OUR BOOKING-OFFICE.

(_By Mr. Punch's Staff of Learned Clerks._)

I can imagine the feelings of a romantic maiden who, prone to choose her

novels by title, has set down on her library list _The Price of Love_

(METHUEN), and finds herself landed with one of Mr. ARNOLD BENNETT'S

intimate little guides to "Bursley" and the four other drab towns. And

yet if she will set her teeth and read the first fifty pages without

skipping she will discover that she is being let into real secrets of

real human hearts; that handsome _Rachel_ (penniless companion to a

benign old lady), and her debonair _Louis_ (who somehow never can run

straight where money is concerned), are becoming known to her as she

knows few, if any, of her friends; and that, because known, they are

extraordinarily interesting. She will see _Rachel_ drawn out of the

haven of her staunch and critical common sense by her infatuation for

_Louis_; threatened by the shipwreck of despair when she realises his

weakness and her irrevocable mistake, and again putting into a new

harbour of determination to pay the price of her love and make the best

of things. And I should not be altogether surprised if even our romantic

library-subscriber finds the next live-happily-ever-after story a little

flat by comparison. For there is no doubt that Mr. BENNETT has some

uncanny power of realising the conflict of human souls, and that there

is an astonishingly adroit method in his mania for unimportant and

unromantic detail. I refuse altogether to accept as adequate (or

appropriate) his explanations of the adventures of the banknotes on the

night of their disappearance, but I am grateful for every word and

incident of this enchanting chronicle and for the portrait of _Rachel_

in particular.

* * * * *

_Modern Pig-Sticking_ (MACMILLAN) is a book that, appearing at this

particular moment, has an air of detachment not without its own charm.

Chiefly, of course, it appeals to a special and limited public--a

public, moreover, that is at present too busy to give it the attention

that it would otherwise command. Certainly Major A. E. WARDROP'S

spirited pages deserve to rank with the best that has been written about

this sport. As one frankly ignorant, I was myself astonished to find how

considerable a body is this literature. As for the gallant Major's own

contribution, it is sufficiently well-written to make tales of sporting

feats and adventures interesting to the outsider. Which is saying a lot.

At the same time his sense of humour is sufficiently strong to save

enthusiasm from becoming oppressive. Certainly he loves his theme, as I

suppose a good pig-sticker should. "To see hog and hunter charge each

other bald-headed with a simultaneous squeal of rage is," he says

youthfully, "always delightful." It is all, in these more strenuous

times, most refreshing and even a little wistful in its _naïveté_. The

honest and brave gentlemen whose exploits it records are about another

kind of pig-sticking now. One hopes that practice with the Indian

variety may help them in their chase of the Uhlan road-hog. Here's power

to their spears!

For all his good humour, Mr. PETT RIDGE can say a hard thing now and

then about humanity in general and point it with a touch of startling

sarcasm. Possibly it is this combination which makes him the favourite

author he is. While we get tired of the harsh satirist who is always up

against us, and pay little attention to his teaching, we not only profit

by the occasional home truths of the genial humourist, but thoroughly

enjoy hearing them. Certainly it is not Mr. RIDGE'S plots which so

attract everybody, including myself. _The Happy Recruit_ (METHUEN) might

as well (or even better) have been plotless. There is the central

figure, _Carl Siemens_, who comes to England from abroad in his youth

and has an unremarkable career, and there is a mysterious and rather

tiresome trunk which is mentioned from time to time and finally opened;

but apart from these the book is but a collection of little episodes

more or less about the same people, the _Maynard_ family in particular.

It is not the story that lends the charm but the people who come into

it, that upper-lower section of Londoners whose little peculiarities of

thought, word and deed Mr. Ridge so perfectly understands. Through their

mouths he utters his truest sayings, and they make his books always

worth reading. It should be added that this one has nothing to do with

present warfare; it is antedated by a reign and a half. In this the

title is misleading, for there are so many recruits about nowadays and

all of them are happy.

* * * * *

After reading Messrs. HUTCHINSON'S announcement that the critics

describe Mr. F. BANCROFT as the most remarkable South African novelist

now at work, I searched for a talent that was too successfully hidden

for my finding. I was on the track of it two or three times, and once at

least the scent was so hot that I thought the quarry was mine; but it

got away. With _Dalliance and Strife_ the author completes a trilogy

upon the Boer War, but here we are given too much flirtation and too

little fighting. His liberality in the matter of heroines compensates me

not at all for his niggard accounts of the war. That he himself should

apparently take more interest in dalliance than in strife seems to

indicate sheer perversity, for, when once he has ceased to toy with

tennis-teas and trivialities, it is possible to respect the opinions of

those admiring critics even if it is impossible to agree with them. The

little fighting and the few whiffs of the veldt that we are given come

as welcome reliefs to the rather stuffy atmosphere that Mr. BANCROFT has

been at such pains to create. The British officer in his hours of

dalliance is in his hands merely a figure of fun, but the militant Boer

in field and camp is a faithful picture, so faithful, indeed, when

contrasted with the other, that it leaves me astounded at such a

combination of skill and futility.

* * * * *

_Germaine Damien_ was a little girl with considerable force of

character. Having been told by a Socialist shoemaker that Squires were a

mistake, she endeavoured to correct this error by driving a large knife

into the first specimen of the race whom she met. This was _Miles

Burnside_, a decent young man enough, and one obviously qualifying to be

the hero of the story. So that when, quite early in its course,

_Germaine_ caught him asleep and apparently left him dead with a dagger

in his heart, I was for a little time considerably puzzled as to how

Mrs. BAILLIE REYNOLDS was going to get on with her tale. However, I need

not have worried. Of course _Miles_ was not dead; indeed the last six

words of the book tell you that "His smile was good to see." And

naturally he wouldn't have been smiling like that if he had not been

enfolding the heroine in his strong arms. But before this happy moment

we had a lot to get through. _Miles_ on recovery had told the properly

apologetic _Germaine_ that she must never, never let anybody else know

about the dagger business, and she said she wouldn't. Personally, if I

had been _Germaine_, I should have done the same. Later in life,

reflecting upon this injunction, and discovering that her grandfather

had also killed a man, _Germaine_ got it into her head that the habit

was inherited, and the idea worried her quite dreadfully. This, I

suppose, is why her story is called _The Cost of A Promise_ (HODDER AND

STOUGHTON). Eventually, however, when the thing had gone on long enough

and the revelation of her secret had scared away a superfluous rival,

_Miles_ informed her that her grandfather's record was (forgive me!) not

germane to the matter, and that she was as sane as anybody in the story.

M'yes. But Mrs. REYNOLDS has done better.

* * * * *

Illustration: "IT 'TAIN'T 'ARF FINE TER BE A GENERAL, COS 'E CAN CALL A

BLOKE 'POODEN FICE,' AN' 'AVE 'IM SHOT IF 'E SORCES 'IM BACK."

* * * * *

Punch or the London Charivari, Vol. 147, October 21, 1914 · 第 61 / 62 题