CHAPTER XXXIII.

FLIGHT.

The inhabitants of the Villa were well used to the sudden sounds and

sudden stillnesses which marked the changes of Amanda’s moods, and on

ordinary occasions no one thought of interfering or taking any notice.

So long as aunty was there these were recognized as her share of the

advantages of this life, and the rest of the household left her in

undisturbed enjoyment of her privileges. But somehow on this evening

other sentiments had been called into being. Aunty herself loved, in her

way, the wilful creature whom she had nursed all her life,

notwithstanding the ill recompense she received, and could not take

advantage of the unusual holiday she was having. Instead of going to

bed, she hung about the passages, sometimes listening at Amanda’s door,

more vigilant, more wakeful than ever. The maids who slept above were

wakeful too. They were interested in the visitor, the curious pale girl

who was one of Mr. Eastwood’s great relations, “a real lady,” and so

much unlike the usual visitors to the house. Besides, though both the

patient and her poor little unaccustomed attendant had slept, it was

still comparatively early, about the hour of midnight. I do not know

what there was peculiar in the stillness that crept through the house.

Often enough before Amanda had fainted after one of her paroxysms of

passion, and everything had gone on as usual, no one except her special

nurse being much the wiser. But on this night a still horror seemed to

creep through the place. The women up-stairs rose from their beds with a

sensation of alarm, and poor aunty stood trembling at the door, not

knowing whether to venture in, at the risk of disturbing the quiet, or

stay outside at the risk perhaps of neglecting the patient. The moments

are long in such an emergency. It seemed to her, I think wrongly, that

this stillness had lasted full half an hour, when at last, emboldened by

terror, and stimulated by the appearance on the stairs of the frightened

housemaid in her nightgown, whispering “Was anything the matter?” she

opened softly the door of the room. All that aunty could see was

Innocent, standing, gazing at the bed on which, to all appearance, the

patient lay calm, with the softened reflection of the rose-coloured

curtain over her. Innocent stood like a statue, white, immovable,

gazing. Aunty stole in, frightened, with noiseless steps, afraid lest

some creak of the floor should betray her presence. She laid her hand

softly on Innocent’s shoulder.

“Is she asleep?” she asked.

Innocent awoke as from a trance.

“What is it?” she said shivering, and in low tones of terror. “Look,

look! what does it mean----”

Next moment a great cry rang through the silent house--the windows were

thrown open, the bells rung, the maids rushed in, half frantic with

excitement; what was it? A dreadful interval followed while they crowded

about the bed, and while aunty, moaning, weeping, calling upon Amanda,

tried to raise the senseless figure, to bring back animation by all the

means which she had so often used before. The wild yet subdued bustle of

such a terrible domestic incident, the hurried sending for the doctor,

the running hither and thither for remedies, the strange dream-like

horror of that one unresponsive, unmoving figure in the midst of all

this tumult of anxious but bootless effort--how can I describe it? The

cold night air poured into the room, ineffectually summoned to give

breath to the lips that could draw breath no longer, and waved the

lights about like things distracted, and chilled the living to the bone,

as they ran to and fro, seeking this and that, making one vain effort

after another. Innocent stood behind, leaning against the wall, like a

marble image. She had been pushed aside by the anxious women. She stood

with her eyes fixed on the bed, with a vague horror on her face. It was

a dream to her, which had begun in her sleep; was she sleeping still? or

was this a horrible reality? or what had she to do with it? she, a

little while ago the chief actor, now the spectator, helpless, knowing

nothing, yet with a chill of dread gnawing at her, like the fox in the

fable, gnawing her heart. Innocent’s head seemed to turn round and

round, as the strange group which had swept in, made all those wild

circles round the bed, doing one strange thing after another, incoherent

to her--moving and rustling, and talking low under the disturbed waving

of the lights, and in the shadow of the curtains. When, after a long

terrible interval, these figures dispersed, and one alone remained,

throwing itself upon the bed in wild weeping, the girl roused herself.

“What is it?” she asked, drawing a step nearer. “What is it?” It seemed

to Innocent that something held her, that she could not look at the

figure in the bed.

“Oh, my darling! my darling! I have nursed her from a baby--she never

was but good to me. Oh, my child, my ’Manda! Will you never speak to me

again! Oh, ’Manda, my darling! Oh, my lovely angel!” Thus poor aunty

moaned and wept.

“What is it?” cried Innocent, with a voice which took authority from

absolute despair.

“Oh, can’t you see for yourself? It’s you as has done it, driving that

angel wild. She’s dead! Oh, merciful Heaven, she’s dead----”

Then a sudden flood of light seemed to pour through Innocent’s darkened

mind. The horror which she had felt vaguely took shape and form. Heaven

help the child! She had done it! She gave a low wild cry, and looked

round her with a despairing appeal to heaven and earth. Was there no one

to protect her--no one to help her? One moment she paused, miserable,

bewildered, then turned and fled out of the awful room, where so much

had befallen her. What could she do? where could she go? She fled as an

animal flies to its cover--to its home, unreasoning, unthinking.

Frederick would have represented that home to her in any other

circumstances; but she had killed Frederick’s wife. This horror seemed

to take form and pursue her. The maids were all gone: one to call the

unhappy father, one to the husband, another to watch for the doctor;

this last had left the door open, through which another blast of

night-air swept through the house. Down the narrow staircase poor

Innocent fled noiseless, like a thief. Upon a table in the passage lay

her hat as she had thrown it off when she came in that afternoon with

Frederick, and the warm wrap in which Miss Vane had enveloped her when

they started, so peacefully, so happily, for their drive. Was it only

that morning? The High Lodge, and its orderly life and its calm

inhabitants, seemed to Innocent like things she had known ages ago;

older even than Pisa and Niccolo--almost beyond the range of memory. She

stole out at the open door, drawing Miss Vane’s great shawl round her,

and for a moment feeling comforted in the chill of her misery by its

warmth. For one second she stood on the step, with the moonlight on her

face, wondering where she was to go. The maid who was watching for the

doctor saw her, and cried out with terror, thinking her a ghost. Then a

sudden cloud came over the moon, and in that shelter, like a guilty

thing, Innocent stole away. She did not know where to go. She wandered

on through the dark and still village streets to the great Minster, with

some vain childish imagination of taking refuge there. But here chance

befriended the unhappy girl, or some kind angel guided her. The railway

was close by, with some lights yet unextinguished. Vaguely feeling that

by that was the only way home, she stole into the station, with some

notion of hiding herself till she could get away. The express train to

town, which stopped at Sterborne, though poor Innocent knew nothing of

it, was late that night. It had just arrived when she got in. The little

station was badly lighted, the officials sleepy and careless. By

instinct Innocent crept into an empty carriage, not knowing even that it

was going on, and in five minutes more was carried, unconscious, wrapt

in a tragic stupor of woe and terror, away from the scene of this

terrible crisis of her life.

Gradually, slowly, the sense of motion roused her, brought her to

herself. In her hand, firmly clasped, was the little phial which had

been so deadly. She unclosed her fingers with an effort, and looked at

it with miserable curiosity. _That_ had done it--a thing so small that

it was hidden altogether in her small and delicate hand. What had

Innocent done? How could she have helped herself? What could she have

done different? For the first time in all her life she turned her hot

confused eyes upon herself. She tried to go back over the events of the

night;--not as in a mental survey with all their varieties of feeling

disclosed, but like an external picture did they rise before her. First

that moment when she (Innocent could think of her now by no name) was

not angry or scolding, when Frederick sat and talked, and she herself

stood and fanned _her_, the central figure to which henceforward all her

terrified thoughts must cling. Then came the moonlight in the garden,

the smell of the dewy earth, and her hand on Frederick’s arm; then the

reading, which seemed like some strange incantation, some spell of

slumbrous power; then the horrible sudden waking, the clutch of that hot

hand, the incoherent half-conscious effort she made to do what was told

her, the black drops of liquid falling, the interrupted counting which

she seemed to try to take up again and complete--“ten, eleven, fifteen;”

and then the terror of the renewed clutch and grasp, the sudden

stillness, the black drops standing out on the white coverlid, the great

open eyes dilated, fixed upon her, holding her fast so that she could

not stir. God help the child! She cried aloud, but the noise drowned her

cry; she struggled under the intolerable sense of anguish, the burden of

the pang which she could not get free from, could not shake off. So many

pangs come in youth which are imaginary, which can be thrown off, as the

first impression fades; but when for the first time there comes

something which fixes like the vulture, which will not be got rid

of!--Innocent writhed under it, holding up her feeble hands in an appeal

beyond words--an appeal which was hopeless and which was vain.

It was still only the middle of the night when she arrived in London,

and by some fortunate chance or other crept out again without being

perceived. Poor child! Far from her distraught soul was any intention of

deceiving; she thought nothing at all about it, and in her innocence,

without consciousness of harm, escaped all penalties and questioning.

She did not know her way about London, but by mere chance took the right

direction, and by dint of wandering on and on, came at last by a hundred

detours, as morning began to break into a region with which she was

familiar. The movement did her good. She felt her misery less when she

was walking on and on through interminable streets, wrapping her shawl

about her, feeling her limbs ready to sink under her, and her power of

feeling dulled by fatigue. Probably this exercise saved her from going

mad altogether. Life and more than life hung on the balance. She was not

clever; she had no grasp of mind, no power of reason, nothing which

could be called intellectual development at all, and yet the difference

between sanity and insanity was as much to her as to others. She kept

her reason through the subduing force of this exercise, the blessed

movement and the weariness of body which counteracted the unaccustomed

struggles of her mind.

It was gray dawn, that chill twilight of the morning which is so much

colder and less genial than the twilight of night, when Innocent came

at last in sight of her home. Her strength and courage were almost at an

end, but her feeble heart leapt up within her at sight of the familiar

place in which she knew shelter and comfort were to be found. She had

never said anything which showed her appreciation of her aunt’s

tenderness, and had offered but little response to all the affection

that had been lavished on her; but yet a slow-growing trust had arisen

in her mind. She had no doubt how she was to be received; she knew that

kind arms would take her in, kind eyes pity her, kind voices soothe her

trouble--and never in all her life had Innocent stood in such need of

succour. The house was like some one asleep, with its eyes closed, so to

speak, the shutters shut, the curtains drawn, and no one stirring.

Innocent sat down upon the step to wait. She did not ring or knock for

admittance. She sat down and leant upon the pillar of the porch with a

patience which had some hope in it. She could wait now, for her

difficulties were over, and her goal within reach. She had fallen half

asleep when the housemaid undid the door, and with a scream perceived

the unexpected watcher.

“Miss Innocent!” cried the woman, half in terror, half in disapproval;

for indeed Innocent’s odd ways were the wonder of the house, and the

servants professed openly that they would not be surprised whatever she

might choose to do. Innocent opened her eyes and roused herself with an

effort.

“Yes, it is me,” she said softly. “I had to come home--by the night

train.”

“Oh, how could any one let you wander about like this!” cried the maid,

“and where is your luggage? Come to the kitchen, miss, there’s no other

fire lighted. You are as cold as ice, and all of a tremble. Come in,

come in for goodness’ sake, and I’ll make you a cup of tea.”

Innocent smiled her habitual smile of vague and dreamy sweetness in

acknowledgment of this kindness--but she shook her head and went

straight up-stairs to the door of Mrs. Eastwood’s room. Her first

arrival there came up before her as she paused at the door--her

dissatisfaction, her indifference--oh, if she had stayed in the little

room, within Nelly’s, within the mother’s, could this thing have

happened to her, could any such harm have reached her? This question

floated wistfully before her mind, increasing the strange confusion of

feelings of which she was vaguely conscious; but she did not pause for

more than an instant. Mrs. Eastwood was still asleep, or so at least

Innocent thought; but the very aspect of the familiar room was

consolatory. It seemed to protect her, to make her safe. She stole

softly to the alcove where the grey morning light struggled in through

the closed curtains. As Innocent approached Mrs. Eastwood opened her

eyes, with the instinctive promptitude of a mother, used to be appealed

to at all times and seasons. She started at the sight of the strange

figure in hat and shawl, and sat up in her bed, with all her faculties

suddenly collecting to her, to prepare her for the something, she knew

not what, which she instinctively felt to have befallen.

“Innocent! Good heavens, how have you come? What is the matter?” she

cried. Innocent fell down on her knees by the bed; the fatigue, the

cold, the personal suffering of which up to this moment she had been

scarcely conscious, seemed suddenly to overflow, and become too much for

her to bear. She clasped Mrs. Eastwood’s arm between her own, and looked

up to her with a ghastly face, and piteous looks of appeal; her lips

moved, but no words came. Now she had got to the end of her journey, the

end of her troubles; but now all capacity seemed to fail her. She could

not do more.

“My child--my poor child!” said Mrs. Eastwood. “Oh, Innocent, why did I

let you go from me? Speak, dear, tell me what it is? Innocent, speak!”

“Do not be angry,” said poor Innocent, raising her piteous face, with a

child’s utter abandonment and dependence upon the one standard of good

and evil which alone it understands. And yet the face was more woeful,

more distraught, than child’s face could be. Mrs. Eastwood, anxious yet

reassured, concluded that the poor girl, weary and frightened of

strangers, had run away from the High Lodge to come home, an offence

which might well seem terrible to Innocent. What could it be else? She

bent over her and kissed her, and tried to draw her into her arms.

“My poor child, how you are trembling. I am not angry, Innocent; why are

you so frightened? Sit down and rest, and let me get up, and then you

can tell me. Come, dear, come; it cannot be anything so very bad,” said

Mrs. Eastwood with a smile, endeavouring to disengage her arm from

Innocent’s hold.

But the girl’s fixed gaze, and her desperate clasp did not relax. Her

white face was set and rigid. “Do not be angry!” she said again, with a

voice of woe strangely at variance with the simple entreaty; and while

Mrs. Eastwood waited expecting to hear some simple confession, such as

that Innocent had been frightened by the strange faces, or weary of the

monotonous life, and had run away--there suddenly fell upon her

horrified ears words which stunned her, and seemed to make life itself

stand still. They came slow, with little pauses between, accompanied by

a piteous gaze which watched every movement of the listener’s face, and

with a convulsive pressure of the arm which Innocent held to her bosom.

“I have killed Frederick’s wife,” she said.

“What does she say? She must be mad!” cried Mrs. Eastwood. The housemaid

had followed Innocent into the room with officious anxiety, carrying the

cup of tea, which was a means of satisfying her curiosity as to this

strange and sudden arrival. Just as these terrible words were said she

appeared at the foot of the bed, holding the tray in her hand.

“No,” said Innocent, seeing nothing but her aunt’s face; “no, I am not

mad. It was last night. I came home somehow, I scarcely know how--it was

last night.”

“And, Innocent, Innocent--you----?”

“Oh, do not be angry!” cried Innocent, hiding her piteous face upon her

aunt’s breast. The woe, the horror, the distracting sense of sudden

misery seemed to pass from the one to the other in that rapid moment.

But the mother thus suddenly roused had to think of everything. “Put

down the tray,” she said quickly to the staring intruder at the foot of

the bed, “call Alice to me, get Miss Innocent’s room ready, and send

some one for the doctor. She is ill--quick, go and call Alice, there is

not a moment to lose. Innocent,” she whispered in her ear as the woman

went away, “Innocent, for God’s sake look at me! Do you know what you

are saying? Innocent! Frederick’s wife?”

Innocent raised herself up with a long-drawn sigh. Her face relaxed; she

had put off her burden. “It was last night,” she repeated, “we were

alone; I did not want to go, but they made me. She was angry--very

angry--and then--oh! She opened her eyes and looked at me, and was

still--still.--Till they came I did not know what it was.”

“And it was----? For God’s sake, Innocent, try to understand what you

are saying. Did she die--when you were with her? You are not dreaming?

But, Innocent, _you_ had nothing to do with it, my poor, poor child?”

Once more Innocent unfolded the fingers which she had clenched fast upon

something. She held out a small phial, with some drops of dark liquid

still in it. “It was this,” she said, looking at it with a strange,

vacant gaze.

And then a horrible conviction came to poor Mrs. Eastwood’s mind. Out of

the depths of her heart there came a low but terrible cry. Many things

she had been called upon to bear in her cheerful life, as all stout

hearts are--now was it to be swallowed up in tragic disgrace and horror

at the end?

The cry brought Nelly, wondering and horror-stricken, from her innocent

sleep, and old Alice, forecasting new trouble to the family, but nothing

so horrible, nothing so miserable as this.

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