CHAPTER XII

The sun had already deserted the eastern side of the villa when, on the

morning following these events, Lucy woke from a fitful sleep to find

Benson standing beside her. Benson had slept in her room since the dawn;

and, thanks to exhaustion and the natural powers of youth, Lucy came back

to consciousness, weak but refreshed, almost free from fever and in full

possession of herself. Nevertheless, as she raised herself in bed to drink

the tea that Benson offered her--as she caught a glimpse through the open

window of the convent-crowned summit and wooded breast of Monte Cavo,

flooded with a broad white sunlight--she had that strange sense of change,

of a yesterday irrevocably parted from to-day, that marks the entry into

another room of life. The young soul at such times trembles before a

power unknown, yet tyrannously felt. All in a moment without our knowledge

or co-operation something has happened. Life will never be again as it

was last week. 'How?--or why?' the soul cries. 'I knew nothing--willed

nothing.' And then dimly, through the dark of its own tumult, the veiled

Destiny appears.

Benson was not at all anxious that Lucy should throw off the invalid.

'And indeed, Miss, if I may say so, you'll be least in the way where you

are. They're expecting the doctor from Rome directly.'

The maid looked at her curiously. All that the household knew was that

Miss Alice Manisty had escaped from her room in the night, after pinioning

Dalgetty's arms and throwing a chloroformed handkerchief over her face.

Miss Foster, it seemed, had been aroused and alarmed, and Mr. Manisty

coming to the rescue had overpowered his sister by the help of the stout

_cameriera_, Andreina. This was all that was certainly known.

Nor did Lucy shew herself communicative. As the maid threw back all the

shutters and looped the curtains, the girl watched the summer light conquer

the room with a shiver of reminiscence.

'And Mrs. Burgoyne?' she asked eagerly.

The maid hesitated.

'She's up long ago, Miss. But she looks that ill, it's a pity to see her.

She and Mr. Manisty had their coffee together an hour ago--and she's been

helping him with the arrangements. I am sure it'll be a blessing when the

poor lady's put away. It would soon kill all the rest of you.'

'Will she go to-day, Benson?' said Lucy, in a low voice.

The maid replied that she believed that was Mr. Manisty's decision, that

he had been ordering a carriage, and that it was supposed two nurses were

coming with the doctor. Then she enquired whether she might carry good news

of Lucy to Miss Manisty and the master.

Lucy hurriedly begged they might be told that she was quite well, and

nobody was to take the smallest trouble about her any more. Benson threw a

sceptical look at the girl's blanched cheek, shook her head a little, and

departed.

A few minutes afterwards there was a light tap at the door and Eleanor

Burgoyne entered.

'You have slept?--you are better,' she said, standing at Lucy's bedside.

'I am only ashamed you should give me a thought,' the girl protested. 'I

should be up now but for Benson. She said I should be out of the way.'

'Yes,' said Eleanor quietly. 'That is so.' She hesitated a moment, and then

resumed--'If you should hear anything disagreeable don't be alarmed. There

will be a doctor and nurses. But she is quite quiet this morning--quite

broken--poor soul! My cousins are going into Rome with her. The home where

she will be placed is on Monte Mario. Edward wishes to assure himself that

it is all suitable and well managed. And Aunt Pattie will go with him.'

Through the girl's mind flashed the thought--'Then _we_ shall be

alone together all day,'--and her heart sank. She dared not look into

Mrs. Burgoyne's tired eyes. The memory of words spoken to her in the

darkness--of that expression she had surprised on Mrs. Burgoyne's face as

she woke from her swoon in the library, suddenly renewed the nightmare in

which she had been living. Once more she felt herself walking among snares

and shadows, with a trembling pulse.

Yet the feeling which rose to sight was nothing more than a stronger form

of that remorseful tenderness which had been slowly invading her during

many days. She took Eleanor's hand in hers and kissed it shyly.

'Then _I_ shall look after _you_,' she said trying to smile. 'I'll have my

way this time!'

'Wasn't that a carriage?' said Eleanor hurriedly. She listened a moment.

Yes--a carriage had drawn up. She hastened away.

Lucy, left alone, could hear the passage of feet through the glass passage,

and the sound of strange voices, representing apparently two men, and

neither of them Mr. Manisty.

She took a book from her table and tried not to listen. But she could not

distract her mind from the whole scene which she imagined must be going

on,--the consultation of the doctors, the attitude of the brother.

How had Mr. Manisty dealt with his sister the night before? What weapon

was in Alice Manisty's hand? Lucy remembered no more after that moment at

the door, when Manisty had rushed to her relief, bidding her go to Mrs.

Burgoyne. He himself had not been hurt, or Mrs. Burgoyne would have told

her. Ah!--he had surely been kind, though strong. Her eyes filled. She

thought of the new light in which he had appeared to her during these

terrible days with his sister; the curb put on his irritable, exacting

temper; his care of Alice, his chivalry towards herself. In another man

such conduct would have been a matter of course. In Manisty it touched and

captured, because it could not have been reckoned on. She had done him

injustice, and--unknowing--he had revenged himself.

The first carriage apparently drove away; and after an interval another

replaced it. Nearly an hour passed:--then sudden sounds of trampling feet

and opening doors broke the silence which had settled over the villa.

Voices and steps approached, entered the glass passage. Lucy sprang up.

Benson had flung the window looking on the balcony and the passage open,

but had fastened across it the outside sun-shutters. Lucy, securely hidden

herself, could see freely through the wooden strips of the shutter.

Ah!--sad procession! Manisty came first through the passage, the sides

of which were open to the balcony. His sister was on his arm, veiled and

in black. She moved feebly, sometimes hesitating and pausing, and Lucy

distinguished the wild eyes, glancing from side to side. But Manisty bent

his fine head to her; his left hand secured hers upon his arm; he spoke

to her gently and cheerfully. Behind walked Aunt Pattie, very small and

nervously pale, followed by a nurse. Then two men--Lucy recognised one as

the Marinata doctor--and another nurse; then Alfredo, with luggage.

They passed rapidly out of her sight. But the front door was immediately

below the balcony, and her ear could more or less follow the departure. And

there was Mrs. Burgoyne, leaning over the balcony. Mr. Manisty spoke to her

from below. Lucy fancied she caught her own name, and drew back indignant

with herself for listening.

Then a sound of wheels--the opening of the iron gate--the driving up of

another carriage--some shouting between Alfredo and Andreina--and it was

all over. The villa was at peace again.

Lucy drew herself to her full height, in a fierce rigidity of

self-contempt. What was she still listening for--still hungering for? What

seemed to have gone suddenly out of heaven and earth, with the cessation of

one voice?

She fell on her knees beside her bed. It was natural to her to pray, to

throw herself on a sustaining and strengthening power. Such prayer in such

a nature is not the specific asking of a definite boon. It is rather a

wordless aspiration towards a Will not our own--a passionate longing, in

the old phrase, to be 'right with God,' whatever happens, and through all

the storms of personal impulse.

* * * * *

An hour later Lucy entered the salon just as Alfredo, coming up behind her,

announced that the midday breakfast was ready. Mrs. Burgoyne was sitting

near the western window with her sketching things about her. Some western

clouds had come up from the sea to veil the scorching heat with which the

day had opened. Eleanor had thrown the sun-shutters hack, and was finishing

and correcting one of the Nemi sketches she had made during the winter.

She rose at sight of Lucy.

'Such a relief to throw oneself into a bit of drawing!' She looked down at

her work. 'What hobby do you fly to?'

'I mend the house-linen, and I tie down the jam,' said Lucy, laughing. 'You

have heard me play--so you know I don't do that well! And I can't draw a

hay-stack.'

'You play very well,' said Eleanor embarrassed, as they moved towards the

dining-room.

'Just well enough to send Uncle Ben to sleep when he's tired! I learnt it

for that. Will you play to me afterwards?'

'With pleasure,' said Eleanor, a little formally.

How long the luncheon seemed! Eleanor, a white shadow in her black

transparent dress, toyed with her food, eat nothing, and complained of the

waits between the courses.

Lucy reminded her that there were fifty steps between the kitchen and their

apartment. Eleanor did not seem to hear her; she had apparently forgotten

her own remark, and was staring absently before her. When she spoke next

it was about London, and the June season. She had promised to take a young

cousin, just 'come out,' to some balls. Her talk about her plans was

careless and languid, but it showed the woman naturally at home in the

fashionable world, with connections in half the great families, and access

to all doors. The effect of it was to make Lucy shrink into herself. Mrs.

Burgoyne had spoken formerly of their meeting in London. She said nothing

of it to-day, and Lucy felt that she could never venture to remind her.

From Eleanor's disjointed talk, also, there flowed another subtle

impression. Lucy realised what kinship means to the English wealthy and

well-born class--what a freemasonry it establishes, what opportunities it

confers. The Manistys and Eleanor Burgoyne were part of a great clan with

innumerable memories and traditions. They said nothing of them; they merely

took them for granted with all that they implied, the social position, the

'consideration,' the effect on others.

The American girl is not easily overawed. The smallest touch of English

assumption in her new acquaintances would have been enough, six weeks

before, to make Lucy Foster open her dark eyes in astonishment or contempt.

That is not the way in which women of her type understand life.

But to-day the frank forces of the girl's nature felt themselves harassed

and crippled. She sat with downcast eyes, constrainedly listening and

sometimes replying. No--it was very true. Mr. Manisty was not of her world.

He had relations, friendships, affairs, infinitely remote from hers--none

of which could mean anything to her. Whereas his cousin's links with

him were the natural inevitable links of blood and class. He might be

unsatisfactory or uncivil; but she had innumerable ways of recovering him,

not to be understood even, by those outside.

When the two women returned to the salon, a kind of moral distance had

established itself between them. Lucy was silent; Eleanor restless.

Alfredo brought the coffee. Mrs. Burgoyne looked at her watch as he

retired.

'Half past one,' she said in a reflective voice. 'By now they have made all

arrangements.'

'They will be back by tea-time?'

'Hardly,--but before dinner. Poor Aunt Pattie! She will be half dead.'

'Was she disturbed last night?' asked Lucy in a low voice.

'Just at the end. Mercifully she heard nothing till Alice was safe in her

room.'

Then Eleanor's eyes dwelt broodingly on Lucy. She had never yet questioned

the girl as to her experiences. Now she said with a certain abruptness--

'I suppose she forced your door?'

'I suppose so.--But I was asleep.'

'Were you terribly frightened when you found her there?'

As she spoke Eleanor said to herself that in all probability Lucy knew

nothing of Manisty's discovery of the weapon in Alice's hand. While she was

helping the girl to bed, Lucy, in her dazed and shivering submission, was

true to her natural soberness and reserve. Instead of exaggerating, she had

minimised what had happened. Miss Alice Manisty had come to her room,--had

behaved strangely,--and Lucy, running to summon assistance, had roused Mr.

Manisty in the library. No doubt she might have managed better, both then

and in the afternoon. And so, with a resolute repression of all excited

talk, she had turned her blanched face from the light, and set herself to

go to sleep, as the only means of inducing Mrs. Burgoyne also to leave her

and rest.

Eleanor's present question, however, set the girl's self-control

fluttering, so sharply did it recall the horror of the night. She curbed

herself visibly before replying.

'Yes,--I was frightened. But I don't think she could have hurt me. I should

have been stronger when it came to the point.'

'Thank God Edward was there!' cried Eleanor.

'Where did he come to you?'

'At the dining-room door. I could not have held it much longer. Then he

told me to go to you. And I tried to. But I only just managed to get to

that chair in the library.'

'Mr. Manisty found you quite unconscious.'

A sudden red dyed Lucy's cheek.

'Mr. Manisty!--was he there? I hoped he knew nothing about it. I only saw

you.'

Eleanor's thought drew certain inferences. But they gave her little

comfort. She turned away abruptly, complaining of the heat, and went to the

piano.

Lucy sat listening, with a book on her knee. Everything seemed to have

grown strangely unreal in this hot silence of the villa--the high room

with its painted walls--the marvellous prospect outside, just visible in

sections through the half-closed shutters--herself and her companion. Mrs.

Burgoyne played snatches of Brahms and Chopin; but her fingers stumbled

more than usual. Her attention seemed to wander.

Inevitably the girl's memory went back to the wild things which Alice

Manisty had said to her. In vain she rebuked herself. The fancies of a

mad-woman were best forgotten,--so common-sense told her. But over the

unrest of her own heart, over the electrical tension and dumb hostility

that had somehow arisen between her and Eleanor Burgoyne, common-sense

had small power. She could only say to herself with growing steadiness of

purpose that it would be best for her not to go to Vallombrosa, but to make

arrangements as soon as possible to join the Porters' friends at Florence,

and go on with them to Switzerland.

To distract herself, she presently drew towards her the open portfolio of

Eleanor's sketches, which was lying on the table. Most of them she had seen

before, and Mrs. Burgoyne had often bade her turn them over as she pleased.

She looked at them, now listlessly, now with sudden stirs of feeling. Here

was the niched wall of the Nemi temple; the arched recesses overgrown with

ilex and fig and bramble; in front the strawberry pickers stooping to

their work. Here, an impressionist study of the lake at evening, with the

wooded height of Genzano breaking the sunset; here a sketch from memory of

Aristodemo teasing the girls. Below this drawing, lay another drawing of

figures. Lucy drew it out, and looked at it in bewilderment.

At the foot of it was written--'The Slayer and the Slain.' Her thoughts

rushed back to her first evening at the villa--to the legend of the priest.

The sketch indeed contained two figures--one erect and triumphant, the

other crouching on the ground. The prostrate figure was wrapped in a cloak

which was drawn over the head and face. The young victor, sword in hand,

stood above his conquered enemy.

Or--Was it a man?

Lucy looked closer, her cold hand shaking on the paper. The vague classical

dress told nothing. But the face--whose was it?--and the long black hair?

She raised her eyes towards an old mirror on the wall in front, then

dropped them to the drawing again, in a sudden horror of recognition. And

the piteous figure on the ground, with the delicate woman's hand?--Lucy

caught her breath. It was as though the blow at her heart, which Manisty

had averted the night before, had fallen.

Then she became aware that Eleanor had turned round upon her seat at the

piano, and was watching her.

'I was looking at this strange drawing,' she said. Her face had turned a

sudden crimson. She pushed the drawing from her and tried to smile.

Eleanor rose and came towards her.

'I thought you would see it,' she said. 'I wished you to see it.'

Her voice was hoarse and shaking. She stood opposite to Lucy, supporting

herself by a marble table that stood near.

Lucy's colour disappeared, she became as pale as Eleanor.

'Is this meant for me?'

She pointed to the figure of the victorious priest. Eleanor nodded.

'I drew it the night after our Nemi walk,' she said with a fluttering

breath. 'A vision came to me so--of you--and me.'

Lucy started. Then she put her arms on the table and dropped her face into

her arms. Her voice became a low and thrilling murmur that just reached

Eleanor's ears.

'I wish--oh! how I wish--that I had never come here!'

Eleanor wavered a moment, then she said with gentleness, even with

sweetness:

'You have nothing to blame yourself for. Nor has anyone. That picture

accuses no one. It draws the future--which no one can stop or change--but

you.'

'In the first place,' said Lucy, still hiding her eyes and the bitter tears

that dimmed them--'what does it mean? Why am I the slayer?--and--and--you

the slain? What have I done? How have I deserved such a thing?'

Her voice failed her. Eleanor drew a little nearer.

'It is not you--but fate. You have taken from me--or you are about to take

from me--the last thing left to me on this earth! I have had one chance of

happiness, and only one, in all my life, till now. My boy is dead--he has

been dead eight years. And at last I had found another chance--and after

seven weeks, you--you--are dashing it from me!'

Lucy drew back from the table, like one that shrinks from an enemy.

'Mrs. Burgoyne!'

'You don't know it!' said Eleanor calmly. 'Oh! I understand that. You are

too good--too loyal. That's why I am talking like this. One could only dare

it with some one whose heart one knew. Oh! I have had such gusts of feeling

towards you--such mean, poor feeling. And then, as I sat playing there, I

said to myself, "I'll tell her! She will find that drawing, and--I'll tell

her! She has a great, true nature--she'll understand. Why shouldn't one try

to save oneself? It's the natural law. There's only the one life."'

She covered her eyes with her hand an instant, choking down the sob which

interrupted her. Then she moved a little nearer to Lucy.

'You see,' she said, appealing,--'you were very sweet and tender to me one

day. It's very easy to pretend to mourn with other people--because one

thinks one ought--or because it makes one liked. I am always pretending in

that way--I can't help it. But you--no: you don't say what you don't feel,

and you've the gift to feel. It's so rare--and you'll suffer from it.

You'll find other people doing what I'm doing now--throwing themselves

upon you--taking advantage--trusting to you. You pitied me because I had

lost my boy. But you didn't know--you couldn't guess how bare my life has

been always--but for him. And then--this winter--' her voice changed and

broke--'the sun rose again for me. I have been hungry and starving for

years, and it seemed as though I--even I!--might still feast and be

satisfied.

'It would not have taken much to satisfy me. I am not young, like you--I

don't ask much. Just to be his friend, his secretary, his companion--in

time--perhaps--his wife--when he began to feel the need of home, and

peace--and to realise that no one else was so dear or so familiar to him

as I. I understood him--he me--our minds touched. There was no need for

"falling in love." One had only to go on from day to day--entering into

each other's lives--I ministering to him and he growing accustomed to

the atmosphere I could surround him with, and the sympathy I could give

him--till the habit had grown so deep into heart and flesh that it could

not be wrenched away. His hand would have dropped into mine, almost without

his willing or knowing it.... And I should have made him happy. I could

have lessened his faults--stimulated his powers. That was my dream all

these later months--and every week it seemed to grow more reasonable, more

possible. Then you came--'

She dropped into a chair beside Lucy, resting her delicate hands on the

back of it. In the mingled abandonment and energy of her attitude, there

was the power that belongs to all elemental human emotion, made frankly

visible and active. All her plaintive clinging charm had disappeared. It

was the fierceness of the dove--the egotism of the weak. Every line and

nerve of the fragile form betrayed the exasperation of suffering and a

tension of the will, unnatural and irresistible. Lucy bowed to the storm.

She lay with her eyes hidden, conscious only of this accusing voice close

to her,--and of the song of two nightingales without, rivalling each other

among the chestnut trees above the lower road. Eleanor resumed after a

momentary pause--a momentary closing of the tired eyes, as though in search

of calm and recollection.

'You came. He took no notice of you. He was rude and careless--he

complained that our work would be interrupted. It teased him that you

should be here--and that you represented something so different from his

thoughts and theories. That is like him. He has no real tolerance. He wants

to fight, to overbear, to crush, directly he feels opposition. Among women

especially, he is accustomed to be the centre--to be the master always.

And you resisted--silently. That provoked and attracted him. Then came the

difficulties with the book--and Mr. Neal's visit. He has the strangest

superstitions. It was ill-luck, and I was mixed up with it. He began to

cool to me--to avoid me. You were here; you didn't remind him of failure.

He found relief in talking to you. His ill-humour would all have passed

away like a child's sulkiness, but that--Ah! well!--'

She raised her hand with a long, painful sigh, and let it drop.

'Don't imagine I blame anyone. You were so fresh and young--it was all so

natural. Yet somehow I never really feared--after the first evening I felt

quite at ease. I found myself drawn to like--to love--you. And what could

you and he have in common? Then on the Nemi day I dared to reproach him--to

appeal to the old times--to show him the depth of my own wound--to make him

explain himself. Oh! but all those words are far, far too strong for what

I did? Who could ever suppose it to their advantage to make a scene with

him--to weary or disgust him? It was only a word--a phrase or two here and

there. But he understood,--and he gave me my answer. Oh! what humiliations

we women can suffer from a sentence--a smile--and show nothing--nothing!'

Her face had begun to burn. She lifted her handkerchief to brush away two

slow tears that had forced their way. Lucy's eyes had been drawn to her

from their hiding-place. The girl's brow was furrowed, her lips parted;

there was a touch of fear--unconscious, yet visible--in her silence.

'It was that day, while you and he were walking about the ruins, that

a flash of light came to me. I suppose I had seen it before. I know I

had been unhappy long before! But as long as one can hide things from

oneself--it seems to make them not true,--as though one's own will still

controlled them. But that day--after our walk--when we came back and found

you on the hill-side! How was it your fault? Yet I could almost have

believed that you had invented the boys and the stone! Certainly he spared

me nothing. He had eyes and ears only for you. After he brought you home

all his thoughts were for you. Nobody else's fatigues and discomforts

mattered anything. And it was the same with Alice. His only terrors

were for you. When he heard that she was coming, he had no alarms for

Aunt Pattie or for me. But you must be shielded--you must be saved from

everything repulsive or shocking. He sat up last night to protect you--and

even in his sleep--he heard you.'

Her voice dropped. Eleanor sat staring before her into the golden shadows

of the room, afraid of what she had said, instinctively waiting for its

effect on Lucy.

And Lucy crouched no longer. She had drawn herself erect.

'Mrs. Burgoyne, is it kind--is it _bearable_--that you should say these

things to me? I have not deserved them! No! no!--I have _not_. What right

have you? I can't protect myself--I can't escape you--but--'

Her voice shook. There was in it a passion of anger, pain, loneliness, and

yet something else--the note of something new-born and transforming.

'What right?' repeated Eleanor, in low tones--tones almost of astonishment.

She turned to her companion. 'The right of hunger--the right of

poverty--the right of one pleading for a last possession!--a last hope!'

Lucy was silenced. The passion of the older woman bore her down, made the

protest of her young modesty seem a mere trifling and impertinence. Eleanor

had slid to her knees. Her face had grown tremulous and sweet. A strange

dignity quivered in the smile that transformed her mouth as she caught the

girl's reluctant hands and drew them against her breast.

'Is it forbidden to cry out when grief--and loss--go beyond a certain

point? No!--I think not. I couldn't struggle with you--or plot against

you--or hate you. Those things are not in my power. I was not made so. But

what forbids me to come to you and say?--"I have suffered terribly. I had a

dreary home. I married, ignorantly, a man who made me miserable. But when

my boy came, that made up for all. I never grumbled. I never envied other

people after that. It seemed to me I had all I deserved--and so much,

much more than many! Afterwards, when I woke up without him that day in

Switzerland, there was only one thing that made it endurable. I overheard

the Swiss doctor say to my maid--he was a kind old man and very sorry for

me--that my own health was so fragile that I shouldn't live long to pine

for the child. But oh!--what we can bear and not die! I came back to my

father, and for eight years I never slept without crying--without the ghost

of the boy's head against my breast. Again and again I used to wake up in

an ecstasy, feeling it there--feeling the curls across my mouth."' A deep

sob choked her. Lucy, in a madness of pity, struggled to release herself

that she might throw her arms round the kneeling figure. But Eleanor's

grasp only tightened. She hurried on.

'But last year, I began to hope. Everybody thought badly of me; the doctors

spoke very strongly; and even Papa made no objection when Aunt Pattie asked

me to come to Rome. I came to Rome in a strange state--as one looks at

things and loves them, for the last time, before a journey. And then--well,

then it all began!--new life for me, new health. The only happiness--except

for the child--that had ever come my way. I know--oh! I don't deceive

myself--I know it was not the same to Edward as to me. But I don't ask

much. I knew he had given the best of his heart to other women--long

ago--long before this. But the old loves were all dead, and I could

almost be thankful for them. They had kept him for me, I thought,--tamed

and exhausted him, so that I--so colourless and weak compared to those

others!--might just slip into his heart and find the way open--that he

might just take me in, and be glad, for sheer weariness.'

She dropped Lucy's hands, and rising, she locked her own, and began to walk

to and fro in the great room; her head thrown back, her senses turned as it

were inward upon the sights and sounds of memory.

Lucy gazed upon her in bewilderment. Then she too rose and approached Mrs.

Burgoyne.

'When shall I go?' she said simply. 'You must help me to arrange it with

Miss Manisty. It might be to-morrow--it would be easy to find some excuse.'

Eleanor looked at her with a convulsed face.

'That would help nothing,' she said--'nothing! He would guess what I had

done.'

Lucy was silent a moment. Then she broke out piteously.

'What can I do?'

'What claim have I that you should do anything?' said Eleanor despairingly.

'I don't know what I wanted, when I began this scene.'

She moved on, her eyes bent upon the ground--Lucy beside her.

The girl had drawn Mrs. Burgoyne's arm through her own. The tears were on

her cheek, but she was thinking, and quite calm.

'I believe,' she said at last, in a voice that was almost steady--'that

all your fears are quite, quite vain. Mr. Manisty feels for me nothing

but a little kindness--he could feel nothing else. It will all come

back to you--and it was not I that took it away. But--whatever you tell

me--whatever you ask, I will do.'

With a catching breath Eleanor turned and threw her arm round the girl's

neck.

'Stay,' she breathed--'stay for a few days. Let there be no shock--nothing

to challenge him. Then slip away--don't let him know where--and there is

one woman in the world who will hold you in her inmost heart, who will pray

for you with her secretest, sacredest prayers, as long as you live!'

The two fell into each other's embrace. Lucy, with the maternal tenderness

that should have been Eleanor's, pressed her lips on the hot brow that

lay upon her breast, murmuring words of promise, of consolation, of

self-reproach, feeling her whole being passing out to Eleanor's in a great

tide of passionate will and pity.

Eleanor · 第 12 / 17 章