MODERN TYPES.

(_By Mr. Punch's Own Type-Writer._)

No. V.--THE DILETTANTE.

The Modern Dilettante will have been in boyhood a shorn lamb, for whom

it was necessary to temper the wind of an English education by a liberal

admixture of foreign travel. A prolonged course of interrupted studies

will have filled him with culture, whilst a distaste for serious effort,

whether mental or physical, and an innate capacity for mastering no

subject thoroughly will have produced in him that special refinement

which is to the Dilettante as a trade-stamp to Britannia metal. In

after-life, he will speak with regretful fondness, and with an accuracy

which he fails to apply to other matters of his "days" (four in number)

at a German University, and will submit with cheerfulness to the

reputation of having drunk deep from the muddy fountains of metaphysical

speculation, which are as abundant and as ineffective in Germany, as her

springs of mineral water.

[Illustration]

Having passed his period of storm and stress without committing any of

those follies or indulging in any of those excesses by which the parents

of ordinary young men are afflicted, he will arrive without reproach at

the borders of an apparently blameless middle age, and, finding himself

after the death of his father, in the enjoyment of a settled income of

considerable size, he will set up in life as an acknowledged amateur of

all that is truly precious. In order that nothing may be wanting to him

for the proper pursuit of this calling, he will gather round him a

little band of boneless enthusiasts, who after paying due devotion to

themselves, and to one another, will join him in worshipping the dead or

living nonentities whose laurelled photographs adorn his rooms. He will

cover his couches with soft silks, his walls will be hung with

impressionist etchings and engravings of undraped ladies of French

origin, _terra-cotta_ statuettes principally of the young Apollo, will

be placed in every corner, and a marble bust of the young AUGUSTUS will

occupy the place of honour next to the grand piano, on which, will be

ranged the framed cabinet photographs of interesting young men. Each

photograph will bear upon it an appropriate inscription, announcing it

to be, for instance, a gift "From BOBBY to TODDLEKINS." Nothing more is

necessary for the perfect life of dilettantism, except to settle an

afternoon for tea, and an evening for music. When this is done the

Dilettante is complete.

It is curious, however, that although he aims at being considered a

poet, an artist, a dramatist, and a musical composer, the Dilettante

rather affects the society of those who are amateurs of imperfect

development, than of those who have attained fame by professional

effort. Yet since his nature is tolerant, he does not exclude the latter

from the scope of his benevolence, and they may occasionally be seen at

his parties, wondering how so strange a medley of second-rate

incompetencies can have been gathered together into one room.

It is noticeable, that the Dilettante loves the society of ladies, and

is not averse to encouraging amongst his intimates the belief, which

none of them holds though all express it, that he is in reality a

terrible fellow and much given to the destruction of domestic happiness.

He finds a sense of rest and security in fancying that he is suspected

of an intrigue. But it is somewhat remarkable, that the evil tongues

which make sad havoc of many unwilling reputations are very slow to

gratify the willing Dilettante in this respect. No Dilettante can be

considered genuine, unless he expresses a pitying contempt for

everything that is characteristically English, and for the unfortunate

English who are imbued with the prejudices of their native land. He

gives a practical expression to his scorn by quavering in a reedy voice,

the feeble _chansonnettes_ of an inferior French composer, and by

issuing a volume of poems in which the laws of English Grammar are

trampled under foot, and the restrictions of English metre are defied.

In his lyrical effusions he breathes the passionate desire of a great

soul for Love that is not of the earth. He aspires to the stars, and

invokes the memory of dead heroes, his intimates. He sets out to win

imperishable glory amidst the embattled ranks of his country's foes. He

lashes the cold and cruel heartlessness of the world with a noble scorn.

He addresses the skeletons of departed friends with passionate longing.

He finds that life and its gaudy pleasures are as dust and ashes in the

mouth.

Having read these efforts to an admiring circle, he betakes himself with

infinite zest to the discussion of aesthetic tittle-tattle over a cup of

tea and a toasted bun. "Dear fellow," his friends will say of him at

such a moment, "he is so etherial; and his eyes, did you observe that

far-away, rapt look in them?" They will then take pleasure in persuading

one another without much difficulty, that they are the fine flower of

created beings.

The Dilettante, moreover, is a constant attendant at the first nights of

certain theatres. He figures with equal regularity as a large element in

the society gossip of weekly journals. He is a delicate eater and never

drinks too much out of the Venetian glasses, which his butler ruthlessly

breaks after the manner of domestics. There is amongst the inner circle

of the Dilettanti a jargon, both of voice and of gesture, which passes

muster as humour, but is unintelligible to the outer world of burly

Philistines. They dangle hands rather than shake them, and emphasise

their meaning by delicate finger-taps. Their phrases are distinguished

by a plaintive cadence which is particularly to be remarked in their

pronunciation of the word "dear."

At charitable concerts in aristocratic drawing-rooms the Dilettante is

in great request. On these occasions, he astonishes and delights his

friends with a new song, of which, he will have composed both the words

and the music, if he may be believed, whilst he was leaning from his

casement "watching the procession of the moon-lit clouds." He sometimes

smokes cigarettelets (a word must be coined to express their size and

strength), but he never attempts cigars, and loathes the homely pipe. In

gait and manner he affects a mincing delicacy, by which he seeks to

impress the thoughtless with a sense of his superior refinement. In

later life, he is apt to lose his hair, and to disguise the ravages of

time upon his cheeks by the aid of _rouge_. Yet he deceives nobody, and

having grown stout and wheezy is eventually carried off by a common cold

in an odour of _pastilles_. He will be buried in a wicker-work coffin

covered with lilies, and a rival Dilettante having written a limp and

limping sonnet to his memory, will take his evening.

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Punch, or the London Charivari, Volume 98, March 22, 1890 · 第 19 / 38 题