They’re jumpin’ and they’re humpin’ through the inky gloom o

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GREAT POEMS OF THE WORLD WAR

Between the hedges of the centuries

A thousand phantom armies go and come,

While Reason whispers as each marches past,

“This is the last of wars--this is the last!”

--Lieut. Gilbert Waterhouse.

GREAT POEMS OF

THE WORLD WAR

EDITED, WITH INTRODUCTION, NOTES AND

ORIGINAL MATTER, BY

W. D. EATON

[Illustration: colophon]

CHICAGO

T. S. DENISON & COMPANY

PUBLISHERS

COPYRIGHT, 1918

_By_

EBEN H. NORRIS

under title

“The War in Verse and Prose”

Copyright, 1922, by T. S. Denison & Company

“_Great Poems of the World War_”

PREFACE

On a fateful day in 1914, without a warning flash or tremor, there fell

upon the world such a blast of war as human reason could not have

foreglimpsed, nor Apocalyptic vision raised, to appall the souls of men.

Twenty-seven nations took the shock and were rocked to their

foundations. Eleven were caught and knotted in the maddest agony of

conflict that ever was known. Through four years the winds of

destruction swirled and roared around the monstrous welter, before the

evil forces failed and their exhaustion brought a breathing space such

as lies at the heart of a typhoon. Around the widening edges of that

space they still muttered for a while in gusts of blood and fire, slowly

receding, slowly dying. But the great storm is gone; the long night that

seemed the night of doom is over.

Its epic has not been written. The time is too near us, the motive too

deep, the theme too vast. But out of the dark came many voices, voices

of lamentation, of home and love and hope and heroism and loftiest

ideality, of romance, of strange comedy. These had their inspiration

from a gigantic spectacle of elemental passions in cross-play, from the

thoughts and emotions not of a single people, but of all that were

fighting for the life and light of civilization. Poets great and poets

minor followed the war or fought in it, and expressed its spirit with a

personal, passionate fidelity impossible to historians.

It would not be well were all these voices lost. Many are worth fixation

where they may be heard again at will, and that is the reason for and

purpose of this book. The finest and truest of them are given here.

In making selection, availability for recitation has been considered.

There is no better way to stir the mind or fix the memory than by spoken

words of beauty in rhythmic cadence, especially in schools. It is hoped

they will be effective in such uses.

Readers will find in the captain notes many helpful sidelights upon

topics and personalities. These will commend themselves for their own

sake.

W. D. EATON.

_The Press Club, Chicago._

CONTENTS

ABRAHAM LINCOLN WALKS AT

MIDNIGHT _Vachel Lindsay_ 144

ACELDAMA _Dr. George F. Butler_ 117

AFTERWARD _Charles Hanson Towne_ 133

ALAN SEEGER _Washington Van Dusen_ 14

AMBULANCE DRIVER’S PRAYER, AN _Chaplain Thomas F. Coakley_ 74

AMERICAN CREED, AN _Everard Jack Appleton_ 57

ANXIOUS ANTHEMIST, THE _Guy Forrester Lee_ 169

ANXIOUS DEAD, THE _Lieut. Col. John McCrae_ 109

APRIL SONG, AN _George C. Michael_ 189

ARMED LINER, THE _H. Smalley Sarson_ 183

“AS SHE IS SPOKE” 113

AS THE TRUCKS GO ROLLIN’ BY _Lieut. L. W. Suckert_ 26

AUSTRALIA’S MEN _Dorothea Mackellar_ 96

BATTLE LINE, THE _J. B. Dollard_ 65

BATTLE OF BELLEAU WOOD _Edgar A. Guest_ 29

BEFORE ACTION _Lieut. William Noel Hodgson_ 13

BLIGHTY _Lieut. Siegfried Sassoon, M. C._ 121

BLUE AND THE GRAY IN FRANCE _George M. Mayo_ 41

BOY NEXT DOOR, THE _S. E. Kiser_ 172

BRITISH ARMY OF 1914, THE _Alfred W. Pollard_ 119

BULLINGTON _C. Fox Smith_ 34

BUT A SHORT TIME TO LIVE _Sergt. Leslie Coulson_ 103

CALL, THE _Robert W. Service_ 106

CHANT OF ARMY COOKS, A 66

CHRIST IN FLANDERS _L. W._ 55

CLERK, THE _B. H. M. Hetherington_ 94

COLUMBIA’S PRAYER _Thomas P. Bashaw_ 82

CORP’RAL’S CHEVRONS 37

CRIMSON CROSS, THE _Elizabeth Brown Du Bridge_ 48

CROSS AND THE FLAG, THE _William Henry, Cardinal O’Connell_ 45

CROWN, THE _Helen Combes_ 193

CRUTCHES’ TUNE, THE _Elizabeth R. Stoner_ 108

DESTROYERS “_Klaxon_” 84

DIRGE, A _Victor Perowne_ 90

DO YOUR ALL _Edgar A. Guest_ 152

DRUM, THE _Joseph Lee_ 67

EASTER-EGGS _Reginald Wright Kauffman_ 89

EDITH CAVELL _McLandburgh Wilson_ 178

EPITAPH FOR THE UNKNOWN SOLDIER _Annette Kohn_ 202

EVENING STAR, THE _Harold Seton_ 81

FLAG EVERLASTING _A. G. Riddoch_ 40

FLAG OF THE FREE _Francis T. Smith_ 153

FLAG SPEAKS, THE _Walter E. Peck_ 105

FLAG, THE _Edward A. Horton_ 173

FLEMISH VILLAGE, A _H. A._ 92

FRANCE _Capt. Joseph Medill Patterson_ 93

FRENCH IN THE TRENCHES _William J. Robinson_ 19

GENTLEMEN OF OXFORD, THE _Norah M. Holland_ 115

GOING WEST _Eleanor Jewett_ 123

GOLDENROD, THE “_Anchusa_” 129

GOLD STAR, THE _Edgar A. Guest_ 17

GRAVES OF GALLIPOLI, THE _L. L. (A. N. Z. A. C.)_ 27

GREAT ADVENTURE, THE _Major Kendall Banning_ 68

“HEARTS ARE TOUCHING” 159

HERE AT VERDUN _Chester M. Wright_ 167

HOME _Reginald Wright Kauffman_ 110

HOMECOMING, THE _Leroy Folge_ 192

HYMN OF FREEDOM, A _Mary Perry King_ 98

I HAVE A RENDEZVOUS WITH

DEATH _Alan Seeger_ 99

IN FLANDERS’ FIELDS _Lieut. Col. John McCrae_ 101

IN THE FRONT-LINE DESKS _Lieut. Elmer Franklin Powell_ 143

JEAN DESPREZ _Robert W. Service_ 146

JOHN DOE--BUCK PRIVATE _Allan P. Thomson_ 127

JUST THINKING _Hudson Hawley_ 80

KID HAS GONE TO THE COLORS _William Herschell_ 23

KINGS, THE _Hugh J. Hughes_ 145

KNITTING SOCKS 128

LET THERE BE LIGHT! _Ruth Wright Kauffman_ 196

LITANY _Allene Gregory_ 20

LITTLE GRIMY-FINGERED GIRL, A _Lee Wilson Dodd_ 43

LITTLE HOME PAPER, THE _Charles Hanson Towne_ 15

LITTLE TOWN IN SENEGAL, A _Will Thompson_ 42

LONELY GARDEN, THE _Edgar A. Guest_ 118

LOST ONES, THE _Francis Ledwidge_ 104

MAGPIES IN PICARDY “_Tipcuca_” 130

MAN BEHIND, THE _Douglas Malloch_ 166

MARCHING SOLILOQUY, A 71

MARINES, THE _Adolphe E. Smylie_ 73

MEN OF THE BLOOD AND MIRE _Daniel M. Henderson_ 160

MIKE DILLON, DOUGHBOY _Lieut. John Pierre Roche_ 61

MISSING “IRIS” 78

MORITURI TE SALUTANT _P. H. B. L._ 120

MULES _C. Fox Smith_ 187

NAZARETH “_L._” 47

NIGHTINGALES OF FLANDERS, THE _Grace Hazard Conkling_ 50

NINETEEN-SEVENTEEN _Susan Hooker Whitman_ 85

NO MAN’S LAND _Capt. James H. Knight-Adkin_ 16

NOT TOO OLD TO FIGHT _T. C. Harbaugh_ 75

NOT WITH VAIN TEARS _Lieut. Rupert Brooke_ 102

NOVEMBER ELEVENTH _Elizabeth Hanly_ 198

NURSE, THE 14

OLD GANG ON THE CORNER, THE _William Herschell_ 64

OLD JIM _Norman Shannon Hall_ 199

OLD TOP SERGEANT, THE _Berton Braley_ 38

ON HIS OWN _Adolphe E. Smylie_ 124

OUR SOLDIER DEAD _Annette Kohn_ 195

PADRE, THE _Capt. C. W. Blackall_ 36

PARENTHETICALLY SPEAKING 176

PASSING THE BUCK _Sergt. Norman E. Nygaard_ 32

PERSHING AT THE TOMB OF

LAFAYETTE _Amelia Josephine Burr_ 52

PIERROT GOES _Charlotte Becker_ 49

POILU _Steuart M. Emery_ 95

“POOR OLD SHIP!” _C. Fox Smith_ 30

POPPIES _Capt. John Mills Hanson_ 25

PRESENT BATTLEFIELD, THE _Wright Field_ 197

RAGNAROK _Arthur Guiterman_ 21

RAIN ON YOUR OLD TIN HAT _Lieut. J. H. Wickersham_ 182

REFUGEES, THE _W. G. S._ 162

RETINUE, THE _Katharine Lee Bates_ 137

RETURN, THE _Theodore Howard Banks, Jr._ 33

RIDE IN FRANCE, A “_O. C. Platoon_” 170

RIVERS OF FRANCE, THE _H. J. M._ 79

ROAD TO FRANCE, THE _Daniel M. Henderson_ 46

RUNNER MCGEE _Edgar A. Guest_ 57

SCRAP OF PAPER, A _Herbert Kaufman_ 24

SERBIAN EPITAPH, A _V. Stanimirovic_ 50

SERVICE FLAG, THE _J. E. Evans_ 158

SERVICE FLAG, THE _William Herschell_ 154

SHIPS THAT SAIL IN THE NIGHT _Dysart McMullen_ 126

SILENT ARMY, THE _Ian Adanac_ 86

SMALL TOWN SPORT, A _Damon Runyon_ 155

SOLDIER’S FOLKS AT HOME, THE 59

SOLDIERS OF THE SOIL _Everard Jack Appleton_ 44

SOLDIER, THE _Lieut. Rupert Brooke_ 102

SOMEWHERE IN FRANCE _Le Roy C. Henderson_ 157

SOMEWHERE IN FRANCE, 1918 _Almon Hensley_ 132

SONG OF THE AIR, THE _Gordon Alchin_ 190

SONG OF THE DEAD, THE _J. H. M. Abbott_ 161

SONG OF THE GUNS, THE _Herbert Kaufman_ 134

SONG OF THE WINDS _Mary Lanier Magruder_ 163

SOURCE OF NEWS, THE 86

SPIRES OF OXFORD, THE _Winifred M. Letts_ 114

SPRING _F. M. H. D._ 123

SUDDENLY ONE DAY 151

SWAN SONGS 99

TANKS _O. C. A. Child_ 97

TELLING THE BEES _G. E. R._ 136

THERE ARE CROCUSES AT NOTTINGHAM 184

THERE WILL BE DREAMS AGAIN _Mabel Hillyer Eastman_ 171

THEY SHALL NOT PASS _Alison Brown_ 125

THEY SHALL RETURN _J. Lewis Milligan_ 179

THREE HILLS _Everard Owen_ 60

TO HAPPIER DAYS _Mabel McElliott_ 111

TO MY SON 87

TO SERVE IS TO GAIN _Charles H. Mackintosh_ 179

TO SOMEBODY _Harold Seton_ 69

“TO THE IRISH DEAD” _Essex Evans_ 180

TO THE WRITER OF “CHRIST IN

FLANDERS” _E. M. V._ 69

TRAINS _Lieut. John Pierre Roche_ 53

TWO VIEWPOINTS _Amelia Josephine Burr_ 83

UNKNOWN SOLDIER ARMISTICE

DAY AT ARLINGTON, THE _Grantland Rice_ 200

VICTORY! _S. J. Duncan-Clark_ 191

VISION _Dorothy Paul_ 181

VIVE LA FRANCE! _Charlotte Holmes Crawford_ 139

WAR _Col. William Lightfoot Visscher_ 70

WAR HORSE, THE _Lieut. L. Fleming_ 174

WAR ROSARY, THE _Nellie Hurst_ 185

WATCHIN’ OUT FOR SUBS _U. A. L._ 18

WAYSIDE IN FRANCE, A _Adolphe E. Smylie_ 76

WE’RE MARCHIN’ WITH THE

COUNTRY _Frank L. Stanton_ 151

“WHAT THINK YE?” _W. A. Briscoe_ 165

WHEN PRIVATE MUGRUMS PARLEY

VOOS _Pvt. Charles Divine_ 186

WHEN THE FRENCH BAND PLAYS 63

WHILE SUMMERS PASS _Aline Michaelis_ 72

WIDOW, THE _Miss C. M. Mitchell_ 51

WITH THE SAME PRIDE _Theodosia Garrison_ 116

WOES OF A ROOKIE, THE _William L. Colestock_ 141

WOMAN’S GAME, THE 91

WORLD SERIES OPENED--BATTER UP! 177

YOUR LAD, AND MY LAD _Randall Parrish_ 112

GREAT POEMS OF THE WORLD WAR

BEFORE ACTION

LIEUT. WILLIAM NOEL HODGSON

MILITARY CROSS, DEVON REGIMENT--KILLED IN BATTLE

From “Verse and Prose in Peace and War.” John Murray, Publisher,

London. Permission to reproduce in this book.

By all the glories of the day,

And the cool evening’s benison;

By the last sunset touch that lay

Upon the hills when day was done:

By beauty lavishly outpoured,

And blessings carelessly received,

By all the days that I have lived,

Make me a soldier, Lord.

By all of human hopes and fears,

By all the wonders poets sing,

The laughter of unclouded years,

And every sad and lovely thing:

By the romantic ages stored

With high endeavor that was his,

By all his mad catastrophes,

Make me a man, O Lord.

I, that on my familiar hill

Saw with uncomprehending eyes

A hundred of Thy sunsets spill

Their fresh and sanguine sacrifice,

Ere the sun swings his noonday sword

Must say good-bye to all of this:

By all delights that I shall miss,

Help me to die, O Lord.

ALAN SEEGER

WASHINGTON VAN DUSEN

IN THE CHICAGO TRIBUNE

No beauty could escape his loving eyes,

Not even ruthless war could hide from view

The smiling fields where crimson poppies grew,

Nor mar the sunset’s rose and purple dyes;

He watched a vine-clad slope, with glad surprise

To hear grapepickers sing, although they knew

Just on the other side, the cannon threw

Their deadly shells and woke the startled skies.

But over all that made Champagne so fair,

He saw the grandeur of the field of strife,

Exulting in the cause that placed him there,

He felt a calm, mid all the carnage rife,

And faced the battle with a spirit rare,

“For death may be more wonderful than life.”

THE NURSE

IN LONDON PUNCH

Reproduced by special permission of the Proprietors of “Punch”

Here in the long white ward I stand,

Pausing a little breathless space,

Touching a restless fevered hand,

Murmuring comforts commonplace--

Long enough pause to feel the cold

Fingers of fear about my heart;

Just for a moment, uncontrolled,

All the pent tears of pity start.

While here I strive, as best I may,

Strangers’ long hours of pain to ease,

Dumbly I question--_Far away

Lies my beloved even as these?_

THE LITTLE HOME PAPER

CHARLES HANSON TOWNE

IN THE AMERICAN MAGAZINE

Permission to reproduce in this book

The little home paper comes to me,

As badly printed as it can be;

It’s ungrammatical, cheap, absurd--

Yet, how I love each intimate word!

For here am I in the teeming town,

Where the sad, mad people rush up and down,

And it’s good to get back to the old lost place,

And gossip and smile for a little space.

The weather is hot; the corn crop’s good;

They’ve had a picnic in Sheldon’s Wood.

And Aunt Maria was sick last week;

Ike Morrison’s got a swollen cheek,

And the Squire was hurt in a runaway--

More shocked than bruised, I’m glad they say.

Bert Wills--I used to play with him--

Is working a farm with his Uncle Jim.

The Red Cross ladies gave a tea,

And raised quite a bit. Old Sol MacPhee

Has sold his house on Lincoln Road--

He couldn’t carry so big a load.

The methodist minister’s had a call

From a wealthy parish near St. Paul.

And old Herb Sweet is married at last--

He was forty-two. How the years rush past!

But here’s an item that makes me see

What a puzzling riddle life can be.

“Ed Stokes,” it reads, “was killed in France

When the Allies made their last advance.”

Ed Stokes! That boy with the laughing eyes

As blue as the early-summer skies!

He wouldn’t have killed a fly--and yet,

Without a murmur, without a regret,

He left the peace of our little place,

And went away with a light in his face;

For out in the world was a job to do,

And he wouldn’t come home until it was through!

Four thousand miles from our tiny town

And its hardware store, this boy went down.

Such a quiet lad, such a simple chap--

But he’s put East Dunkirk on the map!

NO MAN’S LAND

CAPT. JAMES H. KNIGHT-ADKIN

IN THE SPECTATOR

No Man’s Land is an eerie sight

At early dawn in the pale gray light.

Never a house and never a hedge

In No Man’s Land from edge to edge,

And never a living soul walks there

To taste the fresh of the morning air.

Only some lumps of rotting clay,

That were friends or foemen yesterday.

What are the bounds of No Man’s Land?

You can see them clearly on either hand,

A mound of rag-bags gray in the sun,

Or a furrow of brown where the earthworks run

From the Eastern hills to the Western sea,

Through field or forest, o’er river and lea;

No man may pass them, but aim you well

And Death rides across on the bullet or shell.

But No Man’s Land is a goblin sight

When patrols crawl over at dead o’ night;

Boche or British, Belgian or French,

You dice with death when you cross the trench.

When the “rapid,” like fire-flies in the dark,

Flits down the parapet spark by spark,

And you drop for cover to keep your head

With your face on the breast of the four months’ dead.

The man who ranges in No Man’s Land

Is dogged by the shadows on either hand

When the star-shell’s flare, as it bursts o’erhead,

Scares the great gray rats that feed on the dead,

And the bursting bomb or the bayonet-snatch

May answer the click of your safety-catch.

For the lone patrol, with his life in his hand,

Is hunting for blood in No Man’s Land.

THE GOLD STAR

EDGAR A. GUEST

Copyright, 1918, by Edgar A. Guest. Special permission to reproduce

in this book.

The star upon their service flag has changed to gleaming gold;

It speaks no more of hope and life, as once it did of old,

But splendidly it glistens now for every eye to see

And softly whispers: “Here lived one who died for liberty.

“Here once he walked and played and laughed, here oft his smile

was known;

Within these walls today are kept the toys he used to own.

Now I am he who marched away and I am he who fell;

Of service once I spoke, but now of sacrifice I tell.

“No richer home in all this land is there than this I grace,

For here was cradled manhood fine; within this humble place

A soldier for the truth was born, and here, beside the door,

A mother sits and grieves for him who shall return no more.

“Salute me, stranger, as you pass! I mark a soldier who

Gave up the joys of living here, to dare and die for you!

This is the home that once he knew, who fought for you and fell;

This is a shrine of sacrifice, where faith and courage dwell.”

WATCHIN’ OUT FOR SUBS

U. A. L.

From Bert Leston Taylor’s column, “A Line o’ Type or Two,” IN THE

CHICAGO TRIBUNE

Bosun’s whistle piping, “Starboard watch is on”

Sleepy army officer, waked at crack o’ dawn;

In the forward crow’s nest, watchin’ out for subs;

If they show a peeper, shoot the bloomin’ tubs.

Ocean black and shiny, silly little moon;

Transports fore and aft of us--daylight comin’ soon;

Sleeping troopers sprawling on the deck below;

Something in the water makes the spindrift glow.

In the forward crow’s nest--ah! the day is here!

Transports and destroyers looming far and near.

Ours the great adventure--gone is old romance!

Wake, ye new Crusaders! Look!--the shores of France!

FRENCH IN THE TRENCHES

WILLIAM J. ROBINSON

IN THE SAN FRANCISCO ARGONAUT

Permission to reproduce in this book

I have a conversation book; I brought it out from home.

It tells you the French for knife and fork and likewise brush and comb;

It learns you how to ask the time, the names of all the stars,

And how to order oysters and how to buy cigars.

But there ain’t no stores to buy in; there ain’t no big hotels,

When you spend your time in dugouts doing a wholesale trade in shells;

It’s nice to know the proper talk for theatres and such,

But when it comes to talking, why, it doesn’t help you much.

There’s all them friendly kind o’ things you’d naturally say

When you meet a feller casual like and pass the time o’ day.

Them little things that breaks the ice and kind of clears the air.

But when you use your French book, why, them things isn’t there.

I met a chap the other day a-rootin’ in a trench.

He didn’t know a word of ours, nor me a word of French;

And how we ever managed, well, I cannot understand,

But I never used my French book though I had it in my hand.

I winked at him to start with; he grinned from ear to ear;

An’ he says, “Bong jour, Sammy,” an’ I says “Souvenir”;

He took my only cigarette, I took his thin cigar,

Which set the ball a-rollin’, and so--well, there you are!

I showed him next my wife and kids; he up and showed me his,

Them funny little French kids with hair all in a frizz;

“Annette,” he says, “Louise,” he says, and his tears begin to fall;

We was comrades when we parted, though we’d hardly spoke at all.

He’d have kissed me if I’d let him. We had never met before,

And I’ve never seen the beggar since, for that’s the way of war;

And though we scarcely spoke a word, I wonder just the same

If he’ll ever see them kids of his--I never asked his name.

LITANY

ALLENE GREGORY

IN HARRIET MONROE’S POETRY MAGAZINE

Permission to reproduce in this book

Saint Genevieve, whose sleepless watch

Saved threatened France of old,

Above the ship that carries him

Your sacred vigil hold.

Where all the fair green fields you loved

Are scarred with bursting shell,

Joan, the Maid who fought for France--

Oh, guard your young knight well.

But if by sea or if by land

God set death in his way--

Then, Mother of the Sacrificed,

Teach me what prayer to pray!

RAGNAROK

THE TWILIGHT OF THE GODS

ARTHUR GUITERMAN

IN THE BELLMAN, MINNEAPOLIS

Permission to reproduce in this book

Ho! Heimdal sounds the Gjallar-horn:

The hosts of Hel rush forth

And Fenris rages redly

From his shackles in the North;

Unleashed is Garm, and Lok is loosed,

And freed is Giant Rime;

The Rainbow-bridge is broken

By the hordes of Muspelheim.

The wild Valkyries ride the wind

With spear and clanging shield

Where all the Hates embattled

Are met on Vigrid-field;

For there shall fall the Mighty Ones

By valiant men adored--

Great Odin, Tyr the fearless,

And Frey that sold his sword.

And Thor shall slay the dragon

Whose breath shall be his bane.

The gods themselves shall perish;

The sons of the gods shall reign!

Old Time shall sound the boding horn

Again and yet again,

To rouse the warring passions

That swell the hearts of men.

Revolt shall wake, and Anarchy,

With all their horrid throng--

Revenge, Destruction, Rapine,

The spawn of ancient Wrong,

With all the hosts of slaughter

That our own sins must breed--

Cold Hate, Oppression’s daughter,

And Rage, the child of Greed.

Then, though we stand to battle

As men have ever stood,

Down, down shall crash our temples,

The Evil and the Good;

Yea, all that now we cherish

Must pass--but not in vain.

The gods we love shall perish;

The sons of the gods shall reign!

So, strong in faith, or weak in doubt,

Or berserk-mad, we range

Our spears in that long battle

Which means not Death, but Change.

Our highest with our lowest

Must own the grim behest,

And Good shall yield for Better--

Else how should come the Best?

Yet if we win our portion

How dare we crave the whole?

And if we still press forward,

Why need we know the goal?

But those whose hearts are constant

And those whose souls are wise

Have said that from our ashes

A nobler race shall rise

From shreds of shattered altars

To rear the Perfect Fane.

Our little gods must perish

That God Himself shall reign!

THE KID HAS GONE TO THE COLORS

WILLIAM HERSCHELL

IN THE INDIANAPOLIS NEWS

Permission to reproduce in this book

The Kid has gone to the Colors

And we don’t know what to say;

The Kid we have loved and cuddled

Stepped out for the Flag today.

We thought him a child, a baby,

With never a care at all,

But his country called him man-size

And the Kid has heard the call.

He paused to watch the recruiting

Where, fired by the fife and drum,

He bowed his head to Old Glory

And thought that it whispered: “Come!”

The Kid, not being a slacker,

Stood forth with patriot-joy

To add his name to the roster--

And God, we’re proud of the boy!

The Kid has gone to the Colors;

It seems but a little while

Since he drilled a schoolboy army

In a truly martial style.

But now he’s a man, a soldier,

And we lend him listening ear,

For his heart is a heart all loyal,

Unscourged by the curse of fear.

His dad, when he told him, shuddered,

His mother--God bless her!--cried;

Yet, blest with a mother-nature,

She wept with a mother-pride.

But he whose old shoulders straightened

Was Granddad--for memory ran

To years when he, too, a youngster,

Was changed by the Flag to a man!

A SCRAP OF PAPER

HERBERT KAUFMAN

From Mr. Kaufman’s book of poems, “The Hell-Gate of Soissons.” T.

Fisher Unwin, Publishers (all rights reserved), London, England.

Special permission to reproduce in this book.

“Just for a word, ‘neutrality’ ... just for a scrap of paper, Great

Britain was going to make war.”--The German Chancellor to the British

Ambassador in Berlin.

Just for a “scrap of paper,”

Just for a Nation’s word,

Just for a clean tradition,

Just for a treaty slurred;

Just for a pledge defaulted,

Just for a dastard blow,

Just for an ally’s summons,

Just for a friend struck low;

Just for the weal of progress,

Just for a trust held dear,

Just for the rights of mankind,

Just for a duty clear;

Just for a Prussian insult,

Just for a splendid cause,

Just for the hope of progress,

Just for the might of laws;

Just for the kingdom’s peril,

Just for a deed of shame,

Just for defense of honor,

Just for the British name!

POPPIES

CAPT. JOHN MILLS HANSON, F.A.

IN THE STARS AND STRIPES, A.E.F., FRANCE

Poppies in the wheat fields on the pleasant hills of France,

Reddening in the summer breeze that bids them nod and dance;

Over them the skylark sings his lilting, liquid tune--

Poppies in the wheat fields, and all the world in June.

Poppies in the wheat fields on the road to Monthiers--

Hark, the spiteful rattle where the masked machine guns play!

Over them the shrapnel’s song greets the summer morn--

Poppies in the wheat fields--but, ah, the fields are torn.

See the stalwart Yankee lads, never ones to blench,

Poppies in their helmets as they clear the shallow trench,

Leaping down the furrows with eager, boyish tread

Through the poppied wheat fields to the flaming woods ahead.

Poppies in the wheat fields as sinks the summer sun,

Broken, bruised and trampled--but the bitter day is won;

Yonder in the woodland where the flashing rifles shine,

With their poppies in their helmets, the front files hold the line.

Poppies in the wheat fields; how still beside them lie

Scattered forms that stir not when the star shells burst on high;

Gently bending o’er them beneath the moon’s soft glance,

Poppies of the wheat fields on the ransomed hills of France.

AS THE TRUCKS GO ROLLIN’ BY

LIEUT. L. W. SUCKERT, A.S., U.S.A.

IN THE STARS AND STRIPES, A.E.F., FRANCE

There’s a rumble an’ a jumble an’ a humpin’ an’ a thud,

As I wakens from my restless sleep here in my bed o’ mud,

’N’ I pull my blankets tighter underneath my shelter fly,

An’ I listen to the thunder o’ the trucks a-rollin’ by.

They’re jumpin’ and they’re humpin’ through the inky gloom o’ night,

’N’ I wonder how them drivers see without a glim o’ light;

I c’n hear the clutches roarin’ as they throw the gears in high,

And the radiators boilin’ as the trucks go rollin’ by.

There’s some a-draggin’ cannons, you c’n spot the sound all right;

The rumblin’ ones is heavies, an’ the rattly ones is light;

The clinkin’ shells is pointin’ up their noses at the sky;

Oh, you c’n tell what’s passin’ as the trucks go rollin’ by.

But most of ’em is packin’ loads o’ human Yankee freight

That’ll slam the ol’ soft pedal ontuh Heinie’s Hymn o’ Hate;

You c’n hear ’em singin’ “Dixie,” and the “Sweet Bye ’n’ Bye,”

’N’ “Where Do We Go From Here, Boys?” as the trucks go rollin’ by.

Some’s singin’ songs as, when I left, they wasn’t even ripe,

(A-showin’ ’at they’s rookies wot ain’t got a service stripe);

But jus’ the same they’re good ol’ Yanks, and that’s the reason why

I likes the jazz ’n’ barber shop o’ the trucks a-rollin’ by.

Jus’ God and Gen’rul Pershing knows where these here birds’ll light,

Where them bumpin’ trucks is bound for under camouflage o’ night,

When they can’t take aero pitchers with their Fokkers in the sky

Of our changes o’ location by the trucks a-rollin’ by.

So, altho’ my bed is puddles an’ I’m soaked through to the hide,

My heart’s out with them doughboys on their bouncin’, singin’ ride;

They’re bound for paths o’ glory, or, p’raps, to fight ’n’ die--

God bless that Yankee cargo in the trucks a-rollin’ by.

THE GRAVES OF GALLIPOLI

L. L. (A. N. Z. A. C.)

From “The Anzac Book.” Cassell & Co., Ltd., Publishers, London.

Special permission to reproduce in this book.

This poem is one of many that were written to commemorate the

stubborn bravery of the Anzacs, the British soldiers from Australia

and New Zealand. These indomitables came half way round the globe

at Britain’s first call. Their first appearance was in Egypt, where

they drove the German-led Turks back into the desert and saved the

Suez canal. They were and are officially designated the “Australian

and New Zealand Army Corps,” a title too long for common use. They

have won fame and the world’s admiration as the “Anzacs,” a word

made by running together the first letters of their official title.

Australia’s own name for her soldier is Bill-Jim. “The Graves of

Gallipoli” is one of the most noble and tender poems that have come

to us out of the war.

The herdman wandering by the lonely rills

Marks where they lie on the scarred mountain’s flanks,

Remembering that wild morning when the hills

Shook to the roar of guns, and those wild ranks

Surged upward from the sea.

None tends them. Flowers will come again in spring,

And the torn hills and those poor mounds be green.

Some bird that sings in English woods may sing

To English lads beneath--the wind will keep

Its ancient lullaby.

Some flower that blooms beside the southern foam

May blossom where our dead Australians lie,

And comfort them with whispers of their home;

And they will dream, beneath the alien sky,

Of the Pacific Sea.

“Thrice happy they who fell beneath the walls,

Under their father’s eyes,” the Trojan said,

“Not we who die in exile where who falls

Must lie in foreign earth.” Alas! our dead

Lie buried far away.

Yet where the brave man lies who fell in fight

For his dear country, there his country is.

And we will mourn them proudly as of right--

For meaner deaths be weeping and loud cries:

They died pro patria!

Oh, sweet and seemly so to die, indeed,

In the high flush of youth and strength and pride.

These are our martyrs, and their blood the seed

Of nobler futures. ’Twas for us they died.

Keep we their memory green.

This be their epitaph. “Traveler, south or west,

Go, say at home we heard the trumpet call,

And answered. Now beside the sea we rest.

Our end was happy if our country thrives:

Much was demanded. Lo! our store was small--

That which we had we gave--it was our lives.”

BATTLE OF BELLEAU WOOD

EDGAR A. GUEST

This poem was chosen by Major General John A. Lejeune, Commandant

of the United States Marine Corps, as his favorite of all the

Marine Corps verse written during the war. It is republished here

by permission of the author and of the publishers, Reilly and Lee,

who hold the copyright.

It was thick with Prussian troopers, it was foul with German guns;

Every tree that cast a shadow was a sheltering place for Huns.

Death was guarding every roadway, death was watching every field,

And behind each rise of terrain was a rapid-fire concealed;

But Uncle Sam’s Marines had orders: “Drive the Boche from where

they’re hid.

For the honor of Old Glory, take the woods!” and so they did.

I fancy none will tell it as the story should be told--

None will ever do full justice to those Yankee troopers bold.

How they crawled upon their stomachs through the fields of golden wheat

With the bullets spitting at them in that awful battle heat.

It’s a tale too big for writing; it’s beyond the voice or pen,

But it glows among the splendor of the bravest deeds of men.

It’s recorded as a battle, but I fancy it will live,

As the brightest gem of courage human struggles have to give.

Inch by inch, they crawled to victory toward the flaming mounts of guns;

Inch by inch, they crawled to grapple with the barricaded Huns;

On through fields that death was sweeping with a murderous fire,

they went

Till the Teuton line was vanquished and the German strength was spent.

Ebbed and flowed the tides of battle as they’ve seldom done before;

Slowly, surely, moved the Yankees against all the odds of war.

For the honor of the fallen, for the glory of the dead,

The living line of courage kept the faith and moved ahead.

They’d been ordered not to falter, and when night came on they stood

With Old Glory proudly flying o’er the trees of Belleau Wood.

“POOR OLD SHIP!”

C. FOX SMITH

IN PUNCH

Reproduced by special permission of the Proprietors of “Punch”

She wasn’t much to brag about, she wasn’t much to see,

A rusty, crusty hooker as a merchant ship could be;

They sunk her off the Longships light as night was coming on,

And we had to go and leave her there and, poor old ship, she’s gone.

All that was good of her, all that was bad of her,

All that we gave to her, all that we had of her,

Poor old ship, she’s gone!

The times we spent aboard her, they was oftener bad than good,

But bad or good, we’d live the lot all over if we could;

She’s stood her trick as well as us, she’s had her whack of fun,

She’s shared it all with sailormen, and poor old ship, she’s done.

Hard times and soft times and all times we’ve been with her,

Bad days and good days and all sorts we’ve seen with her,

And, poor old ship, she’s done!

She’s stuck her crazy derricks up by half a hundred quays,

She’s dipped her dingy duster in the spray of all the seas;

Her funnels caked with Cape Horn ice and blistered in the sun,

She’s moseyed round above a bit, and, poor old ship, she’s done.

North seas and south, and they’ve all had a go at her,

Hot winds and cold, and they’ve all had a blow at her,

And, poor old ship, she’s done!

She’s trailed her smudge the whole world round in weather gray and blue,

She’s churned a dozen oceans with her bloomin’ nine-knot screw;

She’s sampled all the harbor mud from Cardiff to Canton,

And she’ll never clear another port, for, poor old ship, she’s gone.

Ports up and down, and she’s seen many a score of ’em;

Seas high and low, and she won’t sail no more of ’em,

For, poor old ship, she’s gone!

And chaps that knowed her in her time, ’tween London and Rangoon,

In many a sailor’s drinking-place and water-front saloon,

Will set their drinks down when they hear her bloomin’ yarn is spun,

And say, “I sailed aboard her once, and, poor old ship, she’s done.

Many’s the hard word I once used to spend on her,

Ah, them was the great days, and now there’s an end on her,

Poor old ship, she’s done!”

PASSING THE BUCK

SERGT. NORMAN E. NYGAARD, 313TH SN. TN.

IN THE STARS AND STRIPES, A.E.F., FRANCE

The Colonel has a job to do

That’s really hard, and puzzling, too;

He can’t quite figure what it needs,

So hands it out to Major Heeds.

And Major Heeds he thinks it o’er,

And thinks it o’er and o’er some more,

And he can’t make it out at all,

So Captain Jones, he takes a fall.

The Captain shoves his helmet back,

And puts his brains all on the rack;

But “D--n” is all that can be said,

And then it’s up to First Loot Head.

O’ course, he “knows,” but hasn’t time--

The work they shove on him’s a crime;

This, and then lots more to boot,

So on it goes to the Second Loot.

Now Lieutenant Young is just a kid,

A baby mouth by an eyebrow hid;

A job like that would knock him cold,

He hands it down to Top-soak Gold.

The Top-soak, ’course, is swamped with work;

It never was his plan to shirk,

But Sergeant Reed, he’s just the man,

He’ll sure do it if any can.

But that old sarge must sleep a lot:

This biz of overworkin’s rot;

He gives the Corp’rul loads of gas,

And so that duffer takes a pass.

But Corp’ruls don’t know what to do,

They’re only built for bossing, too;

So Corp’rul Jenks, he says he’s stuck,

And hands it on to a common buck.

And when the job is finished right,

And all the things are clear as light,

Why, then, it’s found by all the Fates,

The job was done by Private Bates.

An’ it’s passin’ the buck,

An’ a-passin’ the buck,

An’ a-passin’ the buck along,

An’ on with the buck

With the best o’ luck,

An’ I hope you come out wrong.

THE RETURN

THEODORE HOWARD BANKS, JR.

IN EVERYBODY’S MAGAZINE

Permission to reproduce in this book

When I return, let us be very still;

No mirth, and but one deep, soul-searching glance,

Mindful of the unnumbered graves of France,

Where love lies buried on each trampled hill.

BULLINGTON

C. FOX SMITH

IN PUNCH

Reproduced by special permission of the Proprietors of “Punch”

It was the high midsummer, and the sun was shining strong,

And the lane was rather flinty, and the lane was rather long,

When--up and down the gentle hills beside the stripling Test--

I chanced to come to Bullington and stayed a while to rest.

It was drowned in peace and quiet, as the river reeds are drowned

In the water clear as crystal, flowing by with scarce a sound,

And the air was like a posy with the sweet haymaking smells,

And the Roses and Sweet Williams and Canterbury Bells.

Far away as some strange planet seemed the old world’s dust and din,

And the trout in sun-warmed shallows hardly seemed to stir a fin;

And there’s never a clock to tell you how the hurrying world goes on

In the little ivied steeple down in drowsy Bullington.

Small and sleepy, there it nestled, seeming far from hastening Time,

As a teeny-tiny village in some quaint old nursery rhyme;

And a teeny-tiny river by a teeny-tiny weir

Sang a teeny-tiny ditty that I stayed a while to hear.

“Oh, the stream runs to the river, and the river to the sea,

But the reedy banks of Bullington are good enough for me;

Oh, the lane runs to the highway, and the highway o’er the down,

But it’s better here in Bullington than there in London town.”

Then high above an aeroplane in humming flight went by,

With the droning of its engines filling all the cloudless sky,

And like the booming of a knell across that perfect day

There came the gun’s dull thunder from the ranges far away.

And while I lay and listened, oh, the river’s sleepy tune

Seemed to change its rippling music, like the cuckoo’s stave in June;

And the cannon’s distant thunder, and the engines’ warlike drone

Seemed to mingle with its burthen in a solemn undertone.

“Oh, the stream runs to the river, and the river to the sea,

And there’s war on land and water, and there’s work for you and me!

And on many a field of glory there are gallant lives laid down

As well for tiny Bullington as mighty London town!”

So I roused me from my daydream, for I knew the song spoke true

That it isn’t time for dreaming while there’s duty still to do;

And I turned into the highway where it meets the flinty lane,

And the world of wars and sorrows was about me once again.

THE PADRE

CAPT. C. W. BLACKALL

’E’s a sportsman is our Padre,

Of that there ain’t a doubt.

’E don’t chuck religion at yer,

An’ preach at yer an’ spout;

An’ if ’e ’ears yer cussin’,

As yer fillin’ up ther bags,

’E jest ses, “Fumigate your throat,”

An’ ’ands yer out some fags.

’E don’t take all fer granted

That yer murderers an’ thieves,

An’ always tell yer, now’s ther time

Fer turnin’ over leaves.

’E’ll wander round ther trenches,

Jest to pass ther time o’ day.

An’ there ain’t a bloke as doesn’t feel

A _man_ ’as passed that way.

I remember once, near Wipers,

When things was pretty ’ot,

An’ yer ’ad ter keep yer nut down

If yer didn’t want it shot;

While they was fairly plasterin’

As fast as they could load,

’E came ridin’--mark yer, _ridin_--

All down ther Menin Road.

’E was dossin’ in a “staminay,”

Pyjamas all complete,

When a ’igh-explosive carried

’Arf the ’ouse into the street.

While other blokes was runnin’ wild,

An’ kickin’ up a row,

’E calmly arsts, “Pray, what is the

Correct procedure now?”

They tells ’im as ’e’d better

Do a bunk for all ’e’s worth,

As ’is bloomin’ “staminay” is not

Ther safest spot on earth.

But ’e ’as a look around ’im,

An’ wags ’is bally ’ead;

Ses ’e, “It seems quite restful now,”

An’ back ’e goes to bed.

But ’e fairly put ther lid on

When we made ther last attack:

If ’is lads was goin’ ter cop it,

’E weren’t fer ’angin’ back.

So ’e ’ops out of ther trenches

Level with ther foremost ’ound,

An’ natural like ’e stops one

An’ gets a little wound.

’E’s a sportsman is our Padre,

Of that there ain’t a doubt.

’E don’t chuck religion at yer,

An’ preach at yer an’ spout.

Still, ’e’ll show ther way ter ’Eaven--

That’s if anybody can--

But we’d follow ’im to ’ell; ’cos why?

Our Padre ’e’s a man.

CORP’RAL’S CHEVRONS

ANONYMOUS

IN THE STARS AND STRIPES, A.E.F., FRANCE

Oh, the General with his epaulets, leadin’ a parade;

The Colonel and the Adjutant a-sportin’ of their braid;

The Major and the Skipper--none of ’em look so fine

As a newly minted corp’ral, comin’ down the line.

Oh, the Bishop in his miter pacin’ up the aisle;

The Governor, frock-coated, with a votes-for-women smile;

The Congressman, the Mayor--aren’t in it, I opine,

With a newly minted corp’ral comin’ down the line.

THE OLD TOP SERGEANT

BERTON BRALEY

From Mr. Braley’s book, “In Camp and Trench,” published and

copyright, 1918, by George H. Doran Company, New York. Special

permission to reproduce in this book.

“Shavetail” is a name applied by enlisted men in the regular army

to lieutenants fresh from West Point.

Twenty years of the army, of drawing a sergeant’s pay

And helping the West Point shavetails, fresh from the training school,

To handle a bunch of soldiers and drill ’em the proper way

(Which isn’t always exactly according to book and rule).

I’ve seen ’em rise to Captains and Majors and Colonels, too,

And me still only a sergeant, the same as I used to be,

And I knew that some of them didn’t know as much as a sergeant knew,

But I stuck to my daily duty--there wasn’t a growl from me.

Twenty years of the army,

Serving in peace and war,

Standing the drill of the army mill,

For that’s what they paid me for.

Twenty years with the army, which wasn’t so much for size,

But man for man I’d back it to lick any troops on earth.

’Twas a proud little classy army, as good as the flag it flies,

And it takes an old top sergeant to know what the flag is worth.

Then--a shot at Sarejevo, and hell burst over there

And the kaiser dragged us in it, and the bill for the draft was passed

And--they handed me my commission, and some shoulder straps to wear,

And the crazy dream of my rooky days had changed to a fact at last.

Twenty years with the army,

And it’s great to know they call

On the guys like me for what will be

The mightiest job of all.

Twenty years of the army, of doing what shavetails bid,

And I know I haven’t the polish that fellows like that will show,

And I hold a high opinion of the brains of a West Point kid,

But I think I can make him hustle when it comes to the work I know.

But who cares where we come from, Plattsburg, ranks, or the Guard,

This isn’t a pink tea-party, but a War to be fought and won;

There’s a serious job before us, a job that is huge and hard,

And the social register don’t count until we’ve got it done!

Twenty years in the army,

And now I’ve got my chance.

Have I earned my straps? Well, you watch the chaps

That I’ve trained for the game in France!

FLAG EVERLASTING

A. G. RIDDOCH

Flag of our Faith: lead on--

Across the sand-blown plain,

The deep and trackless main,

When duty’s trumpets blow,

Where frowns the freeman’s foe,

And right crushed to the sod

Lifts soul to righteous God.

Flag of our Faith: lead on--

Flag of our Hope: lead on--

When stormy clouds hang low

And chilling north-winds blow

And days are long and drear.

When nights breed grief and fear;

A rainbow lights the sky

Whene’er its colors fly.

Flag of our Hope: lead on--

Flag of our Love: lead on--

In loyal hearts supreme,

Fairer than love’s first dream,

Our first choice and our last,

Brightened by every blast.

Oh, emblem pure and sweet,

Thou can’st not know defeat.

Flag of our Love: lead on--

Flag of our Home: lead on--

Beneath thy folds we rest,

We live and love our best,

The fairest roses blow,

The richest harvests grow,

And care-free children play

And gladden every day.

Flag of our Home: lead on--

L’ENVOI--

Flag of our Faith, our Hope, our Love,

Flag of our Home, wave on above.

We’ll live, we’ll fight, we’ll die for you--

Flag Everlasting, Red, White and Blue.

THE BLUE AND THE GRAY IN FRANCE

GEORGE M. MAYO

Here’s to the Blue of the wind-swept North,

When we meet on the fields of France;

May the spirit of Grant be with you all

As the sons of the North advance.

And here’s to the Gray of the sun-kissed South,

When we meet on the fields of France;

May the spirit of Lee be with you all

As the sons of the South advance.

And here’s to the Blue and the Gray as one,

When we meet on the fields of France;

May the spirit of God be with us all

As the sons of the Flag advance.

A LITTLE TOWN IN SENEGAL

WILL THOMPSON

IN EVERYBODY’S MAGAZINE

Permission to reproduce in this book

I hear the throbbing music down the lanes of Afric rain:

The Afric spring is breaking, down in Senegal again.

O little town in Senegal, amid the clustered gums,

Where are your sturdy village lads, who one time danced to drums?

At Soissons, by a fountain wall, they sang their melodies;

And some now lie in Flemish fields, beside the northern seas;

And some tonight are camped and still, along the Marne and Aisne;

And some are dreaming of the palms that bend in Afric rain.

The music of the barracks half awakes them from their dream;

They smile and sink back sleepily along the Flemish stream.

They dream the baobab’s white buds have opened over-night;

They dream they see the solemn cranes that bask in morning light:

I hear the great drums beating in the square across the plain.

Where are the tillers of the soil, the gallant, loyal train?

O little town in Senegal, amid the white-bud trees,

At Soissons, in Picardy, went north the last of these!

A LITTLE GRIMY-FINGERED GIRL

LEE WILSON DODD

IN THE OUTLOOK

Permission to reproduce in this book

In sending his permission to use this sharp flash of the spirit of

France, Mr. Dodd wrote: “It may interest you to know that the

little grimy-fingered girl is real, and that I bought ‘L’Intrans’

from her every evening for many months during the dark days of last

spring in Paris.” The spring referred to being that of 1918, when

the Germans were only a few miles from the city.

A little grimy-fingered girl

In stringy black and broken shoes

Stands where sharp human eddies whirl

And offers--_news_:

News from the front. “‘_L’Intransigeant’,

M’sieu, comme d’ordinaire?_” Her smile

Is friendly though her face is gaunt;

There is no guile,

No mere mechanic flash of teeth,

No calculating leer of glance ...

You wear your courage like a wreath,

Daughter of France.

Back of old sorrow in tired eyes

Back of endurance, through the night

That wearies you and makes you wise,

I see a light

Unshaken, proud, that does not pale,

--And you are nobody, my dear;

“_Une vraie gamine_,” who does not quail,

Who knows not fear.

Rattle your sabers, Lords of Hate,

Ye shall not force them to their knees!

A street-girl scorns your God, your State----

The least of these....

Place du Théâtre Français,

Paris, February, 1918.

SOLDIERS OF THE SOIL

EVERARD JACK APPLETON

By permission of Stewart & Kidd Company, Cincinnati, Publishers of

“With the Colors,” by Everard Jack Appleton. Copyright, 1917.

It’s a high-falutin’ title they have handed us;

It’s very complimentary and grand;

But a year or so ago they called us “hicks,” you know--

An’ joshed the farmer and his hired hand!

Now it’s, “Save the country, Farmer!

Be a soldier of the soil!

Show your patriotism, pardner,

By your never ending toil.”

So we’re croppin’ more than ever,

An’ we’re speedin’ up the farm.

Oh, it’s great to be a soldier--

A sweatin’ sun-burnt soldier,--

A soldier in the furrows--

Away from “war’s alarm!”

While fightin’ blight and blister,

We hardly get a chance

To read about our “comrades”

A-doin’ things in France.

To raise the grub to feed ’em

Is some job, believe me--plus!

And I ain’t so sure a soldier--

A shootin’, scrappin’ soldier,

That’s livin’ close to dyin’--

Ain’t got the best of us!

But we’ll harrer and we’ll harvest,

An’ we’ll meet this new demand

Like the farmers always meet it--

The farmers--and the land.

An’ we hope, when it is over

An’ this war has gone to seed,

You will know us soldiers better--

Th’ sweatin’, reapin’ soldiers,

Th’ soldiers that have hustled

To raise th’ grub you need!

It’s a mighty fine title you have given us,

A name that sounds too fine to really stick;

But maybe you’ll forget (when you figure out your debt)

To call th’ man who works a farm a “hick.”

THE CROSS AND THE FLAG

WILLIAM HENRY, CARDINAL O’CONNELL

IN THE CATHOLIC SCHOOL JOURNAL

Hail, banner of our holy faith,

Redemption’s sacred sign,

Sweet emblem thou of heavenly hope

And of all help divine,

We bare our heads in reverence

As o’er us is unfurled

The standard of the Cross of Christ

Whose blood redeemed the world.

Hail, banner of our native land,

Great ensign of the free,

We love thy glorious Stars and Stripes,

Emblem of liberty;

Lift high the cross, unfurl the flag;

May they forever stand

United in our hearts and hopes,

God and our native land.

THE ROAD TO FRANCE

DANIEL M. HENDERSON

Permission to reproduce in this book

The 1917 prize of the National Arts Club of New York was awarded to

Mr. Henderson’s poem. It was chosen out of more than four thousand

that were submitted.

Thank God, our liberating lance

Goes flaming on the way to France!

To France--the trail the Gurkhas found;

To France--old England’s rallying-ground!

To France--the path the Russians strode!

To France--the Anzacs’ glory road!

To France--where our Lost Legion ran

To fight and die for God and man!

To France--with every race and breed

That hates Oppression’s brutal creed!

Ah, France, how could our hearts forget

The path by which came Lafayette?

How could the haze of doubt hang low

Upon the road of Rochambeau?

How was it that we missed the way

Brave Joffre leads us along today?

At last, thank God! At last, we see

There is no tribal Liberty!

No beacon lighting just our shores,

No Freedom guarding but our doors.

The flame she kindled for our sires

Burns now in Europe’s battle-fires.

The soul that led our fathers west

Turns back to free the world’s opprest.

Allies, you have not called in vain;

We share your conflict and your pain.

“Old Glory,” through new stains and rents,

Partakes of Freedom’s sacraments.

Into that hell his will creates

We drive the foe--his lusts, his hates.

Last come, we will be last to stay,

Till Right has had her crowning day.

Replenish, comrades, from our veins

The blood the sword of despot drains,

And make our eager sacrifice

Part of the freely rendered price

You pay to lift humanity--

You pay to make our brothers free.

See, with what proud hearts we advance

To France!

NAZARETH

“L”

IN THE CHICAGO TRIBUNE

On the capture of the city by the British under General Allenby,

September 21, 1918.

Across the sands by Mary’s well

Along the shores of Galilee,

The paths are pitted deep with shell

And drab with marching infantry.

Perhaps upon the self-same spot

Where He first lifted up His head,

In cellar straw and manger cot,

Now Freedom’s hosts are billeted.

Then ’twas a life--now myriad death.

The Allied troops win Nazareth.

THE CRIMSON CROSS

ELIZABETH BROWN DU BRIDGE

IN THE DAILY NEWS, SAULT STE. MARIE

Great Poems of the World War · 第 1 / 9 段