CHAPEL OF “OUR LADY OF COLD SPRING.”

Coldspring, Putnam Cy. N.Y.

[Illustration]

THE Hudson bends out from Crow-Nest into a small bay; and in the lap

of the crescent thus formed lies snug and sheltered the town of Cold

Spring.

It is a pity, picturesquely speaking, that the boatmen on the river are

not Catholics; it would be so pretty to see them shorten sail off Our

Lady of Cold Spring, and uncover for an Ave-Maria. This little chapel,

so exquisitely situated on the bluff overlooking the river, reminds me

of a hermit’s oratory and cross which is perched similarly in the

shelter of a cliff on the desolate coast of Sparta. I was on board a

frigate, gliding slowly up the Ægean, and clinging to the shore for a

land-wind, when I descried the white cross at a distance of about half a

mile, strongly relieved against the dark rock in its rear. As we

approached, the small crypt and altar became visible; and at the moment

the ship passed, a tall monk, with a snow-white beard, stepped forth

like an apparition upon the cliffs, and spread out his arms to bless us.

In the midst of the intense solitude of the Ægean, with not a human

dwelling to be seen on the whole coast from Morea to Napoli, the effect

of this silent benediction was almost supernatural. He remained for five

minutes in this attitude, his long cowl motionless in the still air, and

his head slowly turning to the ship as she drew fast round the little

promontory on her course. I would suggest to Our Lady of Cold Spring,

that a niche under the portico of her pretty chapel, with a cross to be

seen from the river by day and a lamp by night, would make at least a

catholic impression on the passer-by, though we are not all children of

St. Peter.

Half way between the mountain and Our Lady’s shrine stands, on a superb

natural platform, the romantic estate of Undercliff. Just above it rises

the abrupt and heavily-wooded mountain, from which it derives its name;

a thick grove hides it from the village at its foot, and from the

portico of the mansion extend views in three directions unparalleled for

varied and surprising beauty. A road running between high-water mark and

the park gate skirts the river in eccentric windings for five or six

miles; the brows of the hills descending to the Hudson in the west and

north are nobly wooded and threaded with circuitous paths; and all

around lies the most romantic scenery of the most romantic river in the

world.

The only fault of the views from West Point is that West Point itself is

lost as a feature in the landscape. The traveller feels the same

drawback which troubled the waiting-maid when taken to drive by the

footman in her mistress’s chariot,—“How I wish I could stand by the

road-side and see myself go by!” From Undercliff, which is directly

opposite, and about at the same elevation, the superb terrace of the

Military School is seen to the greatest advantage. The white barracks of

Camptown, the long range of edifices which skirt the esplanade, the

ruins of old Fort Putnam half way up the mountain, and the waving line

of wood and valley extending to the estate of “Stoney Lonesome” form a

noble feature in the view from Undercliff.

I had forgotten that Cold Spring “plucks a glory on its head” from being

honored with the frequent visits of Washington Irving, Halleck, and

other lesser stars in the literary firmament. Now that these first

lights above the horizon have set (Hesperus-like, first and brightest!),

there lingers about the town many a tale of the days when Geoffrey

Crayon talked in his gentle way with the ferryman who brought him to

Cold Spring; or the now plethoric post-master, who in his character of

librarian to the village enjoyed the friendship of Irving and Halleck,

and received from their own hands the “author’s copies,” since curiously

preserved in the execrable print and binding then prevalent in America.

Perhaps even old Lipsey the ferryman, and his rival Andrews, will come

in for their slice of immortality, little as they dream now, pulling

close in for the counter-current under Our Lady’s skirts, of working at

that slow oar for posthumous reputation.

[Illustration]

Forest, Rock, and Stream A series of twenty steel line-engravings · 第 34 / 72 题