Marie decided that, as our first-born was to die, it had better

be a girl. A son and heir should live to inherit the estates. She

contributed a handkerchief for a christening robe; and Emily, who was

generous to a fault, insisted on giving a little new work-basket,

beautifully lined with blue satin, for a coffin. Lilly found a piece of

white ribbon for a sash. Tony gave advice, and Elizabeth her priestly

benediction. Beata Benedicta della Rovere ("That name shows she's

booked for Heaven," said Tony) was christened in the _bénitier_ at the

chapel door; Elizabeth performing the ceremony, and Tony and Lilly

unctuously renouncing in her behalf the works and pomps of Satan. It

was a more seemly service than our wedding had been, but it was only a

prelude, after all, to the imposing rites of burial. These were to take

place at the recreation hour the following afternoon; but owing to the

noble infant's noble kinsmen not having any recreation hour when the

afternoon came, the obsequies were unavoidably postponed.

It happened in this wise. Every day, in addition to our French classes,

we had half an hour of French conversation, at which none of us ever

willingly conversed. All efforts to make us sprightly and loquacious

failed signally. When questions were put to us, we answered them;

but we never embarked of our own volition upon treacherous currents

of speech. Therefore Madame Davide levied upon us a conversational

tax, which, like some of the most oppressive taxes the world has ever

known, made a specious pretence of being a voluntary contribution.

Every girl in the class was called upon to recount some anecdote, some

incident or story which she had heard, or read, or imagined, and which

she was supposed to be politely eager to communicate to her comrades.

We always began "Madame et mesdemoiselles, figurez-vous," or "il y

avait une fois," and then launched ourselves feebly upon tales, the

hopeless inanity of which harmonized with the spiritless fashion of the

telling. We all felt this to be a degrading performance. Our tender

pride was hurt by such a betrayal, before our friends, of our potential

imbecility. Moreover, the strain upon invention and memory was growing

daily more severe. We really had nothing left to tell. Therefore five

of us (Marie belonged to a higher class) resolved to indicate that our

resources were at an end by telling the same story over and over again.

We selected for this purpose an Ollendorfian anecdote about a soldier

in the army of Frederick the Great, who, having a watch chain but no

watch, attached a bullet--I can't conceive how--to the chain; and, when

Frederick asked him the hour of the day, replied fatuously: "My watch

tells me that any hour is the time to die for your majesty."

The combined improbability and stupidity of this tale commended it for

translation, and the uncertainty as to the order of the telling lent an

element of piquancy to the plot. Happily for Lilly, she was called upon

first to "réciter un conte," and, blushing and hesitating, she obeyed.

Madame Davide listened with a pretence of interest that did her credit,

and said that the soldier had "beaucoup d'esprit;" at which Tony, who

had pronounced him a fool, whistled a soft note of incredulity. After

several other girls had enlivened the class with mournful pleasantries,

my turn came, and I told the story as fast as I could,--so fast that

its character was not distinctly recognized until the last word was

said. Madame Davide looked puzzled, but let it pass. Perhaps she

thought the resemblance accidental. But when Emily with imperturbable

gravity began: "Il y avait une fois un soldat, honnête et brave, dans

l'armée de Frédéric le Grand," and proceeded with the familiar details,

she was sharply checked. "Faut pas répéter les mêmes contes," said

Madame Davide; at which Emily, virtuous and pained, explained that it

was _her_ conte. How could she help it if other girls chose it too?

By this time the whole class had awakened to the situation, and was

manifesting the liveliest interest and pleasure. It was almost pitiful

to see children so grateful for a little mild diversion. Like the

gratitude of Italian beggars for a few sous, it indicated painfully

the desperate nature of their needs. There was a breathless gasp of

expectancy when Elizabeth's name was called. We knew we could trust

Elizabeth. She was constitutionally incapable of a blunder. Every trace

of expression was banished from her face, and in clear, earnest tones

she said: "Madame et mesdemoiselles,--il y avait une fois un soldat,

honnête et brave, dans l'armée de Frédéric le Grand,"--whereupon

there arose a shout of such uncontrollable delight that the class was

dismissed, and we were all sent to our desks. Tony alone was deeply

chagrined. Through no fault of hers, she was for once out of a scrape,

and she bitterly resented the exclusion. It was in consequence of

this episode that Beata Benedicta's funeral rites were postponed for

twenty-four hours.

The delay brought no consolation to my heart. It only prolonged my

unhappiness. I did not love my doll after the honest fashion of a

younger child. I did not really fear that I should miss her. But, what

was infinitely worse, I could not bring myself to believe that Beata

Benedicta was dead,--although I was going to allow her to be buried.

The line of demarcation between things that can feel and things that

cannot had always been a wavering line for me. Perhaps Hans Andersen's

stories, in which rush-lights and darning needles have as much life

as boys and girls, were responsible for my mental confusion. Perhaps

I merely held on longer than most children to a universal instinct

which they share with savages. Any familiar object, anything that I

habitually handled, possessed some portion of my own vitality. It

was never wholly inanimate. Beata's little bisque body, with its

outstretched arms, seemed to protest mutely but piteously against

abandonment. She had lain by my side for months, and now I was going

to let her be buried alive, because I was ashamed to rescue her. There

was no help for it. Rather than confess I was such a baby, I would have

been buried myself.

A light fall of snow covered the frozen earth when we dug Beata's grave

with our penknives, and laid her mournfully away. The site selected

was back of the "Seven Dolours" chapel (chapels are to convent grounds

what arbours and summer-houses are to the profane), and we chose it

because the friendly walls hid us from observation. We had brought

out our black veils, and we put them on over our hats, in token of our

heavy grief. Elizabeth read the burial service,--or as much of it as

she deemed prudent, for we dared not linger too long,--and afterwards

reassured us on the subject of Beata's baptismal innocence. That was

the great point. She had died in her sinless infancy. We crime-laden

souls should envy her happier fate. We put a little cross of twigs

at the head of the grave, and promised to plant something there when

the spring came. Then we took off our veils, and stuffed them in our

pockets,--those deep, capacious pockets of many years ago.

"Let's race to the avenue gate," said Tony. "I'm frozen stiff. Burying

is cold work."

"Or we might get one of the swings," said Lilly.

But Marie--whose real name, I forgot to say, was Francesco--put her arm

tenderly around me. "Don't grieve, Beatrice," she said. "Our little

Beata has died in her baptismal"--

"Oh, come away!" I cried, unable to bear the repetition of this phrase.

And I ran as fast as I could down the avenue. But I could not run fast

enough to escape from the voice of Beata Benedicta, calling--calling to

me from her grave.

Reverend Mother's Feast

"Mother's feast"--in other words the saint's day of the

Superioress--was dawning upon our horizon, and its lights and shadows

flecked our checkered paths. Theoretically, it was an occasion of pure

joy, assuring us, as it did, a _congé_, and not a _congé_ only, but the

additional delights of a candy fair in the morning, and an operetta,

"The Miracle of the Roses," at night. Such a round of pleasures filled

us with the happiest anticipations; but--on the same principle that the

Church always prefaces her feast days with vigils and with fasts--the

convent prefaced our _congé_ with a competition in geography, and with

the collection of a "spiritual bouquet," which was to be our offering

to Reverend Mother on her fête.

A competition in anything was an unqualified calamity. It meant hours

of additional study, a frantic memorizing of facts, fit only to be

forgotten, and the bewildering ordeal of being interrogated before the

whole school. It meant for _me_ two little legs that shook like reeds,

a heart that thumped like a hammer in my side, a sensation of sickening

terror when the examiner--Madame Bouron--bore down upon me, and a mind

reduced to sudden blankness, washed clean of any knowledge upon any

subject, when the simplest question was asked. Tried by this process,

I was only one degree removed from idiocy. Even Elizabeth, whose legs

were as adamant, whose heart-beats had the regularity of a pendulum,

and who, if she knew a thing, could say it, hated to bound states and

locate capitals for all the school to hear. "There are to be prizes,

too," she said mournfully. "Madame Duncan said so. I don't like going

up for a prize. It's worse than a medal at Primes."

"Oh, well, maybe you won't get one," observed Tony consolingly. "You

didn't, you know, last time."

"I did the time before last," said Elizabeth calmly. "It was 'La

Corbeille de Fleurs.'"

There was an echo of resentment in her voice, and we all--even

Tony--admitted that she had just cause for complaint. To reward

successful scholarship with a French book was one of those

black-hearted deeds for which we invariably held Madame Bouron

responsible. She may have been blameless as the babe unborn; but it was

our habit to attribute all our wrongs to her malign influence. We knew

"La Corbeille de Fleurs." At least, we knew its shiny black cover, and

its frontispiece, representing a sylphlike young lady in a floating

veil bearing a hamper of provisions to a smiling and destitute old

gentleman. There was nothing in this picture, nor in the accompanying

lines, "Que vois-je? Mon Dieu! Un ange de Ciel, qui vient à mon

secours," which tempted us to a perusal of the story, even had we been

in the habit of voluntarily reading French.

As for the "spiritual bouquet," we felt that our failure to contribute

to it on a generous scale was blackening our reputations forever. Every

evening the roll was called, and girl after girl gave in her list

of benefactions. Rosaries, so many. Litanies, so many. Aspirations,

so many. Deeds of kindness, so many. Temptations resisted, so many.

Trials offered up, so many. Acts, so many. A stranger, listening to

the replies, might have imagined that the whole school was ripe for

Heaven. These blossoms of virtue and piety were added every night to

the bouquet; and the sum total, neatly written out in Madame Duncan's

flowing hand, was to be presented, with an appropriate address, to

Reverend Mother on her feast, as a proof of our respectful devotion.

It was a heavy tax. From what resources some girls drew their supplies

remained ever a mystery to us. How could Ellie Plunkett have found

the opportunity to perform four deeds of kindness, and resist seven

temptations, in a day? We never had any temptations to resist. Perhaps

when one came along, we yielded to it so quickly that it had ceased

to tempt before its true character had been ascertained. And to whom

was Ellie Plunkett so overweeningly kind? "Who wants Ellie Plunkett

to be kind to her?" was Tony's scornful query. There was Adelaide

Harrison, too, actually turning in twenty acts as one day's crop, and

smiling modestly when Madame Duncan praised her self-denial. Yet, to

our unwarped judgment, she seemed much the same as ever. We, at least,

refused to accept her estimate of her own well-spent life.

"Making an act" was the convent phraseology for doing without

something one wanted, for stopping short on the verge of an innocent

gratification. If I gave up my place in the swing to Viola Milton,

that was an act. If I walked to the woods with Annie Churchill, when

I wanted to walk with Elizabeth, that was an act. If I ate my bread

unbuttered, or drank my tea unsweetened, that was an act. It will be

easily understood that the constant practice of acts deprived life

of everything that made it worth the living. We were so trained in

this system of renunciation that it was impossible to enjoy even the

very simple pleasures that our convent table afforded. If there were

anything we particularly liked, our nagging little consciences piped

up with their intolerable "Make an act, make an act;" and it was only

when the last mouthful was resolutely swallowed that we could feel sure

we had triumphed over asceticism. There was something maddening in the

example set us by our neighbours, by those virtuous and pious girls who

hemmed us in at study time and at our meals. When Mary Rawdon gently

waved aside the chocolate custard--which was the very best chocolate

custard it has ever been my good fortune to eat--and whispered to me

as she did so, "An act for the bouquet;" I whispered back, "Take it,

and give it to me," and held out my plate with defiant greed. Annie

Churchill told us she hadn't eaten any butter for a week; whereat Tony

called her an idiot, and Annie--usually the mildest of girls--said

that "envy at another's spiritual good" was a very great sin, and that

Tony had committed it. There is nothing so souring to the temper as

abstinence.

What made it singularly hard to sacrifice our young lives for the

swelling of a spiritual bouquet was that Reverend Mother, who was to

profit by our piety, had so little significance in our eyes. She was as

remote from the daily routine of the school as the Grand Lama is remote

from the humble Thibetans whom he rules; and if we regarded her with a

lively awe, it was only because of her aloofness, of the reserves that

hedged her majestically round. She was an Englishwoman of good family,

and of vast bulk. There was a tradition that she had been married and

widowed before she became a nun; but this was a subject upon which we

were not encouraged to talk. It was considered both disrespectful and

indecorous. Reverend Mother's voice was slow and deep, a ponderous

voice to suit her ponderous size; and she spoke with what seemed to us

a strange and barbarous accent, pronouncing certain words in a manner

which I have since learned was common in the days of Queen Elizabeth,

and which a few ripe scholars are now endeavouring to reintroduce.

She was near-sighted to the verge of blindness, and always at Mass

used a large magnifying glass, like the one held by Leo the Tenth in

Raphael's portrait. She was not without literary tastes of an insipid

and obsolete order, the tastes of an English gentlewoman, reared in

the days when young ladies read the "Female Spectator," and warbled

"Oh, no, we never mention her." Had she not "entered religion," she

might have taken Moore and Byron to her heart,--as did one little girl

whose "Childe Harold" lay deeply hidden in a schoolroom desk,--but the

rejection of these profane poets had left her stranded upon such feeble

substitutes as Letitia Elizabeth Landon, whose mysterious death she was

occasionally heard to deplore.

Twice on Sundays Reverend Mother crossed our orbit; in the morning,

when she instructed the whole school in Christian doctrine, and at

night, when she presided over Primes. During the week we saw her only

at Mass. We should never even have known about Letitia Elizabeth

Landon, had she not granted an occasional audience to the graduates,

and discoursed to them sleepily upon the books she had read in her

youth. Whatever may have been her qualifications for her post (she

had surpassing dignity of carriage, and was probably a woman of

intelligence and force), to us she was a mere embodiment of authority,

as destitute of personal malice as of personal charm. I detested Madame

Bouron, and loved Madame Rayburn. Elizabeth detested Madame Bouron,

and loved Madame Dane. Emily detested Madame Bouron, and loved Madame

Duncan. These were emotions, amply nourished, and easily understood. We

were capable of going to great lengths to prove either our aversion or

our love. But to give up chocolate custard for Reverend Mother was like

suffering martyrdom for a creed we did not hold.

"It's because Reverend Mother is so fond of geography that we're going

to have the competition," said Lilly. "Madame Duncan told me so."

"Why can't Reverend Mother, if she likes it so much, learn it for

herself?" asked Tony sharply. "I'll lend her my atlas."

"Oh, she knows it all," said Lilly, rather scandalized. "Madame Duncan

told me it was her favourite study, and that she knew the geography of

the whole world."

"Then I don't see why she wants to hear us say it," observed Elizabeth,

apparently under the impression that competitions, like gladiatorial

shows, were gotten up solely for the amusement of an audience. It never

occurred to her, nor indeed to any of us, to attach any educational

value to the performance. We conceived that we were butchered to make a

convent holiday.

"And it's because Reverend Mother is so fond of music that we are going

to have an operetta instead of a play," went on Lilly, pleased to have

information to impart.

I sighed heavily. How could anybody prefer anything to a play? I

recognized an operetta as a form of diversion, and was grateful for

it, as I should have been grateful for any entertainment, short of an

organ recital. We were none of us surfeited with pleasures. But to me

song was at best only an imperfect mode of speech; and the meaningless

repetition of a phrase, which needed to be said but once, vexed my

impatient spirit. We were already tolerably familiar with "The Miracle

of the Roses." For two weeks past the strains had floated from every

music room. We could hear, through the closed doors, Frances Fenton,

who was to be St. Elizabeth of Hungary, quavering sweetly,--

"Unpretending and lowly,

Like spirits pure and holy,

I love the wild rose best,

I love the wild rose best,

I love the wi-i-ild rose best."

We could hear Ella Holrook announcing in her deep contralto,--

"'Tis the privilege of a Landgrave

To go where glory waits him,

Glory waits him;"

and the chorus trilling jubilantly,--

"Heaven has changed the bread to roses,

Heaven has changed the bread to roses."

Why, I wondered, did they have to say everything two and three times

over? Even when the Landgrave detects St. Elizabeth in the act of

carrying the loaves to the poor, his anger finds a vent in iteration.

"Once again you've dared to brave my anger,

Yes, once again you've dared to brave my anger;

My power you scorn,

My power you scorn."

To which the Saint replies gently, but tediously,--

"My lord they are,

My lord they are

But simple roses,

But simple ro-o-oses,

That I gathered in the garden even now."

"Suppose that bread hadn't been changed to roses," said Elizabeth

speculatively, "I wonder what St. Elizabeth would have done."

"Oh, she knew it had been, because she prayed it would be," said Marie,

who was something of a theologian.

"But suppose it hadn't."

"But it _had_, and she knew it had, because of her piety and faith,"

insisted Marie.

"I shouldn't have liked to risk it," murmured Elizabeth.

"_I_ think her husband was a pig," said Tony. "Going off to the

Crusade, and making all that fuss about a few loaves of bread. If I'd

been St. Elizabeth"--

She paused, determining her course of action, and Marie ruthlessly

interposed. "If you're not a saint, you can't tell what you would do if

you were a saint. You would be different."

There was no doubt that Tony as a saint would have to be so very

different from the Tony whom we knew, that Marie's dogmatism prevailed.

Even Elizabeth was silenced; and, in the pause that followed, Lilly

had a chance to impart her third piece of information. "It's because

Reverend Mother's name is Elizabeth," she said, "that we're going to

have an operetta about St. Elizabeth; and Bessie Treves is to make the

address."

"Thank Heaven, there is another Elizabeth in the school, or I might

have to do it," cried our Elizabeth, who coveted no barren honours;

and--even as she spoke--the blow fell. Madame Rayburn appeared at

the schoolroom door, a folded paper in her hand. "Elizabeth," she

said, and, with a hurried glance of apprehension, the saint's unhappy

namesake withdrew. We looked at one another meaningly. "It's like

giving thanks before you're sure of dinner," chuckled Tony.

I had no chance to hear any particulars until night, when Elizabeth

watched her opportunity, and sallied forth to brush her teeth while

I was dawdling over mine. The strictest silence prevailed in the

dormitories, and no child left her alcove except for the ceremony

of tooth-brushing, which was performed at one of two large tubs,

stationed in the middle of the floor. These tubs--blessed be their

memory!--served as centres of gossip. Friend met friend, and smothered

confidences were exchanged. Our gayest witticisms,--hastily choked by

a toothbrush,--our oldest and dearest jests were whispered brokenly

to the accompaniment of little splashes of water. It was the last

social event of our long social day, and we welcomed it as freshly

as if we had not been in close companionship since seven o'clock in

the morning. Elizabeth, scrubbing her teeth with ostentatious vigour,

found a chance to tell me, between scrubs, that Bessie Treves had been

summoned home for a week, and that she, as the only other bearer of

Reverend Mother's honoured name, had been chosen to make the address.

"It's the feast of St. Elizabeth," she whispered, "and the operetta is

about St. Elizabeth, and they want an Elizabeth to speak. I wish I had

been christened Melpomene."

"You couldn't have been christened Melpomene," I whispered back,

keeping a watchful eye upon Madame Chapelle, who was walking up and

down the dormitory, saying her beads. "It isn't a Christian name. There

never was a St. Melpomene."

"It's nearly three pages long," said Elizabeth, alluding to the

address, and not to the tragic Muse. "All about the duties of women,

and how they ought to stay at home and be kind to the poor, like St.

Elizabeth, and let their husbands go to the Crusades."

"But there are no Crusades any more for their husbands to go to," I

objected.

Elizabeth looked at me restively. She did not like this fractious

humour. "I mean let their husbands go to war," she said.

"But if there are no wars," I began, when Madame Chapelle, who had not

been so inattentive as I supposed, intervened. "Elizabeth and Agnes,

go back to your alcoves," she said. "You have been quite long enough

brushing your teeth."

I flirted my last drops of water over Elizabeth, and she returned the

favour with interest, having more left in her tumbler than I had. It

was our customary good-night. Sometimes, when we were wittily disposed,

we said "_Asperges me_." That was one of the traditional jests of

the convent. Generations of girls had probably said it before us. Our

language was enriched with scraps of Latin and apt quotations, borrowed

from Church services, the Penitential Psalms, and the catechism.

For two days Elizabeth studied the address, and for two days more she

rehearsed it continuously under Madame Rayburn's tutelage. At intervals

she recited portions of it to us, and we favoured her with our candid

criticisms. Tony objected vehemently to the very first line:--

"A woman's path is ours to humbly tread."

She said she didn't intend to tread it humbly at all; that Elizabeth

might be as humble as she pleased (Elizabeth promptly disclaimed any

personal sympathy with the sentiment), and that Marie and Agnes were

welcome to all the humility they could practise (Marie and Agnes

rejected their share of the virtue), but that she--Tony--was tired

of behaving like an affable worm. To this, Emily, with more courage

than courtesy, replied that a worm Tony might be, but an affable worm,

never; and Elizabeth headed off any further retort by hurrying on with

the address.

"A woman's path is ours to humbly tread,

And yet to lofty heights our hopes are led.

We may not share the Senate's stern debate,

Nor guide with faltering hand the helm of state;

Ours is the holier right to soften party hate,

And teach the lesson, lofty and divine,

Ambition's fairest flowers are laid at Virtue's shrine."

"Have you any idea what all that means?" asked Marie discontentedly.

"Oh, I don't have to say what it means," returned Elizabeth, far too

sensible to try to understand anything she would not be called upon to

explain. "Reverend Mother makes that out for herself."

In Our Convent Days · 第 6 / 8 段