CHAPTER XIX.

ELIZA R. SNOW'S INVOCATION--THE ETERNAL FATHER AND MOTHER--ORIGIN OF

THE SUBLIME THOUGHT POPULARLY ATTRIBUTED TO THEODORE PARKER--BASIC IDEA

OF THE MORMON THEOLOGY.

Joseph endowed the church with the genesis of a grand theology, and

Brigham has reared the colossal fabric of a new civilization; but woman

herself must sing of her celestial origin, and her relationship to the

majesty of creation.

Inspired by the mystic memories of the past, Eliza R. Snow has made

popular in the worship of the saints a knowledge of the grand family,

in our _primeval spirit-home_. The following gem, which opens the first

volume of her poems, will give at once a rare view of the spiritual

type of the high priestess of the Mormon Church, and of the divine

drama of Mormonism itself. It is entitled, "Invocation; or, the Eternal

Father and Mother

O! my Father, thou that dwellest

In the high and holy place;

When shall I regain thy presence,

And again behold thy face?

In thy glorious habitation,

Did my spirit once reside?

In my first primeval childhood,

Was I nurtured by thy side?

For a wise and glorious purpose,

Thou hast placed me here on earth;

And withheld the recollection

Of my former friends and birth.

Yet oft-times a secret something,

Whisper'd, "You're a stranger here;"

And I felt that I had wandered

From a more exalted sphere.

I had learned to call thee Father,

Through thy spirit from on high;

But until the key of knowledge

Was restored, I knew not why.

In the heavens are parents single?

No; the thought makes reason stare;

Truth is reason; truth eternal,

Tells me I've a Mother there.

When I leave this frail existence--

When I lay this mortal by,

Father, Mother, may I meet you

In your royal court on high?

Then at length, when I've completed

All you sent me forth to do,

With your mutual approbation,

Let me come and dwell with you.

A divine drama set to song. And as it is but a choral dramatization,

in the simple hymn form, of the celestial themes revealed through

Joseph Smith, it will strikingly illustrate the vast system of Mormon

theology, which links the heavens and the earths.

It is well remembered what an ecstacy filled the minds of the

transcendental Christians of America, when the voice of Theodore

Parker, bursting into the fervor of a new revelation, addressed, in

prayer, our Father and Mother in heaven!

An archangel proclamation that!

Henceforth shall the mother half of creation be worshipped with that of

the God-Father; and in that worship woman, by the very association of

ideas, shall be exalted in the coming civilization.

Wonderful revelation, Brother Theodore; worthy thy glorious intellect!

Quite as wonderful that it was not universal long before thy day!

But it will be strange news to many that years before Theodore Parker

breathed that theme in public prayer, the Mormon people sang their hymn

of invocation to the Father and Mother in heaven, given them by the

Hebraic pen of Eliza R. Snow.

And in this connection it will be proper to relate the fact that a

Mormon woman once lived as a servant in the house of Theodore Parker.

With a disciple's pardonable cunning she was in the habit of leaving

Mormon books in the way of her master. It is not unlikely that the

great transcendentalist had read the Mormon poetess' hymn to "Our

Father-and-Mother God!"

And perhaps it will appear still more strange to the reader, who may

have been told that woman in the Mormon scheme ranked low--almost to

the barbarian scale--to learn that the revelation of the Father and

Mother of creation, given through the Mormon prophet, and set to song

by a kindred spirit, is the basic idea of the whole Mormon theology.

The hymn of invocation not only treats our God parents in this grand

primeval sense, but the poetess weaves around their parental centre the

divine drama of the pre-existence of worlds.

This celestial theme was early revealed to the church by the prophet,

and for now nearly forty years the hymn of invocation has been familiar

in the meetings of the saints.

A marvel indeed is this, that at the time modern Christians, and

even "philosophers," were treating this little earth, with its six

thousand years of mortal history, as the sum of the intelligent

universe--to which was added this life's sequel, with the gloom of hell

prevailing--the Mormon people, in their very household talk, conversed

and sang of an endless succession of worlds.

They talked of their own pre-existing lives. They came into the divine

action ages ago, played their parts in a primeval state, and played

them well. Hence were they the first fruits of the gospel. They

scarcely limited their pre-existing lives to a beginning, or compassed

their events, recorded in other worlds, in a finite story. Down

through the cycles of all eternity they had come, and they were now

entabernacled spirits passing through a mortal probation.

It was of such a theme that "Sister Eliza" sang; and with such a theme

her hymn of invocation to our Father and Mother in heaven soon made the

saints familiar in every land.

Let us somewhat further expound the theme of this hymn, which our

poetess could not fully embody in the simple form of verse.

God the Father and God the Mother stand, in the grand pre-existing

view, as the origin and centre of the spirits of all the generations of

mortals who had been entabernacled on this earth.

First and noblest of this great family was Jesus Christ, who was the

elder brother, in spirit, of the whole human race. These constituted a

world-family of pre-existing souls.

Brightest among these spirits, and nearest in the circle to our Father

and Mother in heaven (the Father being Adam), were Seth, Enoch, Noah

and Abraham, Moses, David, and Jesus Christ--indeed that glorious

cohort of men and women, whose lives have left immortal records in the

world's history. Among these the Mormon faith would rank Joseph Smith,

Brigham Young, and their compeers.

In that primeval spirit-state, these were also associated with a divine

sisterhood. One can easily imagine the inspired authoress of the hymn

on pre-existence, to have been a bright angel among this sister throng.

Her hymn is as a memory of that primeval life, and her invocation is as

the soul's yearning for the Father and Mother in whose courts she was

reared, and near whose side her spirit was nurtured.

These are the sons and daughters of Adam--the Ancient of Days--the

Father and God of the whole human family. These are the sons and

daughters of Michael, who is Adam, the father of the spirits of all our

race.

These are the sons and daughters of Eve, the Mother of a world.

What a practical Unitarianism is this! The Christ is not dragged from

his heavenly estate, to be mere mortal, but mortals are lifted up to

his celestial plane. He is still the God-Man; but he is one among many

brethren who are also God-Men.

Moreover, Jesus is one of a grand order of Saviours. Every world has

its distinctive Saviour, and every dispensation its Christ.

There is a glorious Masonic scheme among the Gods. The everlasting

orders come down to us with their mystic and official names. The

heavens and the earths have a grand leveling; not by pulling down

celestial spheres, but by the lifting up of mortal spheres.

Perchance the skeptic and the strict scientist who measures by the cold

logic of facts, but rises not to the logic of ideas, might not accept

this literal pre-existing view, yet it must be confessed that it is a

lifting up of the idealities of man's origin. Man is the offspring of

the Gods. This is the supreme conception which gives to religion its

very soul. Unless man's divinity comes in somewhere, religion is the

wretchedest humbug that ever deluded mortals.

Priestcraft, indeed, then, from the beginning to the end--from the

Alpha to the Omega of theologic craft, there is nothing divine.

But the sublime and most primitive conception of Mormonism is, that man

in his essential being is divine, that he is the offspring of God--that

God is indeed his Father.

And woman? for she is the theme now.

Woman is heiress of the Gods. She is joint heir with her elder brother,

Jesus the Christ; but she inherits from her God-Father and her

God-Mother. Jesus is the "beloved" of that Father and Mother--their

well-tried Son, chosen to work out the salvation and exaltation of the

whole human family.

And shall it not be said then that the subject _rises_ from the

God-Father to the God-Mother? Surely it is a rising in the sense of

the culmination of the divine idea. The God-Father is not robbed of

his everlasting glory by this maternal completion of himself. It is an

expansion both of deity and humanity.

They twain are one God!

The supreme Unitarian conception is here; the God-Father and the

God-Mother! The grand unity of God is in them--in the divine Fatherhood

and the divine Motherhood--the very beginning and consummation of

creation. Not in the God-Father and the God-Son can the unity of the

heavens and the earths be worked out; neither with any logic of facts

nor of idealities. In them the Masonic trinities; in the everlasting

Fathers and the everlasting Mothers the unities of creations.

Our Mother in heaven is decidedly a new revelation, as beautiful

and delicate to the masculine sense of the race as it is just and

exalting to the feminine. It is the woman's own revelation. Not even

did Jesus proclaim to the world the revelation of our Mother in

heaven--co-existent and co-equal with the eternal Father. This was

left, among the unrevealed truths, to the present age, when it would

seem the woman is destined by Providence to become very much the oracle

of a new and peculiar civilization.

The oracle of this last grand truth of woman's divinity and of her

eternal Mother as the partner with the Father in the creation of

worlds, is none other than the Mormon Church. It was revealed in the

glorious theology of Joseph, and established by Brigham in the vast

patriarchal system which he has made firm as the foundations of the

earth, by proclaiming Adam as our Father and God. The Father is first

in name and order, but the Mother is with him--these twain, one from

the beginning.

Then came our Hebraic poetess with her hymn of invocation, and woman

herself brought the perfected idea of deity into the forms of praise

and worship. Is not this exalting woman to her sphere beyond all

precedent?

Let it be marked that the Roman Catholic idea of the Mother of God is

wonderfully lower than the Mormon idea. The Church of Rome only brings

the maternal conception, linked with deity, in Christ, and that too in

quite the inferior sense. It is not primitive--it is the exception;

it begins and ends with the Virgin Mary. A question indeed whether it

elevates womanhood and motherhood. The ordinary idea is rather the more

exalted; for that always, in a sense, makes the mother superior to the

son. The proverb that great mothers conceive great sons has really more

poetry in it than the Roman Catholic doctrine that Mary was the Mother

of God.

The Mormon Church is the oracle of the grandest conception of womanhood

and motherhood. And from her we have it as a revelation to the world,

and not a mere thought of a transcendental preacher--a glorious

Theodore Parker flashing a celestial ray upon the best intellects of

the age.

Excepting the Lord's prayer, there is not in the English language the

peer of this Mormon invocation; and strange to say the invocation is

this time given to the Church through woman--the prophetess and high

priestess of the faith.

The Women of Mormondom · 第 19 / 60 章