In March, 1781, Walpole writes to a friend: "As your lordship has
honored all the productions of my press with your acceptance, I
venture to inclose the last, which I printed to oblige the Lucans.
There are many beautiful and poetic expressions in it. A wedding, to
be sure, is neither a new nor a promising subject, nor will outlast
the favors; still, I think Mr. Jones's ode is uncommonly good for the
occasion." The ode was "The Muse Recalled," and the occasion the
nuptials of Lord Viscount Althorp and Miss Lavinia Bingham, eldest
daughter of Sir Charles Bingham, created, in 1776, Baron Lucan of
Castlebar. Sir Charles was a man of culture, who was intimate with
Johnson, Goldsmith, Gibbon, Reynolds, and Burke. He is frequently
pleasantly mentioned by Boswell. He had married, in 1760, Margaret,
daughter of James Smith, M.P., a lady of great good sense and rare
accomplishments, and three lovely daughters were the issue from this
union. Reynolds found in them most pleasing subjects for his pencil.
Their pictures appeared at the Academy, in 1786. Lavinia was portrayed
as shown in the picture here given, and again in quite as lovely a
fashion,--standing out doors and wearing a wide-brimmed hat which
casts a broad shade across the face; the wavy curls of hair fall upon
the shoulder; in the background is a landscape. The naïvete of the
face is exquisitely delightful. The old-time flavor of the whole
causes one to recall Locker's lines on the picture of his
grandmother:--
"Beneath a summer tree.
Her maiden reverie
Has a charm;
Her ringlets are in taste;
What an arm! ... what a waist
For an arm!"
In the picture of her youngest sister, Anne, is a broad hat, too; she
sits full-face, but in her features there is lacking just a little of
the quiet dignity of the eldest. All of these portraits have been made
familiar to us by the most meritorious mezzotints of them by Cousins.
In Lavinia's face there lingers all the enchanting grace of
girlhood,--a face yet full of that early beauty--
"Which, like the morning's glow
Hints a full day below."
A later president of the Academy, Sir Martin Shee, has shown us that
face in the noonday of its matronly beauty, and the gentle character
and sweet sensibility yet outshine through the mask of the flesh as in
the earlier pictures.
Lady Bingham was careful of the education and company of her
daughters. The girls were musical, and Lavinia excelled in painting as
well. Walpole writes of her being in Italy, in 1785, with Mrs. Damer,
his sculptor friend, and of her drawing with very great expression. He
was not so complimentary of her music some years before, when he tells
of being invited to Lady Lucan's to hear her daughters sing Jomelli's
"Miserere," set for two voices: "It lasted for two hours, and instead
of being pathetic was eminently dull, until at last I rejoiced when
'_the two women had left the sepulchre_.'"
Shortly after this he tells of rumors of the attachment of George
John, Lord Althorp, brother of Georgiana of Devonshire, to "that sweet
creature" Lavinia. At dinner at Lord Lucan's, Lord Althorp sat at a
side table with the girls and a Miss Shipley. "Pray, Lady Spencer,"
said Walpole, "is it owned that Lord Althorp is to marry--Miss
Shipley?" His next reference to the Lucans is in regard to the wedding
ode printed on the Strawberry Hill press. The poet therein invokes
blessings in this wise:--
"Shine forth, ye silver eyes of night,
And gaze on virtues crowned with treasures of delight.
* * * * *
"Flow smoothly, circling hours,--
And o'er their heads unblended pleasure pour;
Nor let your fleeting round
Their mortal transports bound,
But fill their cup of bliss, eternal powers,
Till time himself shall cease, and suns shall blaze no more."