CHAPTER IX

THE REAPING OF THE CROP

"Oh, Mammy Cely, look! _look!_ he is standing alone!" Margaret was

sitting on the floor, her lips parted in rapturous delight at the

temerity of her infant son, who was rather shakily making his little

experiment with the center of gravity. Unfortunately for its success, he

became aware at the critical moment of the sensation he was creating,

tottered, and sank in a heap, a victim--like many another who essays the

trial of his powers--to self-consciousness.

To partial mother eyes, however, it had been a triumph new in the annals

of the world, and Margaret caught him up, smothering him with kisses,

and pouring into his ears the most extravagant encomiums. Ah! if only

we--the children of a larger growth--could have our feeble efforts to

stand upon our feet; to make some progress, however slight, along the

way, to utter, though imperfectly, the thoughts that cry for speech; if

we--in all this--could have a tithe of the wealth of sympathy and

stimulating praise that mothers give, what might we not become?

Mammy Cely looked on with equal pride. "He certainly is mighty

ser_vi_grous on his laigs," she remarked with pride. "He's gwineter be

walkin' befo' long, that chile is! He's like his Uncle Richard. He

gwineter git his strengt early."

Margaret made no reply to this. The truth was, she got rather tired of

hearing about Philip's Uncle Richard.

To her the weeks were becoming mere pegs on which to hang some new phase

of the child's development. There was such an astonishing succession of

"first things,"--yesterday the first tooth--a pearl such as nobody had

ever seen before; to-day the wonderful feat of standing alone; to-morrow

the blissful anticipation of the first step; the next day perhaps the

first word,--and then, oh, what a world of companionship that would let

her into! Life was closing up behind her, but opening in front.

"Now get him ready, Mammy Cely, for his ride. I want him to be out all

he can this fine weather. A little later, you know--well, what is it?"

she interrupted herself to ask of the man who now stood at the door. He

had a scared look.

"Mr. De Jarnette is down stairs, Miss."

"Mr. De Jarnette? What in the world has he come for at this time of

day?" wondered Margaret. "Tell him I will be down at once."

"It a--ain't Mr. R--r--richard De Jarnette, Miss," said the man,

stammering in his excitement, "it's Mr. Victor."

Victor! and announced like a stranger in his own home! She hardly knew

the sound of her own voice as she answered, "Tell him I will be down at

once."

At the door of the parlor she stopped. Her heart was beating so

tumultuously it seemed to her that she would suffocate. She threw her

head back as one who struggles for breath. Then she went in, closing the

door behind her.

What passed in that interview nobody ever knew. The air was rife the

next day with what it might have been; but the only thing ever reported

was a fragment overheard by the mulatto who answered the bell, and who

at that particular time was alert to do his duty. He related to Richard

De Jarnette the next day that as Mr. Victor opened the door to leave the

parlor he heard him say. "Whatever you do, you may as well understand

now that I shall _never_ relinquish my claim to--" here the man said he

missed something because it was spoken in a lower tone, but he was sure

it must have been something about money, for he distinctly heard him use

the word claim.

From that interview Margaret went to her room, and later from the house,

with a face so white and haggard that as Mammy Cely related to Richard

De Jarnette, who called, enquiring for Victor, a half hour after she was

gone, she was actually afraid of what she might do to herself.

"She seemed sorter desprit, Marse Richard," she concluded, with the

freedom of an old family servant, "and sorter wild-like. No, sir, I

didn't know what she was goin' to do. _I don't know now!_... When she

come up stairs she tuk that chile--we had done come back fum the Circle,

'cause Mr. Victor was here some right smart while--she tuk it, she did,

and set down and helt it so tight the little thing cried. _Yaas_, sir,

it did! And look lak she didn' even know it was frettin'. She jes' set

there, holdin' it clost, and weavin' back and fo'th, back and fo'th,

tell I got right fidgity. After a while she got up and give him to me,

and say she was goin' down to see Jedge Kirtley. And she says, 'Mammy

Cely,' she says, 'don't you let anybody even _see_ Philip while I am

gone. Don't you let him out of yo' sight,' she says. Look lak she was

takin' somethin' mighty hard."

"She was naturally excited over Mr. De Jarnette's return," said Richard.

But he left the house abruptly and called a passing cab to take him to

his office. He was more disturbed at what he had heard than he would

admit to Mammy Cely.

Victor had had a long talk with him before going to Margaret. In fact,

he had gone directly to Richard upon reaching the city the night before,

a fact that had appealed insensibly to Richard's heart. He had not seen

him since, and feeling vaguely uneasy, he had at last gone to the

Massachusetts Avenue house, hoping to find him there and hoping also

that by that time things might have been satisfactorily arranged. Mammy

Cely's account of Margaret's condition made him distinctly apprehensive.

It did not look as if a reconciliation had taken place, to say the

least. He must find out first of all where Victor was.

The office of De Jarnette and De Jarnette, Loans and Mortgages, was in

the third story of the Conococheague Building on F Street, one of the

finest in Washington at that time. They consisted of a large corner

room, a smaller room at the side of this communicating with it, which

was Victor's private office, and a still smaller one beyond this which

he had had fitted up as a lavatory. All three opened upon the

corridor,--Victor's room being nearest the stairway, which was alongside

of the elevators. These offices were furnished in the most luxurious

fashion and after Victor De Jarnette's faultless taste. The workroom of

the firm was Richard's private office across the hall. In Victor's

absence his rooms had been unused and untouched except by the man who

did the cleaning.

Richard De Jarnette had returned to the building with the intention of

going directly to Victor's room, but when he opened his own door a

letter left by the postman attracted his attention and he waited to read

it. In the midst of the reading he was startled by the sound of a

pistol. He threw the letter down and started for the hall. It had seemed

to come from Victor's room. He rushed across to his door. It was locked.

In a moment he had made his way through the front office into the back

room.

An appalling sight met his eyes. Victor lay on the floor near his desk,

the blood trickling over the carpet from a hidden wound. And over him,

with a revolver in her hand--the one he had seen on her desk--stood

Margaret.

As Richard's face appeared in the doorway she turned a ghastly,

terror-stricken face upon him.

"What is it? Who did it?" she gasped. "I--I picked this up."

"Put it down," he said sternly, and pushed past her. In the hall

hurrying steps were heard, and a confusion of voices. People were trying

the door.

Richard De Jarnette knelt beside a dying man, but there was a flash of

recognition in the dimming eyes.

"Victor! in God's name, what is this?"

The wounded man's lips moved. His head was on his brother's arm and

Richard's ear was close enough to catch the gasping whisper:

"She's killed me, Dick."

"What does he say?" cried Margaret. The words had been too faint to

reach her, but she saw a look of horror come into Richard De Jarnette's

face. "Who did it? How did it happen?"

The room was filling with men. Dr. Semple, whose office was across the

hall, was examining the wound.

In every man there is a divine spark of manliness. It is not always

apparent. Sometimes it would seem to have burned itself out with the

fierce fires of passion,--sometimes to have been quenched by the slow

drippings that come from the fount called selfishness,--oftener,

perhaps, it is smothered under a sodden blanket of sensuality and low

desires,--but it is a spark of the divine fire, and when the right wind

strikes it it leaps into flame.

At the sound of Margaret's voice Victor De Jarnette struggled to rise.

"Raise me up," he panted. "There is something--I--must say."

"Say it quickly," said the doctor, holding a handkerchief to stanch the

blood. "There is no time to lose." To Richard and the men back of them

he added, impressively, "This is a dying statement." And they gave close

heed.

His head supported by Richard's arm, Victor gathered his strength for

one supreme effort, and said so distinctly that all in the room heard

it,

"It was accidental. I did it myself. I was--cleaning--my revolver."

Men's eyes sought his desk where lay a handkerchief which had evidently

been used for the purpose. "It--went off--in--my hand."

He sank back on a pillow taken hastily from the couch. It was one that

Margaret had made for him before they were married--in the Harvard

colors. It looked ghastly put to such a use.

"Can't you do something?" asked Richard De Jarnette hoarsely of the

doctor.

"No, Richard," he said gently, "he is almost gone."

The dying man opened his eyes.

"Dick,--" his voice was very faint.

"Yes, Victor."

"--take care of m--"

Then, as if some sudden thought or recollection had come to him, he

struggled again to rise, whispering wildly,

"The will!... Richard! the will! Don't let--"

His head dropped back against the crimson letters. That which it was in

his heart to say would be forever unsaid.

A Modern Madonna · 第 9 / 44 章