VII: THE REVOLTING DOOM OF A GENTLEMAN WHO WOULD NOT DANCE WITH HIS WIFE

I

There is a tale that is told in London, and maybe it is told also in the

_salons_ of New York and upon the Boulevards of Paris, how one night a

nightingale sang in Berkeley Square and how that song was of a doubtful

character calculated to provoke disorder in households brought up in the

fear of God. Needless to say, there are not wanting those who will have

it that no nightingale could have done such a thing; nor has the

meanness of envy ever been so clearly shown as by those who have

suborned certain bird-fanciers into declaring that the nightingale is a

bird notably averse from singing in squares and that the legend should

therefore be deleted from the folk-tales of Mayfair. But, however that

may be, the song of the nightingale is far from being the burden of this

tale, which has to do in a general way with a plague of owls, in a

particular way with one owl, and in a most particular way with the

revolting doom of a gentleman who would not dance with his wife. Many

will hold, in extenuation of his disagreeable attitude, that he could

not dance. But could he not have taken a lesson or two?

Now of the many and divers people who saw the owls in flight we need

mention only policemen, statesmen, ’bus-drivers, noblemen, Colonials and

hawkers, to be convinced of the truth of what they one and all say, how

in the gloom of a certain summer’s twilight not long ago there flew a

plague of owls across Trafalgar Square towards the polite heights of

Hampstead Heath. Maybe no one would have remarked them, for the strange

cries and hootings with which they adorned their flight were not

discordant with the noises of the town, had not the pigeons that play

about Lord Nelson’s monument fled before them with affrighted coos; and

in such an extremity of terror were the timid creatures that very few

were ever seen in those parts again, which is a sad thing to relate.

Nor can any man speak with any certainty as to the exact number of the

owls, for the twilight was deep and the phenomenon sudden; but one and

all need no encouragement to vouch for their prodigious multitude: while

the fact that they appeared to be flying from the direction of Whitehall

at the impulse of a peculiar indignation has given rise among the lower

people to a superstition of the sort that is perhaps pardonable in those

who have not had the benefits of a public-school education. These

simples declare that the owls, for long peacefully asleep within the

gloomy recesses unrecognisable to the feathered intelligence as the

austere House of Lords, had been startled from their rest by the

activities of the new Labour Government as revealed in that patrician

place by the agile incendiarism of my Lords Haldane and Parmoor, and had

in one body fled forth to seek a land wherein a Conservative Government

would afford them the lulling qualities necessary for their rest.

The serious historian, however, is concerned only with facts. The plague

of owls fled no one knows whither, although superstition points to

Italy. But this much is known, that whilst crossing the brilliant centre

of Piccadilly Circus one among them swooped down from the twilight and

perched on the left wing of the figure of Eros:[A] which, presented to

the nation by one of the Earls of Shaftesbury, adorns the head of the

charming fountain where old women will sell pretty flowers to anyone who

will buy, roses in summer and roses in winter, roses by day and roses by

night, or maybe a bunch of violets for a young lady, a gardenia for a

gentleman of the mode.

[A] Almost immediately after the publication of this tale in a

magazine, the figure of Eros was removed from Piccadilly Circus.

It has been generally supposed that, to effect this removal,

pressure was brought to bear on the London County Council by

gentlemen-who-will-not-dance-with-their-wives, whose name, alas, is

legion.

Now why that one owl separated itself from its fellows for no other

apparent reason than to perch on the left wing of Lord Shaftesbury’s

Eros has hitherto been a mystery to the man in the street, who was at

the time present in considerable numbers reading _The Evening News_ and

discussing the probable circulation the next morning of _The Daily

Mail_. The owl rested on its perch most silently: nor did it once give

the least sign of any perturbation at the din of the marching hosts of

Piccadilly Circus, and this for the space of one hour and eighteen

minutes: when it hooted thrice with marvellous dolour and fled, to be

lost almost on the instant among the lofty shadows of the Regent’s

Palace Hotel.

It has to be told that the cry of the owl on the fountain served three

purposes, which the historian can best arrange in ascending degrees of

abomination with the help of the letters a, b and c: (a) it struck such

terror into the vitals of an inoffensive young gentleman of the name of

Dunn that he has never been the same man since; (b) it was the

death-knell of a gentle and beautiful lady; and (c) the herald of

approaching doom to a lord. May they rest in peace, for we are all of us

miserable sinners and only very few of us are allowed to get away with

it.

May Fair · 第 52 / 76 题