CHAPTER CXVI.

DR. SOUTHEY. JOHN BUNYAN. BARTHOLOMÆUS SCHERÆUS. TERTULLIAN. DOMENICO

BERNINO. PETRARCH. JEREMY TAYLOR. HARTLEY COLERIDGE. DIEGO DE SAN

PEDRO, AND ADAM LITTLETON.

Black spirits and white, red spirits and gray;

Mingle, mingle, mingle, you that mingle may.

Titty, Tiffin, keep it stiff in!

Firedrake, Puckey, make it lucky!

Liard, Robin, you must bob in!

Round, around, around, about, about!

All _good_ come running in, all _ill_ keep out.

MIDDLETON.

Nine years after the convention of Cintra a representation was made to

the Laureate in favour of some artillery horses employed in Sir Arthur

Wellesley's army. They were cast-off Irish cavalry, and their

efficiency had been called in question; indeed it had been affirmed

that they were good for nothing; attestations to disprove this were

produced, and the Laureate was requested to set this matter right in

his History of the Peninsular War. The good-natured historian has

given accordingly a note to the subject, saying that he thought

himself bound to notice the representation were it only for the

singularity of the case. If Dr. Southey thought it became him for that

reason and for truth's sake, to speak a good word of some poor horses

who had long ago been worked to death and left to the dogs and wolves

by the way side, much more may I feel myself bound for the sake of Dr.

Dove to vindicate the daughter of his old schoolmaster from a

splenetic accusation brought against her by her husband. The reader

who knows what the Doctor's feelings were with regard to Mr. Guy, and

what mine are for the Doctor, would I am sure excuse me even if on

such an occasion I had travelled out of the record.

Gent when he penned that peevish page seems to have thought with Tom

Otter, that a wife is a very scurvy clogdogdo! And with John Bunyan

that “Women, whenever they would perk it and lord it over their

husbands, ought to remember that both by creation and transgression

they are made to be in subjection to them.” “Such a thing,” says the

Arch-tinker, “may happen, as that the woman, not the man, may be in

the right, (I mean when both are godly) but ordinarily it is

otherwise!”

Authors of a higher class than the York printer and topographist have

complained of their wives. We read in Burton that Bartholomæus

Scheræus, Professor of Hebrew at Wittenberg, whom he calls “that

famous Poet Laureate,” said in the introduction to a work of his upon

the Psalms, he should have finished it long before, but amongst many

miseries which almost broke his back (his words were _inter alia dura

et tristia, quæ misero mihi pene tergum fregerunt_,) he was yoked to a

worse than Xantippe. A like lamentation is made more oddly and with

less excuse, by Domenico Bernino, the author of a large history of All

Heresies, which he dedicated to Clement XI. Tertullian, he says, being

ill advised in his youth, and deceived by that shadow of repose which

the conjugal state offers to the travellers in this miserable world,

threw himself into the troubled sea of matrimony. And no sooner had he

taken a wife, than being made wise by his own misfortunes, he composed

his laborious treatise _de molestiis nuptiarum_, concerning the

troubles of marriage, finding in this employment the only relief from

those continual miseries, to which, he adds, we who now write may bear

our present and too faithful testimony,—_delle quali Noi ancora che

queste cose scriviamo, siamo per lui testimonio pur troppo vero e

presente._

The Historian of Heresy and the Hebrew Professor might have learnt a

lesson from Petrarch's Dialogue _de importunâ Uxore_, in that work of

his _de Remediis Utriusque Fortunæ_. When DOLOR complains of having a

bad wife, RATIO reminds him that he might blame his ill fortune for

any other calamity, but this he had brought upon himself and the only

remedy was patience.

_Est mala crux, conjux mala; crux tamen illa ferenda est

Quâ nemo nisi Mors te relevare potest._

“It is the unhappy chance of many,” says Jeremy Taylor, “that finding

many inconveniences upon the mountains of single life, they descend

into the valleys of marriage to refresh their troubles, and there they

enter into fetters, and are bound to sorrow by the cords of a man's or

woman's peevishness; and the worst of the evil is, they are to thank

their own follies, for they fell into the snare by entering an

improper way.” To complain of the consequences, which are indeed the

proper punishment, is to commit a second folly by proclaiming the

first, and the second deserves the ridicule it is sure to meet with.

Hartley Coleridge has well said, that there must always be something

defective in the moral feelings or very unfortunate in the

circumstances of a man who makes the public his confidant!

If Thomas Gent had read Lord Berners' Castle of Love, which might

easily, rare as it has now become, have fallen in his way a hundred

years ago, he would there have seen fifteen reasons why men do wrong

when they speak ill of women, and twenty reasons why they ought to

speak well of them. All lovers of our old literature know how greatly

we are beholden to John Bouchier, Knight, Lord Berners, who when

Deputy General of the Kings Town of Calais and Marches of the same,

employed his leisure in translating books out of French into English.

But he must have been one of those persons who with a great appetite

for books have no discriminating taste, or he would not have

translated Arthur of Little Britain, when Gyron le Courtoys and

Meliadus were not extant in his own language; nor would he, even at

the instance of Lady Elizabeth Carew, if he had known a good book from

a bad one, have englished from its French version the Carcel de Amor,

which Diego de San Pedro composed at the request of the Alcayde de los

Donzelles, D. Diego Hernandez, and of other Knights and Courtiers.

The reader will please to observe that though all worthless books are

bad, all bad books are not necessarily worthless. A work however bad,

if written, as the Carcel de Amor was, early in the sixteenth century,

and translated into Italian French and English, must be worth reading

to any person who thinks the history of literature (and what that

history includes) a worthy object of pursuit. If I had not been one of

those who like Ludovicus Bosch—(my friend in the caxon)—are never

weary of hunting in those woods, I could not, gentle reader, have set

before you as I shall incontinently proceed to do, the fifteen

above-mentioned and here following reasons, why you will commit a sin

if you ever speak in disparagement of womankind.

First then, Leriano, the unhappy hero of Diego de San Pedro's tragic

story, says that all things which God has made are necessarily good;

women therefore being his creatures, to calumniate them is to

blaspheme one of his works.

Secondly, there is no sin more hateful than ingratitude; and it is

being ungrateful to the Virgin Mary if we do not honour all women for

her sake.

Thirdly, it is an act of cowardice for man who is strong, to offend

woman who is weak.

Fourthly, the man who speaks ill of woman brings dishonour upon

himself, inasmuch as every man is of woman born.

Fifthly, such evil speaking is, for the last mentioned reason, a

breach of the fifth commandment.

Sixthly, it is an obligation upon every noble man to employ himself

virtuously both in word and deed; and he who speaks evil incurs the

danger of infamy.

Seventhly, because all knights are bound by their order to show

respect and honour to all womankind.

Eighthly, such manner of speech brings the honour of others in

question.

Ninthly, and principally, it endangers the soul of the evil speaker.

Tenthly, it occasions enmities and the fatal consequences resulting

therefrom.

Eleventhly, husbands by such speeches may be led to suspect their

wives, to use them ill, to desert them, and peradventure to make away

with them.

Twelfthly, a man thereby obtains the character of being a slanderer.

Thirteenthly, he brings himself in jeopardy with those who may think

themselves bound to vindicate a lady's reputation or revenge the wrong

which has been done to it.

Fourteenthly, to speak ill of women is a sin because of the beauty

which distinguishes their sex, which beauty is so admirable that there

is more to praise in one woman than there can be to condemn in all.

Fifteenthly, it is a sin because all the benefactors of mankind have

been born of women, and therefore we are obliged to women for all the

good that has ever been done in the world.

Such are the fifteen reasons which Diego de San Pedro excogitated to

show that it is wrong for men to speak ill of women; and the twenty

reasons which he has superinduced to prove that they are bound to

speak well of them are equally cogent and not less curious. I have a

reason of my own for reserving these till another opportunity. Not

however to disappoint my fair readers altogether of that due praise

which they have so properly expected, I will conclude the present

chapter with a few flowers taken from the pulpit of my old

acquaintance Adam Littleton. There is no impropriety in calling him

so, though he died before my grandfathers and grandmothers were born;

and when I meet him in the next world I hope to improve this one sided

acquaintance by introducing myself and thanking him for his Dictionary

and his Sermons.

The passage occurs in a sermon preached at the obsequies of the Right

Honourable the Lady Jane Cheyne. The text was “Favour is deceitful,

and Beauty is vain; but a woman that feareth the Lord, she shall be

praised:” in which proposition, says the Preacher, we have first the

subject, _Woman_, with her qualification _that fears the Lord_:

Secondly the predicate, _she shall be praised_.

“WOMAN, in the primitive design of Nature, God's master-piece, being

the last work of creation, and made with a great deal of deliberation

and solemnity.

“For to look upon her as a supernumerary creature, and one brought

into the world by the bye, besides the Creator's first intention, upon

second thoughts,—is to lay a foul imputation upon Divine Wisdom, as if

it had been at a stand, and were to seek.

“Wherefore, as we use to argue that all things were made for the use

and service of man, because he was made last of all; I do not see, if

that argument be good, why the same consequences should not be of like

force here too, that Man himself was made for the affectionate care of

Woman, who was framed not only _after_ him, but _out of_ him too, the

more to engage his tenderest and dearest respects.

“Certainly this manner of production doth plainly evince the equality

of the Woman's merits and rights with Man; she being a noble cyon

transplanted from his stock, and by the mystery of marriage implanted

into him again, and made one with him.

“She is then equally at least partaker with him of all the

_advantages_ which appertain to human nature, and alike capable of

those _improvements_ which by the efforts of reason, and the methods

of education and the instincts of the Blessed Spirit, are to be made

upon it,—

“Hence it was that all Arts and Sciences, all Virtues and Graces, both

divine and moral, are represented in the shape and habit of Women. Nor

is there any reason for fancying Angels themselves more of our sex

than of the other, since amongst them there is no such distinction,

but they may as well be imagined female as male.

“Above all for Piety and Devotion, which is the top-perfection of our

nature, and makes it most like angelical; as the capacity of Women is

as large, so their inclinations are generally more vigorous, the

natural bias and tendency of their spirits lying that way, and their

softer temper more kindly receiving the supernatural impression of

God's Spirit.

“This is _that_, if any thing, which gives their sex the pre-eminence

above us men and gains them just advantages of praise; that whereas

those who have only a handsome shape and good features to commend

them, are adored and idolized by persons of slight apprehensions and

ungoverned passions, pious and virtuous women command the veneration

of the most judicious, and are deservedly admired by holy men and

Angels.”

Thus saith that Adam of whom even Adam Clarke might have been proud as

a namesake; and whose portrait the Gentlemen of the name of Adam who

meet and dine together at a tavern in London, once a year, ought to

have in their club room.

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