You will find vast mats of these leathery little Polypodys growing with

rock-selaginella on the great boulders of the river woods. As these are

to be split up for masonry, the experiment of transferring the polypody

is no sin, though it savours somewhat of the process of skin-grafting.

Evan and I have tried the experiment successfully, so that it is no

fable. We had a bit of shady bank at home that proved by the mosses that

grew on it that it was moistened from beneath the year through. The

protecting shade was of tall hickories, and a rock ledge some twenty

feet high shielded it from the south and east. We scraped the moss from

a circle of about six feet and loosened the surface of the earth only,

and very carefully. Then we spread some moist leaf-mould on the rough

but flat surface of a partly exposed rock. Going to a near-by bit of

woods that was being despoiled, as in your valley, we chose two great

mats of polypody and moss that had no piercing twigs to break the

fabric, and carefully peeled them from the rocks, as you would bark from

a tree, the matted rootstocks weaving all together. Moistening these

thoroughly, we wrapped them in a horse blanket and hurried home. The

earth and rock already prepared were sprinkled with water and the fern

fabric applied and gently but firmly pressed down, that resting on the

earth being held by the ever useful hairpin!

The rock graft was more difficult, but after many failures by way of

stones that rolled off, a coarse network of cords was put across and

fastened to whatever twigs or roots came in the way. Naturally a period

of constant sprinkling followed, and for that season the rock graft

seemed decidedly homesick, but the next spring resignation had set in,

and two years later the polypodys had completely adopted the new

location and were prepared to appropriate the whole of it.

So you see that there are comparatively only a few ferns, after all,

that are of great value to The Garden, You, and I, and likewise there

are but a few rules for their transplanting, viz.:--

Don't bother about the tops, for new ones will grow, but look to the

roots, and do not let them be exposed to the air or become dry in

travel. Examine the quality of soil from which you have taken the ferns,

and if you have none like it nearer home, take some with you for a

starter! Never dig up more on one day than you can plant during the

next, and above all remember that if a fern is worth tramping the

countryside for, it is worth careful planting, and that the moral

remarks made about the care in setting out of roses apply with double

force to the handling of delicate wild flowers and ferns.

Good luck to your knoll, Mary Penrose, and to your fern fence, if that

fancy pleases you. May the magic of fern seed fill your eyes and let you

see visions, the goodly things of heart's desire, when, all being

accomplished, you pause and look at the work of your hands.

"And nimble fay and pranksome elf

Flash vaguely past at every turn,

Or, weird and wee, sits Puck himself,

With legs akimbo, on a fern!"

X

FRANKNESS,--GARDENING AND OTHERWISE

(Mary Penrose to Barbara Campbell)

_July 15._--_Midsummer Night._ Since the month came in, vacation time

has been suspended, insomuch that Bart goes to the office every day,

Saturdays excepted; but we have not returned to our indoor bedroom. Once

it seemed the definition of airy coolness, with its three wide windows,

white matting, and muslin draperies, but now--I fully understand the

relative feelings of a bird in a cage and a bird in the open. The air

blows through the bars and the sun shines through them, but it is still

a cage.

In these warm, still nights we take down the slat screens that hang

between the hand-hewn chestnut beams of the old barn, and with the open

rafters of what was a hay-loft above us, we look out of the door-frame

straight up at the stars and sometimes drag our cots out on the wide

bank that tops the wall, overlooking the Opal Farm, and sleep wholly

under the sky.

These two weeks past we have had the Infant with us at night, clad in a

light woollen monkey-suit nighty with feet, her crib being, however,

under cover. Her open-eyed wonder has been a new phase of the vacation.

Knowing no fear, she has begun to develop a feeling of kinship with all

the small animals, not only of the barn but dwellers on Opal Farm as

well, and when she discovered a nest of small mice in an old tool-box

under the eaves and proposed to take them, in their improvised house, to

her very own room at the opposite end, this "room" being a square marked

around her bed by small flower-pots, set upside down, I protested, as a

matter of course, saying that mice were not things to handle, and

besides they would die without their mother.

The Infant, still clutching the box, looked at me in round-eyed wonder:

"I had Dinah and the kittens to play with in the nursery, didn't I,

mother?"

"Certainly!"

"And when Ann-stasia brought them up in her ap'n, Dinah walked behind,

didn't she?"

"Yes, I think so!"

"Ver-r-y well, the mouse mother will walk behind too, and I love mice

better'n cats, for they have nicer hands; 'sides, mother, don't you know

who mice really and truly are, and why they have to hide away? They are

the horses that fairlies drive, and I'm going to have these for the

fairlies in my village!" making a sweep of her arm toward the encampment

of flower-pots; "if you want fairlies to stay close beside your bed, you

must give them horses to drive, 'cause when it gets cold weather cobwebs

gets too sharp for them to ride on and there isn't always fireflies 'n

candle worms to show 'em the way,--'n it's true, 'cause Larry says so!"

she added, probably seeing the look of incredulity on my face.

"Larry knows fairlies and they're really trulies; if you're bad to them,

you'll see the road and it won't be there, and so you'll get into

Hen'sy's bog! Larry did,--and if you make houses for them like mine

(pointing to the flower-pots) and give 'em drinks of milk and flower

wine, they'll bring you _lots_ of childrens! They did to Larry, so I'm

trying to please 'em wif my houses, so's to have some to play wif!"

Larry's harmless folklore (for when he is quite himself, as he is in

these days, he has a certain refinement and an endless fund of

marvellous legends and stories), birds and little beasts for friends,

dolls cut from paper with pansies fastened on for faces, morning-glories

for cups in which to give the fairies drink, what could make a more

blissful childhood for our little maid? That is the everlasting pity of

a city childhood. Creature comforts may be had and human friends, but

where is the vista that reaches under the trees and through the long

meadow-grass where the red-gold lily bells tinkle, up the brook bed to

the great flat mossy rock, beneath which is the door to fairyland, the

spotted turtle being warder. Fairyland, the country of eternal youth and

possibility!

I wouldn't give up the fairies that I once knew and peopled the solemn

woods with down in grandfather's Virginia home for a fortune, and even

now, any day, I can put my ear to the earth, like Tommy-Anne, and hear

the grass grow. It occurred to me yesterday that the Infant, in age,

temperament, and heredity, is suited to be a companion for your Richard.

Could you not bring him down with you before the summer is over? Though,

as the unlike sometimes agree best, Ian and she might be more

compatible, so bring them both and we will turn the trio loose in the

meadows of Opal Farm with a mite of a Shetland pony that _The Man from

Everywhere_ has recently bestowed upon the Infant--crazy, extravagant

man! What we shall do with it in winter I do not know, as we cannot yet

run into the expense of keeping such live stock. But why bother? it is

only midsummer now, grazing is plentiful and seems to suit the needs of

this spunky little beast, and the Infant riding him "across country," as

Bart calls her wanderings about Opal Farm, is a spectacle too pretty to

be denied us. Yes, I know I'm silly, and that you have the twins to

rhapsodize about, but girls are so much more picturesque in the clothes!

What! thought she wore gingham bloomers! Yes, but not all the time, for

Maria will frill her up and run her with ribbons of afternoons!

* * * * *

Back to the house and garden! I'm wandering, but then I'm Lady Lazy this

summer, as _The Man from Everywhere_ calls me, and naturally a bit

inconsequent! As I said, Bart is at the office daily, and will be for

another week, but Lady Lazy has not returned to what Maria Maxwell calls

"The Tyranny of the Three M's,"--the mending basket, the market book,

and the money-box! I was willing, quite willing; in fact it is only fair

that Maria should have her time of irresponsibility, for I know that she

has half a dozen invitations to go to pleasant places and meet people,

one being from Lavinia Cortright to visit her shore cottage. I'm always

hoping that Maria may meet the "right man" some summer day, but that she

surely will never do if she stays here.

"I've everything systematized, and it's easier for me to go on than

drop the needles for a fortnight or so and then find, on coming back,

that you have been knitting a mitten when I had started the frame of a

sock," Maria said, laughing; "make flower hay while the crop is to be

had for the gathering, my lady! Another year you may not have such free

hands!"

Then my protests grew weaker and weaker, for the establishment had

thriven marvellously well without my daily interference. The jam closet

shows rows of everything that might be made of strawberries, cherries,

currants, and raspberries, and it suddenly struck me that possibly if

domestic machinery is set going on a consistent basis, whether it is not

a mistake to do too much oiling and tightening of a screw here and

there, unless distinct symptoms of a halt render it absolutely

necessary.

"Very well," I said, with a show of spunk, "give me one single task,

that I may not feel as if I had no part in the homemaking. Something as

ornamental and frivolous as you choose, but that shall occupy me at

least two hours a day!"

Maria paused a moment; we were then standing in front of the fireplace,

where a jar of bayberry filled the place of logs between the andirons.

First, casting her eyes through the doors of dining room, living room,

and den, she fixed them on me with rather a mischievous twinkle, as she

said, "You shall gather and arrange the flowers for the house; and

always have plenty of them, but never a withered or dropsical blossom

among them all. You shall also invent new ways for arranging them, new

combinations, new effects, the only restriction being that you shall not

put vases where the water will drip on books, or make the house look

like the show window of a wholesale florist. I will give you a fresh

mop, and you can have the back porch and table for your workshop, and if

I'm not mistaken, you will find two hours a day little enough for the

work!" she added with very much the air of some one engaging a new

housemaid and presenting her with a broom!

It has never taken me two hours to gather and arrange the flowers, and

though of course we are only beginning to have much of a garden, we've

always had flowers in the house,--quantities of sweet peas and such

things, besides wild flowers. I began to protest, an injured feeling

rising in my throat, that she, Maria Maxwell, music teacher, city bound

for ten years, should think to instruct _me_ of recent outdoor

experience.

"Yes, you've always had flowers, but did you pick the sweet peas or did

Barney? Did you cram them haphazard into the first thing that came handy

(probably that awful bowl decorated in ten discordant colours and

evidently a wedding present, for such atrocities never find any other

medium of circulation)? Or did you separate them nicely, and arrange the

pink and salmon peas with the lavender in that plain-coloured Sevres

vase that is unusually accommodating in the matter of water, then

putting the gay colours in the blue-and-white Delft bowl and the duller

ones in cut glass to give them life? Having plenty, did you change them

every other day, or the moment the water began to look milky, or did you

leave them until the flowers clung together in the first stages of

mould? Meanwhile, the ungathered flowers on the vines were seriously

developing peas and shortening their stems to be better able to bear

their weight. And, Mary Penrose,"--here Maria positively glared at me as

if I had been a primary pupil in the most undesirable school of her

route who was both stone deaf and afflicted with catarrh, "did you wash

out your jars and vases with a mop every time you changed the flowers,

and wipe them on a towel separate from the ones used for the pantry

glass? No, you never did! You tipped the water out over there at the end

of the piazza by the honeysuckles, because you couldn't quite bring

yourself to pouring it down the pantry sink, refilled the vases, and

that was all!"

In spite of a certain sense of annoyance that I felt at the way in which

Maria was giving me a lecture, and somehow when a person has taught for

ten years she (particularly _she_) inevitably acquires a rather

unpleasant way of imparting the truth that makes one wish to deny it, I

stood convicted in my own eyes as well as in Maria's. It had so often

happened that when either Barney had brought in the sweet peas and left

them on the porch table, or Bart had gathered a particularly beautiful

wild bouquet in one of his tramps, I had lingered over a book or some

bit of work upstairs until almost the time for the next meal, and then,

seeing the half-withered look of reproach that flowers wear when they

have been long out of water, I have jammed them helter-skelter into the

first receptacle at hand.

Sometimes a little rough verbal handling stirs up the blood under a

too-complacent cuticle. Maria's preachment did me good, the more

probably because the time was ripe for it, and therefore the past two

weeks have been filled with new pleasures, for another thing that the

month spent in the open has shown me is the wonderful setting the

natural environment and foliage gives to a flower. At first the

completeness appeals insensibly, and unless one is of the temperament

that seeks the cause behind the effect, it might never be realized.

The Japanese have long since arrived at a method of arranging flowers

which is quality and intrinsic value as opposed to miscellaneous

quantity. The way of nature, however, it seems to me, is twofold, for

there are flowers that depend for beauty, and this with nature that

seems only another word for perpetuity, upon the strength of numbers, as

well as those that make a more individual appeal. The composite

flowers--daisies, asters, goldenrod--belong to the class that take

naturally to massing, while the blue flag, meadow and wood lilies,

together with the spiked orchises, are typical of the second.

By the same process of comparison I have decided that jars and vases

having floral decorations themselves are wholly unsuitable for holding

flowers. They should be cherished as bric-a-brac, when they are worthy

specimens of the art of potter and painter, but as receptacles for

flowers they have no use beyond holding sprays of beautiful foliage or

silver-green masses of ferns.

Porcelain, plain in tint and of carefully chosen colours, such as

beef-blood, the old rose, and peach-blow hues, in which so many simple

forms and inexpensive bits of Japanese pottery may be bought, a peculiar

creamy yellow, a dull green, gobelin, and Delft blue and white, sacred

to the jugs and bowls of our grandmothers, all do well. Cut glass is a

fine setting for flowers of strong colour, but kills the paler hues, and

above and beyond all is the dark moss-green glass of substantial texture

that is fashioned in an endless variety of shapes. By chance, gift, and

purchase we have gathered about a dozen pieces of this, ranging from a

cylinder almost the size of an umbrella-stand down through fluted,

hat-shaped dishes, for roses or sweet peas, to some little troughs of

conventional shapes in which pansies or other short-stemmed flowers may

be arranged so as to give the look of an old-fashioned parterre to the

dining table.

I had always found these useful, but never quite realized to the full

that green or brown is the only consistent undercolour for all field and

grass-growing flowers until this summer. But during days that I have

spent browsing in the river woods, while Bart and Barney, and more

recently Larry, have been digging the herbs that we have marked, I have

realized the necessity of a certain combination of earth, bark, and

dead-leaf browns in the receptacles for holding wood flowers and the

vines that in their natural ascent clasp and cling to the trunks and

limbs of trees.

Several years ago mother sent me some pretty flower-holders made of

bamboos of different lengths, intended evidently to hang against

door-jambs or in hallways. The pith was hollowed out here and there, and

the hole plugged from beneath to make little water pockets. These did

admirably for a season, but when the wood dried, it invariably split,

and treacherous dripping followed, most ruinous to furniture.

A few weeks back, when looking at some mossed and gnarled branches in

the woods, an idea occurred to Bart and me at the same moment. Why could

we not use such pieces as these, together with some trunks of your

beloved white birch, to which I, _via_ the screen at Opal Farm, was

becoming insensibly devoted at the very time that you wrote me?

Augur holes could be bored in them at various distances and angles, if

not too acute; the thing was to find glass, in bottle or other forms, to

fit in the openings. This difficulty was solved by _The Man from

Everywhere_ on his reappearance the night before the Fourth, after an

absence of a whole week, laden with every manner of noise and fire

making arrangement for the Infant, though I presently found that Bart

had partly instigated the outfit, and the two overgrown boys revelled in

fire-balloons and rockets under cover of the Infant's enthusiasm, much

as the grandpa goes to the circus as an apparent martyr to little

Tommy's desire! A large package that, from the extreme care of its

handling, I judged must hold something highly explosive, on being opened

divulged many dozens of the slender glass tubes, with a slight lip for

holding cord or wire, such as, filled with roses or orchids, are hung in

the garlands of asparagus vines and smilax in floral decorations of

either houses or florists' windows. These tubes varied in length from

four to six inches, the larger being three inches in diameter.

"Behold your leak-proof interiors!" he cried, holding one up. "Now set

your wits and Bart's tool-box to work and we shall have some speedy

results!"

Dear _Man from Everywhere_, he had bought a gross of the glasses,

thereby reminding me of a generous but eccentric great-uncle of ours who

had a passion for attending auctions, and once, by error, in buying, as

he supposed, twelve yellow earthenware bowls, found himself confronted

by twelve _dozen_. Thus grandmother's storeroom literally had a golden

lining, and my entire childhood was pervaded with these bowls, several

finally falling into my possession for the mixing of mud pies! But

between the durability of yellow bowls and blown-glass tubes there is

little parallel, and already I have found the advantage of having a good

supply in stock.

Our first natural flower-holder is a great success. Having found a

four-pronged silver birch, with a broken top, over in the abandoned

gravel-pit (where, by the way, are a score of others to be had for the

digging, and such easy digging too), Larry sawed it off a bit below the

ground, so as to give it an even base. The diameter of the four uprights

was not quite a foot, all told, and these were sawn of unequal lengths

of four, six, seven, and nine inches, care being taken not to "haggle,"

as Larry calls it, the clean white bark in the process.

Then Bart went to work with augur and round chisel, and bored and

chipped out the holes for the glass tubes, incidentally breaking two

glasses before we had comfortably settled the four, for they must fit

snugly enough not to wiggle and tip, and yet not so tight as to bind and

prevent removal for cleaning purposes. This little stand of natural wood

was no sooner finished and mounted on the camp table than its

possibilities began to crowd around it. Ferns being the nearest at hand,

I crawled over the crumbling bank wall into the Opal Farm meadow and

gathered hay-scented, wood, and lady ferns from along the fence line and

grouped them loosely in the stand. The effect was magical, a bit of its

haunt following the fern indoors.

Next day I gathered in the hemlock woods a basket of the waxy,

spotted-leaved pipsissewa, together with spikes and garlands of club

moss. I had thought these perfect when steadied by bog moss in a flat,

cut-glass dish, but in the birch stump they were entirely at home. If

these midsummer wood flowers harmonize so well, how much more charming

will be the blossoms of early spring, a season when the white birch is

quite the most conspicuous tree in the landscape! Picture dog-tooth

violets, spring beauties, bellwort, Quaker-ladies, and great tufts of

violets, shading from white to deepest blue, in such a setting! Or, of

garden things, poets' narcissus and lilies-of-the-valley!

Other receptacles of a like kind we have in different stages of

progress, made of the wood of sassafras, oak, beech, and hackberry,

together with several irregular stumps of lichen-covered cedar. Two long

limbs with several short side branches Bart has flattened on the back

and arranged with picture-hooks, so that they can be bracketed against

the frame of the living-room door, opposite the flower-greeting table

that I have fashioned after yours. These are to be used for vines, and I

shall try to keep this wide, open portal cheerfully garlanded.

The first week of my flower wardenship was a most strenuous one. I use

the word reluctantly, but having tried half a dozen others, no

equivalent seemed to fit. I had flowers in every room in the house,

bedchambers included, using in this connection the cleanest-breathed and

longest-lived blossoms possible.

Late as was the sowing, the annuals remaining in the seed bed have begun

to yield a glorious crop. The fireplaces were filled with black-eyed

Susans from the fields and hollyhocks from an old self-seeded colony at

Opal Farm, and every available vase, bowl, and pitcher had something in

it. How I laboured! I washed jars, sorted colours, and freshened still

passable arrangements of the day before, and all the while I felt sure

that Maria was watching me, with an amused twinkle in the tail of her

eye!

One day, the middle of last week, the temperature dropped suddenly, and

we fled from camp to the house for twenty-four hours, lighted the logs

in the hall, and actually settled down to a serious game of whist in the

evening, Maria Maxwell, _The Man_, Bart, and I. Yes, I know how you

detest the game, but I--though I am not exactly amused by it--rather

like it, for it gives occupation at once for the hands and thoughts and

a cover for studying the faces and moods of friends without the reproach

of staring.

By the way, _The Man_ has hired half the house from Amos Opie--it was

divided several years ago--and established helter-skelter bachelor

quarters at Opal Farm. Bart has told him, over and over again, how

welcome he is to stay here, under any and all conditions, while he works

in the vicinity, but he says that he needs a lot of room for his traps,

muddy boots, etc., while Opie, a curious Jack-at-all-trades, gives him

his breakfast. I'm wondering if _The Man_ felt that he was intruding

upon Maria by staying here, or if she has any Mrs. Grundy ideas and was

humpy to him, or even suggested that he would better move up the road.

She is quite capable of it!

However, he seems glad enough to drop in to dinner of an evening now,

and the two are so delightfully cordial and unembarrassed in their talk,

neither yielding a jot to the other, in the resolute spinster and

bachelor fashion, that I must conclude that his going was probably a

natural happening.

This evening, while Maria and I were waiting together for the men to

finish toying with their coffee cups and match-boxes and emerge

refreshed from the delightful indolence of the after-dinner smoke, the

odour of the flowers--intensified both by dampness and the

woodsmoke--was very manifest.

"How do you like your employment?" asked Maria.

"I like the decorative and inventive part of it," I said, thinking into

the fire, "but I believe"--and here I hesitated as a chain of peculiar

green flame curled about the log and held my attention. "That it is

quite as possible to overdo the house decoration with flowers as it is

to spoil a nice bit of lawn with too many fantastic flower beds!" Bart

broke in quite unexpectedly, coming behind me and raising my face, one

hand beneath my chin. "Isn't that what you were thinking, my Lady Lazy?"

The Garden, You, and I · 第 10 / 19 段