But the stranger, making a spasmodic attempt to remove a hat

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Text enclosed by underscores is in italics (_italics_).

I POSE

[Illustration]

The Macmillan Company

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I POSE

by

STELLA BENSON

New York

The Macmillan Company

1916

All rights reserved

Copyright 1916

by the Macmillan Company

Set up and electrotyped. Published January, 1916.

------------------------------------------------------------------------

My eyes are girt with outer mists,

My ears sing shrill—and this I bless,

My finger-nails do bite my fists

In ecstasy of loneliness.

This I intend, and this I want,—

That, passing, you may only mark

A dumb soul and its confidante

Entombed together in the dark.

The hoarse church-bells of London ring,

The hoarser horns of London croak,

The poor brown lives of London cling

About the poor brown streets like smoke;

The deep air stands above my roof,

Like water to the floating stars;

My Friend and I—we sit aloof,

We sit and smile, and bind our scars.

For you may wound and you may kill—

It’s such a little thing to die—

Your cruel God may work his will,

We do not care—my Friend and I,—

Though, at the gate of Paradise,

Peter the Saint withhold his keys,

My Friend and I—we have no eyes

For Heaven ... or Hell ... or dreams like these....

PREFACE

Sometimes I pose, but sometimes I

pose as posing.

I POSE

CHAPTER I

There was once a gardener. Not only was, but in all probability is, for

as far as I know you may meet him to this day. There are no death-bed

scenes in this book. The gardener was not the sort of person to bring a

novel to a graceful climax by dying finally in an atmosphere of elevated

immorality. He was extremely thin, but not in the least unhealthy. He

never with his own consent ran any risk of sudden death. Nobody would

ever try to introduce him into a real book, for he was in no way

suitable. He was not a philosopher. Not an adventurer. Not a gay dog.

Not lively: but he lived, and that at least is a great merit.

In appearance the gardener was a fairly mediocre study in black and

white. He had a white and wooden face, black hair as smooth as a wet

seal’s back, thin arms and legs, and enormous hands and feet. He was not

indispensable to any one, but he believed that he was a pillar

supporting the world. It sometimes makes one nervous to reflect what

very amateur pillars the world seems to employ.

He lived in a boarding-house in Penny Street, W. A boarding-house is a

place full of talk, it has as many eyes as a peacock, and ears to

correspond. It is lamentably little, and yet impossible to ignore. It is

not a dignified foundation for a pillar.

The gardener was twenty-three. Twenty-three is said to be the prime of

life by those who have reached so far and no farther. It shares this

distinction with every age, from ten to three-score and ten.

On the first of June, in his twenty-fourth year, the gardener broke his

boot-lace. The remains of the catastrophe dangled from his hand. String

was out of the question; one cannot be decent dressed in string, he

thought, with that touch of exaggeration common to victims of disasters.

The world was a sordid and sardonic master, there was no heart in the

breast of Fate. He was bereft even of his dignity, there is no dignity

in the death of a boot-lace. The gardener’s twenty-three years were

stripped from him like a cloak. He felt little and naked.

He was so busy with his emotions that he had forgotten that the door of

his room was open.

It was rather like the girl Courtesy to stand on the landing boldly

staring in at a man sitting on his bedroom floor crushed by

circumstances. She had no idea of what was fitting. Any other woman

would have recognised the presence of despair, and would have passed by

with head averted.

But the girl Courtesy said, “Poor lamb, has it broken its boot-lace?”

The gardener continued in silence to watch the strangling of his vanity

by the corpse of the boot-lace. His chief characteristic was a whole

heart in all that he did.

A tear should have appeared in Courtesy’s eye at the sight of him. But

it did not.

“Give me the boot,” she said, advancing into the room in the most

unwomanly manner. And she knotted the boot-lace with a cleverness so

unexpected—considering the sort of girl she was—that the difference in

its length was negligible, and the knot was hidden beneath the other

lace.

“Women have their uses,” thought the gardener. But the thought was

short-lived, for Courtesy’s next remark was:

“There, boy, run along and keep smilin’. Somebody loves you.” And she

patted him on the cheek.

Now it has been made clear that the gardener was a Man of Twenty-three.

He turned his back violently on the woman, put on his boot, and walked

downstairs bristling with dignity.

The girl Courtesy not only failed to be cut to the heart by the silent

rebuke, but she failed to realise that she had offended. She was rather

fat, and rather obtuse. She was half an inch taller than the gardener,

and half a dozen years older.

The gardener’s indignation rode him downstairs. It spurred him to force

his hat down on his head at a most unbecoming angle, it supplied the

impetus for a passionate slamming of the door. But on the door-step it

evaporated suddenly. It was replaced by a rosy and arresting thought.

“Poor soul, she loves me,” said the gardener. He adjusted his hat, and

stepped out into London, a breaker of hearts, a Don Juan, unconscious of

his charm yet conscious of his unconsciousness. “Poor thing, poor

thing,” he thought, and remembered with regret that Courtesy had not

lost her appetite. On the contrary, she had been looking even plumper of

late. But then Courtesy never quite played the game.

“I begin to be appreciated,” reflected the gardener. “I always knew the

world would find out some day....”

The gardener was a dreamer of dreams, and a weaver of many theories. His

theories were not even tangible enough to make a philosophy, yet against

them he measured his world. And any shortcomings he placed to the

world’s account. He wrapped himself in theories to such an extent that

facts were crowded from his view, he posed until he lost himself in a

wilderness of poses. He was not the victim of consistency, that most

ambiguous virtue. The dense and godly wear consistency as a flower, the

imaginative fling it joyfully behind them.

Imagination seems to be a glory and a misery, a blessing and a curse.

Adam, to his sorrow, lacked it. Eve, to her sorrow, possessed it. Had

both been blessed—or cursed—with it, there would have been much keener

competition for the apple.

The million eyes of female London pricked the gardener, or so he

imagined, as he threaded the Strand. He felt as if a glance from his eye

was a blessing, and he bestowed it generously. The full blaze of it fell

upon one particular girl as she walked towards him. She seemed to the

gardener to be almost worthy. Her yellow hair suffered from Marcelle

spasms at careful intervals of an inch and a half, every possible tooth

enjoyed publicity. The gardener recognised a kindred soul. A certain

shade of yellow hair always at this period thatched a kindred soul for

the gardener.

He followed the lady.

He followed her even into the gaping jaws of an underground station.

There she bought cigarettes at a tobacco stall.

“She smokes,” thought the gardener. “This is life.”

He went close to her while she paid. She was not in the least miserly of

a certain cheap smell of violets. The gardener was undaunted.

“Shall we take a taxi, Miss?” he suggested, his wide eager smile a

trifle damped by self-consciousness. For this was his first attempt of

the kind. “They say Kew is lovely just now.”

It was his theory that spoke. In practice he had but threepence in his

pocket.

She replied, “Bless you, kid. Run ’ome to mammy, do.”

Her voice sounded like the scent she wore. It had a hard tone which

somehow brought the solitary threepence to mind.

The gardener returned at great speed to Penny Street.

It was lunch-time at Number Twenty-one. The eternal hash approached its

daily martyrdom. Hash is a worthy thing, but it reminds you that you are

not at the Ritz. There is nothing worse calculated to make you forget a

lonely threepenny bit in your pocket.

The gardener had a hundred a year. He was apparently the only person in

London with a hundred a year, for wherever he went he always found

himself the wealthiest person present. His friends gave his natural

generosity a free rein. After various experiments in social economy, he

found it cheapest to rid himself of the hundred a year immediately on

its quarterly appearance, and live on his expectations for the rest of

the time. There are drawbacks about this plan, as well as many

advantages. But the gardener was a pillar, and he found it easier to

support the world than to support himself.

It was on this occasion that his neighbour at luncheon, unaware of his

pillar-hood, asked him what he was doing for a living.

“Living,” replied the gardener. He was not absolutely sure that it made

sense, but it sounded epigrammatic. He was, in some lights, a shameless

prig. But then one often is, if one thinks, at twenty-three.

“It’s all living,” he continued to his neighbour. “It’s all life. Being

out of a job is life. Being kicked is life. Starving’s life. Dying’s

life.”

The neighbour did not reply because he was busy eating. One had to keep

one’s attention fixed on the food problem at 21 Penny Street. There was

no time for epigrams. It was a case of the survival of the most silent.

The gardener was very thin.

The girl Courtesy, however, was one who could do two things at once. She

could support life and impart information at the same time.

“I do believe you talk for the sake of talking,” she said; and it was

true. “How can dying be living?”

It is most annoying to have the cold light of feminine logic turned on

to an impromptu epigram. The gardener pushed the parsnips towards her as

a hint that she was talking too much. But Courtesy had the sort of eye

that sees no subtlety in parsnips. Her understanding was of the black

and white type.

“Death is the door to life,” remarked Miss Shakespeare, nailing down the

golden opportunity with eagerness. 21 Penny Street very rarely gave Miss

Shakespeare the satisfaction of such an opening. There was, however, a

lamentable lack of response. The subject, which had been upheld contrary

to the laws of gravitation, fell heavily to earth.

“Is this your threepenny bit or mine?” asked the girl Courtesy. For that

potent symbol, the victim of its owner’s absence of mind, in the course

of violent exercise between the gardener’s plate and hers, had fallen

into her lap.

Whose idea was it to make money round? I sometimes feel certain I could

control it better if it were square.

“It is mine,” said the gardener, still posing as a philosopher. “A

little splinter out of the brimstone lake. Feel it.”

Courtesy smelt it without repulsion.

“Talk again,” she said. “Where would you be without money?”

“Where would I be without money? Where would I be without any of the

vices? Singing in Paradise, I suppose.”

“If I pocket this threepenny bit,” said Courtesy, that practical girl,

“what will you say?”

“Thank you—and good-bye,” replied the gardener. “It is my last link with

the world.”

Courtesy put it in her purse. “Good-bye,” she said. “So sorry you must

go. Reserve a halo for me.”

The gardener rose immediately and walked upstairs with decision into his

bedroom, which, by some freak of chance, was papered blue to match his

soul. It was indeed the anteroom of the gardener’s soul. Nightly he went

through it into the palace of himself.

He took out of it now his toothbrush, a change of raiment, and Hilda. It

occurs to me that I have not yet mentioned Hilda. She was a nasturtium

in a small pot.

On his way downstairs he met Miss Shakespeare, who held the destinies of

21 Penny Street, and did not hold with the gardener’s unexpected ways.

“Your weekly account ...” she began.

“I have left everything I have as hostages with fate,” said the

gardener. “When I get tired of Paradise I’ll come back.”

On the door-step he exclaimed, “I will be a merry vagabond,

tra-la-la ...” and he stepped out transfigured—in theory.

As he passed the dining-room window he caught sight of the red of

Courtesy’s hair, as she characteristically continued eating.

“An episode,” he thought. “Unscathed I pass on. And the woman, as women

must, remains to weep and grow old. Courtesy, my little auburn lover, I

have passed on—for ever.”

But he had to return two minutes later to fetch a pocket-handkerchief

from among the hostages. And Courtesy, as she met him in the hall,

nodded in an unsuitably unscathed manner.

The gardener walked, with Hilda in his hand. It became night.

Practically speaking, it is of course impossible for night to occur

within three paragraphs of luncheon-time. But actually the day is often

to me as full of holes as a Gruyère cheese.

To the gardener the beginnings of a walk which he felt sure must

eventually find a place in history were torn ruthlessly out of his

experience. He was thinking about red hair, and all things red.

He hoped that Hilda, when she flowered, would be the exact shade of a

certain head of hair he had lately seen.

“Hoping and planning for Hilda like a mother-to-be,” he thought, but

that pose was impossible to sustain.

Red hair.

He did not think of the girl Courtesy at all. Only her hair flamed in

his memory. The remembrance of the rest of her was as faint and lifeless

as a hairdresser’s dummy.

It struck him that auburn, with orange lights in the sunlight, was the

colour of heat, the colour of heaven, the colour of life and love. He

looked round at the characteristic London female passer-by, the

thin-breasted girl, with hair the colour of wet sand, and reflected that

Woman is a much rarer creature than she appears to be.

He recovered consciousness in Kensington Gardens at dusk. He remembered

that he was a merry vagabond.

“Tra-la-la ...” he sang as he passed a park-keeper.

People in authority seem as a rule to be shy of the pose. The

park-keeper was not exactly shy, but he made a murmured protest against

the Tra-la-la, and saw the gardener to the gate with most offensive

care.

In theory the gardener spent the night at the Ritz. In practice he slept

on the Embankment. He was a man of luck in little things, and the night

was the first fine night for several weeks. The gardener followed the

moon in its light fall across the sky. Several little stars followed it

too, in and out of the small smiling clouds.

The moon threaded its way in and out of the gardener’s small smiling

dreams. Oh mad moon, you porthole, looking up into a fantastic Paradise!

The gardener did not dream of red hair. That subject was exhausted.

When an undecided sun blinked through smoked glasses at the Thames, and

at the little steamers sleeping with their funnels down like sea-gulls

on the water with their heads under their wings, the gardener rose. He

had a bath and a shave—in theory—and walked southward. Tra-la-la.

He walked very fast when he got beyond the tramways, but after a while a

woman who was walking behind him caught him up. Women are apt to get

above themselves in these days, I think.

“I’m going to walk with you,” said the woman.

“Why?” asked the gardener, who spent some ingenuity in saying the thing

that was unexpected, whether possible or impossible.

“Because you’re carrying that flower-pot,” replied the woman. “It’s such

absurd sort of luggage to be taking on a journey.”

“How do you know I’m going on a journey?” asked the gardener, astonished

at meeting his match. “By the expression of your heels.”

The gardener could think of nothing more apt to say than “Tra-la-la ...”

so he said it, to let her know that he was a merry vagabond.

The woman was quite plain, and therefore worthy only of invisibility in

the eyes of a self-respecting young man. She had the sort of hair that

plays truant over the ears, but has not vitality enough to do it

prettily. Her complexion was not worthy of the name. Her eyes made no

attempt to redeem her plainness, which is the only point of having eyes

in fiction. Her only outward virtue was that she did not attempt to

dress as if she were pretty. And even this is not a very attractive

virtue.

She carried a mustard-coloured portmanteau.

“I know what you are,” said the gardener. “You are a suffragette, going

to burn a house down.”

The woman raised her eyebrows.

“How curious of you!” she said. “You are perfectly right. Votes for

women!”

“Tra-la-la ...” sang the gardener wittily.

(You need not be afraid. There is not going to be so very much about the

cause in this book.)

They walked some way in silence. The gardener, of course, shared the

views of all decent men on this subject. One may virtuously destroy life

in a good cause, but to destroy property is a heinous crime, whatever

its motive.

(Yes, I know that made you tremble, but there are not many more

paragraphs of it.)

Presently they passed a car, pillowed against a grassy bank. Its

attitude, which looked depressed, was not the result of a catastrophe,

but of a picnic. In the meadow, among the buttercups, could be seen four

female hats leaning together over a little square meal set forth in the

grass.

“Look,” said the suffragette, in a voice thin with scorn.

The gardener looked, but could see nothing that aroused in him a horror

proportionate to his companion’s tone.

“Listen,” said the suffragette half an octave higher.

The gardener listened. But all he heard was, “Oh, my dear, it was too

killing....”

Then, because the chauffeur on the bank paused in mid-sandwich, as if

about to rebuke their curiosity, they walked on.

“One is born a woman,” said the suffragette. “A woman in her

sphere—which is the home. One starts by thinking of one’s dolls, later

one thinks about one’s looks, and later still about one’s clothes. But

nobody marries one. And then one finds that one’s sphere—which is the

home—has been a prison all along. Has it ever struck you that the

tragedy of a woman’s life is that she has time to think—she can think

and organise her sphere at the same time. Her work never lets her get

away from herself. I tell you I have cried with disgust at the sound of

my own name—I won’t give it to you, but it might as well be Jane Brown.

I have gasped appalled at the banality of my Sunday hat. Yet I kept

house excellently. And now I have run away, I am living a wide and

gorgeous life of unwomanliness. I am trying to share your simplest

privilege—the privilege you were born to through no merit of your own,

you silly little boy—the privilege of having interests as wide as the

world if you like, and of thinking to some purpose about England’s

affairs. My England. Are you any Englisher than I?”

“You are becoming incoherent,” said the gardener. “You are enjoying a

privilege which you do not share with me—the privilege of becoming

hysterical in public and yet being protected by the law. You are a

woman, and goodness knows that is privilege enough. It covers everything

except politics. Also you have wandered from the point, which at one

time appeared to be a picnic.”

(Courage. There is only a little more of this. But you must allow the

woman the privilege of the last word. It is always more dignified to

allow her what she is perfectly certain to take in any case.)

“The picnic was an example of that sphere of which ‘Oh, my dear, too

killing ...’ is the motto. You educate women—to that. I might have been

under one of those four hats—only I’m not pretty enough. You have done

nothing to prevent it. I might have been an ‘Oh, my dear’ girl, but

thank heaven I’m an incendiary instead.”

That was the end of that argument. The gardener could not reply as his

heart prompted him, because the arguments that pressed to his lips were

too obvious.

Obviousness was the eighth deadly sin in his eyes. He would have agreed

with the Devil rather than use the usual arguments in favour of virtue.

That was his one permanent pose.

A little way off, on a low green hill, the suffragette pointed out the

home of a scion of sweated industry, the house she intended to burn

down. High trees bowed to each other on either side of it, and a little

chalky white road struggled up to its door through fir plantations, like

you or me climbing the world for a reward we never see.

“I’m sorry,” said the gardener. “I love a house that looks up as that

one does. I don’t like them when they sit conceitedly surveying their

‘well-timbered acres’ under beetle brows that hide the sky. Don’t burn

it. Look at it, holding up its trees like green hands full of

blessings.”

“In an hour or two the smoke will stand over it like a tree—like a

curse....”

When they parted the gardener liked her a little because she was on the

wrong side of the law. There is much more room for the wind to blow and

the sun to shine beyond the pale—or so it seems to the gardener and me

standing wistful and respectable inside. It is curious to me that one of

the few remaining illusions of romance should cling to a connection with

that most prosy of all institutions—the law.

I forgot to mention that the gardener borrowed a shilling from the

suffragette, thus rashly forming a new link with the world in place of

the one he had relinquished to the girl Courtesy. The worst of the world

is that it remains so absurdly conservative, and rudely ignores our

interesting changes of pose and of fantasy. I have been known to crave

for a penny bun in the middle of a visit from my muse, and that is not

my fault, but Nature’s, who created appetites and buns for the common

herd, and refused to adapt herself to my abnormal psychology.

It was interesting to the gardener to see how easily the suffragette

parted with such an important thing as a shilling. Superfluity is such

an incredible thing to the hungry. The suffragette gave Holloway Gaol as

her permanent address.

Thus accidentally bribed, the gardener, feasting on a cut from the joint

in the next village, refrained from discussing women, their rights or

wrongs, or their local intentions, with the village policeman. “She

won’t really dare do it,” he thought.

(I may here add that I was not asked by a militant society to write this

book. I am writing it for your instruction and my own amusement.)

The gardener did not sleep under a hedge as all merry vagabonds

do—(Tra-la-la)—but he slept in the very middle of a large field, much to

the surprise of the cows. One or two of these coffee-coloured matrons

awoke him at dawn by means of an unwinking examination that would have

put a lesser man out of countenance. But the gardener, as becomes a man

attacked by the empty impertinences of females, turned the other way and

presently slept again.

He washed next morning near to where the cows drank. He had no soap and

the cows had no tumblers,—nothing could have been more elemental than

either performance.

“I am very near to the heart of nature—tra-la-la,” trilled the gardener.

But the heart of nature eludes him who tries to measure the distance.

The only beat that the gardener heard was the soft thud of his own feet

along the thick dust of the highway.

About the next day but one he came to a place where the scenery changed

its mind abruptly, flung buttercups and beeches behind it, and drew over

its shoulders the sombre cloak of heather and pines.

Under an unremarkable pine tree, listening to the impatient summons of

the woodpecker (who, I think, is the feathered soul of the foolish

virgin outside the bridegroom’s door), sat a man. He was so fair that he

might as well have been white-haired. His eyes were like two copper

sequins set between white lashes, beneath white brows, in a white face.

His lips were very red, and if he had seemed more detached and less

friendly, he would have looked like harlequin. But he rose from his seat

on the pine needles, and came towards the gardener, as though he had

been waiting for him.

The gardener steeled himself against the stranger’s first word, fearing

lest he should say, “What a glorious day!”

But the stranger, making a spasmodic attempt to remove a hat which had

been left at home, said, “My name is Samuel Rust, a hotel-keeper. Won’t

you come and look at my place?”

It was impossible for the gardener to do otherwise, for Mr. Samuel

Rust’s place framed itself in a gap in the woods to the right, and was

introduced by a wave of its owner’s hand.

“What a red place!” said the gardener.

“Of course. No other name is possible for it,” said Mr. Rust.

The house was built of red brick that had much tangerine colour in it.

The flowering heather surged to its very door-step. And thick around it

the slim pine tree-trunks shot up, like flame, whispered flame.

The gardener smiled at it. If only Hilda might be the colour of those

tree-trunks when she flowered.

Mr. Rust acknowledged the smile in the name of his red place. “It’s

an—inoffensive little hole,” he said.

What he meant was of course, “It’s a perfectly exquisite spot.” What is

becoming of our old eloquence and enthusiasm? The full-blooded

conventions are dying, and we have already replaced them by a code of

shadows. But whether the life beneath the code is as vivid as ever,

remains to be seen. I think myself that manners are changing, but not

man. In all probability we shall live to greet the day when “fairly

decent” will express the most ecstatic degree of rapture.

The gardener was not intentionally modern. It is the tendency of his

generation to be modern—it is difficult to believe that it has been the

tendency of every generation from the prehistoric downwards. And it was

the gardener’s ambition to walk in the opposite direction to the

tendency of his generation. He shared the common delusion that by

walking apart he could be unique. This arises from the divine fallacy

that man makes man, that he has the making of himself in his own hands.

I am glad that I share this pathetic illusion with my gardener.

So, as he thought the Red Place very beautiful, he said, “I think it is

very beautiful.”

But even so he was not sincere throughout. He posed even in his honesty.

For he posed purposely as an honest man.

Of course you know that one of the most effective poses is to pose as

one who never poses. A rough diamond with a heart of gold.

The first moment Mr. Samuel Rust heard the gardener say Tra-la-la he

ceased to have a doubt as to the species of citadel he had invaded.

“You are one of these insouciant wanderers, what?” he suggested. “A

light-hearted genius going to make a fortune grow out of the twopence in

your pocket. You got yourself out of a book. I think your sort make your

hearts light by blowing them up with gas.”

True to his code, he then feared that he had spoken with insufficient

mediocrity, and blushed. A small circular patch of red, like a rose,

appeared high up on either cheek, suddenly bringing the rest of his face

into competition with his vivid lips.

“You are wrong about the twopence,” said the gardener, “I have three

halfpence.”

“Come and see my Red Place,” said Mr. Rust. “That is, if you’re not

bored.”

Boredom and the gardener were strangers. One can never be bored if one

is always busy creating oneself with all the range of humanity as model.

“This is an hotel,” said the owner, as they approached the door. “It is

my hotel, and it promised to make my fortune. So far it has confined

itself to costing a fortune. When I remind it of its promise it puts its

tongue in its cheek—what?”

The northern side of the Red Place was quite different in character from

the side which first smiled on the gardener. This was because one

essential detail was lacking—the heather. Fire had passed over the

little space at some recent date in its sleepy history, and had left it

sinister. Tortured roots and branches appealed from the black ground to

a blue heaven. The surrounding pine trees, with their feet charred and

blistered, and their higher limbs still fiercely red, still looked like

flames now turned into pillars of delight in answer to the prayer of the

beseeching heather.

“Is there anybody in your hotel?” asked the gardener, smoothing his hair

hopefully—the young man’s invariable prelude to romance.

“Nobody, except the gods,” replied the host. “We sit here waiting, the

divine and I. There is a blessing on the place, and I intend to make

money out of it. You can see for yourself how wonderfully good it is. If

people knew of the peace and the delight.... The table is excellent

too—I am the chef as well as the proprietor. Our terms are most

moderate.”

“All the same you need advertisement,” said the gardener, who, in

unguarded moments, was more modern than he knew. “I can imagine most

sensational advertising of a place with such a pronounced blessing on

it. Buy up the front page of the _Daily Mail_, and let’s compose a

series of splashes.”

“I am penniless,” began Mr. Rust dramatically, and interrupted himself.

“A slight tendency towards financial inadequacy—what?”

“I have three halfpence,” said the gardener, but not hopefully.

“Come in for the night,” begged the host. “I have twelve bedrooms for

you to sleep in, and three bathrooms tiled in red. Terms a halfpenny,

_tout compris_.”

“Tra-la-la ...” trilled the gardener, for as he followed his host the

heather tingled and tossed beneath his feet, and the gods came out to

meet him with a red welcome.

“You have nothing to do—what?” said Mr. Samuel Rust, when they were

sitting in the high russet hall.

“We-ll ...” answered the gardener, feeling that the suggestion of

failure lurked there. “I am a rover, you know. Busy roving.”

“To say that shows you haven’t roved sixty miles yet. When you’ve roved

six hundred you’ll see there’s nothing to be got out of roving. When

you’ve roved six thousand you’ll join the Travellers’ Club and be glad

it’s all over.”

“Six thousand miles ...” said the gardener, as if it were a prayer. His

heart looked and leapt towards the long, crowded perspective that those

words hinted.

“You’ve never been to sea,” continued Mr. Samuel. And the gardener

discovered with a jerk that he was a blue man born for the sea, and that

he had never yet felt the swing of blue water beneath his feet.

“No,” he said, “I believe I must go there now.”

And he jumped to his feet.

“If you stay here for the night,” said Mr. Rust, “to-morrow I’ll suggest

to you something that—may possibly interest you to some slight extent.”

With a clumsy blood-red pottery candlestick, which was so careless in

detail as to seem to be the unconscious production of a drunken

master-potter, the gardener found his room.

(I know it is a shock to you to find it bedtime at this point, but the

gardener and I forgot to notice those parts of the day which I have not

mentioned.)

He dreamt of red hair, redder than natural, as red as a sunset, seen at

close quarters from Paradise. At midnight he awoke, in the clutch of

perfectly irrelevant thoughts.

The room was a velvet cube, with the window plastered at one side of it,

a spangled square. And the silken moonlight was draped across the floor.

“I am myself,” said the gardener. “I am my world. Nothing matters except

me. I am the creator and the created.”

With which happy thought he returned to sleep again.

The Red Place lost its flame-like life at night. Night, that blind

angel, has no dealings with colour, and turns even the auburn of the

pine-trunks to cold silver. But before the gardener awoke again, the sun

had roused the gods of the place to discover the theft of their red

gold, and to replace it.

The gardener, as he trilled like a lark in one of the red-tiled

bathrooms, was suddenly reminded that he was a merry vagabond.

“I must disappear,” he thought. “No true vagabond ever says, ‘Good-bye,

and thank you for my pleasant visit.’”

So he prepared to disappear. From his bedroom window he could see, as he

dressed, the pale head of Mr. Samuel Rust on a far fir-crowned slope,

looking away over the green land towards London, waiting, side by side

with the divine.

The gardener took three slices of dry bread from the breakfast which

waited expectantly on a table in the hall, and went out. But under a

gorse bush amongst the heather, he found some tiny scarlet flowers. He

picked two or three, and returning put them on the breakfast plate of

Mr. Samuel Rust. He put a halfpenny there too.

“Very vagabondish—tra-la-la ...” he murmured tunefully, and studied the

infinitesimal effect with his head on one side.

Then he disappeared. He did it straightforwardly along the open road, as

the best vagabonds do, and he was pleased with his fidelity to the part.

Presently he recalled for the first time Mr. Samuel Rust’s promise of a

happy suggestion for that morning. For a moment he wondered, for a

second he regretted, but he posed as being devoid of curiosity. This is

a good pose, for in time it comes true. It eventually withers the little

silly tentacles which at first it merely ignores. Curiosity needs food

as much as any of us, and dies soon if denied it. And I am glad, for it

seems to me that curiosity and spite are very closely akin, and that

spite is very near to the bottom of the pit.

The memory of Mr. Rust’s remark, however, kept the gardener for some

moments busy being incurious. He was not altogether successful in his

pose, for when the pallid owner of the Red Place stepped out of a

thicket in front of him, he thought with a secret quiver, “Now I shall

know what it was....”

“Taking a morning walk—what?” remarked Mr. Rust, achieving his ambition,

the commonplace, for once in perfection.

“No,” replied the gardener (one who never told a lie unless he was

posing as a liar), “I was leaving you. I have left a smile of thanks and

a halfpenny on your plate. You know I’m a rover, an incurable vagabond,

and my fraternity never disappears in an ordinary way in the station

fly.”

It is rather tiresome to have to explain one’s poses. It is far worse

than having to explain one’s witticisms, and that is bad enough.

“Come back to breakfast,” said Samuel. “I can let you into a much more

paying concern than vagabondage.”

It is not in the least impressive to disappear by brute force in public,

so the gardener turned back.

The gods did not run out to meet the returning vagabond, as they had run

out to meet him arriving. The gardener did not look for them. He was too

much occupied in thinking of small cramping things like “paying

concerns.” The expression sounded to him like a foggy square room

papered in a drab marbled design.

“A paying concern does not interest me at all,” he said, feeling rather

noble.

“It won’t as long as you’re a merry vagabond. But your situation as such

is not permanent, I think. Wouldn’t you like to go and strike attitudes

upon the sea?”

The gardener was intensely interested in what followed.

Mr. Samuel Rust was penniless, owing, as he frankly admitted, to

propensities which he shared with the common sieve. But in other

directions he was well supplied with blessings. He had, for instance, a

mother. And the mother—well, you know, she managed to scrape along on

nine thousand a year—what? The said mother, excellent woman though she

was, had refused to finance the Red Place. She had not come within the

radius of its blessing. She had no idea that it was under the direct

patronage of the gods, and that it promised a fortune in every facet.

Samuel had explained these facts to her, but she had somehow gathered

the impression that he was not unbiassed. In her hand she held the life

of the Red Place, and at present held it checked. A little money for

advertisement, a few hundred pounds to set the heart of the place

beating, and Samuel Rust saw himself a successful man, standing with his

gods on terms of equality. But his mother had become inaccessible, she

had in fact become so wearied by the conversation of Samuel upon the

subject that she had made arrangements to emigrate to Trinity Islands,

somewhere on the opposite side of the world.

“And what is it to do with me?” asked the gardener, who suffered from

the drawbacks of his paramount virtue, enthusiasm, and never could wait

for the end of anything. “Do you want me to turn into an unscrupulous

rogue and dog her footsteps because——”

“You can have scruples or not as you choose,” said Mr. Rust. “But rogue

is a word that exasperates me. It’s much the same as ‘naughty-naughty,’

and that is worse than wickedness. The wicked live on brimstone, which

is at least honest; but the naughty-naughty play with it, which is

irreverent. With or without your scruples, armed only with the blessing

and the promise of this place, I want you to cross the Atlantic on the

_Caribbeania_ with my mother, and tell her what it is the gods and I are

waiting for. That is—just try and talk the old lady round—don’t you

know. Any old twaddle would do—what?”

The gardener produced two halfpennies, one of which he placed on each

knee.

“And the fare first-class is ...” he said.

“I have a cousin whose only virtue is that he occasionally serves the

purpose of coin,” said Mr. Rust. “That is—I know a fellow I can bleed to

a certain extent—what? He is the son of—well, a middling K-nut at the

top of the shipping tree—what?”

The gardener had visions of an unscrupulous rogue, neatly packed into a

crate labelled champagne, being smuggled on board the _Caribbeania_.

Truly the pose had possibilities. The affair was, however, vague at

present, and the gardener retained, whatever the rôle he was playing, an

accurate mind and a profound respect for the exactness of words.

“Will he stow me away?” he asked.

“Not in the way you mean. But there’ll be room for you on the

_Caribbeania_. Come down to Southampton with me now. There’s a train at

noon.”

“I have my own feet, and a good white road,” replied the gardener in a

poetic voice. “I’ll join you in Southampton this evening.”

“It’s thirty-five miles,” said Mr. Rust. “And the boat sails to-morrow

morning. However.... We haven’t discussed the business side of the

affair yet.”

“And we never will. I’ll take my payment out in miles—an excellent

currency.”

In spite of the distance of his destination, the gardener stood by his

determination to go by road. A friendly farmer’s cart may always be

depended on to assist the pose of a vagabond. It would have been

extremely hackneyed to approach the opening door of life by train. So he

left his blessing with the Red Place, and shook the hand of its white

master, and set his face towards the sea.

It was still early. The sun had set the long limbs of the tree-shadows

striding about the woods; the gorse, a tamed expression of flame, danced

in the yellow heat; the heather pressed like a pigmy army bathed in

blood about the serene groups of pines. There was great energy abroad,

which kept the air a-tingle. The gardener almost pranced along.

Presently he came to a woman seated by the roadside engrossed in a box

of matches.

“You again,” said the gardener to the suffragette, for he recognised her

by her hat. There was a bunch of promiscuous flowers attached to her

hat. They were of an unsuitable colour, and looked as though they had

taken on their present situation as an after-thought, when the hat was

already well advanced in years. _A mariage de convenance._

“Have you any matches?” was the suffragette’s characteristic reply.

“I never give away my matches to people with political opinions without

making the fullest enquiries,” replied the gardener. “People are not

careful enough about the future morals of their innocent matches in

these days.”

Forgetting the thirty-five miles, he sat down on the bank beside her,

and began to refresh Hilda by splashing the water into her pot out of a

tiny heathery stream that explored the roadside ditch.

“I can supply you with all particulars at once,” said the suffragette in

a businesslike voice. “I am going to burn down a little red empty hotel

that stands in the woods behind you. There is only one man in charge.”

“You are not,” said the gardener, descending suddenly to unfeigned

sincerity.

“Certainly it is not the home of an Anti,” continued the suffragette,

ignoring his remark. “At least as far as I know. But you never can tell.

A Cabinet Minister might want to come and stay there any time; there are

good golf-links. I had hoped that the last affair, the burning of West

Grove—a most successful business—would have been my last protest for the

present. I meant to be arrested, and spend a month or two at the not

less important work of setting the teeth of the Home Office on edge. But

the police are disgracefully lax in this part of the world, and though I

left several clues and flourished my portmanteau in three neighbouring

villages, nothing happened. I do not like to give myself up, it is so

inartistic, and people are apt to translate it as a sign of repentance.

But the little hotel is a splendid opportunity.”

One of the drawbacks of posing yourself is that you are apt to become a

little blind to the poses of others. Also you must remember that women,

and especially rebellious women, were an unexplored continent to the

gardener.

“You are not going to take advantage of the opportunity,” said the

gardener, refreshing Hilda so violently that she stood up to her knees

in water.

“I’ve heard the caretaker is constantly out ...” went on the

suffragette.

“Possibly,” admitted the gardener. “But if the house were twenty times

alone, you should not light a match within a mile of it. How dare

you—you a great strong woman—to take advantage of the weak gods who

can’t defend themselves.”

The great strong woman crinkled her eyes at him. She was absurdly small

and thin.

“Well, if you won’t lend me any matches, I shall have to try and do with

the three I have. I am going to reconnoitre. Good-morning.”

There is nothing so annoying as to have one’s really impressive remarks

absolutely ignored. I myself can bear a great deal of passing over. You

may with advantage fail to see my complexion and the cut of my clothes;

you may be unaware of the colour of my eyes without offending me; I do

not care if you never take the trouble to depress your eyes to my feet

to see if I take twos or sevens; you may despise my works of art—which

have no value except in the eyes of my relations; you may refuse to read

my writings—which have no value in any eyes but my own,—all these things

you may do and still retain my respect, but when I speak you must listen

to what I say. If you don’t, I hate you.

The gardener felt like this, and the retreating form of the suffragette

became hateful to him. Somehow delightfully hateful.

“Come back,” he shouted, but incredible though it may seem, the woman

shrugged one shoulder at him, and walked on towards the Red Place.

It was most undignified, the gardener had to run after her to enforce

his will. He arrived by her side breathless, with his face the colour of

a slightly anæmic beetroot. It is very wrong of women to place their

superiors in such unsuperior positions.

I hope I do not strike you as indulging my suffragettism at the expense

of the gardener. I am very fond of him myself, and because that is so,

his conceit seems to me to be one of his principal charms. There is

something immorally attractive in a baby vice that makes one’s heart

smile.

The gardener closed his hand about the suffragette’s thin arm.

“You will force me to take advantage of my privilege,” he said, and

looked at his own enormous hand.

The suffragette stood perfectly still, looking in the direction she

wanted to go.

“Turn back,” said the gardener. But she made a sudden passionate effort

to twist her arm out of his grasp. It was absurd, and very nearly

successful, like several things that women do.

The gardener’s heart grew black. There seemed nothing to be done. No end

could be imagined to the incident. His blue sea future dissolved. He

pictured himself standing thus throughout eternity, with his hand closed

around the little splinter of life she called her arm. Time seemed to

pass so slowly that in a minute he found he knew her looks by heart. And

yet he was not weary of them. I suppose the feeling he found in himself

was due to a certain reaction from the exalted incident of the blue and

golden young lady who had divined the loneliness of the threepenny bit.

For he discovered that he did not so very much mind hair that had but

little colour in it, and that he found attractive a pointed chin, and an

under lip that was the least trifle more out-thrust than its fellow.

“Do you know why I want to stop you?” he said at last.

“Yes.”

“Why?”

“Because you are not a woman, and don’t understand.”

“Because I am a man, and I understand.”

She was silent.

“Do you know what I mean?”

“Yes.”

“You don’t. I mean that I am a man, and I am not going to let you go,

because you must come with me to the uttermost ends of the earth.”

“Why?”

“Because I love the shape of your face, you dear little thing.”

The gods should not be disturbed. Also there was something very potent

in the impotent trembling of her arm.

There was an unnaturally long pause. Then she turned round.

“Let us discuss this matter,” she said, and gave him her portmanteau to

carry. The gardener loosed her arm and walked beside her. Silence and a

distance of a yard and a half were maintained between them for some way.

The gardener was gazing in blank astonishment at that ass, the gardener

of three minutes ago. Into what foolery had he not plunged?

If I could always be the Woman I Am, I should be a most rational and

successful creature. It is the Woman I Was who makes a fool of me, and

leaves me nervous as to the possible behaviour of the Woman I Shall Be.

There was something in the way the suffragette’s neck slipped loosely

into her collar which took a little of the sting out of the gardener’s

regrets. But the little plain eyes of her, and the aggressive manners of

her, and the misguided morals of her—that was the sequence in which the

gardener’s thoughts fell into line.

As for the suffragette, her heart, in defiance of anatomy, had gone to

her head, and was thundering rhythmically there. She was despising

herself passionately, and congratulating herself passionately. How

grand—she thought: how contemptible—she thought. For she was a world’s

worker, a wronged unit seeking rights, a co-heritor of the splendour of

the earth, a challenger, a warrior. And now, quite suddenly, she

discovered a fact the existence of which she had seldom, even in weak

moments, suspected. She found that—taken off her guard—she was a young

woman of six-and-twenty.

“How laughable,” she thought—and did not laugh—“I’m as bad as the ‘Oh my

dear’ girls.”

“Now,” she said at last, “what did you mean by that?”

“Only that you look like a good friend,” replied the gardener, who, poor

vagabond, was blushing furiously. “Mightn’t we be friends?”

“I am a friend to women,” said the suffragette slowly. “I’m a lover of

women. But never of men. I wouldn’t stir an inch out of my way for a

man. Unless I wanted to.”

“And do you want to?”

She looked at the gardener’s profile with the eyes of the newly

discovered young woman of six-and-twenty. Hitherto she had seen him only

with the militant eyes of armed neutrality. She looked at the rather

pleasing restlessness of his eyes, and the high tilt of his head. His

eyes were not dark with meaning, as the eyes of heroes of novels should

be, they were light and quick. The black pupils looked out fierce and

sharp, like the pupils of a cat, which flash like black sparks out of

the twilight of its soul. The gardener’s eyes actually conveyed little,

but they looked like blinds, barely concealing something of great value.

Presently the suffragette said: “Can you imagine what you feel like if

you had been running in a race, and you had believed you were winning.

The rest were miles behind wasting their breath variously; and then

suddenly your eyes were opened, and you saw that you had been running

outside the ropes of the course, for you were never given the chance to

enter for the competition.”

“Good,” said the gardener enthusiastically. “So you’re tired of running

to no purpose, and you’re coming back to the starting-place to begin

again.”

I Pose · 第 1 / 17 段