Old Martha was a picture of quaint despair. "You'll not?"

"No!"

"Then," she sighed piously, "may the Lord have mercy on ye, Johnnie,

for you'll never do here. 'Tis not the time for you. You're due after

the blockade. Will you do me the favour of translating why you won't

eat codfish salad, you skinny little insurrecto?"

"Cod-fish salad!" he said with a deep sneer. "Who ever heard of it!"

Outside, on the jumbled pavement of the street, an occasional two-wheel

cart passed with deafening thunder, making one think of the overturning

of houses. Down from the pale sky over the patio came a heavy odour of

Havana itself, a smell of old straw. The wild cries of vendors could be

heard at intervals.

"You'll not?"

"No."

"And why not?"

"Cod-fish salad? Not by a blame sight!"

"Well--all right then. You are more of a pig-headed young imbecile than

even I thought from seeing you come into Havana here where half the

town knows you and the poorest Spaniard would give a gold piece to see

you go into Cabanas and forget to come out. Did I tell you, my son

Alfred is sick? Yes, poor little fellow, he lies up in the room you

used to have. The fever. And did you see Woodham in Key West? Heaven

save us, what quick time he made in getting out. I hear Figtree and

Button are working in the cable office over there--no? And when is the

war going to end? Are the Yankees going to try to take Havana? It will

be a hard job, Johnnie? The Spaniards say it is impossible. Everybody

is laughing at the Yankees. I hate to go into the street and hear them.

Is General Lee going to lead the army? What's become of Springer? I see

you've got a new pair of shoes."

In the evening there was a sudden loud knock at the outer door. Martha

looked at Johnnie and Johnnie looked at Martha. He was still sitting in

the patio, smoking. She took the lamp and set it on a table in the

little parlour. This parlour connected the street-door with the patio,

and so Johnnie would be protected from the sight of the people who

knocked by the broad illuminated tract. Martha moved in pensive fashion

upon the latch. "Who's there?" she asked casually.

"The police." There it was, an old melodramatic incident from the

stage, from the romances. One could scarce believe it. It had all the

dignity of a classic resurrection. "The police!" One sneers at its

probability; it is too venerable. But so it happened.

"Who?" said Martha.

"The police!"

"What do you want here?"

"Open the door and we'll tell you."

Martha drew back the ordinary huge bolts of a Havana house and opened

the door a trifle. "Tell me what you want and begone quickly," she

said, "for my little boy is ill of the fever----"

She could see four or five dim figures, and now one of these suddenly

placed a foot well within the door so that she might not close it. "We

have come for Johnnie. We must search your house."

"Johnnie? Johnnie? Who is Johnnie?" said Martha in her best manner.

The police inspector grinned with the light upon his face. "Don't you

know Señor Johnnie from Pinar del Rio?" he asked.

"Before the war--yes. But now--where is he--he must be in Key West?"

"He is in your house."

"He? In my house? Do me the favour to think that I have some

intelligence. Would I be likely to be harbouring a Yankee in these

times? You must think I have no more head than an Orden Publico. And

I'll not have you search my house, for there is no one here save my

son--who is maybe dying of the fever--and the doctor. The doctor is

with him because now is the crisis, and any one little thing may kill

or cure my boy, and you will do me the favour to consider what may

happen if I allow five or six heavy-footed policemen to go tramping all

over my house. You may think----"

"Stop it," said the chief police officer at last. He was laughing and

weary and angry.

Martha checked her flow of Spanish. "There!" she thought, "I've done my

best. He ought to fall in with it." But as the police entered she began

on them again. "You will search the house whether I like it or no. Very

well; but if anything happens to my boy? It is a nice way of conduct,

anyhow--coming into the house of a widow at night and talking much

about this Yankee and----"

"For God's sake, señora, hold your tongue. We----"

"Oh, yes, the señora can for God's sake very well hold her tongue, but

that wouldn't assist you men into the street where you belong. Take

care: if my sick boy suffers from this prowling! No, you'll find

nothing in that wardrobe. And do you think he would be under the table?

Don't overturn all that linen. Look you, when you go upstairs, tread

lightly."

Leaving a man on guard at the street door and another in the patio, the

chief policeman and the remainder of his men ascended to the gallery

from which opened three sleeping-rooms. They were followed by Martha

abjuring them to make no noise. The first room was empty; the second

room was empty; as they approached the door of the third room, Martha

whispered supplications. "Now, in the name of God, don't disturb my

boy." The inspector motioned his men to pause and then he pushed open

the door. Only one weak candle was burning in the room and its yellow

light fell upon the bed whereon was stretched the figure of a little

curly-headed boy in a white nightey. He was asleep, but his face was

pink with fever and his lips were murmuring some half-coherent childish

nonsense. At the head of the bed stood the motionless figure of a man.

His back was to the door, but upon hearing a noise he held a solemn

hand. There was an odour of medicine. Out on the balcony, Martha

apparently was weeping.

The inspector hesitated for a moment; then he noiselessly entered the

room and with his yellow cane prodded under the bed, in the cupboard

and behind the window-curtains. Nothing came of it. He shrugged his

shoulders and went out to the balcony. He was smiling sheepishly.

Evidently he knew that he had been beaten. "Very good, Señora," he

said. "You are clever; some day I shall be clever, too." He shook his

finger at her. He was threatening her but he affected to be playful.

"Then--beware! Beware!"

Martha replied blandly, "My late husband, El Capitan Señor Don Patricio

de Castellon y Valladolid was a cavalier of Spain and if he was alive

to-night he would now be cutting the ears from the heads of you and

your miserable men who smell frightfully of cognac."

"Por Dios!" muttered the inspector as followed by his band he made his

way down the spiral staircase. "It is a tongue! One vast tongue!" At

the street-door they made ironical bows; they departed; they were angry

men.

Johnnie came down when he heard Martha bolting the door behind the

police. She brought back the lamp to the table in the patio and stood

beside it, thinking. Johnnie dropped into his old chair. The expression

on the spy's face was curious; it pictured glee, anxiety,

self-complacency; above all it pictured self-complacency. Martha said

nothing; she was still by the lamp, musing.

The long silence was suddenly broken by a tremendous guffaw from

Johnnie. "Did you ever see sich a lot of fools!" He leaned his head far

back and roared victorious merriment.

Martha was almost dancing in her apprehension. "Hush! Be quiet, you

little demon! Hush! Do me the favour to allow them to get to the corner

before you bellow like a walrus. Be quiet."

The spy ceased his laughter and spoke in indignation. "Why?" he

demanded. "Ain't I got a right to laugh?"

"Not with a noise like a cow fallin' into a cucumber-frame," she

answered sharply. "Do me the favour----" Then she seemed overwhelmed

with a sense of the general hopelessness of Johnnie's character. She

began to wag her head. "Oh, but you are the boy for gettin' yourself

into the tiger's cage without even so much as the thought of a

pocket-knife in your thick head. You would be a genius of the first

water if you only had a little sense. And now you're here, what are you

going to do?"

He grinned at her. "I'm goin' to hold an inspection of the land and sea

defences of the city of Havana."

Martha's spectacles dropped low on her nose and, looking over the rims

of them in grave meditation, she said: "If you can't put up with

codfish salad you had better make short work of your inspection of the

land and sea defences of the city of Havana. You are likely to starve

in the meantime. A man who is particular about his food has come to the

wrong town if he is in Havana now."

"No, but----" asked Johnnie seriously. "Haven't you any bread?"

"_Bread!_"

"Well, coffee then? Coffee alone will do."

"_Coffee!_"

Johnnie arose deliberately and took his hat. Martha eyed him. "And

where do you think you are goin'?" she asked cuttingly.

Still deliberate, Johnnie moved in the direction of the street-door.

"I'm goin' where I can get something to eat."

Martha sank into a chair with a moan which was a finished

opinion--almost a definition--of Johnnie's behaviour in life. "And

where will you go?" she asked faintly.

"Oh, I don't know," he rejoined. "Some café. Guess I'll go to the Café

Aguacate. They feed you well there. I remember----"

"_You_ remember? _They_ remember! They know you as well as if you were

the sign over the door."

"Oh, they won't give me away," said Johnnie with stalwart confidence.

"Gi-give you away? Give you a-way?" stammered Martha.

The spy made no answer but went to the door, unbarred it and passed

into the street. Martha caught her breath and ran after him and came

face to face with him as he turned to shut the door. "Johnnie, if ye

come back, bring a loaf of bread. I'm dyin' for one good honest bite in

a slice of bread."

She heard his peculiar derisive laugh as she bolted the door. She

returned to her chair in the patio. "Well, there," she said with

affection, admiration and contempt. "There he goes! The most

hard-headed little ignoramus in twenty nations! What does he care?

Nothin'! And why is it? Pure bred-in-the-bone ignorance. Just because

he can't stand codfish salad he goes out to a café! A café where they

know him as if they had made him!... Well.... I won't see him again,

probably.... But if he comes back, I hope he brings some bread. I'm

near dead for it."

Wounds in the rain: War stories · 第 60 / 71 题