NOTES

Of the many verses from time to time ascribed to the pen of Edgar Poe, and

not included among his known writings, the lines entitled “Alone” have the

chief claim to our notice. _Fac-simile _copies of this piece had been

in possession of the present editor some time previous to its publication

in “Scribner’s Magazine” for September, 1875; but as proofs of the

authorship claimed for it were not forthcoming, he refrained from

publishing it as requested. The desired proofs have not yet been adduced,

and there is, at present, nothing but internal evidence to guide us.

“Alone” is stated to have been written by Poe in the album of a Baltimore

lady (Mrs. Balderstone?), on March 17th, 1829, and the facsimile given in

“Scribner’s” is alleged to be of his handwriting. If the caligraphy be

Poe’s, it is different in all essential respects from all the many

specimens known to us, and strongly resembles that of the writer of the

heading and dating of the manuscript, both of which the contributor of the

poem acknowledges to have been recently added. The lines, however, if not

by Poe, are the most successful imitation of his early mannerisms yet made

public, and, in the opinion of one well qualified to speak, “are not

unworthy on the whole of the parentage claimed for them.”

While Edgar Poe was editor of the “Broadway Journal,” some lines “To

Isadore” appeared therein, and, like several of his known pieces, bore no

signature. They were at once ascribed to Poe, and in order to satisfy

questioners, an editorial paragraph subsequently appeared saying they were

by “A. Ide, junior.” Two previous poems had appeared in the “Broadway

journal” over the signature of “A. M. Ide,” and whoever wrote them was

also the author of the lines “To Isadore.” In order, doubtless, to give a

show of variety, Poe was then publishing some of his known works in his

journal over _noms de plume, _and as no other writings whatever can

be traced to any person bearing the name of “A. M. Ide,” it is not

impossible that the poems now republished in this collection may be by the

author of “The Raven.” Having been published without his usual elaborate

revision, Poe may have wished to _hide _his hasty work under an

assumed name. The three pieces are included in the present collection, so

the reader can judge for himself what pretensions they possess to be by

the author of “The Raven.”

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