FLAVILLA

_Containing a Parable Told with Such Metaphorical Skill that the Author

Is Totally Unable to Understand It_

The Green Mouse now dominated the country; the entire United States was

occupied in getting married. In the great main office on Madison Avenue,

and in a thousand branch offices all over the Union, Destyn-Carr machines

were working furiously; a love-mad nation was illuminated by their

sparks.

Marriage-license bureaus had been almost put out of business by the

sudden matrimonial rush; clergymen became exhausted, wedding bells in the

churches were worn thin, California and Florida reported no orange crops,

as all the blossoms had been required for brides; there was a shortage of

solitaires, traveling clocks, asparagus tongs; and the corner in rice

perpetrated by some conscienceless captain of industry produced a panic

equaled only by a more terrible _coup_ in slightly worn shoes.

All America was rushing to get married; from Seattle to Key West the

railroads were blocked with bridal parties; a vast hum of merrymaking

resounded from the Golden Gate to Governor's Island, from Niagara to the

Gulf of Mexico. In New York City the din was persistent; all day long

church bells pealed, all day long the rattle of smart carriages and hired

hacks echoed over the asphalt. A reporter of the _Tribune_ stood on top

of the New York Life tower for an entire week, devouring cold-slaw

sandwiches and Marie Corelli, and during that period, as his affidavit

runs, "never for one consecutive second were his ample ears free from the

near or distant strains of the Wedding March."

And over all, in approving benediction, brooded the wide smile of the

greatest of statesmen and the great smile of the widest of statesmen--

these two, metaphorically, hand in hand, floated high above their people,

scattering encouraging blessings on every bride.

A tremendous rise in values set in; the newly married required homes;

architects were rushed to death; builders, real-estate operators,

brokers, could not handle the business hurled at them by impatient

bridegrooms.

Then, seizing time by the fetlock, some indescribable monster secured the

next ten years' output of go-carts. The sins of Standard Oil were

forgotten in the menace of such a national catastrophe; mothers' meetings

were held; the excitement became stupendous; a hundred thousand brides

invaded the Attorney-General's office, but all he could think of to say

was: "Thirty centuries look down upon you!"

These vague sentiments perplexed the country. People understood that the

Government meant well, but they also realized that the time was not far

off when millions of go-carts would be required in the United States. And

they no longer hesitated.

All over the Union fairs and bazaars were held to collect funds for a

great national factory to turn out carts. Alarmed, the Trust tried to

unload; militant womanhood, thoroughly aroused, scorned compromise. In

every city, town, and hamlet of the nation entertainments were given,

money collected for the great popular go-cart factory.

The affair planned for Oyster Bay was to be particularly brilliant--a

water carnival at Center Island with tableaux, fireworks, and

illuminations of all sorts.

Reassured by the magnificent attitude of America's womanhood, business

discounted the collapse of the go-cart trust and began to recover from

the check very quickly. Stocks advanced, fluctuated, and suddenly whizzed

upward like skyrockets; and the long-expected wave of prosperity

inundated the country. On the crest of it rode Cupid, bow and arrows

discarded, holding aloft in his right hand a Destyn-Carr machine.

For the old order of things had passed away; the old-fashioned doubts and

fears of courtship were now practically superfluous.

Anybody on earth could now buy a ticket and be perfectly certain that

whoever he or she might chance to marry would be the right one--the one

intended by destiny.

Yet, strange as it may appear, there still remained, here and there, a

few young people in the United States who had no desire to be safely

provided for by a Destyn-Carr machine.

Whether there was in them some sporting instinct, making hazard

attractive, or, perhaps, a conviction that Fate is kind, need not be

discussed. The fact remains that there were a very few youthful and

marriageable folk who had no desire to know beforehand what their fate

might be.

One of these unregenerate reactionists was Flavilla. To see her entire

family married by machinery was enough for her; to witness such

consummate and collective happiness became slightly cloying. Perfection

can be overdone; a rift in a lute relieves melodious monotony, and when

discords cease to amuse, one can always have the instrument mended or buy

a banjo.

"What I desire," she said, ignoring the remonstrances of the family, "is

a chance to make mistakes. Three or four nice men have thought they were

in love with me, and I wouldn't take anything for the--experience. Or,"

she added innocently, "for the chances that some day three or four more

agreeable young men may think they are in love with me. One learns by

making mistakes--very pleasantly."

Her family sat in an affectionately earnest row and adjured her--four

married sisters, four blissful brothers-in-law, her attractive

stepmother, her father. She shook her pretty head and continued sewing on

the costume she was to wear at the Oyster Bay Venetian Fête and Go-cart

Fair.

"No," she said, threading her needle and deftly sewing a shining, silvery

scale onto the mermaid's dress lying across her knees, "I'll take my

chances with men. It's better fun to love a man not intended for me, and

make him love me, and live happily and defiantly ever after, than to have

a horrid old machine settle you for life."

"But you are wasting time, dear," explained her stepmother gently.

"Oh, no, I'm not. I've been engaged three times and I've enjoyed it

immensely. That isn't wasting time, is it? And it's _such_ fun!

He thinks he's in love and you think you're in love, and you have such an

agreeable time together until you find out that you're spoons on somebody

else. And then you find out you're mistaken and you say you always want

him for a friend, and you presently begin all over again with a perfectly

new man----"

"Flavilla!"

"Yes, Pa-_pah_."

"Are you utterly demoralized!"

"Demoralized? Why? Everybody behaved as I do before you and William

invented your horrid machine. Everybody in the world married at hazard,

after being engaged to various interesting young men. And I'm not

demoralized; I'm only old-fashioned enough to take chances. Please let

me."

The family regarded her sadly. In their amalgamated happiness they

deplored her reluctance to enter where perfect bliss was guaranteed.

Her choice of rôle and costume for the Seawanhaka Club water tableaux

they also disapproved of; for she had chosen to represent a character now

superfluous and out of date--the Lorelei who lured Teutonic yachtsmen to

destruction with her singing some centuries ago. And that, in these

times, was ridiculous, because, fortified by a visit to the nearest

Destyn-Carr machine, no weak-minded young sailorman would care what a

Lorelei might do; and she could sing her pretty head off and comb herself

bald before any Destyn-Carr inoculated mariner would be lured overboard.

But Flavilla obstinately insisted on her scaled and fish-tailed costume.

When her turn came, a spot-light on the clubhouse was to illuminate the

float and reveal her, combing her golden hair with a golden comb and

singing away like the Musical Arts.

"And," she thought secretly, "if there remains upon this machine-made

earth one young man worth my kind consideration, it wouldn't surprise me

very much if he took a header off the Yacht Club wharf and requested me

to be his. And I'd be very likely to listen to his suggestion."

So in secret hopes of this pleasing episode--but not giving any such

reason to her protesting family--she vigorously resisted all attempts to

deprive her of her fish scales, golden comb, and rôle in the coming water

fête. And now the programmes were printed and it was too late for them to

intervene.

She rose, holding out the glittering, finny garment, which flashed like a

collapsed fish in the sunshine.

"It's finished," she said. "Now I'm going off somewhere by myself to

rehearse."

"In the water?" asked her father uneasily.

"Certainly."

As Flavilla was a superb swimmer nobody could object. Later, a maid went

down to the landing, stowed away luncheon, water-bottles and costume in

the canoe. Later, Flavilla herself came down to the water's edge,

hatless, sleeves rolled up, balancing a paddle across her shoulders.

As the paddle flashed and the canoe danced away over the sparkling waters

of Oyster Bay, Flavilla hummed the threadbare German song which she was

to sing in her rôle of Lorelei, and headed toward Northport.

"The thing to do," she thought to herself, "is to find some nice, little,

wooded inlet where I can safely change my costume and rehearse. I must

know whether I can swim in this thing--and whether I can sing while

swimming about. It would be more effective, I think, than merely sitting

on the float, and singing and combing my hair through all those verses."

The canoe danced across the water, the paddle glittered, dipped, swept

astern, and flashed again. Flavilla was very, very happy for no

particular reason, which is the best sort of happiness on earth.

There is a sandy neck of land which obstructs direct navigation between

the sacred waters of Oyster Bay and the profane floods which wash the

gravelly shores of Northport.

"I'll make a carry," thought Flavilla, beaching her canoe. Then, looking

around her at the lonely stretch of sand flanked by woods, she realized

at once that she need seek no farther for seclusion.

First of all, she dragged the canoe into the woods, then rapidly

undressed and drew on the mermaid's scaly suit, which fitted her to the

throat as beautifully as her own skin.

It was rather difficult for her to navigate on land, as her legs were

incased in a fish's tail, but, seizing her comb and mirror, she managed

to wriggle down to the water's edge.

A few sun-warmed rocks jutted up some little distance from shore; with a

final and vigorous wriggle Flavilla launched herself and struck out for

the rocks, holding comb and mirror in either hand.

Fishtail and accessories impeded her, but she was the sort of swimmer who

took no account of such trifles; and after a while she drew herself up

from the sea, and, breathless, glittering, iridescent, flopped down upon

a flat rock in the sunshine. From which she took a careful survey of the

surroundings.

Certainly nobody could see her here. Nobody would interrupt her either,

because the route of navigation lay far outside, to the north. All around

were woods; the place was almost landlocked, save where, far away through

the estuary, a blue and hazy horizon glimmered in the general direction

of New England.

So, when she had recovered sufficient breath she let down the flashing,

golden-brown hair, sat up on the rock, lifted her pretty nose skyward,

and poured forth melody.

As she sang the tiresome old Teutonic ballad she combed away vigorously,

and every now and then surveyed her features in the mirror.

_Ich weiss nicht was soll es bedeuten

Dass ich so traurig bin----_

she sang happily, studying her gestures with care and cheerfully flopping

her tail.

She had a very lovely voice which had been expensively cultivated. One or

two small birds listened attentively for a while, then started in to help

her out.

On the veranda of his bungalow, not very far from Northport, stood a

young man of pleasing aspect, knickerbockers, and unusually symmetrical

legs. His hands reposed in his pockets, his eyes behind their eyeglasses

were fixed dreamily upon the skies. Somebody over beyond that screen of

woods was singing very beautifully, and he liked it--at first.

However, when the unseen singer had been singing the Lorelei for an hour,

steadily, without intermission, an expression of surprise gradually

developed into uneasy astonishment upon his clean-cut and unusually

attractive features.

"That girl, whoever she is, can sing, all right," he reflected, "but why

on earth does she dope out the same old thing?"

He looked at the strip of woods, but could see nothing of the singer. He

listened; she continued to sing the Lorelei.

"It can't be a phonograph," he reasoned. "No sane person could endure an

hour of that fool song. No sane person would sing it for an hour,

either."

Disturbed, he picked up the marine glasses, slung them over his shoulder,

walked up on the hill back of the bungalow, selected a promising tree,

and climbed it.

Astride a lofty limb the lord of Northport gazed earnestly across the

fringe of woods. Something sparkled out there, something moved,

glittering on a half-submerged rock. He adjusted the marine glasses and

squinted through them.

"Great James!" he faltered, dropping them; and almost followed the

glasses to destruction on the ground below.

How he managed to get safely to earth he never knew. "Either I'm crazy,"

he shouted aloud, "or there's a--a mermaid out there, and I'm going to

find out before they chase me to the funny house!"

There was a fat tub of a boat at his landing; he reached the shore in a

series of long, distracted leaps, sprang aboard, cast off, thrust both

oars deep into the water, and fairly hurled the boat forward, so that it

alternately skipped, wallowed, scuttered, and scrambled, like a hen

overboard.

"This is terrible," he groaned. "If I _didn't_ see what I think I saw,

I'll eat my hat; if I did see what I'm sure I saw, I'm madder than the

hatter who made it!"

Nearer and nearer, heard by him distinctly above the frantic splashing of

his oars, her Lorelei song sounded perilously sweet and clear.

"Oh, bunch!" he moaned; "it's horribly like the real thing; and here I

come headlong, as they do in the story books----"

He caught a crab that landed him in a graceful parabola in the bow, where

he lay biting at the air to recover his breath. Then his boat's nose

plowed into the sandy neck of land; he clambered to his feet, jumped out,

and ran headlong into the belt of trees which screened the singer. Speed

and gait recalled the effortless grace of the kangaroo; when he

encountered logs and gullies he rose grandly, sailing into space, landing

with a series of soft bounces, which presently brought him to the other

side of the woods.

And there, what he beheld, what he heard, almost paralyzed him. Weak-

kneed, he passed a trembling hand over his incredulous eyes; with the

courage of despair, he feebly pinched himself. Then for sixty sickening

seconds he closed his eyes and pressed both hands over his ears. But when

he took his hands away and opened his terrified eyes, the exquisitely

seductive melody, wind blown from the water, thrilled him in every fiber;

his wild gaze fell upon a distant, glittering shape--white-armed, golden-

haired, fish-tailed, slender body glittering with silvery scales.

The low rippling wash of the tide across the pebbly shore was in his

ears; the salt wind was in his throat. He saw the sun flash on golden

comb and mirror, as her snowy fingers caressed the splendid masses of her

hair; her song stole sweetly seaward as the wind veered.

A terrible calm descended upon him.

"This is interesting," he said aloud.

A sickening wave of terror swept him, but he straightened up, squaring

his shoulders.

"I may as well face the fact," he said, "that I, Henry Kingsbury, of

Pebble Point, Northport, L.I., and recently in my right mind, am now,

this very moment, looking at a--a mermaid in Long Island Sound!"

He shuddered; but he was sheer pluck all through. Teeth might chatter,

knees smite together, marrow turn cold; nothing on earth or Long Island

could entirely stampede Henry Kingsbury, of Pebble Point.

His clutch on his self-control in any real crisis never slipped; his

mental steering-gear never gave way. Again his pallid lips moved in

speech:

"The--thing--to--do," he said very slowly and deliberately, "is to swim

out and--and touch it. If it dissolves into nothing I'll probably feel

better----"

He began to remove coat, collar, and shoes, forcing himself to talk

calmly all the while.

"The thing to do," he went on dully, "is to swim over there and get a

look at it. Of course, it isn't really there. As for drowning--it really

doesn't matter.... In the midst of life we are in Long Island.... And, if

it _is_ there--I c-c-can c-capture it for the B-B-Bronx----"

Reason tottered; it revived, however, as he plunged into the s. w.[A] of

Oyster Bay and struck out, silent as a sea otter for the shimmering shape

on the ruddy rocks.

[Footnote A: Sparkling Waters or Sacred Waters.]

Flavilla was rehearsing with all her might; her white throat swelled with

the music she poured forth to the sky and sea; her pretty fingers played

with the folds of burnished hair; her gilded hand-mirror flashed, she

gently beat time with her tail.

So thoroughly, so earnestly, did she enter into the spirit of the siren

she was representing that, at moments, she almost wished some fisherman

might come into view--just to see whether he'd really go overboard after

her.

However, audacious as her vagrant thoughts might be, she was entirely

unprepared to see a human head, made sleek by sea water, emerge from the

floating weeds almost at her feet.

"Goodness," she said faintly, and attempted to rise. But her fish tail

fettered her.

"Are you real!" gasped Kingsbury.

"Y-yes.... Are you?"

"Great James!" he half shouted, half sobbed, "are you _human?_"

"V-very. Are _you?_"

He clutched at the weedy rock and dragged himself up. For a moment he lay

breathing fast, water dripping from his soaked clothing. Once he feebly

touched the glittering fish tail that lay on the rock beside him. It

quivered, but needle and thread had been at work there; he drew a deep

breath and closed his eyes.

When he opened them again she was looking about for a likely place to

launch herself into the bay; in fact, she had already started to glide

toward the water; the scraping of the scales aroused him, and he sat up.

"I heard singing," he said dreamily, "and I climbed a tree and saw--you!

Do you blame me for trying to corroborate a thing like _you?_"

"You thought I was a _real_ one?"

"I thought that I thought I saw a real one."

She looked at him hopefully.

"Tell me, _did_ my singing compel you to swim out here?"

"I don't know what compelled me."

"But--you _were_ compelled?"

"I--it seems so----"

"O-h!" Flushed, excited, laughing, she clasped her hands under her chin

and gazed at him.

"To think," she said softly, "that you believed me to be a real siren,

and that my beauty and my singing actually did lure you to my rock! Isn't

it exciting?"

He looked at her, then turned red:

"Yes, it is," he said.

Hands still clasped together tightly beneath her rounded chin, she

surveyed him with intense interest. He was at a disadvantage; the sleek,

half-drowned appearance which a man has who emerges from a swim does not

exhibit him at his best.

But he had a deeper interest for Flavilla; her melody and loveliness had

actually lured him across the water to the peril of her rocks; this human

being, this man creature, seemed to be, in a sense, hers.

"Please fix your hair," she said, handing him her comb and mirror.

"My hair?"

"Certainly. I want to look at you."

He thought her request rather extraordinary, but he sat up and with the

aid of the mirror, scraped away at his wet hair, parting it in the middle

and combing it deftly into two gay little Mercury wings. Then, fishing in

the soaked pockets of his knickerbockers, he produced a pair of smart

pince-nez, which he put on, and then gazed up at her.

"Oh!" she said, with a quick, indrawn breath, "you _are_ attractive!"

At that he turned becomingly scarlet.

Leaning on one lovely, bare arm, burnished hair clustering against her

cheeks, she continued to survey him in delighted approval which sometimes

made him squirm inwardly, sometimes almost intoxicated him.

"To think," she murmured, "that _I_ lured _you_ out here!"

"I _am_ thinking about it," he said.

She laid her head on one side, inspecting him with frankest approval.

"I wonder," she said, "what your name is. I am Flavilla Carr."

"Not one of the Carr triplets!"

"Yes--but," she added quickly, "I'm not married. Are you?"

"Oh, no, no, no!" he said hastily. "I'm Henry Kingsbury, of Pebble Point,

Northport----"

"Master and owner of the beautiful but uncertain _Sappho?_ Oh, tell me,

_are_ you the man who has tipped over so many times in Long Island Sound?

Because I--I adore a man who has the pluck to continue to capsize every

day or two."

"Then," he said, "you can safely adore me, for I am that yachtsman who

has fallen off the _Sappho_ more times than the White Knight fell off his

horse."

"I--I _do_ adore you!" she exclaimed impulsively.

"Of course, you d-d-don't mean that," he stammered, striving to smile.

"Yes--almost. Tell me, you--I know you are not like other men! _You_

never have had anything to do with a Destyn-Carr machine, have you?"

"Never!"

"Neither have I.... And so you are not in love--are you?"

"No."

"Neither am I. Oh, I am so glad that you and I have waited, and not

become engaged to somebody by machinery.... I wonder whom you are

destined for."

"Nobody--by machinery."

She clapped her hands. "Neither am I. It is too stupid, isn't it? I

_don't_ want to marry the man I ought to marry. I'd rather take chances

with a man who attracts me and who is attracted by me.... There was, in

the old days--before everybody married by machinery--something not

altogether unworthy in being a siren, wasn't there?... It's perfectly

delightful to think of your seeing me out here on the rocks, and then

instantly plunging into the waves and tearing a foaming right of way to

what might have been destruction!"

Her flushed, excited face between its clustering curls looked straight

into his.

"It _was_ destruction," he said. His own voice sounded odd to him. "Utter

destruction to my peace of mind," he said again.

"You--don't think that you love me, do you?" she asked. "That would be

too--too perfect a climax.... _Do_ you?" she asked curiously.

"I--think so."

"Do--do you _know_ it?" He gazed bravely at her: "Yes."

She flung up both arms joyously, then laughed aloud:

"Oh, the wonder of it! It is too perfect, too beautiful! You really love

me? Do you? Are you _sure_?"

"Yes.... Will you try to love me?"

"Well, you know that sirens don't care for people.... I've already been

engaged two or three times.... I don't mind being engaged to you."

"Couldn't you care for me, Flavilla?"

"Why, yes. I do.... Please don't touch me; I'd rather not. Of course, you

know, I couldn't really love you so quickly unless I'd been subjected to

one of those Destyn-Carr machines. You know that, don't you? But," she

added frankly, "I wouldn't like to have you get away from me. I--I feel

like a tender-hearted person in the street who is followed by a lost

cat----"

"What!"

"Oh, I _didn't_ mean anything unpleasant--truly I didn't. You know how

tenderly one feels when a poor stray cat comes trotting after one----"

He got up, mad all through.

"_Are_ you offended?" she asked sorrowfully. "When I didn't mean anything

except that my heart--which is rather impressionable--feels very warmly

and tenderly toward the man who swam after me.... Won't you understand,

please? Listen, we have been engaged only a minute, and here already is

our first quarrel. You can see for yourself what would happen if we ever

married."

"It wouldn't be machine-made bliss, anyway," he said.

That seemed to interest her; she inspected him earnestly.

"Also," he added, "I thought you desired to take a sportsman's chances?"

"I--do."

"And I thought you didn't want to marry the man you ought to marry."

"That is--true."

"Then you certainly ought not to marry me--but, will you?"

"How can I when I don't--love you."

"You don't love me because you ought not to on such brief

acquaintance.... But _will_ you love me, Flavilla?"

She looked at him in silence, sitting very still, the bright hair veiling

her cheeks, the fish's tail curled up against her side.

"_Will_ you?"

"I don't know," she said faintly.

"Try."

"I--am."

"Shall I help you?"

Evidently she had gazed at him long enough; her eyes fell; her white

fingers picked at the seaweed pods. His arm closed around her; nothing

stirred but her heart.

"Shall I help you to love me?" he breathed.

"No--I am--past help." She raised her head.

"This is all so--so wrong," she faltered, "that I think it must be

right.... Do you truly love me?... Don't kiss me if you do.... Now I

believe you.... Lift me; I can't walk in this fish's tail.... Now set me

afloat, please."

He lifted her, walked to the water's edge, bent and placed her in the

sea. In an instant she had darted from his arms out into the waves,

flashing, turning like a silvery salmon.

"Are you coming?" she called back to him.

He did not stir. She swam in a circle and came up beside the rock. After

a long, long silence, she lifted up both arms; he bent over. Then, very

slowly, she drew him down into the water.

* * * * *

"I am quite sure," she said, as they sat together at luncheon on the

sandspit which divides Northport Bay from the s.w. of Oyster Bay, "that

you and I are destined for much trouble when we marry; but I love you so

dearly that I don't care."

"Neither do I," he said; "will you have another sandwich?"

And, being young and healthy, she took it, and biting into it, smiled

adorably at her lover.

[Illustration]

The Green Mouse · 第 58 / 70 题