But she ought not to go to St. Joseph's. She had promised Owen to avoid
churches, priests--all that reminded her of religion. He had begged that
until she was firm in her agnosticism she should not expose herself to
influences which could but result in mental distress, and without any
practical issue unless to separate them. She had escaped once; next time
he might find it more difficult to win her back. How kind he was. He had
not said a word about his own suffering.
It had happened nearly three years ago in Florence, and an accident had
brought it all about. One afternoon she was walking in the streets; she
could still see the deep cornices showing distinct against the sky; she
was admiring them when suddenly a church appeared; she could not tell
how it was, but she had been propelled to enter.... A feeling which had
arisen out of her heart, a sort of yearning--that was it. The church was
almost empty; how restful it had seemed that afternoon, the rough
plastered walls and the two figures of the nuns absorbed in prayer. Her
heart had begun to ache, and her daily life with its riches and glories
had seemed to concern her no longer. It was as if the light had changed,
and she had become suddenly aware of her real self. A tall cross stood
oddly placed between the arches; she had not seen it at first, but as
her eyes rested upon it she had been drawn into wistful communion with
her dying Redeemer. And all that had seemed false suddenly became true,
and she had left the church overcome with remorse. That night her door
was closed to Owen; she had pleaded indisposition, unable for some shame
to speak the truth. On the next day and the day after the desire of
forgiveness had sent her to the church and then to the priest, but the
priest had refused her absolution till she separated from her lover. She
had felt that she must obey. She had written a note--she could not think
of it now--so cruel did it seem, yet at the time it had seemed quite
natural. It was not until the next day, and the day after was worse
still, that she began to plumb the depths of her own unhappiness; every
day it seemed to grow deeper. She could not keep him out of her mind.
She used to sit and try to do needlework in the hotel sitting-room. But
how often had she had to put it down and to walk to the window to hide
her tears? As the time drew near for her to go to the theatre, she had
to vow not to cry again till she got home. He was always in his
box--once she had nearly broken down, and, pitying her, he came no more.
But not to see him at all was worse than the pain of seeing him. That
empty box! And all through the night she thought of him in his hotel,
only a street or two distant. She could not go through it again, nor
could she think what would have happened if they had not met. Something
had prompted her to go out one afternoon; she was weak with weeping and
sick with love, and, feeling that there are burdens beyond our strength,
she had walked with her eyes steadily fixed before her ... and somehow
she was not surprised when she saw him coming towards her. He joined her
quite naturally, as if by appointment, and they had walked on,
instinctively finding their way out of the crowd. They had walked on and
on, now and then exchanging remarks, waiting for a full explanation,
wondering what form it would take. Cypresses and campanili defined
themselves in the landscape as the evening advanced. Further on the
country flattened out; there were urban gardens and dusty little
vineyards. They had sat on a bench; above them was a statue of the
Virgin; she remembered noticing it; it reminded her of her scapular, but
nothing had mattered to her then but Owen. He said--
"Well Evelyn, when is all this nonsense going to cease?"
"I don't know, Owen; I'm very unhappy."
The sense of reconciliation which overtook her was too delicious to be
resisted, and she remembered how all the way home she had longed for the
moment when she would throw herself into his arms. He had not reproved
her nor reproached her; he had merely forgiven her the pain she had
caused him. There were sounds of children's voices in the air and a glow
of light upon the roofs. Their talk had been gentle and philosophic; she
had listened eagerly, and had promised to shun influences which made her
uselessly unhappy. And he had promised her that in time to come she
would surely succeed in freeing herself from the tentacles of this
church, and that the day would come when she would watch the Mass as she
would some childish sport. "Though," he added, smiling, "it is doubtful
if anyone can see his own rocking-horse without experiencing a desire to
mount it." Nearly three years had passed since that time in Florence,
and she was now going to put the strength of her agnosticism to the
test.
"They have not built a new entrance," she remarked to herself, as the
coachman reined up the chestnuts before the meagre steps. "But
alterations are being made," she thought, catching sight of some
scaffolding. As she stepped out of her carriage she remembered that her
dress and horses could not fail to suggest Owen's money to her father.
She paused, and then hoped he would remember that she was getting three
hundred pounds a week, and could pay for her carriage and gowns
herself. And, smiling at the idea of dressing herself in a humble frock
suitable for reconciliation, she entered the church hurriedly. She did
not care to meet him in open daylight, in the presence of her servants.
The church would be a better place. He could not say much to her in
church, and she thought she would like to meet him suddenly face to
face; then there would be no time for explanations, and he could not
refuse to speak to her. Looking round she saw that Mass was in progress
at one of the side altars. The acolyte had just changed the book from
the left to the right, and the congregation of about a dozen had risen
for the reading of the Gospel. She knew that her father was not among
them. She must have known all the while that he was not in church. If he
were at St. Joseph's, he would be in the practising room. She might go
round and ask for him ... and run the risk of meeting one of the
priests! They were men of tact, and would refrain from unpleasant
allusions. But they knew she was on the stage, that she had not been
back since she had left home; they could not but suspect; however they
might speak, she could not avoid reading meanings, which very likely
were not intended, into their words.... And she would see the practising
room full of faces, and her father, already angry at the interruption,
opening the door to her. It would be worse than meeting him in the
street. No, she would not seek him in the practising room--then
where--Dulwich? Perhaps, but not to-day. She would wait in the church
and see if the Elevation compelled her to bow her head.
And in this intention she took a seat in full view of the altar where
the priest was saying Mass. Every shape and every colour of this church,
its slightest characteristics, brought back an impression of long ago;
the very wording of her childish thoughts was suddenly remembered; and
she felt, whether she believed or disbelieved, that it was pleasant to
kneel where she knelt when she was a little girl. It was touching to see
the poor folk pray. The poor Irish and Italians--especially the
Irish--how simple they were; it was all real to them, however false it
may have become to her. Her eyes wandered among the little congregation;
only one she recognised--the strangely thin and crooked lady who, as far
back as she could remember, used to walk up the aisle, her hands crossed
in front of her like a wooden doll's. She had not altered at all; she
wore the same battered black bonnet. This lonely lady had always been a
subject of curiosity to Evelyn. She remembered how she used to invent
houses for her to live in and suitable friends and evenings at home. The
day that Owen came to St. Joseph's before he went away on his yacht to
the Mediterranean, he had put his hat on this lady's chair, and she had
had to ask him to remove it. How frightened she had looked, and he not
too well pleased at having to sit beside her. That was six years ago,
and Evelyn thought how much had happened to her in that time--a great
deal to her and very little to that poor woman in the black bonnet. She
must have some little income on which she lived in a room with wax fruit
in the window. Every morning and evening she was at St. Joseph's. The
church was her one distraction; it was her theatre, the theatre
certainly of all her thoughts.
But at that moment the new choir-loft caught Evelyn's eye, and she
imagined the melodious choirs answering each other from opposite sides.
No doubt her father had insisted on the addition, so that such
antiphonal music as the Reproaches might be given. Some rich carpets had
been laid down, some painting and cleaning had been done, and the
fashionable names on the front seats reminded her of the Grand Circle at
Covent Garden. Evidently the frequentation of St. Joseph's was much the
same as the theatres. The congregation was attracted by the choirs, and,
when these were silenced, the worship shrank into the mumbled prayers of
a few Irish and Italians. Evelyn wondered if the poor lady could
distinguish between her father's music and Father Gordon's. The only
music she heard was the ceaseless music of her devout soul.
Was it not strange that the paper she had sent her father containing an
account of her success in the part of Margaret contained also an account
of his choir? They had both succeeded. The old music had made St.
Joseph's a fashionable church. So far she knew, and despite her strange
terror of their first meeting, she longed to hear him tell her how he
had overcome the opposition of Father Gordon.
The Gospel ended, the little congregation sat down, and Evelyn reflected
how much more difficult belief was to her than to the slightly-deformed
woman in front of her. The doctrine that a merciful God has prepared a
place of eternal torment for his erring creatures is hard enough to
credit. She didn't think she could ever believe that again; or that God
had sent his Son on earth to expiate on the cross the sins which he and
his Father in conjunction with the Holy Ghost had fated them to commit;
or that bread and wine becomes, at the bidding of the priest, the
creator of all the stars we see at midnight. True that she believed
these doctrines no longer, but, unfortunately, this advancement brought
her no nearer to the solution of the question directly affecting her
life. Owen encouraged her to persevere in her agnosticism. "Old
instincts," he said, "are not conquered at once. You must be patient.
The Scotch were converted about three or four hundred years after
Christ. Christianity is therefore fourteen hundred years old, whereas
the seed of agnosticism has been sown but a few years; give it time to
catch root." She had laughed, his wit amused her, but our feelings
are--well, they are ours, and we cannot separate ourselves from them.
They are certain, though everything else is uncertain, and when she
looked into her mind (she tried to avoid doing so as much as possible,
but she could not always help herself) something told her that the
present was but a passing stage. Often it seemed to her that she was
like one out on a picnic--she was amused--she would be sorry when it
ended; but she could not feel that it was to last. Other women were at
home in their lives; she was not in hers. We all have a life that is
more natural for us to live than any other; we all have a mission of
some sort to accomplish, and the happiest are those whose lives
correspond to their convictions. Even Owen's love did not quite
compensate her for the lack of agreement between her outer and inner
life.
All this they had argued a hundred times, but their points of view were
so different. Once, however, she thought she had made him understand.
She had said, "If you don't understand religion, you understand art.
Well, then, imagine a man who wants to paint pictures; give him a palace
to live in; place every pleasure at his call, imposing only one
condition--that he is not to paint. His appetites may detain him in the
palace for a while, but sooner or later he will cry out, 'All these
pleasures are nothing to me; what I want is to paint pictures.'" She
could see that the parable had convinced him, or nearly. He had said he
was afraid she was hopeless. But a moment after, drawing her toward him
with quiet, masterful arm, and speaking with that hard voice that could
become so soft, it had seemed as if heaven suddenly melted away, and his
kisses were worth every sacrifice.
That was the worst of it. She was neither one thing nor the other. She
desired two lives diametrically opposed to each other, consequently she
would never be happy. But she was happy. She had everything; she could
think of nothing that she wanted that she had not got: it was really too
ridiculous for her to pretend to herself that she was not happy. So long
as she had believed in religion she had not been happy, but now she
believed no longer--she was happy. It was strange, however, that a
church always brought the old feeling back again, and her thoughts
paused, and in a silent awe of soul she asked herself if, at the bottom
of her soul, she still disbelieved in God. But it was so silly to
believe the story of the Virgin--think of it.... As Owen said, in no
mythology was there anything more ridiculous. Nevertheless, she did not
convince herself that the dim, vague, unquiet sensation which rankled in
her was not a still unextirpated germ of the original faith. She tried
to think it was not a religious feeling but the result of the terrible
interview still hanging over her, the dread that her father might not
forgive her. She tried to look into her mind to discover the impulse
which had compelled her to turn from her intention and come to this
church. She remembered the uncontrollable desire to say a prayer: that
she could have resisted, but the moment after she had remembered that
perhaps it was too late to find her father at home. But had she really
hoped to find him at St. Joseph's, or had she used the pretext to
deceive herself? She could not tell. But if religion was not true, if
she did not believe, how was it that she had always thought it wrong to
live with a man to whom she was not married? There was no use
pretending, she never had quite got a haunting scruple on that point out
of her mind.
There could be but two reasons, he had insisted, for the maintenance of
the matrimonial idea--the preservation of the race, and the belief that
cohabitation without matrimony is an offence against God. But the race
is antecedent to matrimony, and if there be no resurrection, there can
be no religion.... If there be no personal God who manages our affairs
and summons to everlasting bliss or torment, the matter is not worth
thinking about--at least not to a Catholic. Pious agnosticism is a
bauble unworthy to tempt anyone who has been brought up a Catholic. A
Catholic remains a Catholic, or else becomes a frank agnostic. Only
weak-minded Protestants run to that slender shelter--morality without
God. "But why are you like this?" he had said, fixing his eyes.... "I
think I see. Your father comes of a long line of Scotch Protestants; he
became a Catholic so that he might marry your mother. Your scruples must
be a Protestant heredity. I wonder if it is so? In no other way can I
account for the fact that although you no longer believe in a
resurrection, you cling fast to the doctrine which declares it wrong for
two people, both free, to live together, unless they register their
cohabitation in the parish books. Our reason is our own. Our feelings we
inherit. You are enslaved to your Scotch ancestors; you are a slave to
the superstitions of your grandmother and your grand-aunts; you obey
them."
"But do we not inherit our reason just as much as we inherit our
feelings?"
They had argued that point. She could not remember what his argument
was, but she remembered that she had held her ground, that he had
complimented her, not forgetting, however, to take the credit of the
improvement in her intellectual equipment to himself, which was indeed
no more than just. She would have been nothing without him. How he had
altered her! She had come to think and feel like him. She often caught
herself saying exactly what he would say in certain circumstances, and
having heard him say how odours affected him, she had tried to acquire a
like sensibility. Unconsciously she had assimilated a great deal. That
little trick of his, using his eyes a certain way, that knowing little
glance of his had become habitual to her. She had met men who were more
profound, never anyone whose mind was more alert, more amusing and
sufficient for every occasion. She sentimentalised a moment, and then
remembered further similarities. They now ate the same dishes, and no
longer had need to consult each other before ordering dinner. In their
first week in Paris she had learnt to look forward to chocolate in the
morning before she got up, and this taste was endeared to her, for it
reminded her of him. In the picture galleries she had always tried to
pick out the pictures he would like. If they could not decide how a
passage should be sung, or were in doubt regarding the attitude and
gesture best fitted to carry on a dramatic action, she had noticed that,
if they separated so that they might arrive at individual conclusions,
they almost always happened upon the same. To each other they now
affected not to know from whom a certain quaint notion had come--clearly
it had been inspired by him, but which had first expressed it was not
sure--that the three great type operas were "Tristan and Isolde," the
"Barber of Seville," and "La Belle Hélène." Nor were they sure which had
first suggested that in the last week of her stage career she should
appear in all three parts. Evelyn Innes, as La Belle Hélène, would set
musical London by the ears.
She had often wondered whether, by having absorbed so much of Owen's
character, she had proved herself deficient in character. Owen
maintained, on the contrary, that the sign of genius is the power of
recognising and assimilating that which is necessary to the development
of oneself. He mentioned Goethe's life, which he said was but the tale
of a long assimilation of ideas. The narrow, barren soul is narrow and
barren because it cannot acquire. We come into the world with nothing in
our own right except the capacity for the acquisition of ideas. We
cannot invent ideas; we can only gather some of those in circulation
since the beginning of the world. We endow them with the colour and form
of our time, and, if that colour and form be of supreme quality, the
work is preserved as representative of a period in the history of
civilisation; a name may or may not be attached to each specimen. Genius
is merely the power of assimilation; only the fool imagines he invents.
Owen would go still further. He maintained that if the circumstances of
a man's life admitted the acquisition of only one set of ideas, his work
was thin; but if, on the contrary, circumstances threw him in the way of
a new set of ideas, a set of ideas different from the first set, yet
sufficiently near for the same brain to assimilate, then the work
produced by that brain would be endowed with richer colour; or, in
severer form, the idea was, he said, to a work of art what salt is to
meat--it preserved works of art against the corrupting action of time.
How they had talked! how they had discussed things! They had talked
about everything, and she remembered all he said, as she recalled the
arguments he had used. The scene of this last conversation passed and
repassed in vanishing gleams--Bopart on the Rhine. They had stopped
there on their way to Bayreuth, where she was going to sing Elsa. The
maidens and their gold, the fire-surrounding Brunnhilde, the death of
the hero, the end of the legends: these she knew, but of "Parsifal" she
knew nothing--the story or the music. The time was propitious for him to
tell it. The flame of the candle burnt in the still midnight, and she
had listened with bated breath. She could see Owen leaning forward,
telling the story, and she could even see her own listening face as he
related how the poor fool rises through sanctification of faith and
repudiation of doubt, how he heals the sick king with the sacred spear
and becomes himself the high priest of the Grail. It had seemed to
Evelyn that she had been carried beyond the limits of earthly things.
The thrill and shiver of the dead man's genius haunted the liquid ripple
of the river; the moment was ecstatic; the deep, windless night was full
of the haunting ripple of the Rhine. And she remembered how she had
clasped her hands ... her very words came back to her....
"It is wonderful ... and we are listening to the Rhine; we shall never
forget this midnight."
At that moment the Sanctus bell rang, and she remembered why she had
stayed in church. She wished to discover what remnant, tatter or shred
of her early faith still clung about her. She wished to put her
agnosticism to the test. She wondered if at the moment of consecration
she would be compelled to bow her head. The bell rang again.... She grew
tremulous with expectation. She strove to refrain, but her head bowed a
little, and her thoughts expanded into prayer; she was not sure that she
actually prayed, for her thoughts did not divide into explicit words or
phrases. There certainly followed a beautiful softening of her whole
being, the bitterness of life extinguished; divine eyes seemed bent upon
her, and she was in the midst of mercy, peace and love; and daring no
longer to think she did not believe, she sat rapt till Mass was ended.