None of the animals paid the slightest attention to Tommy and the
ex-Pirate when they came down from their uncomfortable perch on the
rafter, and strolled about the big room. The Gopher, probably emboldened
by his neighbors' action, descended too, and mingled with the other
beasts. But, for some reason, he managed to remain within sight of Tommy
and the ex-Pirate, so that if anything bad happened to him he could have
run to them for protection or assistance. Occasionally he joined them
and conversed for a few moments, and then he would wander off again by
himself.
"I guess they take us for a pair of animals," observed Tommy, as he
glanced about at the peaceful beasts. "Some new kind," he added.
"That must be it," said the ex-Pirate, absent-mindedly; "but I wish we
could find the Sheep."
"In this crowd?" exclaimed the Gopher, who came up at that moment. "Why,
that's like looking for a beetle in a smoke-stack."
The three walked along for some time in silence, and they saw all sorts
of queer things as they went. In a retired corner the Hippopotamus was
shaving himself with a razor-backed Hog, much to the displeasure of the
Hog, who kept up a perpetual snorting and grunting. Near by an old
mother Pig was putting her little Pigs' tails up in curl-papers for the
night. Further along the Armadillo, the Turtles, the Hedgehog, and the
Porcupine, squatted on the floor together, were playing dominoes. A
Leopardlike creature sat near by watching the game, looking very much
disappointed and mournful.
[Illustration: "THEY WON'T LET HIM PLAY BECAUSE HE'S A CHEETAH."]
"They won't let him play," volunteered the Gopher, "because he's a
Cheetah."
All this time there was much bustle and preparation going on in the
middle of the hall. The Monkey tribe, of which there must have been a
hundred, were bringing up tables and stools and benches from down below
somewhere, and were stretching these out the entire length of the big
room. They made a banqueting board much longer than Tommy had ever seen
before, and then they laid plates and mugs along the edges, enough to
accommodate all. The Monkeys made first-rate waiters, and the big
Gorillas bossed them around, and kept them working "just like real
waiters in a restaurant," thought Tommy.
"There's the Sheep!" shouted the ex-Pirate, suddenly, and he pointed out
their old friend sitting on a bench about a third of the way down from
the head of the long table. They hastened toward him, followed by the
Gopher, who was doubtless afraid of being crowded out, for the animals
were taking seats rapidly.
The Sheep was overjoyed when the ex-Pirate sat down beside him, and he
moved up closer to his neighbor on the other side so as to make room for
Tommy and the Gopher. The little boy sat on the bench with the ex-Pirate
on his left, and the Gopher on a high stool at his right. The Lion and
Lioness occupied the head of the table, some distance away, and the Bull
sat at the foot.
"I have been looking all over for you," began the Sheep, "but you were
so well concealed I could not find you. Where did you pick up that
Gopher?"
"Oh, he's all right," answered the ex-Pirate. "He's got his ticket
inside."
The Gopher almost fell off his stool. He whispered to Tommy, "Tell him
not to talk about my ticket."
But before Tommy could deliver the message, the Monkeys began bringing
the soup in on trays, and placed a plate full in front of each one at
table. The Gopher seized his plate and lifted it greedily to his face
and swallowed all at one gulp. Then he threw the plate under the table,
and began snapping his fingers loudly, just as if he had not been served
at all.
"You must not do that," remonstrated Tommy.
"Oh yes, I must," said the Gopher. And then he held up both hands and
snapped all fingers.
"What dreadful table manners the Gopher has," said the little boy to the
ex-Pirate. "Did you see what he did?"
"Yes," answered the latter. "It was very reprehensible. Worse than
anything I ever saw. Worse than the Bishop of Shinnikoree."
"The Arch-Bishop," put in the Sheep.
"Arch-Bishop nothing," retorted the ex-Pirate. "He was only a Bishop."
"But he is an Arch-Bishop _now_," persisted the Sheep.
"He's _dead_ now," retorted the ex-Pirate.
"Yes; and they carved him in stone, and put him up over the entrance of
the Cathedral, and so he is an Arch-Bishop, ain't he?"
"Well, I suppose so. Anyhow, he was mighty queer at table."
"You never told me about the Bishop before," said Tommy.
"I know it," answered the ex-Pirate. "But if I had the third volume of
my collected poems here, I could read to you about him. He was dreadful.
Worse than the Gopher."
"Can't you remember about him?" pleaded the little boy.
"Part, I guess. Let me see," and the ex-Pirate reflected in silence for
a moment. Then he began:
"There once was a Bishop
Who tossed every dish up
The moment he sat down to table;
At juggling with plates
Full of apples and dates
He was really exceedingly able.
"He would stand on his head
When he buttered his bread,
And his neighbors he gayly would banter,
While he gave a wild whoop
At the sight of pea soup
Which was served in a cut-glass decanter.
"With fish-balls and prunes,
And fresh macaroons,
The Bishop was likewise quite clever;
To pile them up high,
And swallow them dry,
Was his constant consistent endeavor.
"He could drink salad oil
By the pint, and not spoil
The perfect success of digestion;
And having well dined,
And copiously wined,
He could turn a handspring without question."
"Goodness," commented Tommy. "Where did you say he bishoped?"
"At Shinnikoree," answered the ex-Pirate.
"I did not hear that last verse," broke in the Gopher, swallowing his
sixth plate of soup. "Can't you recite it again?"
"No, I cannot," replied the ex-Pirate, severely. "If you don't look out
I'll write a piece about you."
This seemed to frighten the Gopher, for he snapped his fingers again and
took another plate of soup.
[TO BE CONTINUED.]
[Illustration: INTERSCHOLASTIC SPORT]
Last week this Department discussed the preparatory work and training of
football-players; in this issue I want to speak briefly of team-play.
The American game has now become such that team-work is its most
important feature. Brilliant individual players are valuable, and every
captain should be glad to have as many as he can get; but I should much
prefer to captain an eleven made up of inferior players who worked well
together, than a team of brilliant individuals who played each for
himself. Walter Camp says that "team-work is the road to victory," and
he ought to know. It is plain that if you have eleven men working as
one, and directing all their force against a single point, you have a
much more formidable engine than if the individuals making up the team
are doing their best according to their own conceptions of the
requirements of the situation.
There is a greater opportunity for team-work in defensive than in
aggressive play. The former affords an excellent chance for the placing
of the men so that they can concentrate their efforts to the best
advantage in the resistance of the opponents' play. The captain decides
beforehand who shall go through to tackle behind the line, who shall
wait to see where the ball is coming through, and then block the runner,
who shall wait back of the line as a reserve force, only to act if the
ball is carried into his territory. There is also always plenty of
opportunity for team-play in the working together of several rush-line
men in the defense, as, for instance, when two or three block off the
attack's interference while another tackles the man with the ball.
The best team-work in the rush-line, however, is to be obtained by the
playing together of the centre and his two guards. It is absolutely
necessary that these men should act like a machine, with precision and
celerity, for they are the keystone of the whole team. They should not
only have a perfect understanding among one another, but with the men
behind them. They must watch the opposing backs, and try to let their
own rear men through upon them wherever a certain defense for certain
plays may seem best. The ends and tackles form another division of the
rush-line which acts as a unit. It is the business of these men to stop
the runs around the ends, of course, but now that the development of the
game has brought in so many rushes through the line, between tackle and
end, or tackle and guard, the four end men must play into one another's
hands in the tackling of opponents and in the blocking of holes that the
men opposite are trying to make.
The men back of the line must also have a perfect understanding among
themselves as to what each one will do in certain emergencies. As in
chess, they must have one or more "defenses" for known attacks, and they
must know which one of these defenses it is best to use under given
conditions. The backs supplement the work of the forwards in defensive
play against rush-line work, but the conditions are reversed in
resisting a kick. Against a kick the backs are the main defense--that
is, the team as a whole depends upon one of the four men back of the
line to make the next play, and each man of the four must know as soon
as the kick is made which one is to get the ball. In the defense against
a kick, therefore, the rushers supplement the work of the backs.
When I say that the rush-line supplements the work of the backs, I do
not mean that their efforts are to be considered in any way secondary.
At the beginning of a kick play it has been their work to hold the
opposing line as long as possible in order to keep the attacking
forwards off their own men, who are engaged in receiving and handling
the kick. Frequently the ends take an important part in the defense
against a kick by coming back with their opponents, bothering them as
much as possible, and being always ready to block or interfere for their
own back should he see a good opportunity open for a run.
Now that the rules have been amended so as to require actual kicks, it
is interesting to note some of the new plays that have been adopted to
give the rushers the opportunity to get possession of the ball again as
quickly as possible. Last year the big college teams tried all sorts of
expedients to achieve this end. One method put to the test was to kick
the ball against the opponents with sufficient force to insure its
bounding back out of the immediate reach of the man whom it struck. This
method, although it sometimes worked, is hardly a satisfactory one, and
will probably be used only as an occasional trick in unimportant games
this year. Another experiment was a rolling kick between the rushers,
but in a diagonal direction so extreme as to give an end or a tackle a
chance of securing it.
In the same manner a diagonal kick, short, over the heads of the first
men of the opponents, was exploited by some of the adventurous captains.
But toward the end of the season the problem narrowed itself down to a
question of the relative value of a kick, short enough, and in a
sufficiently high slanting direction, to enable the rushers to get
fairly well down to its falling-point, and a long kick driving the
opponents back, admitting, it is true, of a run in because the rushers
cannot reach the dropping-point in time to down the man receiving the
ball. Both methods found strong advocates, and were used in about equal
proportions.
And then as to the returning of the kick. Until the rules were changed
"returning a kick" meant catching the punt of an opponent, and, without
stopping for a down, punting it back again before the opponents could
prevent. Naturally this was, among the big teams, much more talk than
practice, for it was a rare exception when such an opportunity offered.
With the new kick-off, however, there is certainly an excellent chance
for a return kick. A man can make the most of his run in, and just
before the opponents meet him he can get in his kick, if that is his
play.
Another interesting matter is the distribution of the men on the line-up
for the kick-off, and it gives ample room for the ingenuity of coaches
and captains. One effective placing of the men is this:
o C
LG o o RG
LT o o RT
o QB
LE o o RE
o o o
HB FB HB
As the ball comes sailing over, the forwards swing into its direction,
and become most effective running interference for whichever back
catches and runs with the ball. This play, if frequently practised, can
be made very effective.
In defensive team-work one of the most important things--next to
watching the ball, of course--is for every man to try to discover what
play the opposing eleven is going to make next. Having found what it
will probably be, their endeavor must be to throw their whole force
against it. It is frequently possible to determine not only what the
enemy's probable move will be, but exactly what it will be. This can
most frequently be done by noting how the half-backs stand, or how the
quarter-back is standing or looking. Men will unconsciously glance in
the direction they are about to run. If a rusher is to take the ball, it
is easier to note that fact than when the leather is going to a
half-back, because the rusher is bound to assume a somewhat different
position from that he would take if he were only going to block, or make
a hole, or break through.
As soon as the captain or any other player discovers, or feels
reasonably confident that he has discovered, what the next play of the
opposing team is going to be, he should impart the information to the
rest of the team. He should try to do this as secretly as possible,
however, or else the opponents will have time to change their signal and
make an entirely different advance. It is in a case like this that quick
work counts, for if you line up and give your signal quickly the
opposing players can scarcely have time to notice the many little points
that give away the next move, and so it is harder for them to meet it.
Quick play is essential to successful and effective team-work. After a
scrimmage and a down, play should begin at once, _i.e._, just as soon as
the centre can secure the ball. Every man in the rush-line and all the
backs should be in their positions without the slightest loss of time
after they are _sure_ the man who was running is down, and all should be
alert for the signal for the next play, which is given during the
line-up. Nothing should ever be allowed to interfere with this rapid
resumption of positions except a serious injury, and then the injured
player should call to his captain for time. Any delay, even by one man,
might spoil the next play, and thus injure the chances of the whole
team.
And now for a few words about aggressive play. In this, team-work is
fully as important as in the defense, and in some cases more so. With
the majority of football elevens team-work in aggression is much better
done and more fully developed than in defensive play, but it is the team
that can offer the best organized defense--all other things being
equal--that will stand the better chance of success. The chief
aggressive move now in use, and the one that has been most widely
adopted by football-players in the past five years, is the interference
wedge. This play reached such a stage of development in Harvard's flying
wedge, three years ago, that it was the main cause for the latest
revision of the rules of the game. But the old interference wedge is a
perfectly legitimate football formation, and can be made effective
without being dangerous.
[Illustration: THE WEDGE FORMATION.]
The formation of the men for this play, as every one knows, is that of a
V, with the point directed toward the opposing line. The man who is to
run with the ball stands inside the two walls of humanity formed by his
mates, and it should be his endeavor to keep on running even after the
original wedge formation has been destroyed by the resistance of the
opponents. The latter, of course, never know what the runner's intention
may be, whether to rush out at the apex, or through one of the sides, or
to dodge out backwards and attempt a long run around the end.
Consequently they cannot devote their entire force toward one point, and
the possibilities of gaining ground are thus increased in the favor of
the runner.
It is not well, however, for the runner to use his own discretion as to
the manner in which he shall escape from the wedge after it has come
against the opposing line. Team-work is invariably injured and weakened
when one player holds discretionary power in a mass play. It is best to
decide beforehand where the runner will break through, and have it
understood by two of the rushers that they are responsible for a hole.
Of course, the runner should not always pass out between the same pair.
There should be variations in the play, and the Captain should decide
when the line-up is made just which hole to use, judging of this from
the appearance of the opposite line-up, and selecting the point of
egress where he thinks there will be the weakest resistance. As a rule,
it is best to use the wedge only when the opponents are restrained from
advancing, as in the kick-off, the kick-out, and after a fair catch, but
some of the larger college teams have of late been adopting the trick
after ordinary downs. In the Harvard-Yale game of 1891, Yale, with the
score 12 to 0 against her, worked a wedge from the middle of the field
to the goal-line and scored. Every play was a wedge that pounded the
Harvard centre, and won a few feet each time, and at the ten-yard line
the quarter-back, instead of pounding, as he had been for twenty
minutes, ran back and went around the end for a touch-down. But such
continual wedging as that should be adopted only in the most desperate
case, and could never be successful except when played by a thoroughly
disciplined team in the best of physical condition. Even so, it was a
severe strain on the players' staying powers.
A well-formed wedge is bound to make some gain for the side using it,
but there are many ways of meeting the play. The most simple, and the
one which is probably used more than any other, is that of lying down
before it. There is nothing very scientific about this kind of defense,
but it has the compensating advantage of effectiveness in most cases. It
prevents any further advance of the mass, for the men at the peak are
forced to fall over their prostrate opponents. The danger of using too
many men for this sort of blocking, however, is that should the runner
escape through a hole in the side, or at the opening in the rear, there
are few players left to tackle him.
There are the backs, of course, upon whom this duty of tackling the
runner should devolve, but rapid and judicious interference at the
proper moment may overcome their efforts, and give to the enemy a clear
field. Perhaps the safest way to meet an on-coming wedge is to try to
force the peak--that is, to so concentrate your resistance as to change
the course of the aggressors and drive them across the field. They are
thus exerting just as much of their strength as if they were advancing,
and yet are gaining little or no ground. Some of the other methods I
have seen used are breaking into the peak by main strength (and this is
the method usually adopted against a weaker team); and sending a man
over the heads of the leaders, a kind play of which Heffelfinger of Yale
was the best exponent.
The best team-play to defeat the object of a kick is still a matter of
dispute. There are so many possibilities in the case and so many
different directions for the ball to take that, after all, no method can
be determined upon beforehand as the best defense. But every team should
be provided with several moves for such occasions, and as usual it
devolves upon the captain to decide which play to put in operation.
A very good way is to send one or two extra men up into the forward line
(the quarter-back and a half-back, preferably), and then to attack the
kicking side at any point along which the ball travels in its course. In
other words, put as many men forward as you can with the object of
securing the ball as soon after it is put into play as possible--while
it is being snapped back to the quarter, while it is on its way to the
half, while the half is catching it, while he is preparing to kick,
while he is kicking, and just as it leaves his foot.
If the kick is safely made, every endeavor should go toward neutralizing
its effect. This can be done by good and rapid team-play only, for,
after all, the longest kick is of no great avail to your opponent unless
he can keep the ball in the territory he has sent it into. The first
thing to do, therefore, to neutralize his attack is to stop the opposing
ends who are following the ball, and the next important thing is to give
full and perfect protection to your own man, who is receiving the ball.
It depends upon the style of the kick, however, as to which of these two
moves is of the greatest importance, for if the kick is a high one
little can be done against the on-coming ends, and every effort should
be made to protect the catcher. On the other hand, if the kick is a long
and low one, the catcher will need less protection, and more men can be
spared to head off the advance of the opposing rush-line.
The final point of the play is the return of the ball, and on the
quickness and coolness of the back depends its success. As a rule it is
better for him to run with the ball, for the field is scattered with
players, and comparatively clear, and by running the side retains
possession of the ball and the chance to make one or more attacking
moves that may end in a full recovery of the ground covered by the
opponents' kick.
THE GRADUATE.
* * * * *
"You ought to be ashamed to ride that wheel."
"Why? That's what it's made for."
"Can't you see that it's 'tired'?"
[Illustration: STAMPS]
This Department is conducted in the interest of stamp and coin
collectors, and the Editor will be pleased to answer any question
on these subjects so far as possible. Correspondents should
address Editor Stamp Department.
_The Numismatist_ states that only 738 U. S. silver dollars were coined
in 1894, and that it bids fair to rival its hundred-year older brother
(1794) in rarity and value.
The National Bank-Note Company printed all the U.S. stamps from 1870 to
1872. In 1873 they turned over all the plates to the Continental
Bank-Note Company which printed the U.S. stamps until the formation of
the American Bank-Note Company in 1879. To distinguish the stamps
printed by them, the Continental Company placed secret marks on probably
every plate, although there is still some doubt as to the secret marks
on the 15c. and 30c. stamps. The distinguishing marks are as follows:
[Illustration]
1 CENT.--A minute dash with ends up-turned placed in the pearl at the
left of the numeral of value. Proof specimens show a faint trace on the
ball to the right of the numeral. The balls in the original are all
white.
[Illustration]
2 CENTS.--The white line which encloses the words "U. S. Postage" turns
up in a ball on each side; the ball above the "U" interrupts four
shading lines of the frame, the "mark" closes up the inner space and
leaves it solid, while in the original it is open.
[Illustration]
3 CENTS.--The ribbon inscribed with the value has the border where it is
turned under at the left side made dark; in the original it has a white
edge surrounding it.
[Illustration]
6 CENTS.--The ribbon inscribed with the value has four dark lines of
shading where it turns under at the left side; in the original these
lines are much shorter and thinner.
[Illustration]
7 CENTS.--The angles of the ball in the right lower corner of frame are
capped by a minute semicircle of color: in the original both lower
corners are the same.
[Illustration]
10 CENTS.--The label containing the inscription "U. S. Postage" is
bordered with a white line which turns up in a ball at each end. That at
the right encloses a minute semi-circular mark; on the original the ball
is white on each side.
[Illustration]
12 CENTS.--The figure 2 at the turn encloses a colored dot above and
below; the originals do not show color.
[Illustration]
24 CENTS.--The last of the half-circle of thirteen stars has the shading
of the four lower points deepened; in the original the shading is equal
throughout, and the same as on the other stars.
[Illustration]
90 CENTS.--The shading of the four lower points of the right-hand star
has been deepened; in the original both stars are shaded the same.
15 CENTS.--The secret mark on this value has not yet been satisfactorily
identified. Some think that the mark lies in the outer lines of the
triangle at the lower left corner, as some of the Continental printed
stamps show a much heavier shading on the enclosing lines than is to be
found in the National printed stamps.
30 CENTS.--Also doubtful. Some claim that there is a little dot to the
left of the oval frame, but this is probably only a transfer guide.
One dealer in New York supplies four varieties of the 1c., two of the
2c., three of the 3c., three of the 6c., two of the 7c., three of the
10c., and two of the 12c., nineteen varieties in all, including the
re-engraved stamps, for $3.25.
M. C. H.--The best way to detach stamps from envelopes is to wet
them thoroughly, when they can readily be taken off.
J. T. DELANO, JUN.--The coins are worth face value only.
PHILATUS.
ADVERTISEMENTS.
Highest of all in Leavening Strength.--Latest U. S. Gov't Report.
[Illustration: Royal Baking Powder]
[Illustration: If afflicted with SORE EYES USE Dr. ISAAC THOMPSON'S EYE
WATER]
HARPERS NEW CATALOGUE.
Thoroughly revised, classified, and indexed, will be sent by mail to any
address on receipt of ten cents.
[Illustration: BICYCLING]
This Department is conducted in the interest of Bicyclers, and the
Editor will be pleased to answer any question on the subject. Our
maps and tours contain much valuable data kindly supplied from the
official maps and road-books of the League of American Wheelmen.
Recognizing the value of the work being done by the L. A. W., the
Editor will be pleased to furnish subscribers with membership
blanks and information so far as possible.
[Illustration: Copyright, 1895, by Harper & Brothers.]
Continuing the two-days trip out of Philadelphia into New Jersey to
Vineland, we start from Salem, where we stopped last week, and where the
bicyclist stops for the night. From Salem the best route is the
shortest. Moving southward out of the village from the Nelson House, you
keep generally to the left, and run out over a straight road, over a
gravel road in very good condition, to Quinton. Thence crossing the
track, keep always on the main road, turning neither to the left nor
right, though the direction is generally to the right immediately after
crossing the track. From Quinton it is smooth sailing along a straight
road past Bordens Hill into Shiloh. As shown on the map, you come into a
road running into Shiloh from the north just by the town, and should
turn right into this, being careful to keep to the left again at the
meeting of several roads in the village. From this point the road is
again direct to Bridgeton. The distance from Salem to Bridgeton is
seventeen miles, and the road is all the way as good as a gravel road
can well be. It is kept in good condition also, and if you do not have a
strong wind against you, you are pretty sure to have a capital run.
If desired, a stop can be made at the Cumberland House in Bridgeton for
lunch and a short rest, though the whole run to Vineland is not a long
one to take at one stretch. On leaving Bridgeton, take the turnpike
direct to Millville, a distance of eleven miles. It is a good road-bed,
but not a particularly interesting road so far as scenery goes. Still,
it is the shortest and best road to Millville, though hardly the
shortest way to go to Vineland. The admirable condition of the road is
enough to persuade many to go that way. From Millville to Vineland is a
distance of six miles, also along a capital road, side paths being, of
course, taken where possible.
The shorter route runs out of Bridgeton on the road to Finley, but the
rider should turn off to the right shortly after crossing the railway
about three miles out from Bridgeton, and keeping on into Pleasant
Grove. Thence he continues to Rosenhayn and Bradway. Keeping to the left
of Bradway, the best road-bed is found by keeping on towards the
northeast, as shown on the map, until a fork--a meeting of roads--is
reached just out of Mill Road. Here a very sharp turn is made to the
right, and in less than a mile you come to the main road into Mill Road,
whence the direction is straight into Vineland. The Baker House is a
good stopping-place at Vineland, and the second night can be comfortably
spent there. On the following day a run can be made into Philadelphia
direct, or the wheelman can take a train back if he does not want to
risk the chance of poorer roads. This whole run, as has been said, can
be made in one day, since it is only sixty-two miles by the shortest and
sixty-six miles by the Millville routes from Philadelphia. It is a
pretty run through picturesque country, and makes one of the best trips
out of Philadelphia. There are many other attractive trips out of
Philadelphia, but it will be necessary for us now to move on towards
Boston, and give some runs in and around that city. We shall begin next
week, therefore, by starting from Stamford, Connecticut, and moving on
towards Boston in easy stages.
NOTE.--Map of New York city asphalted streets in No. 809. Map of
route from New York to Tarrytown in No. 810. New York to Stamford,
Connecticut, in No. 811. New York to Staten Island in No. 812. New
Jersey from Hoboken to Pine Brook in No. 813. Brooklyn in No. 814.
Brooklyn to Babylon in No. 816. Brooklyn to Northport in No. 816.
Tarrytown to Poughkeepsie in No. 817. Poughkeepsie to Hudson in
No. 818. Hudson to Albany in No. 819. Tottenville to Trenton in
820. Trenton to Philadelphia in 821. Philadelphia in No. 822.
Philadelphia-Wissahickon Route in No. 823. Philadelphia to West
Chester in No. 824. Philadelphia to Atlantic City--First Stage in
No. 825; Second Stage in No. 826. Philadelphia to Salem in No.
827.
[Illustration: THE CAMERA CLUB]
Any questions in regard to photograph matters will be willingly
answered by the Editor of this column, and we should be glad to
hear from any of our club who can make helpful suggestions.
SOME SUMMER USES FOR BLUE PAPER.
Blue paper is so easily made, and the materials are so cheap, that one
can use a great deal of it and still not go to much expense.
Nothing is better for a photographic outing than the blue paper. The
materials can be carried dry and made up as needed, all that is
necessary being to mix them with clear water. Any good unglazed paper
can be used for the solution, though, of course, the photographic papers
are the best.
Blue prints do not curl or exhibit any of the disagreeable traits of
other sensitive papers, and therefore are specially fine to illustrate
letters or journals, and being so cheap can be used profusely.
Letter-paper may be sensitized, and a picture printed at the top, making
a very attractive and original letter-head. Use unglazed writing-paper,
and sensitize a strip at the top a little larger than the picture to be
printed on it. As all the sensitizing solution not exposed to the light
washes off when placed in water, cover all parts of the paper to which
it has been applied while printing. After printing put the whole sheet
in the water and wash till clear. After it is washed, blot off the
superfluous moisture, and place the prints between clean sheets of white
paper, and put them under a press till dry. A letter-press is the best,
though it must not be screwed down too tight. Several heavy books, a box
half full of stones, or a smooth board with several stones laid on top
make good presses.
Impressions of wood treasures may be taken on blue-print paper. The
printing-frame must have a clear glass which just fits it. On this clear
glass lay whatever flower, leaf, spray of which you desire to make the
outline. Put a sheet of blue paper over it, and expose to the sun till
the paper is slightly bronzed. Wash in several changes of water and dry.
When dry take a fine brush and a cake of French blue water-color and
trace the veins of the leaf or flower in the outline. Moths and
butterflies can be photographed in this way. Lace patterns can be
printed on blue paper. Designs for fancy or needle work can be made with
leaves and flowers on blue paper, and are much prettier than those
bought in shops, besides being true to Nature. If one has not the gift
or accomplishment of drawing, this is an excellent way to make patterns,
and they are sure to be correct.
Two formulas have been given in these columns for blue prints. We add
one more:
No. 1.
Citrate of iron and ammonia 1-7/8 oz.
Water 8 "
No. 2.
Red prussiate of potash 1-7/8 oz.
Water 8 "
The iron mixture may be made up, and will keep for a long time. The
potash mixture will not keep over five or six days. Place the paper on a
flat board and dampen it with a sponge. Turn equal parts of each mixture
into a saucer, mix thoroughly, and apply to the paper with a flat brush.
A letter-copying brush is the best kind of brush, as it is broad and
soft. Put on just enough to cover the paper evenly without streaking it.
As soon as the solution has set, hang the paper up to dry. It should dry
quickly, for if it is a long time in drying it will be streaked.
SIR KNIGHT MACM. TOWNER writes that a short time ago he made some
blue-print paper from directions given in the Camera Club, and
when finished the paper was yellow, with blue spots in it, and
asks what is the reason. The trouble is in preparing the solution.
Mix the two solutions thoroughly before using, and apply lightly
and evenly. Sir Kenneth says he prepared the paper by lamp-light,
though the directions did not tell whether to do so or not.
Referring to the copy--No. 797--which contains the directions for
blue prints, we find it reads, "The paper must be sensitized by
gas or lamp light, and dried in a dark room." "To sensitize,"
means to apply the solution to the paper. If Sir Kenneth has any
more trouble in preparing his paper, he is requested to send a
sample to the Camera Club. The plain salted paper which Sir
Kenneth asks where to buy can be obtained of any dealer in
photographic goods, or if he does not have it in stock, he will
order it. It should be freshly salted.
Natural History Morsel.
Have you ever noticed the caterpillar as it spins its tiny web
from the branches of trees, descending as the web is completed to
the ground and returning by its newly made ladder? If you have
never noticed it, you would be well paid to watch caterpillars in
their work. I have spent a great deal of time watching them, and
find them an interesting study. I would like to have a few foreign
correspondents, and have stamps to trade.
CHARLES E. ABBEY, R.T.K.
CHESTER, N. J.
* * * * *
FEED THEM PROPERLY
and carefully; reduce the painfully large percentage of infant
mortality. Take no chances and make no experiments in this very
important matter. The Gail Borden Eagle Brand Condensed Milk has saved
thousands of little lives.--[_Adv._]
ADVERTISEMENTS.
There are two classes of bicycles--
COLUMBIAS
and others
[Illustration]
Columbias sell for $100 to everyone alike, and are the finest bicycles
the world produces. Other bicycles sell for less, but they are not
Columbias.
POPE MFG. CO., HARTFORD, CONN.
You See Them Everywhere
Walter Baker & Co. Limited,
[Illustration]
The Largest Manufacturers of
PURE, HIGH GRADE
COCOAS and CHOCOLATES
On this Continent, have received
HIGHEST AWARDS
from the great
Industrial and Food
EXPOSITIONS
IN EUROPE AND AMERICA.
* * * * *
=Caution:= In view of the many imitations of the labels and wrappers on
our goods, consumers should make sure that our place of manufacture,
namely, =Dorchester, Mass.=, is printed on each package.
* * * * *
SOLD BY GROCERS EVERYWHERE.
* * * * *
WALTER BAKER & CO. LTD. DORCHESTER, MASS.
Arnold
Constable & Co
* * * * *
Novelties in Lace
_Gauze & Chiffon Neckwear,_
Marie Antoinette Fichus,
_Mousseline de Soie, Batiste,_
_and Lace Collars._
* * * * *
OSTRICH BOAS
* * * * *
Broadway & 19th st.
NEW YORK.
Postage Stamps, &c.
[Illustration]
=STAMPS!= =300= fine mixed Victoria, Cape of G. H., India, Japan, etc.,
with fine Stamp Album, only =10c.= New 80-p. Price-list =free=. _Agents
wanted_ at =50%= commission. STANDARD STAMP CO., 4 Nicholson Place, St.
Louis, Mo. Old U. S. and Confederate Stamps bought.
[Illustration]
100 all dif. Venezuela, Costa Rica, etc., only 10c.; 200 all dif. Hayti,
Hawaii, etc., only 50c. Ag'ts wanted at 50 per ct. com. List FREE!
=C. A. Stegmann=, 2722 Eads Av., St. Louis, Mo.
Harper's Catalogue,
Thoroughly revised, classified, and indexed, will be sent by mail to any
address on receipt of ten cents.
[Illustration: If afflicted with SORE EYES USE Dr. ISAAC THOMPSON'S EYE
WATER]
Caring for Some of Our Pets.
That question "Do rabbits drink water?" has brought out much interesting
discussion. It seems that the idea they never drink is one of those
erroneous notions that get into the popular mind and never get out. We
have to thank Agnes Palin for her letter on the subject, and a San
Francisco member writes:
"Having been informed that rabbits required no water, I failed to
supply it to some pets that were presented by a friend. They
lived, but did not thrive, and when the young ones came the mother
rabbit became frantic, and killed two of the baby rabbits, and
acted like something insane with distress and longing. I recalled
seeing the men run in great haste to give meat and drink to the
mother of little pigs, saying she had gone insane, and was going
to eat the little ones. Instead of beating her, they fed and
comforted her until she became quiet and contented.
"I shall never forget with what great relief the rabbits drank the
water and milk that I gave them. Thereafter I always kept them
supplied with water, and the rabbits never again killed the baby
rabbits. All animals require food, drink, and shelter, and almost
every pet will appreciate a comfortable bed, and are not so
different from ourselves in needs as we sometimes think. Even the
wildest or most stupid can appreciate love. Would you have your
pets happy and contented? Love them, and you will put a humanizing
element into your care that will react upon yourself.
"NELLIE ELLIS."
A Brand-new Game.
Here are the directions for playing balle-et-poteau, a
modification of croquet:
Drive a croquet stake into the ground in some level spot, and draw
a circle around it having a radius of two mallet lengths. Arrange
six balls around the stake, placing the remaining two, called
"marteaux," five mallet lengths from the ring. Let the player who
has first "heurt" drive his ball toward those in the ring and
endeavor to displace them. If he touches one or more of the balls
he is entitled to another turn, and now tries to drive one of the
balls outside the ring, naming his choice by color. If he succeeds
in knocking out a ball, he again tries, continuing to play until
he fails to touch a ball. The second player then drives his ball
toward the ring, having the further advantage of hitting his
opponent's marteau. Doing this, he may, (1) if the other's marteau
is _within_ the circle, knock the same outside, thereby gaining
_all_ his opponent's balls; (this play is called a "gagnant"), or
(2) he may make the usual croquet shots with the ball.
The game is played until all the balls have been knocked out, the
player winning the game who has the greatest number of balls in
his possession. The chief feature of the game is the gagnant play.
To avoid being played upon in this manner, it is a wise plan to
place the stake between the two marteaux.
VINCENT V. M. BEEDE.
A Visit to Baden-Baden.
The most beautiful summer resort I have seen while travelling in
Europe is Baden-Baden, situated in the Black Forest. Many people
go there, one-fourth of whom are Americans. The air of the pine
forest is very healthy. It is said that the climate in winter is
very cold, so there are not many foreigners; but in the summer it
is lovely. When you go walking in the woods you do not notice you
are climbing, as the roads are so well kept.
Most of the hotels are situated on the large "Lichtenthaler
Allee," which goes from the railway station along the little river
Oos to a village called Lichtenthal. Every hotel has a small
garden in front, which is connected with the allee by a small
bridge crossing the river, so that the whole place looks like one
large garden. There are quite a good many pretty villas on the
hills and in the town.
The forest deserves its name Black Forest, because the pine-trees
stand so close together that from a distance it looks as black as
coal. The prettiest walk near Baden is near a lake in the woods.
On the way there one passes the Russian church with its gilded
domes. It is so pretty to see the gold against the dark forest.
You can see the church from nearly all the surroundings of Baden,
and it often serves as a guide.
About twenty minutes' walk from the church is the lake in the
woods. When you reach it and are tired of walking, there are
plenty of benches to sit down on and feed the swans. To go home
you have your choice between half a dozen roads, no one prettier
than the other. I found some little American friends in Baden to
play with, but no members of the Round Table. I hope that some
members will go there and enjoy themselves as much as I did.
MAX LILIENTHAL, R.T.K.
WILDUNGEN.
Prizes for Pen-drawings.
HARPER'S ROUND TABLE wishes to have illustrated one of the stories to
which it awards a prize in its Story Contest ending January 1, 1896. Do
you want to try your hand? $10 is offered for the best illustration, and
we will print it with the story as soon as it can be suitably
reproduced. What is wanted is a pen-drawing that will be, when printed,
about 3-1/2 by 5 inches in size. It should be drawn, therefore, 5 by 10
inches. Use Bristol-board and India-ink. If you wish to submit a
drawing, send to HARPER'S ROUND TABLE, New York, previous to January 1,
1896, a written request for the story in proof. When you receive the
proof you select your own subject, make the drawing in your own way, and
return it with the proof. If after you receive the proof you do not wish
to submit a drawing in the competition, you simply tear up the proof.
Competition is open to those only who have not passed their eighteenth
birthday.
A Very Kind Offer.
Mr. Kirk Munroe, whose visit to Good Will Farm has much aroused his
interest in the Round Table School there, offers to give a reading from
his own works in New York city toward the end of November, the exact
date to be fixed later, the proceeds to go toward the Fund.
Why can't we make this a memorable occasion? Let us hear from New York,
Brooklyn, Newark, and all other near-by members. Where shall we have
this reception and reading? Will _you_ help to make it a success? We
want the assistance of all who live near enough to attend. Tell us if
you will help.
New Idea in Puzzles.
Are you familiar with the puzzles that have been published in HARPER'S
ROUND TABLE? They have been exceptionally good, and of many styles. A
new style of puzzle is wanted. That is, an idea in puzzles that has not
hitherto been used. We do not mean new material in an old form, but a
new catch or form. If you cannot make the entire puzzle, write out the
suggestion. $5 is offered for the idea--the best one we receive,
provided that it is new. Competition open to anybody, any age. Send
suggestions, either by description or in a puzzle, not later than
December 1, 1895.
Special to all Readers.
It is desired to correct the records of the Order, especially the
addresses. We ask, therefore,
1. That Founders will send us their names and addresses on a postal
card, spelling out a first name, printing all In English capitals, and
adding the word "Founder." Use simply the sign "A."
2. That all members will do the same, except that they will not use the
word Founder. Remember that you remain a Knight or Lady of the Order
even if, since becoming such, you have passed your eighteenth birthday.
3. That persons over eighteen, not now members, who wish our Order well,
will send us names and addresses, and receive a Patron Patent. Use
simply the letter "D."
4. That members send us names and addresses of friends whom they wish
Patents for; say whether such friends are over or under eighteen.
If you wish to distribute Round Table Prospectuses, make the request on
a separate postal card from the one on which you ask for a new Patent.
Only one person may accept this offer in one town or neighborhood. In
applying say how many Prospectuses you can place, whom you intend to
give them to, what are your facilities for giving them out, and what
prize you seek. The prizes are: Bound volumes of HARPER'S YOUNG PEOPLE
for 1893 or 1894; gold badges of the Order; packet of fifty
visiting-cards bearing your name, with the plate for future use; rubber
stamps bearing your name and address; pencils resembling a common nail;
and silver badges of the Order.
These Prospectuses must not be thrown into front yards, nor given out
three or four to a family. They must be given each to a different
family, and those families known by you to be such as are likely to be
interested in them. There may be delay at times. If you do not receive a
prompt response to your request, do _not_ write a second time. A
response will reach you as soon as possible.
All About Naval Apprentices.
Please tell me all about naval apprentices and how to become one.
GEORGE SYKES.
PLUM VALLEY, NEB.
Boys between the ages of fifteen and eighteen years may enlist to serve
in the navy until they shall arrive at the age of twenty-one years. The
consent of parents or guardians, however, must first be obtained. These
boys, after being sworn in, are sent on board of naval vessels and are
carefully trained for the service of the navy. Before a boy is accepted
he is obliged to pass the examining board of officers, satisfying them
that he is of robust frame, intelligent, of good moral character--for
the navy is in no sense a reformatory--that he has a perfectly sound and
healthy constitution, and that he is able to read and write. The
elements of an ordinary English education are given the apprentices, and
their professional studies embrace the knotting, splicing, hitching, and
bending of rope; fancy marlinespike seamanship; sewing canvas; bending,
reefing, and furling sail; the names and use of the various gear in the
way of standing and running rigging; and the manner in which it should
be set up and rove; terms for the different parts of the ship; military
tactics; broadside exercise; rifle drill; the loading and firing of the
great guns, as well as the handling of smaller pieces of ordnance, such
as Hotchkiss and Gatling guns, etc. Auxiliary to these studies the boys
are taught rowing and swimming.
Apprentices are enlisted as "third-class boys," and receive $9.50 per
month. Their food is also given to them; but their outfits of clothes,
furnished to them by the paymaster of the vessel when they join, are
charged against their accounts, and they receive no money until the
indebtedness has been wiped out. While serving on board of naval
training vessels, apprentices may be promoted to "second-class boys,"
and have their pay increased to $11.50 per month, and when doing duty on
cruisers of the navy they are eligible to higher ratings and pay as a
reward of proficiency and good conduct.
The highest rank that an apprentice may hope to gain is that of
warrant-officer, so that he cannot look forward to a grade beyond that
of gunner or boatswain--the pay of which, however, reaches $1800 a year
after a certain period of service. Warrant-officers are, like all other
officers of the navy, retired after reaching the age of sixty-two years,
and a generous percentage of their active-service salary is paid to them
as long as they live.
Recruiting stations for apprentices are to be found in New York,
Philadelphia, and San Francisco, where boys may apply at any time.
Address "Recruiting Station for Naval Apprentices, Navy-Yard." The naval
school, known as the Naval Academy, is situated at Annapolis, Md., and
is entirely distinct from the apprentice branch of the service. At the
latter institution young men are prepared to become officers in the line
and in the engineer corps of the navy. During the war of the rebellion
the Naval Academy was temporarily transferred to Newport in Rhode
Island.
Kinks.
No. 102.--RIGHT TRIANGLE.
All words begin and end with same letter.
1. *--A letter.
2. * *--A preposition.
3. * * *--To possess.
4. * * * *--A sign.
5. * * * * *--A vegetable.
6. * * * * * *--To continue in use.
7. * * * * * * *--Notion.
8. * * * * * * * *--Act of blunting.
9. * * * * * * * * *--Adverse reason.
10. * * * * * * * * * *--Business.
11. * * * * * * * * * * *--Display.
12. * * * * * * * * * * * *--Extinction.
ALBERT.
* * * * *
No. 103--ZIGZAG.
If the cross-words--of equal length--are correctly guessed, the zigzag,
beginning at the upper left-hand corner, will spell the name of the
eldest daughter of the Emperor Arcadius (born A.D. 399).
CROSS-WORDS.--1. A fruit. 2. To chew. 3. Burning. 4. To instruct. 5. A
covered entrance. 6. Slumber. 7. To compel. 8. An episcopal crown. 9.
Starwort.
* * * * *
No. 104.--HOUR-GLASS.
1. To equalize. 2. Shy. 3. Fixed. 4. A letter. 5. A metal. 6. A horse.
7. Brought into life.
The centrals give the name of a continent.
SIMON T. STERN.
* * * * *
No. 105.--THE SUPPER TABLE.
1. A convulsion of the lungs, and a reward.
2. A kind of deer, and a grain, served in a flat form.
3. A kind of cutting and girls.
4. Natural jewel-boxes.
5. An unruly member.
6. A portion and a height.
7. Fireworks.
8. A billy-goat.
9. Earth and a useful toilet article.
10. Two-thirds of a small destructive animal, and part of the table
service.
11. A sailor's desire.
12. Counterfeit agony.
13. An island in the Atlantic.
14. Ghosts.
15. A vessel, an article, and part of the foot.
16. A country in Europe.
17. One of Noah's sons.
18. A crowd.
19. Health-drinking.
20. Something occurring in baseball.
21. What every one walks on.
22. A pronoun and an ornament.
23. Something to which many martyrs were fastened.
24. A flirt and the eighteenth letter.
25. The bird which is afraid.
26. Fruit of a tree useful to our remote ancestors.
I. M. C.
Answers to Kinks.
No. 98.--FIRST CHRONICLES, xxxvi., 18.
At Parbar westward, four at the causeway, and two at Parbar.
Warrant, stray, award, purchase, abaca, doubt, father, wonted, pathway.
* * * * *
No. 99--A kiss. No. 100.--A broom. No. 101.--A key.
Questions and Answers.
Joseph H. Durant: The new badges will be ready about the middle of
September, and an article about the rearing, care, and training of
pigeons will soon be printed in the ROUND TABLE. It will be by Mr.
Chase. Helen Hunt: Prizes for next year will include amateur
photography, pen-drawing, story-writing, music-settings, nonsense
verses, poems, and puzzles. Announcement of conditions will be made as
soon as possible.
[Illustration: Ivory Soap]
High priced toilet soaps cost more than the Ivory, not because the soap
itself is any better, but by reason of the expensive wrappings, boxes
and perfume. Then the profit on toilet soaps is much greater.
THE PROCTER & GAMBLE CO., CIN'TI.
OFFICIAL ANNOUNCEMENT of the award on
=GILLOTT'S PENS= at the CHICAGO EXPOSITION.
=AWARD:= "For excellence of steel used in their manufacture, it being
fine grained and elastic; superior workmanship, especially shown by the
careful grinding which leaves the pens free from defects. The tempering
is excellent and the action of the finished pens perfect."
(Signed) FRANZ VOGT, _Individual Judge_.
Approved: { H. I. KIMBALL, _Pres't Departmental Committee_.
{ JOHN BOYD THACHER, _Chairman Exec. Com. on Awards_.
[Illustration]
WONDER CABINET =FREE=. Missing Link Puzzle, Devil's Bottle, Pocket
Camera, Latest Wire Puzzle, Spook Photos, Book of Sleight of Hand, Total
Value 60c. Sent free with immense catalogue of 1000 Bargains for 10c.
for postage.
INGERSOLL & BRO., 65 Cortlandt Street, N.Y.
[Illustration: If afflicted with SORE EYES USE Dr. ISAAC THOMPSON'S EYE
WATER]
HARPER'S PERIODICALS.
Per Year:
HARPER'S MAGAZINE _Postage Free_, $4.00
HARPER'S WEEKLY " 4.00
HARPER'S BAZAR " 4.00
HARPER'S ROUND TABLE " 2.00
* * * * *
_Booksellers and Postmasters usually receive subscriptions.
Subscriptions sent direct to the publishers should be accompanied by
Post-office Money Order or Draft._
* * * * *
HARPER & BROTHERS, New York. N. Y.
Entertaining Books
BY THOMAS W. KNOX
* * * * *
The manner in which all these things are told is so bright and pleasing
that the boy reader may fancy that he is only following with delighted
attention the adventures of two boys like himself, when he is actually
becoming possessed of information which he will not easily
forget.--_Boston Journal._
_THE "BOY TRAVELLERS" SERIES_
Copiously Illustrated. Square 8vo, Cloth, Ornamental, $3.00 per volume.
Adventures of Two Youths--
IN THE LEVANT.
IN SOUTHERN EUROPE.
IN CENTRAL EUROPE.
IN NORTHERN EUROPE.
IN GREAT BRITAIN AND IRELAND.
IN MEXICO.
IN AUSTRALASIA.
ON THE CONGO.
IN THE RUSSIAN EMPIRE.
IN SOUTH AMERICA.
IN CENTRAL AFRICA.
IN EGYPT AND PALESTINE.
IN CEYLON AND INDIA.
IN SIAM AND JAVA.
IN JAPAN AND CHINA.
* * * * *
OTHER BOOKS BY COLONEL KNOX:
_HUNTING ADVENTURES ON LAND AND SEA._
2 vols. Copiously Illustrated. Square 8vo, Cloth, Ornamental. $2.50
each.
THE YOUNG NIMRODS IN NORTH AMERICA.
THE YOUNG NIMRODS AROUND THE WORLD.
* * * * *
Published by HARPER & BROTHERS, New York.
In these days of bicycle mania all sorts of bicycle stories are told,
but this anecdote is said to be a true one. A Chicago lawyer named
Harris had a case in a police court situated in one of the outlying
districts of the city. He rode to the court and left his wheel at the
door, with a tag attached to the handle bar, on which he wrote: "This
bicycle is the property of a legal gentleman who will be back in twenty
minutes." After losing his case before the judge, Mr. Harris came out to
find that his bicycle was missing. The tag hung from a nail on the wall
near by, and beneath the lawyer's inscription was another: "To the legal
gentleman: Your wheel was taken by another gentleman who's a 'scorcher.'
He won't be back at all."
"My tooth aches awful," said Willie. "Don't you think I'd better not go
to school to-day?"
"No, you needn't go to school. I'll take you to the dentist instead,"
said his mother.
"I think--I guess I--I'd better go to school after all," rejoined
Willie. "The tooth aches, but--it don't hurt any."
DON'T!
"I'm tired of 'don'ts'," said Margaret B,
"Just as tired of don'ts' as I can be,
For it's 'don't' do this, and 'don't' do that,
'Don't' worry the dog,' don't' scare the cat,
'Don't' be untidy, and 'don't' be vain,
'Don't' interrupt, 'don't' do it again,
'Don't' bite your nails, 'don't' gobble your food,
'Don't' speak so loud, it's dreadfully rude,
'Don't' mumble your words, 'don't' say 'I won't,'
Oh! all day long it's nothing but 'don't'!
Some time or other I hope--'don't' you?--
Some one or other will say, 'Please DO'!"
[Illustration]
A NATURAL INQUIRY.
BOBBIE. "WHAT DOES IT COST TO MAKE A LETTER GO?"
POSTMAN. "TWO CENTS."
BOBBIE. "DON'T YOU TAKE 'EM FOR CHILDREN AT HALF PRICE?"
[Illustration]
HIS FIRST VIEW OF AN ELEPHANT.
ELDER BROTHER. "LOOK AT HIS TAIL, JIMMY, LOOK AT HIS TAIL!"
JIMMY. "WHICH ONE, BOB; DE ONE BEFORE OR DE ONE BEHIND?"
CHANGING THE SUBJECT.
"Frances," said a mamma, severely, to her seven-year-old daughter.
"Yes'm."
"Who made all these colored crayon marks on the parlor wall paper?"
"Mamma," replied Frances, "did you know that Mrs. Dicer called to see
you while you were out?"
"Frances, I want to know who put all those marks on the parlor wall."
"Mamma, I think some of the little girls on this street are very bad.
Lucy Bunting ran off with my doll."
"Frances, I don't want to discuss Lucy Bunting. I want to know who made
all those dreadful marks, and spoiled the wall paper."
"Mamma, you ought to have seen my little kitty run up the tree just
before you came home. She went almost to the top."
"I don't care anything about the kitty, Frances. What I want to know is
about this paper in the parlor, which is covered with red and yellow
marks."
"Mamma, what do you think would be a nice birthday present for papa?"
"Now, Frances, listen to me! Who made those marks on the parlor wall?"
"Oh, mamma," sobbed Frances, "why do you keep talking about the parlor
wall paper when you see me trying so hard to change the subject?"
PAPA. "Who has put all these ink spots on my desk?"
BOBBY. "Why, papa, those are not ink spots; it's a letter which I wrote
to you."
PAPA. "Jack, how did you get that lump on your forehead?"
BOBBY. "Jack hit me with a stick."
PAPA. "Did you strike him back?"
BOBBY. "No."
PAPA. "That was quite right."
BOBBY. "Because I hit him first."
"What makes the baby cry so?" asked Willie.
"He's cutting his teeth," said the nurse.
"Why do you let him do it?" asked Willie. "You won't even let me cut my
own nails."
WILLIE (_who was travelling alone for the first time, to conductor_).
"What is the meaning of 'W' and 'R' on the sign-posts along the road?"
CONDUCTOR. "Ring and whistle."
WILLIE (_after a pause_). "I can see how 'W' stands for wring, but I'm
blessed if I can see how 'R' can stand for whistle."