“The eighteenth,” droned the _jungfru_, “was but fifteen when he

declared he was going to America because he couldn’t put up with so

many relatives.

“And number nineteen and twenty, they were only fourteen and thirteen

when I last saw them.”

At that moment Fru Lagerlöf came in with her knitting, Anna appeared

with the lamp, and Mamselle Lovisa awoke.

“Thanks, thanks, dear Jungfru Anna,” said Fru Lagerlöf. “We shall never

forget this. It has been so very instructive to me and my children.”

VI

THE BRIDAL-CROWN

MAMSELLE LOVISA LAGERLÖF used to dress the brides. Not all the girls in

the parish who married came to her to be decked, only the daughters of

the best peasant families. Some years there were two or three brides,

and some none at all.

Formerly, when Mårbacka was a parsonage, it had been the duty of the

pastor’s womenfolk to deck the brides, especially those who were to be

married in the church.

Mamselle Lovisa’s mother and maternal grandmother and great-grandmother

before her had performed this same service. It was an old custom which

had been handed down.

She had inherited all the old bridal trumpery which in the course of

time had accumulated at Mårbacka. She had a large old cupboard, in a

drawer of which were treasured long strings of glass, coral, and amber

beads, a collection of tortoise-shell combs that stood up eight inches

from the head, and half-round pasteboard forms, covered either with

stiff white satin or hand-painted flowers, in use at the period when

coifs were worn. She had also a high pasteboard bridal-crown, the

points of which were covered partly with gilt paper and partly with

pink-and-green taffeta. There were wreaths of artificial roses and

yards on yards of green satin ribbon sewn with flowers of pink satin.

In the same drawer there were Jenny-Lind-ringlets, to be fastened on so

as to fall against the face, hair pins with dangle-buttons, long

ear-pendants of imitation pearls, an assortment of brass brooches,

bracelets, and shoe buckles set with glass rubies, amethysts, and

sapphires.

In the days when these things were in vogue it was a responsible and

laborious task to deck a bride. For days before the wedding the bride

dresser had to sit sewing flowered satin bands round the skirt and

sleeves of the wedding dress. Sometimes the crown had to have fresh

gilt paper and there were paper flowers to be made, and all the brass

things had to be polished till they shone like gold.

Though all the gewgaws were shoddy stuff, a peasant-bride with a high

crown and a broad flower wreath on her head, with strand on strand of

multi-colored beads hanging down from her neck, with flowered satin

sash round her waist, with a band of gay ribbon bordering her skirt,

with bangled wrists and buckled shoes, must have been the most dazzling

sight one could behold.

And it was also the most becoming array for a tall, bright-eyed,

rosy-cheeked peasant lass, whose figure had been developed by hard toil

and whose skin was tanned by sun and wind. Thus arrayed, she carried

herself with dignity and pride, as if for a space she were exalted

above her kind. To the bridegroom on the wedding day she looked a

queen, a veritable goddess of riches. She was the most gorgeous flower

in all the meadow, and to his eyes she glittered like a jewelled casket.

When Mamselle Lovisa dressed brides the old frippery was no longer in

use. Now it had to be a natty little crown of myrtle, a thin wreath,

also of myrtle, and a long white veil. Sometimes she would put a band

of red satin ribbon round the waist of a plain black dress, and lend

her brides her own gold brooch, gold bracelets, and watch and chain, to

relieve at least a little the severity of the attire.

She must indeed have sighed for the olden times, and felt that

something was lost by being so sparing with colours and ornaments, by

concealing the rugged, and sometimes rather coarse, features of the

peasant brides behind a sheer, white veil. That mode suited better the

pale delicate city maiden, who wished to appear before the bridegroom

as something ethereal and dreamlike. She conceded that this, too, was a

pretty fashion; but certainly the peasant brides would have looked much

better in the old, characteristic array.

Besides, it was difficult to procure fresh myrtle for the wreath and

crown. Mamselle Lovisa tried to raise a little myrtle herself, but

somehow it never seemed to grow for her, and the brides rarely had any

to help out with.

Once Mamselle Lovisa got into trouble. A middle-aged woman, one Kaisa

Nilsdotter, came and asked her if she would not dress her as bride. The

woman was of the poorer peasant class, while the prospective husband

was a schoolmaster. She felt that since she was making such an

advantageous marriage no less a person than Mamselle Lagerlöf should

deck her. And Mamselle Lovisa was quite willing. All she asked was that

the bride should help her find the myrtle.

“I am nearly out of myrtle,” she said, “and do not know where to

procure any.”

The woman agreed to furnish the myrtle for both crown and wreath. The

day before the wedding she sent a few twigs with leaves so blackened

and damaged they could hardly be used for a bridal-crown.

Here was a dilemma! Mamselle Lovisa stripped her own myrtles of every

bit of green; but this did not go very far. The maids ran over to see

what they could find on the neighbouring farms, and came back with only

a few poor sprigs. All the myrtle seemed to be sick that year; the

leaves were black, and dropped off if one but touched them.

It would never do to bind any green but myrtle into a bridal-crown.

Nice, fresh whortleberry is very like myrtle; but to wear a

bridal-crown of whortleberry green would be a terrible disgrace. The

bride might actually think she was not properly married.

Mamselle Lovisa laid the miserable little twigs in water to freshen

them a bit, and worked far into the night on the wreath and crown. It

looked a hopeless task, but she made the best of it. In the morning she

quietly slipped out to the woods, but returned as she had gone--empty

handed. Passing through the kitchen to her room she averred that never

had she had such difficulty trying to bind a pretty bridal-crown. The

maids felt sorry for her, and offered to run to still other cottages to

beg myrtle.

“No, thank you,” she said, “it’s too late now. The bride and groom may

be here at any moment.”

She went into her room and stuck a few more leaves into the crown and

wreath where they were the barest, then showed her work to the

housekeeper and the maids.

“How in the world did you do it, Mamselle Lovisa!” one exclaimed. “Why,

that wreath and crown are just as pretty as those you usually make,

though ’twas mostly bare sprigs and black leaves you had.”

Mamselle Lovisa then explained that she had freshened the leaves in

water, it was only smoke and dust that had blackened them.

Shortly afterwards the bridal pair arrived. The bride was decked in

Mamselle Lovisa’s room. Though no longer young, the woman had a good

and pleasing appearance. When she was all ready Mamselle Lovisa

conducted her into the parlour, that she might view herself in the

large mirror. And she was delighted.

“I never would have thought I could look that well!” she said. Then

she took out a bottle of cologne and a pretty box--gifts from the

groom. The box was filled with small candies, loaf-sugar, raisins, and

lozenges. These she passed round--first to Mamselle Lovisa, then to the

others. All had to dab themselves with a few drops of the cologne and

take a piece of candy or a raisin from the box. She looked more pleased

and happy than the young brides usually did, and every one complimented

her on her appearance.

In a few moments she and the bridegroom drove off to the parsonage to

be married, and from there to the bride’s home, to celebrate.

For a time Kaisa Nilsdotter was very happy in her married life.

Although her husband was much older than she, her respect for his

learning was so great that she took special pride in ministering to his

comfort and in making him a pleasant home. Then a rumour got afloat. It

must have been started by some person at Mårbacka; but who the author

was none could say. At all events, it travelled round the whole parish.

At last some kind friend no doubt whispered it into the ear of Kaisa

Nilsdotter.

“Mamselle Lovisa Lagerlöf bound your bridal-crown with whortleberry

green.”

At first she would not believe it. Such a thing was beyond credence.

But after a while she began to think back. Her bridal-crown had been as

pretty as anyone else’s. It had looked so fresh and green on her head.

She remembered how proud she had been because a fine Mamselle had put

it on her. But was the crown not much too green? The spring she

was married the myrtle had all been poor, she remembered, for she had

tried in vain to find some green sprays. Maybe Mamselle Lovisa had

thought it was not necessary to be so very particular with one who came

of such humble folk? She would never have dared offer a crown of

whortleberry to the daughter of a squire.

She brooded over this and talked with her husband about it. She

wondered whether they were really married, in case it was true that her

crown had been of whortleberry green.

The husband tried to reason with her, but she wept and was utterly

wretched, thinking herself disgraced and humiliated. Mamselle Lovisa

had thought she was not fine enough to be dressed by her, so she had

made her a crown of whortleberry, and now she and all the parish were

laughing at her. Her husband finally advised her to go to Mårbacka and

ask Mamselle Lovisa herself about it.

She chanced to come at a most inopportune time. There was a grand party

that day at Mårbacka, and when she stepped into the kitchen the maids

were too busy to give her more than a short how-do-you-do. She asked

for Mamselle Lovisa, who was inside with her guests, and they would not

call her out. She would have to excuse them, too, for there was such a

lot of company to serve. But, if she liked, she might step into

Mamselle Lovisa’s room, and wait there for her; which she did.

It was here the crown had been placed on her head. She remembered how

happy she was that day, and now it was hard to believe there had been

any deception.

Presently two maids passed through the room, each carrying a tray of

filled wine glasses. They left the door ajar so that she could see into

the dining room and parlour, which were full of people. It was indeed a

big party, she thought. In there were not only the gentry of Ämtervik,

but the Dean’s and the Doctor’s folk from Sunne and Pastor Hammargren

of Karlstad--the husband of Mamselle Lovisa’s sister. Feeling rather

embarrassed, she went to shut the door, when she caught a few words

that made her stop and listen.

Lieutenant Lagerlöf, with wine glass in hand, stood in the middle of

the floor announcing the betrothal of his sister Lovisa to Pastor

Milén, the clergyman at Ämtervik.

Then there was much toasting and congratulating. Everyone looked happy

and pleased, which was not surprising. Mamselle Lovisa was a woman of

forty, and her relatives had hardly expected that she would marry.

Pastor Milén was a widower with four small children who needed a

mother’s care. It was all so right and fitting.

Kaisa Nilsdotter had heard that when Mamselle Lovisa was young she

would not marry because she had not the heart to leave her parents. But

now that they were dead she wanted a home of her own. She had also

heard that Mamselle Lovisa did not care to go far from Mårbacka, and,

happily, the parsonage was but five minutes’ walk from there.

It sort of cut into Kaisa Nilsdotter that everything should go so well

for Mamselle Lovisa--she who had made a whortleberry crown for her.

Stepping back from the doorway, she saw the old housekeeper, who had

come in to hear the betrothal announcement, standing just behind her.

Kaisa Nilsdotter laid a heavy hand on the housekeeper’s shoulder.

“I came here to find out whether Mamselle Lovisa made my bridal-crown

of whortleberry green,” she said. “But maybe ’twouldn’t do to ask her

about it on a day like this?”

The housekeeper was rather startled, but she was not one to be easily

thrown off her guard.

“How can you say anything so idiotic, Kaisa!” she flouted. “Everyone in

the house knows what a lot of bother Mamselle Lovisa had with your

bridal-crown. We all ran about to every cottage around here, and begged

the myrtle.”

Kaisa stared at her as if searching her very soul to get at the truth.

“But the whole parish says so,” she declared.

The old housekeeper, whose sole thought was to pacify the woman and get

her out of the house, lest she disturb Mamselle Lovisa on this of all

days, said:

“But I tell you, Kaisa, that as sure as Mamselle Lovisa’s own

bridal-crown will be of myrtle was yours of myrtle, and of nothing

else.”

“I’ll bear those words in mind,” said Kaisa. “And when I see what

Mamselle Lovisa’s bridal-crown is bound with, then I’ll know how it was

with mine.”

“You can rest easy as to that,” the housekeeper assured her.

The two then went into the kitchen, and Kaisa, looking quite calm now,

put out her hand in farewell.

“I may as well be going,” she said. “Anyhow, I don’t suppose I could

see Mamselle Lovisa to-day to speak to.”

With that she was off. The housekeeper went back to her work, and, in

the rush and excitement, forgot about the woman. It was not till a day

or two afterward that she told Mamselle Lovisa what Kaisa Nilsdotter

had said and what she herself had replied.

Mamselle Lovisa went white as a sheet.

“Oh, Maja!” she cried, “how could you say that! It would have been

better to tell her that I put a few little sprays of whortleberry green

in her crown.”

“I had to ease her mind to get her to go,” the housekeeper explained.

“And so you said my crown would be of myrtle as surely as hers was. Now

you’ll see, Maja, there will be no bridal-crown for me!”

“Oh, you’ll be married right enough, Mamselle Lovisa. Pastor Milén is

not the man to jilt you.”

“Who knows? Something else might come up to prevent it.”

Mamselle Lovisa worried over this a few days, and then let it pass out

of mind. She had other things to think of. In six months the wedding

was to take place, and she must begin at once on the household linens

and the trousseau.

She set up looms, sewed, and worked monograms. She finally went to

Karlstad to shop, and returned with the fabric for a wedding dress and

a little wire frame of a crown, to be bound with myrtle. She did not

wish to use the old frame worn by so many brides, but wanted a

bridal-crown of her own.

But these purchases had no sooner been made than the unexpected

happened. Pastor Milén became ill and was confined to his bed a long

time. When he recovered sufficiently to be up and about he seemed

strangely changed. People noticed that he did not care to talk with his

betrothed, and never went the short distance to Mårbacka to see her.

When summer came he went away to a health resort. During his long

absence he never once wrote to Mamselle Lovisa. It was a time of

anxiety and distress for her. She inferred from his silence that he

wished to break with her, and sent him back his ring. The day this

happened she said to the old housekeeper:

“Now you see, Maja, that my bridal-crown will not be bound with myrtle,

either.”

* * * * *

One day, many years later, one of the young daughters of Lieutenant

Lagerlöf asked her Aunt Lovisa to lend her some of the old peasant

bridal things to dress up in. Mamselle Lovisa gave her the key to the

cupboard where the old treasures were kept and which had long since

been removed to the storeroom upstairs.

The young girl unlocked the cupboard and pulled out a drawer. She gazed

at the contents in astonishment. Before her lay not the usual gaudy

trumpery, but only a parcel of tulle, some coloured satin fabric, and a

little wire form of a bridal-crown. She saw at once that she had opened

the wrong drawer, the bridal things were in the next one. Just the

same, she stood a moment looking into the drawer. It wrung her heart to

think that poor, unhappy Aunt Lovisa had never come to use the things

lying there. She knew that for years her aunt had grieved in silence,

and would not be comforted. Then something came back to memory. One day

during the saddest period of her aunt’s unhappiness she had gone into

her room and had found her sitting before a heap of whortleberry green,

a little wire crown in her hand. Her aunt had cut off a few sprays and

was binding them round the crown, when Fru Lagerlöf came in.

“Why, Lovisa, whatever are you doing?” she had asked with a frightened

look on her face.

“I was thinking,” Mamselle Lovisa had said, dreamily, “that if I would

be content with a crown of whortle---- But that’s stupid!”

Then she had quickly jumped up, brushed aside the crown and the leaves,

and cried out: “I know it’s all ended.” Then pacing the floor and

wringing her hands the while, she had moaned: “There’s no help for it

now.”

“But, my dear Lovisa, it was only on account of his illness,” Fru

Lagerlöf had answered.

Mamselle Lovisa had continued to pace up and down, up and down, in

anguish and despair.

“If only I hadn’t put whortleberry in Kaisa Nilsdotter’s bridal-crown!”

she had wailed.

“Come, come, Lovisa, you mustn’t think that.” Just then Fru Lagerlöf

had caught sight of the child standing there, wide-eyed.

“Go into the other room, Selma,” she had said. “Aunt Lovisa has a

sorrow, and you children must not come here and disturb her.”

VII

“VACKERFELDT”[1]

[1] Vacker is the Swedish for pretty or handsome.

THE tinkle of a silver bell is heard from the road. Colour-Sergeant

Karl von Wachenfeldt comes driving....

Colour-Sergeant Karl von Wachenfeldt--was it not he who once on a time

was proclaimed the handsomest man in Värmland, if not in all Sweden?

Was it not he who was the idol of the Stockholm ladies the winter

season of 1820, when he visited the Capital to take some sort of

examination in land surveying? Was it not he who made up sleighing

parties and led cotillions with a dash that put all the _beaux

cavaliers_ of the _haute monde_ into the shade? Was it not he who

danced so divinely and conversed so enchantingly that his fine

relatives, who at first would not recognize the poor Värmland

under-officer, finally sent him letters of invitation, couched in the

humblest terms, because the young ladies could have no pleasure at a

ball not graced by his presence?

And was it not he who had such astounding luck at the gaming-table it

enabled him to live that winter in Stockholm like a Lieutenant of the

Guard? Was it not he, by the way, who hobnobbed with counts and barons,

and outshone them in gallantry and elegance? Was it not he who at a

private theatrical in the home of Admiral Wachtmeister played the

leading lover and sang his couplets so passionately that the next

morning he found a score of love letters in his post-box? Was not he

the first to drive through the streets of Stockholm with harness and

trappings adorned with chimes of silver bells? Was it not he who

was known to all Stockholm, so that wherever he appeared, whether

at the Royal Gardens or the Blue Gate, at the Opera or among the

moving throngs in the street, it was whispered: “Look! here comes

_Vackerfeldt._ Oh--oh, see! Here comes _Vackerfeldt!_”

Was it not he who, after his one and only memorable winter in

Stockholm, duplicated his triumphs at Karlstad and wherever else he

chanced to be? Was it not he who, with Sergeant Sellblad as companion

and Drummer Tyberg as valet, went down to Göteborg, where he passed

himself off as a Finnish baron, and for a whole fortnight spoke with a

Finnish accent, while running a gaming-house for the benefit of wealthy

merchants’ gay young sons? Was not he the only under-officer that had

ever got to dance with the haughty Countess of Apertin? And was it not

he who became so enamoured of the beautiful Mamselle Widerström, when

she sang in _La Preciosa_ at the Karlstad theatre, that he abducted her

and would have got over into Norway with her, had not her manager

happily overtaken them at Arvika? And, finally, was it not he who came

to Captain Wästfelt at Angersby as Adjutant something or other, and put

life into the young folk in Fryksdalen? Were ever such grand fair

balls, such merry Christmas feasts, such jolly crayfish parties, and

such delightful wanderings to picturesque places of interest! The

romantic wife of the Captain who lay on a couch all day reading novels,

did she not find in him the embodiment of her heroes of romance! And

her young daughters, were not their first love dreams of him?

On the neighbouring place, Mårbacka, where there was a houseful of

pretty daughters--what happened there? Could they resist a _beau

cavalier_ who manipulated the curling-tongs as skilfully as he did the

guitar, and had the nimbus of Amor shining above his fair, curled hair?

* * * * *

Colour-Sergeant von Wachenfeldt comes driving down the rocky road,

while the lone silver bell tinkles feebly and almost mournfully. In the

days of his power and glory the sixty silver bells which hung from the

harness and trappings jingled right merrily. They had, so to speak,

rung in his triumphs, had heralded the coming of a conqueror. But now

when there is only one solitary bell, it seems merely to announce the

approach of a man whose day of fortune and happiness is over.

The Colour-Sergeant rides behind his old horse, Kalle, which is so

noticeably small that everyone he meets in the road turns to look after

it. But, on the other hand, no one turns to look at the horse’s owner.

Driving past Gunnarsby Inn, he sees two young girls standing at the

well. He salutes them with a flourish of his whip, and from force of

habit gives them one of his most seductive smiles, but receives in

return an indifferent glance. The girls do not drop the well bucket in

wonder, or stand rapt with cheeks aglow, to gaze after him.

Colour-Sergeant von Wachenfeldt gives his horse a lash of the whip. He

is no fool. He knows that his hair is gray and his face full of

wrinkles, that his moustache is thin and faded, that one eye is filmed

with a gray cataract, while the other, having been operated upon, is

distorted by a magnifying monocle. He knows that he is old and nothing

to look at now; yet he feels that people should not entirely forget

what he once was. True, he has no better home nowadays than two hired

rooms at a farmhouse in Stor Kil Parish. His only possessions are a

horse, a carriole, a sleigh, and a few pieces of furniture, and his

only subordinate is a crotchety old serving woman. For all that, he

thinks it should not be completely forgotten that once he was

_Vackerfeldt_, the celebrated _Vackerfeldt._

He sits there in a mangy old fur coat and a still shabbier seal-skin

cap. He wears thick lynx mittens to protect his gouty hands, but

the distorted joints are noticeable even through the thick mittens.

Nevertheless it is he, Wachenfeldt--he who has held so many beautiful

women in his arms! The memory of that none can take from him. Who else

in these parts has lived such a life and been so adored?

Pressing his lips together he tells himself he has nothing to regret.

If he could live his life over again he would have it the same. All

that youth and health and good looks can give a man he has

enjoyed--love and adventure in fullest measure.

One thing perhaps Colour-Sergeant von Wachenfeldt wishes he had left

undone. He should not have married Anna Lagerlöf, the noblest woman he

had ever known. He had loved her madly, but he never should have

espoused her.

Was it fitting that a _Vackerfeldt_ should settle down to the prudent

management of a farm and not try to harvest gold in some easier and

pleasanter way? If his wife was adorable, must he needs think her the

only adorable one? Could he change his nature by marrying? Was it not

through his success as gambler and lover he had won his fame?

Yes, he regrets his marriage. His wife was not suited to him, but he

concedes that she was too good for him. She had wanted orderliness,

industry, tranquillity, and comfort, and had worn herself out trying to

make a home for them, such as she had had at Mårbacka.

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