinking she may meet me and I wouldn't

see her coming, you know! Yet she wouldn't do it again, I think!”

“Heaven save us, no, Mr. Joseph! And you so forgiving! Mercy me, and

people say men make all the trouble!”

“It's half-and-half, Mrs. Cox, dear old soul,” muttered Mr. Joseph,

leaning back on his cushions. “I suppose we were both to blame. I can't,

for the life of me, fall to talking of it as a judgment, for before

heaven, I had done nothing. Yet I forgot how lonely she was and how

proud, and I forgot too, that Ellen--that Ellen--”

“Ay, Mr. Joseph. It was Ellen too. Poor Ellen, that passed away out of

it all!”

“And she--Miss Dexter--is still here, still living by herself in the

cottage by the oak! I remember so well, Mrs. Cox, the first time my

brother and I ever saw that oak!”

“I daresay, Mr. Joseph, I daresay. Yes, she is still there, living in

her cottage unloved and unheeded, Mr. Joseph. And may she ever continue

so!”

“Oh! don't say that, dear old soul! Don't say that! Do you know, I

should like to see her--I mean--meet her once again!”

Mrs. Cox was certain he was not in “his right head” as she said to

herself.

“See her again! Meet her, talk to her! The woman who served ye like

this! what can you be thinking of? Let me call your brother. There he is

coming along the road, brown and bonny, with his wife on his arm, bless

them both?”

“Did you say he was brown, Mrs. Cox? My brother brown! What a change! He

looks so well then, dear old soul!”

“If you could but see him, Mr. Joseph, you would see how well.”

“Well and brown! And Mildred, she is pale, I suppose, and with her

eyes turned up to his and her lips brushing his shoulder every now and

then--O I can see them--I suppose they go on a worse than ever.”

“Indeed and they do, Mr. Joseph. After, breakfast this morning I sent

them up into the drawing-room to be out of the way of the drover's

meeting to be held in the bar, and when I went up to ask them about the

lunch they would take with them on the river this afternoon I heard no

sound like and just whispered at the door a bit if I might come in. When

I went in, there was your brother standing behind her in a chair, with

all her hair down, and a brush in his hand and his wife fast asleep!

He looked frightened for a minute when he saw me and I besought him to

bring her to, thinking he'd mesmerized her. He'd been brushing it and

playing with it and the morning over warm--she had fallen asleep. And

I left them, Mr. Joseph, I left them, for they love each other so. And

when I think of the honor he has done my girl, and how particular he is

that she shall be called Mrs. Foxley--it--”

“Well, well, Mrs. Cox, ours is a good name, and I do not think my

brother would have ever allowed any but a good girl to bear it. And if

a girl is lovely and gentle and pure-minded, and innocent, and neat, and

clean, and refined as your niece was, it matters not about her birth.

Birth! O my dear old soul, I am sick of the word! Miss Dexter now, is a

lady, you know.”

“Ay.”

“And I must see her again,” enforced Mr. Joseph, brought back to his one

idea. “I must see her again.”

Mrs. Cox communicated this intelligence to her niece, Mrs. Foxley.

“I think I can understand why,” said she, lying back in her husband's

arms one hot summer night under the trees at the back of the blouse. “It

seems a hard wish to understand and a harder one to comply with, but it

may have to be done. Dacre--”

“What my darling!”

“When are you going to tell me about your life in England

and--and--about the woman who sent you out of it?”

“The woman! I never told you about a woman, child!”

“No. But I guessed. It is sure to have been a woman, Dacre.”

“Well, I don't mind when I tell you. Nothing of all that time is

anything to me now. Shall I tell you now?”

“If you please, dearest Dacre. For I must be close to you when I listen

to that, and must not have you see me, for I know I shall cry.”

“Dearest child! Well then, it shall be now, for you could scarcely be

closer to me than you are now? And if you cry, as you must try not to

do, you shall be allowed to cry here upon my breast and I will not look.

I can hardly see you as it is, it is so dark. Let me think, how I shall

begin. You know Joseph--our poor Joseph--is my only brother and I never

had any sisters. My father--you know this too--is an English country

gentleman living in one of the most beautiful seats in England. If I

were to describe the old place to you, you would want to go, and I

could not spare you, so I will only say--well, you have seen those

photographs?”

“Yes, dearest Dacre.”

“They only give you a faint idea of what it is. It is Tudor you know--do

you know what Tudor is, Mrs. Foxley--and all red brick, weathered all

colors, and terraced, with lots of little windows and some big ones with

stained glass in them, and urns on the terrace, and a rookery, and an

old avenue of poplars, haunted too, and so on, and so on--there's no end

to it, Mildred! Yes, it's a fine old place, without doubt Well, that

is where I was born. I don't remember my mother. I wish I did. She died

when Joseph was born, he is just four years younger than I am. Our youth

was passed there--at the Manor, of course, and we had the usual small

college education not extending to a university career that gentleman's

sons have in England, you know. I didn't make many friends at school,

and where we lived, there was no one to visit, and we had very few

relations. It is quite unusual I believe for two boys to grow up as we

did, in comparative isolation. My father was a kind of Dombey--you know

Dombey, Mildred--wrapped up in his old place and the associations of

his youth and in his family pride. The Foxleys are better born I believe

than half of the aristocracy; we go back to the Conquest on my father's

side--a thing which he never permits himself to forget for an instant.

Well, Milly, it was a dull life for two lively, affectionate lads like

Joseph and me, wasn't it, and had it not been for all this, child,

nature, you know, and the trees and the streams and the out-door sports

I love so well, I could never have got on at all. Then when I was

nineteen--just your age, love--came a change. I, being the elder and

heir to the estate was sent off to town--I mean, London, my dear--and

the Continent, with a tutor. Joseph--well, I believe I have never fully

understood what became of Joseph during the four years I was away, but

I suppose he amused himself. He has a knack of doing that I never had,

except when I am in the country. Well, this tutor wasn't a bad sort of

a fellow and at first we got on splendidly, living in town in chambers,

going to the plays and the opera, and dining all over, just wherever

I liked or he knew, and excursions oat of London, you know--oh! jolly

enough for a little while! Then we went across to Paris--”

“Yes, dearest Dacre?”

Mr. Foxley stopped a moment to lift his wife's face closer to his own.

He kissed it--a long long kiss that entranced them both to the degree of

forgetting the story.

“If you would rather not go on--” said Mildred.

“Oh! I must now. Well, we did Paris, and then the other capitals and

Nice--Nice was just then coming into vogue, and ran down into Italy--I

remember I liked Genoa so much--and then we came back to Paris, for

Harfleur--that was the tutor's name, and it doesn't sound like a real

one, does it--preferred Paris to any other European town and of course

so did I. About this time, his true character began to show itself. He

went out frequently without me, smoked quite freely, would order in

wine and get me to drink with him, and was very much given to calling

me fresh, green, and all that you know. I began to think he was right. I

was past twenty-one, and I had never even had a glimpse into the

inside of life. Women, now and all that kind of thing--I was positively

ignorant of--but to be sure, one quickly learns in Paris.”

For one night, Harfleur asked me in his usual sneering tone how I was

going to spend my evening.

“I am going out to a charming _soirée_ at the house of Madame de

L'Estarre, the most charming woman in Paris,” said he.

“'Then I shall accompany you,' I said, fired by his insulting tone. And

I went, Mildred. I suppose I was good-looking, eh, my child--and had

sufficient air of distinction about me to impress Madame de L'Estarre,

for she left the crowd of waxed and perfumed Frenchmen and devoted

herself entirely to me. Although she was--beautiful--she was not tall,

and I, standing at her side all that evening, never took my eyes off her

dazzling face and her white uncovered bosom. In a week, my child, I had

learnt to know and love every feature in that dazzling face and began

to dream of the day when I should be allowed to kiss that bosom. Yes, I

certainly loved her.”

“I am sure you loved her, Dacre my darling. And how could she help

loving you, dear, in return?”

“Oh that is another thing entirely, quite another thing. After that

night, Harfleur showed me more respect than he had done for some time

previously and we began to hit it off again better. I went to her

_hotel_--her house you know, every day. At first she would always

receive me alone, sending anybody away who happened to be there and

refusing to admit anybody who came while we were together.--It is

difficult, even to my wife, to explain what kind of a woman she was. All

that first time, when we would be alone, she would--make love, I suppose

it must be called--with her eyes and her hands, and her very skirts

and her fan, and the cushion, and the footstool. The room was always

beautiful and always dim, and she would greet me with outstretched hands

and a shy smile, making room for me beside her on the sofa--she always

sat on a sofa. We would talk of nothing at all perhaps but look into

each other's eyes, until the force of her look would draw me close,

close to her till we were almost in one another's arms, and I could feel

her breath coming faster every moment when just as I imagined she would

sink upon my shoulder--she would draw herself up with a laugh and push

me away, declaring somebody was coming. Then, if nobody came, she would

go through the same farce again. This would happen perhaps two or three

times a day. In the evening, I was again at her side, night after night

regarding her with a devotion that amazed even my friend Harfleur.

“She treats you like a dog. It will kill you yet, George. Come away.”

But of course I would not go. I accompanied her to the theatre, to the

Bois, to the shops, to church--yes, even to church, Mildred, think of

that--and she was very careful and circumspect and all that. I even

believe as far as direct actions go, she may have been a virtuous woman,

for she certainly, had no other lover when I knew her. She was a widow,

enormously rich and nothing to do. Therefore, I suppose she went in for

the torturing business as a profession. Her Frenchmen did not mind; that

was the secret of her charm with them--so clever, they called her, but

it nearly killed me, her cleverness. I grew pale and worn--sleep--I

never slept. All my life I had lived without natural affection, and

now I was pouring forth upon this woman the love I might have rendered

friends, sister, brother, mother, as well as the passion of a young man.

I say to you now, Mildred, my wife, that the woman who tramples on the

passion of a young man is as bad as the man who slays the innocence of a

young girl. And that's what she did. Finally, when this had lasted for a

year and a half, and Harfleur had gone back to England, one day, when I

was perfectly desperate and could have killed her, Milly, as she lay at

full length on her damned sofa--pardon, my dear, no, don't kiss my hand,

child, don't--dressed in some rose-colored stuff all trailing about

her and her hands clasped under her head, I fell by her on my knees and

besought her to tell me what she meant and if she ever could care for

me. I give you my word, my dear, and with my hand over your innocent

heart, you know I dare not lie--in all that year and a half I had not

even touched her lips. You cannot, happily imagine the torture of such a

position.

Well, that day, she bent over to me on her side and said “What do you

want, is it to kiss me? Chut! wait for that till we are married.”

“Do you mean to marry me?” I gasped out. “She said 'yes,' Mildred, and

brushed my cheek with her lips. What do you think I did then, Mildred?”

“How can I tell, dearest Dacre!”

“I fainted, dearest. Think of it. But I believed her, you see, and the

revulsion was too great. In a moment or two I came to myself with

the sounds of laughter in my ears. I was on her sofa--that damned

sofa--pardon again, my dear--and she was standing with three of her

cursed Frenchmen around her all laughing fit to kill themselves. I

saw through it all in a moment. They had been on the other side of the

curtains. I went straight up to her and said 'Did you say that you were

ready to become my wife?' She only laughed and the men too with her.

Then I struck her--on her white breast, Milly--and struck the three

Frenchmen on the face one after the other. They were so astonished that

not one of them moved, and I parted the curtains, and left the house.”

“Did you never see her again?”

“Never. I left Paris considerably wiser than I had entered it and

avoided society generally. I had one year's life in London, and was

considered no end of a catch by the mammas, I believe, but you can

imagine I did not easily fall a victim. No. That is all my story, my

dear, all at least that has been unguessed at by you. My health was very

bad at home and beyond my love of sport I cared for nothing. I grew to

hate my life in England, even England, though she had done me no harm.

Finally, I quarrelled with my father who married again, a woman we both

disliked, Joseph and I, and so we turned our backs on the Old World and

came out to Canada and to--you.”

Mildred still lay, crying softly, in her husband's arms. “I had

sometimes dreamt,” continued Mr. Foxley, “of meeting some young girl who

could love me and on whose innocence and sweetness I could rest and whom

besides I should really love. It did not dawn upon me when I first saw

you, that _you_ were the one I wanted, for we must confess, dear, that

you were very plump and rather pink and spoke--”

“Why, Dacre, how can you? I was only fifteen! Cruel!”

“Yes, I know. And how you changed! Now, you are so different that it is

not the same Mildred at all. Such is the power of a true love, my child,

and we must always be happy,--ours is one of those marriages.”

Theirs was indeed one of those marriages. Mr. Foxley took to farming and

enriched his purse as well as his health. Mr. Joseph had an interview

with Miss Dexter the nature of which I am not going to reveal, but which

resulted in a placid intimacy between the two to the surprise of all

save Milly who always said that “she thought she knew why.” Miss Dexter

frequently accompanied blind Mr. Joseph on his lonely walks or would

sit with him when the others were out, as none but he cared to meet her.

Towards his death which occurred in about four years time, she was with

him constantly, and died herself in a fortnight after, having left in

her will, all her maiden belongings to her “good friend, Farmer

Wise.” The farmer was not much moved when informed of this fact, so

incomprehensible to the rest of the village. He had always kept the

little bottle with its cruel label, and had always feared and avoided

poor, proud, foolish, wicked Charlotte Dexter since that Saturday night.

As for Mr. George and his wife, I see a vision of a successful and happy

husband and father in the prime of early old age (which means, that at

fifty-three one is not old with a young wife and three sweet children)

and of Mildred, who is always a little pale, has her eyes constantly

turned up to her husband's with her lips brushing her shoulder every now

and then.

Still?

Ay, still and forever. And so ends my sketch of how the Mr. Foxleys

came, stayed and never went away.

The Gilded Hammock.

Who does not know the beautiful Miss De Grammont? Isabel De Grammont,

who lives by herself and is sole mistress of the brown-stone mansion in

Fifth Avenue, the old family estate on the Hudson, the villa at Cannes,

the first floor of a magnificently decayed palace at Naples, who has

been everywhere, seen everything and--cared for nobody?

She reclines now in her latest craze--a hammock made of pure gold wire,

fine and strong and dazzling as the late October sun shines upon it

stretched from corner to corner of her regally-furnished drawing-room.

Two gilded tripods securely fastened to the floor hold the ends of the

hammock in which she lies. The rage for yellow holds her as it holds

everyone who loves beauty and light and sunshine. Cushions of yellow

damask support her head, and a yellow tiger-skin is under her feet.

The windows are entirely hidden with thick amber draperies, and her own

attire is a clinging gown of some soft silk of a deep creamy tint that

as she sways to and fro in the hammock is slightly lifted, displaying

a petticoat of darker tint, and Russian slippers of bronzed kid. Amber,

large clear and priceless, gleams in its soft waxy glow in her hair, on

her neck, round her waist, where it clasps a belt of thick gold cloth

and makes a chain for a fan of yellow feathers.

Because you see, although it is autumn, it is very warm all through Miss

De Grammont's mansion, as she insists on fires, huge bonfires, you may

call them, of wood and peat in every room and on every hearth. Out of

the fires grew the desire for the hammock.

“Why,” says Miss De Grammont, with a faint yawn, “why must I only lie in

a hammock in the Summer, and then, where nobody can see me? I will have

a hammock made for the winter, to lie in and watch my fires by.”

And so she did, for money is law and beauty creates duty, and one day,

when the fashionable stream, the professional cliques and the artistic

hangers-on called upon her “from three to six,” they were confronted

by the vision of an exquisitely beautiful woman dressed in faint yellow

with great bunches of primroses in brass bowls from Morocco on a table

by her side, who received them in a “gilded hammock,” with her feet on

a tiger-skin, and her chestnut hair catching a brighter tinge from the

flames of her roaring fire, and the sunlight as it came in through the

amber medium of the silken-draped windows.

The tea was Russian, like the slippers, and the butler who presented

it was a mysterious foreigner who spoke five languages. The guests all

wondered, as people always did, at De Grammont. Nobody knew quite what

she had done with herself since she had been left an orphan at the age

of nineteen. She suddenly shot up into a woman, beautiful, with that

patrician and clear-cut loveliness with yet a touch of the _bohémienne_

about it which only _les belles Américaines_ know. Then she took unto

herself a maid, two dogs, and three Saratoga trunks and went over to

Europe wandering about everywhere. At Cannes, she met and subjugated

the heir to the crown; of this friendship the tiger-skin remained as a

_souvenir_. The heir to the crown was not generous. Next came various

members of embassies, all proud, all poor, and all frantically in love.

She laid all manner of traps for her lovers and discovered in nearly

every case that these men were after her money. A certain Russian Grand

Duke, from whom had come some superb amber ornaments--he being a man of

more wealth than the others--never forgave her the insult she offered

him. He sent her these ornaments from the same shop in Paris that

he ordered--at the same time--a diamond star for a well-known ballet

dancer, and the two purchases were charged to his account. Through some

stupidity, the star came to her. She ordered her horses and drove the

same day to the jewelers, who was most humble and anxious to retrieve

his error. He showed her the amber. She examined it carefully. “It is

genuine, and very fine,” she said gravely. “I have lived in Russia and I

know. I am very fond of amber. I will buy this myself from you, and you

may inform His Highness of the fact.”

The delighted shop-keeper did not ask her very much more than its

genuine value and next day all Paris knew of the transaction and flocked

to the Opera to see her in the ornaments which had cost the Russian

Duke his friendship for the bearer. But though eccentric, impulsive and

domineering, no whisper had ever attached itself to her name. On her

return to her native New York, was she not welcomed, fêted, honored,

besieged with invitations everywhere? People felt she was different from

the girl who went away. _She_ had been undecided, emotional, a trifle

vain, self-conscious, guilty of moods--no small offence in society; this

glorious creature was a queen, a goddess, always calm, always serene,

always a trifle bored, always superbly the same. Her house she

re-furnished altogether. The three Saratoga trunks were now represented

by nine or ten English ones, dress baskets, large packing cases, and one

mysterious long box which when opened contained several panels of old

Florentine carved wood-work which interested all New York immensely.

Pictures and tapestries, armor and screens, and a gate of mediæval

wrought iron were all among her art treasures. The foreign butler was

her _chargé d'affaires_, and managed everything most wisely and

even economically. He engaged a few servants in New York, her maid,

housekeeper and the two housemaids she had brought out with her. Her

house was the perfect abode of the most faultless æstheticism. It was

perfection in every detail and in the _ensemble_ which greeted the eye,

the ear, every sense, and all mental endowments, from the vestibule in

marble and rugs to the inner boudoir and sanctum of the mistress of the

house, hung with pale rose and straw-color in mingled folds of stamped

Indian silks, priceless in color and quality. Two Persian cats adorned

the lounge and one of her great dogs--a superb mastiff--occupied the rug

before the door night and day, almost without rest.

Such were the general surroundings of Isabel de Grammont. Art and

letters, music and general culture were inseparable from the daily life

of such a woman as well as immediate beautiful presences, so that into

this faultless house came everything new that the world offered in

books, magazines, songs and new editions. Thanks to European travel,

there was no language she could not read, no modern work she had not

studied. Also came to her receptions the literary lions of New York.

Aspiring journalists, retiring editors, playrights and composers, a

few actors and crowds of would-be poets flocked to the exquisite

drawing-rooms hung with yellow, wherein the owner of so much

magnificence lounged in her golden hammock. Sonnets were written of

her descriptive of orioles flying in the golden west, and newspaper

paragraphs indited weekly in her praise referred to her as the

“Semiramus of a new and adoring society world.” Baskets of flowers, tubs

of flowers, barrels of flowers were sent weekly to her address, and

she was solicited--on charitable, fashionable, religious, communistic,

orthodox and socialistic grounds as lady patroness of this or member of

that and subscriber to the other. In short, she was a success, and as

nothing succeeds like success, we may take it that as the months rolled

on, and the great house still maintained its superb hospitality and Miss

De Grammont still appeared in her sumptuous carriage either smothered

in furs or laces according to the seasons, she still maintained in

like manner her position in society and her right to the homage and

admiration of all classes.

But this was not the case. Even a worm will turn and public opinion is

very often a little vernacular, let us say. And it happened, that public

opinion in the case of Miss De Grammont, began to turn, to raise itself

up in fact and look a little about it and beyond it as we have all seen

worms do--both in cheeses and out of them--when the fact that she lay

most of the time in a gilded hammock swung in front of her drawing-room

fire was announced from the pulpits of society journals. It may have

been that her friends were devoid of imagination, that they were cold,

prudish, satirical, unpoetical, unaesthetic, anything we like to call

them, that will explain their action in the matter, for they clearly,

one and all, disliked the notion of the hammock. One spoke of it

disparagingly to another, who took it up and abused it to a third,

who described it to a friend who “wrote for the papers.” This gifted

gentleman who lodged with a lady of the same temper and edited a fashion

journal, concocted with her help a description of the thing which soon

found its way into his paper and was then copied into hers. The public

grew uneasy. It would swallow any story it was told about the Heir

Apparent, for instance and a Russian Grand Duke--is it not the sublime

prerogative of American women to dally with such small game as those

gentlemen--but it kicked against the probability of such an actual fact

as the hammock already described which seemed too ridiculous a whim

to possess any real existence. However, the tongues of the fashionable

callers, the professional cliques and the artistic hangers-on coincided

in the affair to that extent that soon the existence of the gilded

hammock was established and from that time Miss De Grammonts' popularity

was on the wane. Dowagers looked askance and matrons posed in a

patronizing manner, the flippant correspondents of society journals and

the compilers of sonnets in which that very hammock had been eulogized

and metaphored to distraction now waited upon her, if at all in an

entirely different manner. Strange how all classes began to recall the

many peculiar or unaccountable things she had done, the extraordinary

costumes she had worn, the fact that she lived alone, and the other fact

that she made so few friends. From aspersions cast on her house, her

equipage, her dresses, there came to be made strictures on her private

character, her love affairs, her friends and career in Europe, her

_ménage_ at present in New York and the members thereof. Finally public

opinion finding that all this made very little impression outwardly,

upon the regal disdain of Miss De Grammont in her carriage or in her

Opera-stall, however she might writhe and chafe when safely ensconced

within that rose and straw-colored boudoir, made up its mind that the

secret of the whole three volume novel, the key to the entire mystery

lay with the--butler.

That black-moustached functionary, they whispered, had his mistress in

his power. He had been a courier, and she had fallen in love with him

abroad. Or he had been a well-known conjurer and coerced her through

means little less than infernal to run away with him. He was a

mesmerist, so they said, and could send her into trances at will. Then

he had been the famous Man Milliner of Vienna, whose disappearance one

fine day with the entire trousseau of an Austrian Grand Duchess had been

a nine days' wonder. These dresses she wore, strange mixtures never seen

on earth before of violet and blue, pink and pea-green, rose and lemon,

were the identical ones prepared for the Grand Duchess. Finally, he was

an Italian Prince rescued from a novel of “Ouida's,” whom she had found

living in exile, having to suffer punishment for some fiendish crime

perpetrated in the days of his youth.

When the stories had reached this point, Miss De Grammont, to whom they

were conveyed through papers, notes from “confidential friends,” her

maid and others, wrote a letter one day directed to the:

REV. LUKE FIELDING,

Pastor, Congregational Church,

Phippsville, Vermont.

A week or ten days after, Miss De Grammont, seated--not, in the gilded

hammock though it still swung gracefully before the glowing fire--but in

the cushions which graced her window looking on the front of the house,

saw a gentleman arrive in a cab. She rose hastily and opened the door

of the room herself for her visitor. This was the Rev. Luke Fielding,

a gentleman of the severest Puritanical cut and a true New Englander

to boot. With his hat in his hand he advanced with an expression on his

face of the deepest amazement and dismay which increased momentarily as

he saw not only the gorgeous coloring and appointments of the room

but the fair figure of its occupant. To be sure, she had with infinite

difficulty selected the plainest dress she could find in her wardrobe to

receive him in, a gown of dark green velvet made very simply, and high

to the throat. But alas! there was no disguising the priceless lace at

her wrists, or the gems that glittered on her firm white hands.

“My dear cousin!” said the lady, giving him both her hands.

“My dear cousin Isabel,” returned the minister, laying his hat down on

a plush-covered chair on which it looked curiously out of place, and

taking her hands in his.

“My dear cousin Isabel, after so many years!”

“It is only eight years, cousin,” returned the lady.

“True,” replied the minister gravely. “Yet to one like myself that seems

a long time. You sent for me, cousin.” His gaze wandered round the room

and then fastened once more upon Miss De Grammont.

“Yes,” she said faintly. “I could not tell you all in my letter. I

wanted--I want still--somebody's help.”

“And it is very natural you should apply for mine, cousin, I will do

anything I can. I have”--the minister grew sensibly more severe, more

grave--“I have this day, on the train, seen a paper--a new kind of paper

to me, I confess,--a _Society Journal_ it calls itself, in which a name

is mentioned. Is your--trouble--connected with that?”

Miss De Grammont blushed deeply. “Yes. That is my name. I would not have

troubled you--but I must ask your advice, for you are the only one of

the family, of my mother's family--” Her voice broke.

“Yes, cousin, you are right.”

The minister rose and stood up before her, a stern though not

unsympathetic figure in his stiff black coat and iron gray hair. “I know

what you are going to ask me to do. You will ask me to see these people,

these editors, reviewers, whatever they are, to talk to them, to impress

upon them what you are and who you are, and who your mother was, and

what is the end of the base man who imagines lies and the end of all the

workers of iniquity. You will ask me to tell them that it is all false,

all abominable intrigue and treachery and I shall demand in your name

and in my own as your only near relative and a minister of the Gospel,

an apology. It is but jealousy, cousin. Forgive me, but you are too

beautiful and too young to live alone in such a house, in such a manner.

You must marry. Or else you must give up such a life. It maketh enemies

within your gates and behold! there shall be no man to say a good thing

of thee!”

The minister had lifted up his voice as if he had been in the pulpit and

for one instant laid his hand on his cousin's hair. Then he went back to

his seat.

Miss De Grammont was profoundly moved. Great tears coursed down her

cheeks and until they had stopped she could not trust herself to speak.

“The paper!” she said dismally. “You have seen a paper, you say,

with--my--my name in it! There is nothing new in that. I have been in

the papers for months past. I am never out of them. And this one says--”

The minister drew it out of his pocket.

“That with you, in this house lives, in the character of a butler,

an exiled Italian Prince who committed grave personal and political

offences many years ago and was sent to prison. That you are married to

him. My dear cousin, it is monstrous!”

Miss De Grammont took out her handkerchief already wet through with her

tears and pressed it to her eyes.

“It is not monstrous,” she said, “but it is most extraordinary. He _is_

an Italian Prince, and I _am_ married to him.”

To use a hackneyed phrase, the room swam around Mr. Fielding for an

instant When he recovered he could only sit and gaze at the beautiful

woman before him. The details of village life, in Vermont had not

educated him up to exigencies of this sort. A fearful chasm seemed to

have opened under his feet, and he began to comprehend dimly that there

were other lives than his own and that of his estimable but commonplace

wife being daily lived out in this world.

“Yes,” said Miss De Grammont, a little more bravely now that the worst

shock was over. “That is quite true. And the extraordinary part of it is

that they can only have guessed at it; evolved it, as it were from the

depths of their inner consciousness, they can't possible have discovered

it. It isn't known anywhere, save perhaps to one or two in Italy.”

“In Italy,” murmured the Rev. Mr. Fielding. “You met him in Italy? And

why keep it secret? My dear cousin, you have made a great mistake. And

all this sad and singular story is true?”

“Very nearly true. All but the offences. They never happened.”

“Your husband is not a political character then?”

“Oh! not in the least. He knows nothing of politics. My José! he

couldn't hurt anything, moreover!”

“José is a Spanish name, surely,” said Mr. Fielding.

“His mother was a Castilian, fair and proud as only a Castilian can

be. She named him José--But he has other names, three, all

Italian--Antonio--”

“I see,” said the minister dryly. “I am sorry that I cannot give you all

the sympathy in this matter that you may desire, but you have entered on

a course of action which is perplexing at least, to say no more. I feel,

my dear cousin, that as a--married woman--your confidences are--ill

placed and I must ask you to withdraw them. You must settle this matter

with your--ahem--husband.” Mr. Fielding took up his hat and in another

moment would have been gone forever, but that turning at the door he saw

such intense supplication in his cousin's eyes that his orthodox heart

melted.

“Forgive me cousin,” he said coming back. “There may be still a way

out of it. Will you tell me all?” Miss De Grammont then related her

different heart episodes abroad, entanglements, half-engagements,

desperate flirtations and all the rest of it to this sober, black-coated

gentleman. Such a revelation poured forth in truly feminine style

nearly drove him away the second time, but true to his word, he remained

nevertheless, sitting bolt upright in a padded chair only meant for

lounging. Finally, she told him of her snares to catch lovers and how

one day she was caught herself by the dark-browed, eloquent Prince

Corunna.

She fell in love herself for the first time in her life, and he with

her, so he declared. But he was miserably poor and with the pride of a

Castilian would not woo her because of her money. She hated it, yet she

could not live without it.

The minister smiled pityingly.

However she made him marry her, and then proposed as a test, in which

he joyfully acquiesced, that he should make himself of use to her, be

in fact, her major-domo, steward, butler, amanuensis, anything and

everything.

“It is most unprecedented,” sighed the minister. “That a man with

Castilian blood in his veins--”

Miss De Grammont interrupted him. “He was happier so, dear cousin. But

I--I grew most unhappy. And since I have been here, I have been very

unhappy still. We are both in a false position and now--thanks to that

unlucky hammock--our secret has become common property.”

“The hammock!” said Mr. Fielding. “What has that got to do with it? It

is a pretty idea.”

“So I think,” said Miss De Grammont, delighted beyond measure. Then

she told him about the paragraphs, large and small, the confidential

friends, the small beginnings that had lead insensibly up to the

culminating point--that of scandal.

“I am being dropped gradually,” she said.

“Of course you are,” said the minister. “Of course you are. Soon you

will be--forgive me--a dead letter. There is only one thing to be done

and that I can do at once. A letter must be written to this paper,

stating calmly in as few words as possible that this paragraph is true,

that you _are_ married to Prince--ah--Corunna, that he _is_ a political

offender and for that reason the marriage _was_ kept secret, but that

now of course as informers must already have given the secret away, you

are obliged to endorse it yourself.”

“But José is not a political offender! Never did anything wrong in his

life!”

“Of course not,” said the minister. “Some of us others, even clergymen,

are not so fortunate. Now that must be included, else there is no good

reason for having kept your marriage secret. Other explanations will not

be taken. Besides this will entitle you to sympathy at once. Will you

write the letter and I can leave it at the office for you? There is time

for me to do that before my train starts.”

Miss De Grammont wrote her letter as dictated by her cousin. He put it

in his pocket and rose to go.

“Will you not stay and see my husband?” she said timidly.

“Thank you, no.” returned Mr. Fielding. “I haven't met many foreigners.

I don't think, perhaps, we should get on. Down in Phippsville--well, my

circle is so different from yours, Isabel. It is the fashion I hear to

live abroad now, and desert America--at least to depreciate it, and

not to care about its opinion--but that hasn't spread yet to our little

village. It seems as if it might have been better for instance, had you

stayed in Europe. You see, having married an Italian, all this trouble

would have been avoided--I mean--it could have gone on over there--but

now--well, riches are a snare, my dear cousin, as you have by this time

found. Good-bye, dear cousin, and God be with you.”

When a letter addressed to the editor of the Society Journal appeared

the next day signed Isabel Corunna (née De Grammont) with its paralysing

statement in a few concise words, New York was startled to its

foundation. Public opinion which for a week had been at the culminating

point of distrust, malevolence and resentment, turned the corner in a

moment and for the moment believed implicitly in the faith of the lady

it had abandoned. The greatest sympathy was shown Madame La Princesse

Corunna, or Princess Corunna, or Miss De Grammont that was, or whatever

her friends chose to call her. The butler disappeared for ever and the

Prince came in. It was a transformation scene equal to Beauty and the

Beast. Dark-browed and eloquent as ever, the Prince was a social success

whenever he chose to be, but as time went on, he and his wife became

more and more absorbed in each other and the world saw little of either

of them. For a time he posed as a political offender which gave his wife

no end of amusement. They were so far reinstated into public favor that

the hammock--source of mingled joy and woe--was again considered as

a thing of beauty and a thing to be imitated. There are a dozen such

hammocks now in New York City.

But there are still a few ill-natured people, dowagers, matrons, an old

love or two, and a handful of shrivelled spinsters who declare that the

Prince is no Prince at all, but a Pastrycook.

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