CHAPTER VI.

PISA.

Frederick had left Paris between the lamps and the stars, as I have

said, on a chilly night, when the darkness and confusion in his own mind

agreed better with the mist and rolling steam that made a cloud about

the train as it dashed into the darkness, than with the serene celestial

lights which tried in vain to penetrate that veil of vapour. He came

into the harbour at Leghorn again between stars and lamps, but this time

in the blue-green dawn of an Italian spring morning, too early for any

stir except that which attended the arrival of the steamer. Do people

still have that long _promenade sur l’eau_ through the green sea basin

from point to point before they are allowed to land, and be subjected to

the final examination at the Dogana? I suppose all that has been changed

with so many other things, with the abolition of passports, and other

hindrances to the traveller. Frederick Eastwood did not now feel so

hurried as when he was in Paris. He had arranged how he was to write

home, and to telegraph to the office, begging for the extra week’s leave

which was inevitable. He wrote his mother a long letter, telling her how

he had been seized with “unpleasant symptoms” in Paris, but would not

send her word of it lest he should alarm her; how he had managed to come

on to Leghorn, taking the journey easily, and really had not suffered as

he feared he would; how, on the whole, he was much better; how he

intended to proceed to Pisa in the evening after a rest; and how within

a week they might expect to see him back with his cousin. “Don’t be

uneasy about me,” he said, “I am really a great deal better. I feel sure

I shall now get home quite comfortably; but, as you remarked before I

left, I was not well when I started--too much confinement, I

suppose”---- I don’t attempt to explain this other fiction which he put

forth with perfect gravity, and without much feeling of guiltiness.

“Unpleasant symptoms” might mean anything, and I fear that from

schoolboy days the excuses given at home are not judged by a very high

standard of truthfulness. Frederick’s conscience did not trouble him

much on this subject. He telegraphed to his chief at the office,

announcing his detention by illness, without entering into any

particulars as to where that illness had occurred, and claiming so many

days’ extension of leave as would re-establish his health for the

journey home. He felt ill enough, it must be allowed, after all he had

gone through--ill enough almost to feel justified in the report he gave

of his ailing condition--“seedy,” as he would have called it, to the

last degree. He could not eat anything, he slept badly, his lips were

parched, his hand hot and tremulous, and his looks bore him

unimpeachable testimony, better than a medical certificate. Yet he felt

rather happy in his unhappiness, as he rested and tried to eat a little

_minestra_ at the hotel at Leghorn. It was not so good as the _bouillon_

he would have got in Paris, or the beef-tea at home, but it was all he

was capable of. In the evening he proceeded on his short railway journey

to Pisa--and on the way his mind, if not his body, mended rapidly. It

was again dark when he arrived. He went to one of the hotels on the

Lung’ Arno, and took a feeble walk in the evening to see the place,

though so little could be seen. He had never been in Italy before, and

though the circumstances were such as to damp enthusiasm, there was in

Frederick’s mind a certain new-born freshness of a man returned to the

paths of duty which we can compare to nothing but the feelings of one

recovering from an illness. It was over; he felt languid, weak, but

good. He had turned his back alike on temptation and upon sin. He was

convalescent. Now there is no real moral excellence in being

convalescent even after a fever; but that sufferer must have had

unkindly tending and little love about him in his malady, who does not

feel that it is good of him to get better, and that he has done

something for which all his friends are justly grateful to him.

Frederick, though he had no friends to be grateful, felt precisely in

this condition. He felt _good_. In Paris he had felt miserable,

mournful, and what he called penitent--that is he had felt that pleasure

carried too far ends by becoming unpleasant, and that it costs very

dear, and that the amount of satisfaction to be got out of it is

scarcely proportioned to the outlay. This mood had lasted during the

greater part of his journey. But after a man has so accounted for his

misfortunes as Frederick had done, and has got the means of beginning

again, and feels himself clear of the toils for the time being, such a

mood does not last very long; and by the time he reached Pisa he had got

fully into the convalescent state, and felt good. While his dinner was

preparing he took a walk down by the side of Arno, in which once more

the stars above and the lamps below were reflecting themselves with

serene composure, the lights of heaven asserting no proud superiority

over the lights of earth; and then turned aside to that wonderful group

of buildings of which everybody has heard. Nothing in all Italy belongs

to our childhood like that leaning tower. Frederick looked up at it,

bending towards him through the darkness, and recollected pictures in

books at home which his mother had shown him of evenings when he stood

by her knee in pinafores, before “life” began. His reminiscences gave

the softest domestic turn to his mind, and made him feel still more good

than before. Even in the dark there were still some beggars about,

flitting out of corners at the sight of the stranger, and he emptied his

pocket among them, giving them francs and half francs with a wild

liberality which increased tenfold the numbers of these waiters upon

Providence next evening in the Piazza del Duomo. There were fitful

gleams of moonlight coming now and then from out a mass of clouds, and

sending broad beams of momentary glory behind and between the different

buildings. Frederick was awed and impressed, as well as touched and

softened. This was like the higher light of religious feeling coming in

to elevate the domestic piety to which his heart had been suddenly

opened by recollection. Thus impressed and ameliorated the convalescent

walked back to his hotel to dinner, and was able to eat something, the

reader will be glad to hear.

It was late, and he did not feel disposed to break the almost holy calm

of his feelings after so many agitations, by making any effort to see

his cousin that evening. He looked up at the tall houses as he went

along, wondering if perhaps one of the faint lights he saw might be

hers, but he was content to remain in this state of doubt till next day.

One night could make little difference. When he had finished the meal,

which was slight, but more satisfactory than anything he had been able

to have since he left Paris, he made inquiries of the genial Italian

waiter as to the position of the Palazzo Scaramucci, and whether

anything was known of its English inhabitants. Antonio indicated to him

exactly where the house was, and was eager to add that he knew the

servant of the English gentleman who had died there. “Figure to

yourself,” he said, “that Mademoiselle, his daughter, is all alone in

that house of the dead.” The conversation was carried on in French, and

Antonio was eloquent. He gave the stranger instantly a sketch of the

girl thus left without any one to take care of her. “Letters have come

from the friends in England, but no one has arrived,” said Antonio.

“What kind of hearts can they have, blessed Madonna! Niccolo does not

know what will become of the poor young lady. The Forestieri here are

kind to her, but what is that when she is left all alone by her friends?

Monsieur perhaps may know some of her friends? She is a beautiful young

lady, but strange, neither like the English Meeses, nor the Italian

Signorine, and Niccolo says----”

“Did you say she was beautiful?” said Frederick. This was a particular

which it was impossible to hear without a certain interest.

“She will be beautiful when she is older, when she has more

_embonpoint_,” said Antonio. “But she is not English in her beauty, nor

in anything else. Niccolo says she will sit for days together and never

speak. She had a very strange father. He is buried in the English

cemetery, so I believe all must be right. But in my opinion, though

Monsieur may think it droll, the old Englishman was _tant soit peu

sorcier_!”

“_Sorcier?_” said Frederick, with a languid smile.

“Of course Monsieur thinks it droll--but for my part I believe he has

thrown a spell over Mademoiselle. No one can melt her. She sheds no

tear, Niccolo says. She listens to the English ladies without replying a

word. The only Christian thing about her is that she goes often to St.

Maria della Spina, the little, little, very little church which Monsieur

may have remarked; and as she is Protestant, I suppose that must be a

sin. Perhaps, if Monsieur knows any of the English in Pisa, he will be

able to see this strange and beautiful young girl”----

“Perhaps,” said Frederick, taking the key of his bedroom and the candle

from Antonio’s hand. He did not choose to say that he was the lingering

messenger whom her friends had sent for Innocent. But his mind was

compassionately moved towards her. Beauty is always a point in

everybody’s favour, and the sense of power and protection in himself was

pleasant to him. It quite completed, if anything had been wanted to do

so, the rehabilitation of Frederick Eastwood in Frederick Eastwood’s own

eyes. What a change his appearance would make in the position of this

deserted young creature, whose melancholy soul no doubt only wanted the

touch of his kindness and compassion to rouse it into warmer life! “Poor

child,” he said to himself almost tenderly, as he went to bed. He would

be a brother to her, and to do them justice at home, they would be good

to the poor girl. Yet somehow he could not but feel that his own

influence, as the first to go to her, would do most for Innocent. The

thought diffused a pleasant warmth and revival about his heart.

Pisa is not a cheerful place. It has neither the beauty of situation,

nor the brightness of aspect, nor even the larger historical interest

which belongs to Florence, its near neighbour and whilom rival. It has

fallen out of the race as a town may do as well as an individual. But,

on the other hand, it has no keen ice-wind to sweep its streets like

those that chill the very blood in your veins in the deep ravines cut

through lofty blocks of houses which form the Florentine streets. The

equable temperature of Pisa hangs about it like a cloud, stilling the

life in it that it may never grow loud enough to disturb the invalids

who set up their tents in those old palaces. They have a little society

among themselves, gentle, monotonous, and dull, such as befits invalids.

A great many English people are in that subdued winter population,

people who are, or are supposed to be, _poitrinaires_, and people in

attendance upon these sufferers, and finally, people who go because

other people go, without either knowing or caring about the special

advantages of the place. An English doctor and his wife, and an English

clergyman and his wife, are generally to be found in all such places,

and most usually these excellent persons do all they can to reduce the

little colony of English, living in the midst of the quaint old foreign

town, into the aspect of a village or small country place in England,

where everybody talks of everybody, and knows his or her domestic

grievances by heart. Mr. Vane, when he came to Pisa to die, had sought

the assistance of the doctor, but not of the clergyman; so it was Mrs.

Drainham, and not Mrs. St. John, who had taken Innocent in hand when

her father died, and had tried to make something of the forlorn girl.

Though Frederick of course knew nothing about this, two letters had been

despatched but a few days before to Mrs. Eastwood and another relation,

adjuring them to come to the help of the young stranger. The doctor had

himself written in a business like way to Sir Edmund Vane, but Mrs.

Drainham had taken Mrs. Eastwood in hand, and had written her what both

herself and the doctor felt to be a very touching letter. The author of

this affecting composition had been reading it over to some select

friends on the very evening on which Frederick arrived in Pisa. Dr. and

Mrs. Drainham lived on the first floor of the Casa Piccolomini, on the

sunny side of the Arno, in a very imposing apartment, where they often

assembled round them a little society “in a very quiet way,” for the

doctor himself was something of an invalid, and practised in Pisa as

much for his own health as for that of his patients. They were people

who were generally understood to be well off, an opinion which it is

good for everybody, and especially for professional people, to cultivate

about themselves. Every Wednesday and Saturday, tea and thin bread and

butter, cut exactly as bread and butter is in England, were to be had

from eight till eleven in the Drainhams’ handsome drawing-room. On the

evening in question the English colony at Pisa was very well represented

in this modest assembly. There was Mr. and Mrs. St. John, accompanied by

a gentle young English curate with pulmonary symptoms, who was staying

with them, and giving the benefit of his services when he felt able for

it. There was old Mr. Worsley and his pretty daughters, one of whom was

suffering from bronchitis, and the other from _ennui_, the latter the

more deadly malady of the two. The healthy portion of the population was

rather in the background, and not held in much estimation. Mr. St. John

himself, who now weighed nearly sixteen stone, had come to Pisa also

with pulmonary symptoms, and was fond of citing himself as an instance

of the cures effected by its wonderful equability of temperature. “But a

winter in England would kill me still. I could never survive a winter in

England,” he would say, tapping his ample bosom with his hand, and

coughing to show that he had not quite lost the habit. On this

particular occasion he uttered these words, which were very frequent on

his lips, in order to console and encourage poor little Mrs. O’Carroll,

the wife of a gigantic Irishman, who had broken all his bones one after

another in riding across country, and who stood gaunt and tall in a

corner conversing with the doctor, with red spots upon his high

cheekbones, and a hollow circle round his big eyes, which did not

promise such a comfortable termination.

“Oh, then, and you’ll tell Harry,” said the anxious woman, with the

mellow tones of her country. “You’ll tell him all about it, Mr. Singin,

dear, and what you took, and how you lived?”

“There is nothing to tell, my dear lady,” said the clergyman. “Pisa air,

and a regular life, and taking care never to be out late or early, and

nourishing food as much as I could take. But the air is the great thing.

There is a serenity and equability in this Italian climate.”

“Ah, then!” cried poor Mrs. O’Carroll, “to get him to take care is all

the battle. He never was ill in his life, and he won’t allow he’s ill,

not if I were to preach to him night and day.”

The only persons present who had no uncomfortable symptoms were two

ladies who sometimes dominated the party, and sometimes were snubbed and

cast into the shade, according to the influence which prevailed. These

were the two Miss Boldings, ladies in the earlier half of middle-age,

one of whom studied Art, while the other studied Italy; women of perfect

independence, and perfect robustness, who when Mr. St. John was not

there, carried matters with a high hand, and dismissed the question of

health as unworthy to occupy the first place in the conversation. “You

think a great deal too much about your lungs,” Miss Bolding would say.

“Let them alone, and they will come all right. Don’t fuss about your

health. Pisa is no better than any other place, and no worse. Don’t

think about it. Occupy yourself with something. Neither I nor Maria ever

take the smallest trouble about our healths, and what is the

consequence? We have never ailed anything since we had the measles.

Don’t mind Mr. St. John, that’s his hobby. If you’ll meet me to-morrow

morning in the Campo Santo--unless you are afraid----”

“Oh, no, not at all afraid,” said the gentle curate, with a flush of

youthful shyness and wounded pride. All these conversations were

interrupted by Mrs. Drainham, who called at once to Miss Bolding for her

advice, and to Mrs. O’Carroll for sympathy.

“I want you to tell me whether you think I have done right,” she said,

with much humility. “I am so anxious about poor Miss Vane. I have just

written a letter to her aunt, though with much hesitation, for I have

not your gift in writing, dear Mrs. St. John. Would you mind just

listening to what I have said? If I had your approval I should feel

encouraged after having sent it. It is very badly expressed, I am

afraid, but it comes from the heart,” said Mrs. Drainham, casting an

appealing glance round her. She had pretty eyes, and was rather apt to

give appealing glances. The audience gave a vague murmur of assent and

applause, and Mr. St. John added, in a bold and round voice, his

certainty of approval.

“It will be an excellent letter, that I don’t doubt for a moment,” said

the clergyman; and on this encouragement Mrs. Drainham proceeded to read

it, her husband standing behind her, feeling his own pulse, with a

benevolent and complacent smile. And indeed the letter was more than

excellent, it was eloquent. It appealed to the feelings of the distant

aunt in the most touching way. It bade her remember the sister with whom

no doubt her own childhood had been passed, and oh! to extend her

motherly protection over that dear sister’s orphan child; and it brought

forward many religious, as well as natural, arguments to soften the

heart of poor Innocent’s nearest relation. In short it was just such a

letter as was calculated to bring tears into Mrs. St. John’s eyes, and

which drove Mrs. Eastwood half frantic with indignation when she read

it. “Does this woman think I am an unnatural wretch, to want all this

talking to?” poor Mrs. Eastwood asked, half crying with anger and

wounded feeling. But the company in the Casa Piccolomini thought it a

beautiful letter. They thought the relations must be hardened indeed if

they could resist such an appeal as that.

“I am sure the aunt must be a dreadful woman,” said Clara Worsley, “or

she would have come by this time. Will you take me to see her to-morrow,

dear Mrs. Drainham? After that letter everybody ought to take an

interest in her----”

“You have expressed all our feelings, my dear,” said Mrs. St. John,

pressing the hand of the doctor’s wife with mingled admiration and envy.

“I doubt very much if I could have done it half as well.”

“Oh, that from you!” said Mrs. Drainham, with enthusiasm, for Mrs. St.

John was literary, and the highest authority on matters of style.

“But I hear the girl is a very odd girl,” said Miss Bolding. “Doctor,

what did her father die of? Are they wrong in their heads? I knew a Vane

once, of a West Country family, who were all very queer. I wonder if

they were the same Vanes? Devonshire, I think, or Somersetshire, I am

not sure which”----

“They are a Devonshire family,” said Dr. Drainham. “And there is nothing

wrong about their brains. He died of general break-up, Miss Bolding, a

high-tempered man who had lived hard. I have met him about Italy in all

sorts of places. The poor girl has been oddly brought up, that is all.”

“I fear without any sort of religious training, which accounts for a

great deal,” said Mr. St. John.

“Not without some sort of religion,” said Miss Maria Bolding. “She is

constantly coming over to the little Church of the Spina, the toy

church, as my sister calls it. A perfect little gem; I prefer it myself

to the Duomo. The girl has good taste, and she is wonderfully pretty.

Not the Raphael style perhaps, but just such a face as Leonardo would

have given anything for. I called her the Leonardo before I knew who she

was.”

“Don’t you think, my dear, you take rather a superficial view of the

matter?” said Mrs. St. John. “Think what a terrible thing to be said of

an English girl--that all she knows of religion is to be constantly in

the Church of the Spina! It is bad enough for the poor Italians who know

no better----”

“You must go and see her, Martha,” said Mr. St. John, coughing. “I have

had a delicacy about it, as her poor father declined to see me. Yes, he

declined to see me, poor man,” he added, shaking his head mournfully,

with a sigh. “I don’t like to mention it, but such was the case. I fear

he was sadly deficient, sadly deficient----”

“If he is the Vane I suppose him to be,” said Mr. Worsley, in a hoarse

voice, “he was as great a scamp as I ever met in my life. A man you saw

everywhere--well connected, and all that. A fellow that played high, and

ruined every man that had anything to do with him. And died poor, of

course; all those scapegraces do,” said the comfortable invalid, putting

his hand instinctively into his pocket.

“But his poor child. Whatever he was, we must not let that detract from

our interest in the poor girl,” said Mrs. Drainham. “I have tried hard

to get her to talk to me, to open her heart and to have confidence in me

as a true friend. You would think she did not understand the meaning of

the words.”

“Have you heard that poor Lady Florence Stockport has arrived, with that

delicate boy of hers?” said Mrs. St. John: and then Miss Worsley began

to consult with Mrs. Drainham about the music at church, and whether

Miss Metcalfe, who played the harmonium, could not be induced to give up

in favour of young Mr. Blackburn, who had taken a musical degree at

Oxford, and written a cantata, and meant to spend the spring months in

Pisa.

“It would make such a difference to our little service,” said Miss

Worsley; “and don’t you think, with all the attractions of the Roman

Catholic ritual around us, we ought to do everything we can to improve

our services?”

Thus the general tide of the conversation flowed on, and Innocent was

remitted back into obscurity.

All this took place on the evening when Frederick Eastwood arrived in

Pisa. From his chamber, where he was already asleep, and from the

windows of the Casa Piccolomini, might have been seen the faint light in

the third-floor windows which marked where the lonely girl was sitting.

She was all by herself, and she did not know, as Mrs. Drainham said,

what the meaning of the word friend was. But I must turn this page and

make a new beginning before I can tell you what manner of lonely soul

this poor Innocent was.

Innocent · 第 6 / 53 章