Carrie Jacobs Bond

Carrie Jacobs Bond, whose art songs are among the most popular by an

American, was born in Janesville, Wisconsin, on August 11, 1862. Coming

from a musical family, she was given music instruction early, and made

appearances as a child-prodigy pianist. After marrying Dr. Frank L.

Bond, a physician, she went to live in Chicago where her husband died

suddenly, leaving her destitute. For a while she earned a living by

renting rooms, taking in sewing, and doing other menial jobs. Then she

began thinking of supplementing this meager income with the writing of

songs. To issue these compositions, she formed a modest publishing firm

in New York with funds acquired from her New York song recital; for a

long time her office was in a hall bedroom. Her first publication, just

before the end of the century, was _Seven Songs_, which included “I Love

You Truly” and “Just a Wearyin’ For You,” each of which she subsequently

published as separate pieces. In 1909 she achieved a formidable success

with the famous ballad, “The End of a Perfect Day,” of which more than

five million copies of sheet music were sold within a few years. Her

later songs added further both to her financial security and her

reputation. She was invited to give concerts at the White House,

received awards for achievement in music from various organizations, and

was singled out in 1941 by the Federation of Music Clubs as one of the

two outstanding women in the field of music. She died in Hollywood,

California, on December 28, 1946.

Carrie Jacobs Bond knew how to write a song that was filled with

sentiment without becoming cloying, that was simple without becoming

ingenuous, and which struck a sympathetic universal chord by virtue of

its mobile and expressive lyricism. Besides “I Love You Truly,” “Just a

Wearyin’ for You” and “The End of a Perfect Day,” her most famous songs

included “His Lullaby,” “Life’s Garden,” “I’ve Done My Work,” and “Roses

Are in Bloom.” Her songs are so popular that they have been often heard

in various transcriptions for salon orchestras and band.

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