Are much admired, says the provincial historian of Glocestershire,
for their excellent painted glass. There are twenty-eight large
windows, which are curiously painted with the stories of the Old and
New Testament: the middle windows in the choir, and on the west side
of the church, are larger than the rest; those in the choir represent
the history of our Saviour’s Crucifixion; the window at the west end
represents Hell and Damnation; those on the side of the church, and over
the body, represent the figures in length of the prophets, apostles,
fathers, martyrs and confessors, and also the persecutors of the church.
The painting was designed by Albert Durer, an eminent Italian Master: the
colours are very lively, especially in the drapery: some of the figures
are so well finished, that sir Anthony Vandyke affirmed that the pencil
could not exceed them. This curious painting was preserved from zealous
fury in the great rebellion, by turning the glass upside down.
John Tame, esq. founded this church in the year 1493. He was a merchant,
and took a prize-ship bound for Rome, in which was this painted glass: he
brought both the glass and workmen into England, built the church for the
sake of the glass, and dedicated it to the Virgin Mary.
Atkyns’s Hist. of Glocestershire, p. 226. 1768. fol.
It is to be observed that the tradition of the famous Albert Durer having
furnished the drawings will not, as Mr. Dallaway justly observes, bear
the test of chronology; for he was not twenty years of age when these
windows were put up; nor is it probable that he had then attained to such
proficiency—to say nothing of the time necessary for the perfecting such
works.