“He is certainly a man of fashion,” continued the domino, “and he

is also a man of honour; surely, then, he would be more pleasant for

confidence and consultation than one whose only notion of happiness

is money, whose only idea of excellence is avarice, and whose

only conception of sense is distrust!” Here a violent outcry again

interrupted their conversation; but not till Cecilia had satisfied her

doubts concerning the white domino, by conjecturing he was Mr Belfield,

who might easily, at the house of Mr Monckton, have gathered the little

circumstances of her situation to which he alluded, and whose size and

figure exactly resembled those of her new acquaintance.

The author of the former disturbance was now the occasion of the

present: the fiend, having vainly traversed the room in search of

Cecilia, stumbled accidentally upon Harlequin, before he was freed from

the relicks of his own mischief; and unable to resist the temptation

of opportunity and the impulse of revenge, he gave vent to the wrath so

often excited by the blunders, forwardness, and tricks of Morrice, and

inflicted upon him, with his own wooden sword, which he seized for that

purpose, a chastisement the most serious and severe.

Poor Harlequin, unable to imagine any reason for this violent attack,

and already cut with the glass, and bruised with the fall, spared not

his lungs in making known his disapprobation of such treatment: but the

fiend, regardless either of his complaints or his resistance, forbore

not to belabour him till compelled by the entrance of people with

lights. And then, after artfully playing sundry antics under pretence of

still supporting his character, with a motion too sudden for prevention,

and too rapid for pursuit, he escaped out of the room, and hurrying down

stairs, threw himself into an hackney chair, which conveyed him to a

place where he privately changed his dress before he returned home,

bitterly repenting the experiment he had made, and conscious too late

that, had he appeared in a character he might have avowed, he could,

without impropriety, have attended Cecilia the whole evening. But

such is deservedly the frequent fate of cunning, which, while it plots

surprise and detection of others, commonly overshoots its mark, and ends

in its own disgrace.

The introduction of the lights now making manifest the confusion which

the frolic of Harlequin had occasioned, he was seized with such a dread

of the resentment of Mr Harrel, that, forgetting blows, bruises, and

wounds, not one of which were so frightful to him as reproof, he made

the last exhibition of his agility by an abrupt and hasty retreat.

He had, however, no reason for apprehension, since, in every thing that

regarded expence, Mr Harrel had no feeling, and his lady had no thought.

The rooms now began to empty very fast, but among the few masks

yet remaining, Cecilia again perceived Don Quixote; and while, in

conjunction with the white domino, she was allowing him the praise of

having supported his character with more uniform propriety than any

other person in the assembly, she observed him taking off his mask for

the convenience of drinking some lemonade, and, looking in his face,

found he was no other than Mr Belfield! Much astonished, and more than

ever perplexed, she again turned to the white domino, who, seeing in

her countenance a surprise of which he knew not the reason, said,

half-laughing, “You think, perhaps, I shall never be gone? And indeed

I am almost of the same opinion; but what can I do? Instead of growing

weary by the length of my stay, my reluctance to shorten it increases

with its duration; and all the methods I take, whether by speaking

to you or looking at you, with a view to be satiated, only double my

eagerness for looking and listening again! I must go, however; and if

I am happy, I may perhaps meet with you again,--though, if I am wise, I

shall never seek you more!”

And then, with the last stragglers that reluctantly disappeared, he made

his exit, leaving Cecilia greatly pleased with his conversation and his

manners, but extremely perplexed to account for his knowledge of her

affairs and situation.

The schoolmaster had already been gone some time.

She was now earnestly pressed by the Harrels and Sir Robert, who still

remained, to send to a warehouse for a dress, and accompany them to the

Pantheon; but though she was not without some inclination to comply,

in the hope of further prolonging the entertainment of an evening from

which she had received much pleasure, she disliked the attendance of the

Baronet, and felt averse to grant any request that he could make, and

therefore she begged they would excuse her; and having waited to see

their dresses, which were very superb, she retired to her own apartment.

A great variety of conjecture upon all that had passed, now, and till

the moment that she sunk to rest, occupied her mind; the extraordinary

persecution of the fiend excited at once her curiosity and amazement,

while the knowledge of her affairs shown by the white domino surprised

her not less, and interested her more.

CHAPTER iv

AN AFFRAY.

The next morning, during breakfast, Cecilia was informed that a

gentleman desired to speak with her. She begged permission of Mrs Harrel

to have him asked upstairs, and was not a little surprized when he

proved to be the same old gentleman whose singular exclamations had so

much struck her at Mr Monckton's, and at the rehearsal of Artaserse.

Abruptly and with a stern aspect advancing to her, “You are rich,” he

cried; “are you therefore worthless?”

“I hope not,” answered she, in some consternation; while Mrs Harrel,

believing his intention was to rob them, ran precipitately to the bell,

which she rang without ceasing till two or three servants hastened into

the room; by which time, being less alarmed, she only made signs to them

to stay, and stood quietly herself to wait what would follow.

The old man, without attending to her, continued his dialogue with

Cecilia.

“Know you then,” he said, “a blameless use of riches? such a use as

not only in the broad glare of day shall shine resplendent, but in

the darkness of midnight, and stillness of repose, shall give you

reflections unembittered, and slumbers unbroken? tell me, know you this

use?”

“Not so well, perhaps,” answered she, “as I ought; but I am very willing

to learn better.”

“Begin, then, while yet youth and inexperience, new to the callousness

of power and affluence, leave something good to work upon: yesterday you

saw the extravagance of luxury and folly; to-day look deeper, and see,

and learn to pity, the misery of disease and penury.”

He then put into her hand a paper which contained a most affecting

account of the misery to which a poor and wretched family had been

reduced, by sickness and various other misfortunes.

Cecilia, “open as day to melting charity,” having hastily perused it,

took out her purse, and offering to him three guineas, said, “You must

direct me, sir, what to give if this is insufficient.”

“Hast thou so much heart?” cried he, with emotion, “and has fortune,

though it has cursed thee with the temptation of prosperity, not yet

rooted from thy mind its native benevolence? I return in part

thy liberal contribution; this,” taking one guinea, “doubles my

expectations; I will not, by making thy charity distress thee,

accelerate the fatal hour of hardness and degeneracy.”

He was then going; but Cecilia, following him, said “No, take it all!

Who should assist the poor if I will not? Rich, without connections;

powerful, without wants; upon whom have they any claim if not upon me?”

“True,” cried he, receiving the rest, “and wise as true. Give,

therefore, whilst yet thou hast the heart to give, and make, in thy days

of innocence and kindness, some interest with Heaven and the poor!”

And then he disappeared.

“Why, my dear,” cried Mrs Harrel, “what could induce you to give the man

so much money? Don't you see he is crazy? I dare say he would have been

just as well contented with sixpence.”

“I know not what he is,” said Cecilia, “but his manners are not more

singular than his sentiments are affecting; and if he is actuated by

charity to raise subscriptions for the indigent, he can surely apply to

no one who ought so readily to contribute as myself.”

Mr Harrel then came in, and his lady most eagerly told him the

transaction.

“Scandalous!” he exclaimed; “why, this is no better than being a

housebreaker! Pray give orders never to admit him again. Three guineas!

I never heard so impudent a thing in my life! Indeed, Miss Beverley, you

must be more discreet in future, you will else be ruined before you know

where you are.”

“Thus it is,” said Cecilia, half smiling, “that we can all lecture one

another! to-day you recommend economy to me; yesterday I with difficulty

forbore recommending it to you.”

“Nay,” answered he, “that was quite another matter; expence incurred in

the common way of a man's living is quite another thing to an extortion

of this sort.”

“It is another thing indeed,” said she, “but I know not that it is

therefore a better.”

Mr Harrel made no answer: and Cecilia, privately moralizing upon the

different estimates of expence and economy made by the dissipated and

the charitable, soon retired to her own apartment, determined firmly to

adhere to her lately adopted plan, and hoping, by the assistance of her

new and very singular monitor, to extend her practice of doing good, by

enlarging her knowledge of distress.

Objects are, however, never wanting for the exercise of benevolence;

report soon published her liberality, and those who wished to believe

it, failed not to enquire into its truth. She was soon at the head of a

little band of pensioners, and, never satisfied with the generosity of

her donations, found in a very short time that the common allowance of

her guardians was scarce adequate to the calls of her munificence.

And thus, in acts of goodness and charity, passed undisturbed another

week of the life of Cecilia: but when the fervour of self-approbation

lost its novelty, the pleasure with which her new plan was begun first

subsided into tranquillity, and then sunk into languor. To a heart

formed for friendship and affection the charms of solitude are very

short-lived; and though she had sickened of the turbulence of perpetual

company, she now wearied of passing all her time by herself, and sighed

for the comfort of society and the relief of communication. But she saw

with astonishment the difficulty with which this was to be obtained: the

endless succession of diversions, the continual rotation of assemblies,

the numerousness of splendid engagements, of which, while every one

complained, every one was proud to boast, so effectually impeded private

meetings and friendly intercourse, that, whichever way she turned

herself, all commerce seemed impracticable, but such as either led to

dissipation, or accidentally flowed from it.

Yet, finding the error into which her ardour of reformation had hurried

her, and that a rigid seclusion from company was productive of a

lassitude as little favourable to active virtue as dissipation itself,

she resolved to soften her plan, and by mingling amusement with

benevolence, to try, at least, to approach that golden mean, which, like

the philosopher's stone, always eludes our grasp, yet always invites our

wishes.

For this purpose she desired to attend Mrs Harrel to the next Opera that

should be represented.

The following Saturday, therefore, she accompanied that lady and Mrs

Mears to the Haymarket, escorted by Mr Arnott.

They were very late; the Opera was begun, and even in the lobby the

crowd was so great that their passage was obstructed. Here they were

presently accosted by Miss Larolles, who, running up to Cecilia and

taking her hand, said, “Lord, you can't conceive how glad I am to see

you! why, my dear creature, where have you hid yourself these twenty

ages? You are quite in luck in coming to-night, I assure you; it's

the best Opera we have had this season: there's such a monstrous crowd

there's no stirring. We shan't get in this half hour. The coffee-room is

quite full; only come and see; is it not delightful?”

This intimation was sufficient for Mrs Harrel, whose love of the Opera

was merely a love of company, fashion, and shew; and therefore to the

coffee-room she readily led the way.

And here Cecilia found rather the appearance of a brilliant assembly

of ladies and gentlemen, collected merely to see and to entertain

one another, than of distinct and casual parties, mixing solely from

necessity, and waiting only for room to enter a theatre.

The first person that addressed them was Captain Aresby, who, with his

usual delicate languishment, smiled upon Cecilia, and softly whispering,

“How divinely you look to-night!” proceeded to pay his compliments to

some other ladies.

“Do, pray, now,” cried Miss Larolles, “observe Mr Meadows! only just

see where he has fixed himself! in the very best place in the room, and

keeping the fire from every body! I do assure you that's always his way,

and it's monstrous provoking, for if one's ever so cold, he lollops so,

that one's quite starved. But you must know there's another thing he

does that is quite as bad, for if he gets a seat, he never offers

to move, if he sees one sinking with fatigue. And besides, if one is

waiting for one's carriage two hours together, he makes it a rule never

to stir a step to see for it. Only think how monstrous!”

“These are heavy complaints, indeed,” said Cecilia, looking at him

attentively; “I should have expected from his appearance a very

different account of his gallantry, for he seems dressed with more

studied elegance than anybody here.”

“O yes,” cried Miss Larolles, “he is the sweetest dresser in the world;

he has the most delightful taste you can conceive, nobody has half so

good a fancy. I assure you it's a great thing to be spoke to by him: we

are all of us quite angry when he won't take any notice of us.”

“Is your anger,” said Cecilia, laughing, “in honour of himself or of his

coat?”

“Why, Lord, don't you know all this time that he is an _ennuye_?

“I know, at least,” answered Cecilia, “that he would soon make one of

me.”

“O, but one is never affronted with an _ennuye_, if he is ever so

provoking, because one always knows what it means.”

“Is he agreeable?”

“Why, to tell you the truth,--but pray now, don't mention it,--I think

him most excessive disagreeable! He yawns in one's face every time

one looks at him. I assure you sometimes I expect to see him fall fast

asleep while I am talking to him, for he is so immensely absent he don't

hear one half that one says; only conceive how horrid!”

“But why, then, do you encourage him? why do you take any notice of

him?”

“O, every body does, I assure you, else I would not for the world; but

he is so courted you have no idea. However, of all things let me advise

you never to dance with him; I did once myself, and I declare I was

quite distressed to death the whole time, for he was taken with such

a fit of absence he knew nothing he was about, sometimes skipping and

jumping with all the violence in the world, just as if he only danced

for exercise, and sometimes standing quite still, or lolling against

the wainscoat and gaping, and taking no more notice of me than if he had

never seen me in his life!”

The Captain now, again advancing to Cecilia, said, “So you would not do

us the honour to try the masquerade at the Pantheon? however, I hear

you had a very brilliant spectacle at Mr Harrel's. I was quite _au

desespoir_ that I could not get there. I did _mon possible_, but it was

quite beyond me.”

“We should have been very happy,” said Mrs Harrel, “to have seen you; I

assure you we had some excellent masks.”

“So I have heard _partout_, and I am reduced to despair that I could not

have the honour of sliding in. But I was _accable_ with affairs all day.

Nothing could be so mortifying.”

Cecilia now, growing very impatient to hear the Opera, begged to know if

they might not make a trial to get into the pit?

“I fear,” said the Captain, smiling as they passed him, without offering

any assistance, “you will find it extreme petrifying; for my part, I

confess I am not upon the principle of crowding.”

The ladies, however, accompanied by Mr Arnott, made the attempt, and

soon found, according to the custom of report, that the difficulty, for

the pleasure of talking of it, had been considerably exaggerated. They

were separated, indeed, but their accommodation was tolerably good.

Cecilia was much vexed to find the first act of the Opera almost over;

but she was soon still more dissatisfied when she discovered that she

had no chance of hearing the little which remained: the place she had

happened to find vacant was next to a party of young ladies, who were

so earnestly engaged in their own discourse, that they listened not to a

note of the Opera, and so infinitely diverted with their own witticisms,

that their tittering and loquacity allowed no one in their vicinity

to hear better than themselves. Cecilia tried in vain to confine her

attention to the singers; she was distant from the stage, and to them

she was near, and her fruitless attempts all ended in chagrin and

impatience.

At length she resolved to make an effort for entertainment in another

way, and since the expectations which brought her to the Opera were

destroyed, to try by listening to her fair neighbours, whether those who

occasioned her disappointment could make her any amends.

For this purpose she turned to them wholly; yet was at first in no

little perplexity to understand what was going forward, since so

universal was the eagerness for talking, and so insurmountable the

antipathy to listening, that every one seemed to have her wishes bounded

by a continual utterance of words, without waiting for any answer, or

scarce even desiring to be heard.

But when, somewhat more used to their dialect and manner, she began

better to comprehend their discourse, wretchedly indeed did it supply

to her the loss of the Opera. She heard nothing but descriptions of

trimmings, and complaints of hair-dressers, hints of conquest that

teemed with vanity, and histories of engagements which were inflated

with exultation.

At the end of the act, by the crowding forward of the gentlemen to

see the dance, Mrs Harrel had an opportunity of making room for her by

herself, and she had then some reason to expect hearing the rest of the

Opera in peace, for the company before her, consisting entirely of young

men, seemed, even during the dance, fearful of speaking, lest their

attention should be drawn for a moment from the stage.

But to her infinite surprize, no sooner was the second act begun, than

their attention ended! they turned from the performers to each other,

and entered into a whispering but gay conversation, which, though not

loud enough to disturb the audience in general, kept in the ears of

their neighbours a buzzing which interrupted all pleasure from the

representation. Of this effect of their gaiety it seemed uncertain

whether they were conscious, but very evident that they were totally

careless.

The desperate resource which she had tried during the first act, of

seeking entertainment from the very conversation which prevented her

enjoying it, was not now even in her power: for these gentlemen, though

as negligent as the young ladies had been whom they disturbed, were much

more cautious whom they instructed: their language was ambiguous, and

their terms, to Cecilia, were unintelligible: their subjects,

indeed, required some discretion, being nothing less than a ludicrous

calculation of the age and duration of jointured widows, and of the

chances and expectations of unmarried young ladies.

But what more even than their talking provoked her, was finding that the

moment the act was over, when she cared not if their vociferation had

been incessant, one of them called out, “Come, be quiet, the dance is

begun;” and then they were again all silent attention!

In the third act, however, she was more fortunate; the gentlemen again

changed their places, and they were succeeded by others who came to the

Opera not to hear themselves but the performers: and as soon as she was

permitted to listen, the voice of Pacchierotti took from her all desire

to hear any thing but itself.

During the last dance she was discovered by Sir Robert Floyer, who,

sauntering down fop's alley, stationed himself by her side, and whenever

the _figurante_ relieved the principal dancers, turned his eyes from the

stage to her face, as better worth his notice, and equally destined for

his amusement.

Mr Monckton, too, who for some time had seen and watched her, now

approached; he had observed with much satisfaction that her whole mind

had been intent upon the performance, yet still the familiarity of Sir

Robert Floyer's admiration disturbed and perplexed him; he determined,

therefore, to make an effort to satisfy his doubts by examining into

his intentions: and, taking him apart, before the dance was quite over,

“Well,” he said, “who is so handsome here as Harrel's ward?”

“Yes,” answered he, calmly, “she is handsome, but I don't like her

expression.”

“No? why, what is the fault of it?”

“Proud, cursed proud. It is not the sort of woman I like. If one says a

civil thing to her, she only wishes one at the devil for one's pains.”

“O, you have tried her, then, have you? why, you are not, in general,

much given to say civil things.”

“Yes, you know, I said something of that sort to her once about Juliet,

at the rehearsal. Was not you by?”

“What, then, was that all? and did you imagine one compliment would do

your business with her?”

“O, hang it, who ever dreams of complimenting the women now? that's all

at an end.”

“You won't find she thinks so, though; for, as you well say, her pride

is insufferable, and I, who have long known her, can assure you it does

not diminish upon intimacy.”

“Perhaps not,--but there's very pretty picking in 3000 pounds per annum!

one would not think much of a little encumbrance upon such an estate.”

“Are you quite sure the estate is so considerable? Report is mightily

given to magnify.”

“O, I have pretty good intelligence: though, after all, I don't know but

I may be off; she'll take a confounded deal of time and trouble.”

Monckton, too much a man of interest and of the world to cherish

that delicacy which covets universal admiration for the object of

its fondness, then artfully enlarged upon the obstacles he already

apprehended, and insinuated such others as he believed would be

most likely to intimidate him. But his subtlety was lost upon the

impenetrable Baronet, who possessed that hard insensibility which

obstinately pursues its own course, deaf to what is said, and

indifferent to what is thought.

Meanwhile the ladies were now making way to the coffee-room, though very

slowly on account of the crowd; and just as they got near the lobby,

Cecilia perceived Mr Belfield, who, immediately making himself known

to her, was offering his service to hand her out of the pit, when Sir

Robert Floyer, not seeing or not heeding him, pressed forward, and said,

“Will you let me have the honour, Miss Beverley, of taking care of you?”

Cecilia, to whom he grew daily more disagreeable, coldly declined his

assistance, while she readily accepted that which had first been offered

her by Mr Belfield.

The haughty Baronet, extremely nettled, forced his way on, and rudely

stalking up to Mr Belfield, motioned with his hand for room to pass him,

and said, “Make way, sir!”

“Make way for _me_, Sir!” cried Belfield, opposing him with one hand,

while with the other he held Cecilia.

“You, Sir? and who are you, Sir?” demanded the Baronet, disdainfully.

“Of that, Sir, I shall give you an account whenever you please,”

answered Belfield, with equal scorn.

“What the devil do you mean, Sir?”

“Nothing very difficult to be understood,” replied Belfield, and

attempted to draw on Cecilia, who, much alarmed, was shrinking back.

Sir Robert then, swelling with rage, reproachfully turned to her,

and said, “Will you suffer such an impertinent fellow as that, Miss

Beverley, to have the honour of taking your hand?”

Cecilia; Or, Memoirs of an Heiress — Volume 1 · 第 10 / 25 段