DEFINITION

“_A really high-class horse is one that is consistent, game,

intelligent, gentle, obedient, courageous, and at all times willing

and able to go any route with weight up and maintain a high rate

of speed and overcome all ordinary difficulties under adverse

conditions._

“_Remember that horses are not machines._”

--_Trainer and Cloeker’s Handicap (strictly private)._

A NARROW beam of yellow light against the satin surface of purplish

gray wood, wood become soft of texture, touched with these delicate

shades of color. The light from above falls straight down the face

of a great heavy beam of the wood. Or is it marble rather than wood,

marble touched also by the delicate hand of time? I am perhaps dead and

in my grave. No, it cannot be a grave. Would it not be wonderful if I

had died and been buried in a marble sepulchre, say on the summit of a

high hill above a city in which live many beautiful men and women? It

is a grand notion and I entertain it for a time. What have I done to

be buried so splendidly? Well, never mind that. I have always been one

who wanted a great deal of love, admiration and respect from others

without having to go to all the trouble of deserving it. I am buried

magnificently in a marble sepulchre cut into the side of a large hill,

near the top. On a certain day my body was brought hither with great

pomp. Music played, women and children wept and strong men bowed their

heads. Now on feast days young men and women come up the hillside to

look through a small glass opening left in the side of my burial place.

It must be through the opening the yellow light comes. The young men

who come up the hillside are wishing they could be like me, and the

young and beautiful women are all wishing I were still alive and that I

might be their lover.

How splendid! What have I done? The last thing I remember I was working

at that place where so many kegs of nails had to be rolled down an

incline. I was full of beer too. What happened after that? Did I save a

besieged city, kill a dragon like Saint George, drive snakes out of the

land like Saint Patrick, inaugurate a new and better social system, or

what could I have done?

I am somewhere in a huge place. Perhaps I am standing in that great

cathedral at Chartres, the cathedral that Judge Turner told me about

when I was a lad and that I myself long afterward saw and that became

for me as it has been for many other men and women the beauty shrine of

my life. It may be that I am standing in that great place at midnight

alone. It cannot be that there is any one with me for I feel very

lonely. A feeling of being very small in the presence of something vast

has taken possession of me. Can it be Chartres, the Virgin, the woman,

God’s woman?

What am I talking about? I cannot be in the cathedral at Chartres

or buried splendidly in a marble sepulchre on a hillside above a

magnificent city. I am an American and if I am dead my spirit must now

be in a large half-ruined and empty factory, a factory with cracks in

the walls where the work of the builders was scamped, as nearly all

building was scamped in my time.

It cannot be I am in the presence of the Virgin. Americans do not

believe in either Virgins or Venuses. Americans believe in themselves.

There is no need of gods now but if the need arises Americans will

manufacture many millions of them, all alike. They will label them

“Keep smiling” or “Safety first” and go on their way, and as for the

woman, the Virgin, she is the enemy of our race. Her purpose is not our

purpose. Away with her!

The beam of wood I see is just a beam of wood. It was cut in a forest

and brought to the factory to support a wall that had begun to give

way. No one touched it with careless hurried hands and so it aged as

you see, quite beautifully--as trees themselves age. All about me are

broken wheels. In the factory the great steam-driven wheels are forever

still now.

Broken dreams, ends of thoughts, a stifled feeling within my chest.

Aha, you Stephenson, Franklin, Fulton, Bell, Edison--you heroes of

my Industrial Age, you men who have been the gods of the men of my

day--is your day over so soon? “In the end,” I am telling myself, “all

of your triumphs come to the dull and meaningless absurdity, of say

a clothespin factory. There have been sweeter men in old times, half

forgotten now, who will be remembered after you are forgotten. The

Virgin too, will be remembered after you are forgotten. Would it not

be amusing if Chartres continued to stand after you are forgotten?”

Is it not absurd? Because I do not want to work in a warehouse and roll

kegs, because I do not want to work in a factory anywhere I must needs

go getting gaudy and magnificent and try to blow all factories away

with a breath of my fancy. My fancy climbs up and up.

Democracy shall spread itself out thinner and thinner, it shall come to

nothing but empty mouthings in the end. Everywhere, all over the earth,

shall be the dreary commercial and material success of, say the later

Byzantine Empire. In the West and after the great dukes, the kings and

the popes, the commoners--who were not commoners after all but only

stole the name--are having their day. The shrewd little money-getters

with the cry “democracy” on their lips shall rule for a time and then

the real commoners shall come--and that shall be the worst time of

all. Oh, the futile little vanity of the workers who have forgotten

the cunning of hands, who have long let machines take the place of the

cunning of hands!

And the tired men of the arts. Oh, the cunning smart little men of

the arts of New York and Chicago! Painters making advertising designs

for soap, painters making portraits of bankers’ wives, story-tellers

striving wearily to “make” the _Saturday Evening Post_ or to be

revolutionists in the arts. Artists everywhere striving for what?

Respectability perhaps--to call attention to themselves perhaps.

They will get--a Ford. On holidays they may go see the great automobile

races on the speedway at Indianapolis Indiana. Not for them the

flashing thoroughbreds or the sturdy trotters and pacers. Not for them

freedom, laughter. For them machines.

Long ago that Judge Turner had corrupted my mind. He played me a hell

of a trick. I have been going about trying to have thoughts. What a

fool I have been! I have read many books of history, many stories of

men’s lives. Why did I not go to college and get a safe education? I

might have worked my way through and got my mind fixed in a comfortable

mold. There is no excuse for me. I shall have to pay for my lack of a

proper training.

In the next room to the one in which I am lying two men are talking.

FIRST VOICE. “He took straw, ground it, put it into some kind

of rubber composition. The whole was mixed up together and subjected to

an immense hydraulic pressure. It came out a tough kind of composition

that can be made to look like wood. It can be grained like wood. He

will get rich. I tell you he is one of the great minds of the age.”

SECOND VOICE. “We shall have prohibition after a while and

then you’ll see how it will turn out. You can’t down the American mind.

Some fellow will make a drink, a synthetic drink. It won’t cost much to

make. Perhaps it can be made out of crude oil like gasoline and then

the Standard will take him up. He’ll get rich. We Americans can’t be

put down, I’ll tell you that.”

FIRST VOICE. “There is a man in New York makes car wheels out

of paper. It is ground, I suppose, and made into a kind of mush and

then is subjected to an immense hydraulic pressure. The wheels look

like iron.”

SECOND VOICE. “Do you suppose he paints them black like iron?”

FIRST VOICE. “It’s a great age we live in. You can’t down

machinery. I read a book by Mark Twain. He knocked theories cold, I’ll

tell you what. He made out all life was just a great machine.”

* * * * *

Where am I? Am I dreaming or am I awake? It seems to me that I am

somewhere in a great empty place. I shall have one of my terrible fits

of depression if I am not careful now. Sometimes I walk gayly along the

streets and talk to men and women gayly but there are other times when

I am so depressed that all the muscles of my body ache. I am like one

on whose back a great beast sits. Now it seems to me I am in a huge

empty place. Has the roof of a factory in which I was at work at night

fallen in? There is a long shaft of yellow light falling down a beam of

wood or marble.

Thoughts flitting, an effort to awaken out of dreams, voices heard,

voices talking somewhere in the distance, the figures of men and women

I have known flashing in and out of darkness. There is a tiny faint

voice speaking: “The money-makers will grow weary and disgusted with

their own money-making and labor shall have lost all faith, all sense

of the cunning of the hand. The factory hands shall rule. What a mess

it will be!”

* * * * *

Where am I? I am in a bed somewhere in a room in a workers’ rooming

house. Two young mechanics live in the next room and now they are

getting out of bed and are talking cheerfully. Once on cold nights

monks awoke in cold cells in monasteries and muttered prayers to God.

Now in a cold room two young mechanics proclaim their faith in new gods.

Words in a brain trying to come into consciousness out of heavy sleep.

“Service! They make a point of service,” says one of the young men’s

voices. My brain, a voice in my own brain, chattering: “The woman

who had been taken in adultery came to wash with her hands the tired

feet of the Christ. She wiped his feet with her long hair and poured

precious ointment upon them.” A distorted thought born of the effort

to awaken from a heavy dream: “Many men and women are going along a

street. They all have long hair and bear vessels of precious ointment.

They are going to wash the feet of a Rockefeller, of ‘Bet a million’

Gates, of a Henry Ford or the son of a Henry Ford, the gods of the new

day.”

And now the dream again. Again the great empty place. I cannot breathe.

There is a great black bell without a tongue, swinging silently in

darkness. It swings and swings, making a great arch and I await silent

and frightened. Now it stops and descends slowly. I am terrified. Can

nothing stop the great descending iron bell? It stops and hangs for a

moment and now it drops suddenly and I am a prisoner under the great

iron bell.

A story teller's story · 第 18 / 62 题