THE BABYLONIAN STORY OF THE CREATION
This is the final development of the Babylonian creed. It has already
been pointed out that the religion of the Babylonians in all
probability had two stages before arriving at that in which the god
Merodach occupied the position of chief of the pantheon, the two
preceding heads having been, seemingly, Anu, the god of the heavens,
and Êa or Aa, also called Enki, the god of the abyss and of deep
wisdom. In order to show this, and at the same time to give an idea of
their theory of the beginning of things, a short paraphrase of the
contents of the seven tablets will be found in the following pages.
An Embodiment of doctrine.
As far as our knowledge goes, the doctrines incorporated in this
legend would seem to show the final official development of the
beliefs held by the Babylonians, due, in all probability, to the
priests of Babylon after that city became the capital of the federated
states. Modifications of their creed probably took place, but nothing
seriously affecting it, until after the abandonment of Babylon in the
time of Seleucus Nicator, 300 B.C. or thereabouts, when the deity at
the head of the pantheon seems not to have been Merodach, but Anu-Bêl.
This legend is therefore the most important document bearing upon the
beliefs of the Babylonians from the end of the third millennium B.C.
until that time, and the philosophical ideas which it contains seem to
have been held, in a more or less modified form, among the remnants
who still retained the old Babylonian faith, until the sixth century
of the present era, as the record by Damascius implies. Properly
speaking, it is not a record of the creation, but the story of the
fight between Bel and the Dragon, to which the account of the creation
is prefixed by way of introduction.
Water the first creator.
The legend begins by stating that, when the heavens were unnamed and
the earth bore no name, the primæval ocean was the producer of all
things, and Mummu Tiawath (the sea) she who brought forth everything
existing. Their waters (that is, of the primæval ocean and of the sea)
were all united in one, and neither plains nor marshes were to be
seen; the gods likewise did not exist, even in name, and the fates
were undetermined--nothing had been decided as to the future of
things. Then arose the great gods. Lahmu and Lahame came first,
followed, after a long period, by Anšar and Kišar, generally
identified with the "host of heaven" and the "host of earth," these
being the meanings of the component parts of their names. After a
further long period of days, there came forth their son Anu, the god
of the heavens.
The gods.
Here the narrative is defective, and is continued by Damascius in his
/Doubts and Solutions of the First Principles/, in which he states
that, after Anos (Anu), come Illinos (Ellila or Bel, "the lord" /par
excellence/) and Aos (Aa, Ae, or Êa), the god of Eridu. Of Aos and
Dauké (the Babylonian Aa and Damkina) is born, he says, a son called
Belos (Bel-Merodach), who, they (apparently the Babylonians) say, is
the fabricator of the world--the creator.
The designs against them.
At this point Damascius ends his extract, and the Babylonian tablet
also becomes extremely defective. The next deity to come into
existence, however, would seem to have been Nudimmud, who was
apparently the deity Aa or Êa (the god of the sea and of rivers) as
the god of creation. Among the children of Tauthé (Tiawath) enumerated
by Damascius is one named Moumis, who was evidently referred to in the
document at that philosopher's disposal. If this be correct, his name,
under the form of Mummu, probably existed in one of the defective
lines of the first portion of this legend--in any case, his name
occurs later on, with those of Tiawath and Apsu (the Deep), his
parents, and the three seem to be compared, to their disadvantage,
with the progeny of Lahmu and Lahame, the gods on high. As the ways of
these last were not those of Tiawath's brood, and Apsu complained that
he had no peace by day nor rest by night on account of their
proceedings, the three representatives of the chaotic deep, Tiawath,
Apsu, and Mummu, discussed how they might get rid the beings who
wished to rise to higher things. Mummu was apparently the prime mover
in the plot, and the face of Apsu grew bright at the thought of the
evil plan which they had devised against "the gods their sons." The
inscription being very mutilated here, its full drift cannot be
gathered, but from the complete portions which come later it would
seem that Mummu's plan was not a remarkably cunning one, being simply
to make war upon and destroy the gods of heaven.
Tiawath's preparations.
The preparations made for this were elaborate. Restlessly, day and
night, the powers of evil raged and toiled, and assembled for the
fight. "Mother Hubur," as Tiawath is named in this passage, called her
creative powers into action, and gave her followers irresistible
weapons. She brought into being also various monsters--giant serpents,
sharp of tooth, bearing stings, and with poison filling their bodies
like blood; terrible dragons endowed with brilliance, and of enormous
stature, reared on high, raging dogs, scorpion-men, fish-men, and many
other terrible beings, were created and equipped, the whole being
placed under the command of a deity named Kingu, whom she calls her
"only husband," and to whom she delivers the tablets of fate, which
conferred upon him the godhead of Anu (the heavens), and enabled their
possessor to determine the gates among the gods her sons.
Kingu replaces Absu.
The change in the narrative which comes in here suggests that this is
the point at which two legends current in Babylonia were united.
Henceforward we hear nothing more of Apsu, the begetter of all things,
Tiawath's spouse, nor of Mummu, their son. In all probability there is
good reason for this, and inscriptions will doubtless ultimately be
found which will explain it, but until then it is only natural to
suppose that two different legends have been pieced together to form a
harmonious whole.
Tiawath's aim.
As will be gathered from the above, the story centres in the wish of
the goddess of the powers of evil and her kindred to retain creation--the
forming of all living things--in her own hands. As Tiawath means
"the sea," and Apsu "the deep," it is probable that this is a kind of
allegory personifying the productive power seen in the teeming life of
the ocean, and typifying the strange and wonderful forms found
therein, which were symbolical, to the Babylonian mind, of chaos and
confusion, as well as of evil.
The gods hear of the conspiracy.
Aa, or Êa, having learned of the plot of Tiawath and her followers
against the gods of heaven, naturally became filled with anger, and
went and told the whole to Anšar, his father, who in his turn gave way
to his wrath, and uttered cries of the deepest grief. After
considering what they would do, Anšar applied to his son Anu, "the
mighty and brave," saying that, if he would only speak to her, the
great dragon's anger would be assuaged, and her rage disappear. In
obedience to this behest, Anu went to try his power with the monster,
but on beholding her snarling face, feared to approach her, and turned
back. Nudimmud was next called upon to become the representative of
the gods against their foe, but his success was as that of Anu, and it
became needful to seek another champion.
And choose Merodach as their champion.
The choice fell upon Merodach, the Belus (Bel-Merodach) of Damascius's
paraphrase, and at once met with an enthusiastic reception. The god
asked simply that an "unchangeable command" might be given to him--that
whatever he ordained should without fail come to pass, in order
that he might destroy the common enemy. Invitations were sent to the
gods asking them to a festival, where, having met together, they ate
and drank, and "decided the fate" for Merodach their avenger,
apparently meaning that he was decreed their defender in the conflict
with Tiawath, and that the power of creating and annihilating by the
word of his mouth was his. Honours were then conferred upon him;
princely chambers were erected for him, wherein he sat as judge "in
the presence of his fathers," and the rule over the whole universe was
given to him. The testing of his newly acquired power followed. A
garment was placed in their midst:
"He spake with his mouth, and the garment was destroyed,
He spake to it again, and the garment was reproduced."
Merodach proclaimed king.
On this proof of the reality of the powers conferred on him, all the
gods shouted "Merodach is king!" and handed to him sceptre, throne,
and insignia of royalty. An irresistible weapon, which should shatter
all his enemies, was then given to him, and he armed himself also with
spear or dart, bow, and quiver; lightning flashed before him, and
flaming fire filled his body. Anu, the god of the heavens, had given
him a great net, and this he set at the four cardinal points, in order
that nothing of the dragon, when he had defeated her, should escape.
Seven winds he then created to accompany him, and the great weapon
called /Abubu/, "the Flood," completed his equipment. All being ready,
he mounted his dreadful, irresistible chariot, to which four steeds
were yoked--steeds unsparing, rushing forward, rapid in flight, their
teeth full of venom, foam-covered, experienced in galloping, schooled
in overthrowing. Being now ready for the fray, Merodach fared forth to
meet Tiawath, accompanied by the fervent good wishes of "the gods his
fathers."
The fight with Tiawath.
Advancing, he regarded Tiawath's retreat, but the sight of the enemy
was so menacing that even the great Merodach (if we understand the
text rightly) began to falter. This, however, was not for long, and
the king of the gods stood before Tiawath, who, on her side, remained
firm and undaunted. In a somewhat long speech, in which he reproaches
Tiawath for her rebellion, he challenges her to battle, and the two
meet in fiercest fight. To all appearance the type of all evil did not
make use of honest weapons, but sought to overcome the king of the
gods with incantations and charms. These, however, had not the
slightest effect, for she found herself at once enclosed in Merodach's
net, and on opening her mouth to resist and free herself, the evil
wind, which Merodach had sent on before him, entered, so that she
could not close her lips, and thus inflated, her heart was
overpowered, and she became a prey to her conqueror. Having cut her
asunder and taken out her heart, thus destroying her life, he threw
her body down and stood thereon. Her followers then attempted to
escape, but found themselves surrounded and unable to get forth. Like
their mistress, they were thrown into the net, and sat in bonds, being
afterwards shut up in prison. As for Kingu, he was raised up, bound,
and delivered to be with Ugga, the god of death. The tablets of fate,
which Tiawath had delivered to Kingu, were taken from him by Merodach,
who pressed his seal upon them, and placed them in his breast. The
deity Anšar, who had been, as it would seem, deprived of his rightful
power by Tiawath, received that power again on the death of the common
foe, and Nudimmud "saw his desire upon his enemy."
Tiawath's fate.
The dismemberment of Tiawath then followed, and her veins having been
cut through, the north wind was caused by the deity to carry her blood
away into secret places, a statement which probably typifies the
opening of obstructions which prevent the rivers flowing from the
north from running into the southern seas, helped thereto by the north
wind. Finally her body was divided, like "a /mašdê/-fish," into two
parts, one of which was made into a covering for the heavens--the
"waters above the firmament" of Genesis i. 7.
Merodach orders the world anew.
Then came the ordering of the universe anew. Having made a covering
for the heavens with half the body of the defeated Dragon of Chaos,
Merodach set the Abyss, the abode of Nudimmud, in front, and made a
corresponding edifice above--the heavens--where he founded stations
for the gods Anu, Bel, and Ae. Stations for the great gods in the
likeness of constellations, together with what is regarded as the
Zodiac, were his next work. He then designated the year, setting three
constellations for each month, and made a station for
Nibiru--Merodach's own star--as the overseer of all the lights in the
firmament. He then caused the new moon, Nannaru, to shine, and made
him the ruler of the night, indicating his phases, one of which was on
the seventh day, and the other, a /šabattu/, or day of rest, in the
middle of the month. Directions with regard to the moon's movements
seem to follow, but the record is mutilated, and their real nature
consequently doubtful. With regard to other works which were performed
we have no information, as a gap prevents their being ascertained.
Something, however, seems to have been done with Merodach's
net--probably it was placed in the heavens as a constellation, as was his
bow, to which several names were given. Later on, the winds were bound
and assigned to their places, but the account of the arrangement of
other things is mutilated and obscure, though it can be recognised
that the details in this place were of considerable interest.
The creation of man.
To all appearance the gods, after he had ordered the universe and the
things then existing, urged Merodach to further works of wonder.
Taking up their suggestion, he considered what he should do, and then
communicated to his father Ae his plan for the creation of man with
his own blood, in order that the service and worship of the gods might
be established. This portion is also unfortunately very imperfect, and
the details of the carrying out of the plan are entirely wanting.
Berosus' narrative fills the gap.
It is noteworthy that this portion of the narrative has been preserved
by Abydenus, George the Syncellus, and Eusebius, in their quotations
from Berosus. According to this Chaldæan writer, there was a woman
named Omoroca, or, in Chaldæan, Thalatth (apparently a mistake for
Thauatth, i.e. Tiawath), whose name was equivalent to the Greek
Thalassa, the sea. It was she who had in her charge all the strange
creatures then existing. At this period, Belus (Bel-Merodach) came,
and cut the woman asunder, forming out of one half the earth, and of
the other the heavens, at the same time destroying all the creatures
which were within her--all this being an allegory, for the whole
universe consists of moisture, and creatures are constantly generated
therein. The deity then cut off his own head, and the other gods mixed
the blood, as it gushed out, with the earth, and from this men were
formed. Hence it is that men are rational, and partake of divine
knowledge.
A second creation.
This Belsus, "who is called Zeus," divided the darkness, separated the
heavens from the earth, and reduced the universe to order. The animals
which had been created, however, not being able to bear the light,
died. Belus then, seeing the void thus made, ordered one of the gods
to take off his head, and mix the blood with the soil, forming other
men and animals which should be able to bear the light. He also formed
the stars, the sun, the moon, and the five planets. It would thus seem
that there were two creations, the first having been a failure because
Belus had not foreseen that it was needful to produce beings which
should be able to bear the light. Whether this repetition was really
in the Babylonian legend, or whether Berosus (or those who quote him)
has merely inserted and united two varying accounts, will only be
known when the cuneiform text is completed.
The concluding tablet.
The tablet of the fifty-one names completes the record of the tablets
found at Nineveh and Babylon. In this Merodach receives the titles of
all the other gods, thus identifying him with them, and leading to
that tendency to monotheism of which something will be said later on.
In this text, which is written, like the rest of the legend, in
poetical form, Merodach is repeatedly called /Tutu/, a mystic word
meaning "creator," and "begetter," from the reduplicate root /tu/ or
/utu/--which was to all appearances his name when it was desired to
refer to him especially in that character. Noteworthy in this portion
is the reference to Merodach's creation of mankind:--
Line 25. "Tuto: Aga-azaga (the glorious crown)--may he make the crowns
glorious.
26. The lord of the glorious incantation bringing the dead to
life;
27. He who had mercy on the gods who had been overpowered;
28. Made heavy the yoke which he had laid on the gods who were
his enemies,
29. (And) to redeem(?) them, created mankind.
30. 'The merciful one,' 'he with whom is salvation,'
31. May his word be established, and not forgotten,
32. In the mouth of the black-headed ones[1] whom his hands have
made."
[1] I.e. mankind.
Man the redeemer.
The phrase "to redeem them" is, in the original, /ana padi-šunu/, the
verb being from /padû/, "to spare," "set free," and if this rendering
be correct, as seems probable, the Babylonian reasons for the creation
of mankind would be, that they might carry on the service and worship
of the gods, and by their righteousness redeem those enemies of the
gods who were undergoing punishment for their hostility. Whether by
this Tiawath, Apsu, Mummu, Kingu, and the monsters whom she had
created were included, or only the gods of heaven who had joined her,
the record does not say. Naturally, this doctrine depends entirely
upon the correctness of the translation of the words quoted. Jensen,
who first proposed this rendering, makes no attempt to explain it, and
simply asks: "Does 'them' in 'to redeem(?) them' refer to the gods
named in line 28 or to mankind and then to a future--how
meant?--redemption? Eschatology? Zimmern's 'in their place' unprovable.
Delitzsch refrains from an explanation."
The bilingual account of the creation. Aruru aids Merodach.
Whilst dealing with this part of the religious beliefs of the
Babylonians, a few words are needed concerning the creation-story
which is prefixed to an incantation used in a purification ceremony.
The original text is Sumerian (dialectic), and is provided with a
Semitic translation. In this inscription, after stating that nothing
(in the beginning) existed, and even the great cities and temples of
Babylonia were as yet unbuilt, the condition of the world is briefly
indicated by the statement that "All the lands were sea." The renowned
cities of Babylonia seem to have been regarded as being as much
creations of Merodach as the world and its inhabitants--indeed, it is
apparently for the glorification of those cities by attributing their
origin to Merodach, that the bilingual account of the creation was
composed.. "When within the sea there was a stream"--that is, when the
veins of Tiawath had been cut through--Êridu (probably = Paradise) and
the temple Ê-sagila within the Abyss were constructed, and after that
Babylon and the earthly temple of Ê-sagila within it. Then he made the
gods and the Annunnaki (the gods of the earth), proclaimed a glorious
city as the seat of the joy of their hearts, and afterwards made a
pleasant place in which the gods might dwell. The creation of mankind
followed, in which Merodach was aided by the goddess Aruru, who made
mankind's seed. Finally, plants, trees, and the animals, were
produced, after which Merodach constructed bricks, beams, houses, and
cities, including Niffer and Erech with their renowned temples.
We see here a change in the teaching with regard to Merodach--the gods
are no longer spoken of as "his fathers," but he is the creator of the
gods, as well as of mankind.
The order of the gods in the principal lists.
It is unfortunate that no lists of gods have been found in a
sufficiently complete state to allow of the scheme after which they
were drawn up to be determined without uncertainty. It may,
nevertheless, be regarded as probable that these lists, at least in
some cases, are arranged in conformity (to a certain extent) with the
appearance of the deities in the so-called creation-story. Some of
them begin with Anu, and give him various names, among them being
Anšar and Kišar, Lahmu and Lahame, etc. More specially interesting,
however, is a well-known trilingual list of gods, which contains the
names of the various deities in the following order:--
EXTRACTS FROM THE TRILINGUAL LIST
/Obverse/
Sumer. Dialect Sumer. Standard Common Explanation
(Semit. or Sumer.)
1. Dimmer Dingir Îlu God.
2. U-ki En-ki Ê-a Êa or Aa.
3. Gašan(?)-ki Nin-ki Dawkina Dauké, the consort of Êa.
4. Mu-ul-lil En-lil-la Bêl The God Bel.
5. E-lum A-lim Bêl
6. Gašan(?)-lil Nin-lil-la dam-bi sal Bel's consort.
7. U-lu-a Ni-rig Ênu-rêštu The god of Niffer.
8. U-lib-a Ni-rig Ênu-rêštu
9-12 have Ênu-rêštu's consort, sister, and attendant.
13. U-šab-sib En-šag-duga Nusku Nusku
14-19 have two other names of Nusku, followed by three names of his
consort. A number of names of minor divinities then follow. At
line 43 five names of Êa are given, followed by four of
Merodach:--
48. U-bi-lu-lu En-bi-lu-lu Marduk Merodach
49. U-Tin-dir ki En-Tin-dir ki Marduk Merodach as "lord of Babylon."
50. U-dimmer-an-kia En-dinger-an-kia Marduk Merodach as "lord god of heaven and earth."
51. U-ab-šar-u En-ab-šar-u Marduk Merodach, apparently as "lord of the 36,000 steers."
52. U-bar-gi-si Nin-bar-gi-si Zer-panîtum Merodach's consort.
53. Gašan-abzu Nin-abzu dam-bi sal "the Lady of the Abyss," his consort.
The remainder of the obverse is mutilated, but gave the names of Nebo
in Sumerian, and apparently also of Tašmêtum, his consort. The
beginning of the reverse also is mutilated, but seems to have given
the names of the sun-god, Šamaš, and his consort, followed by those of
Kîttu and Mêšarum, "justice and righteousness," his attendants. Other
interesting names are:
/Reverse/
8. U-libir-si En-ubar-si Dumu-zi Tammuz
9. Sir-tumu Sir-du ama Dumuzi-gi the mother of Tammuz
12. Gašan-anna Innanna Ištar Ištar (Venus) as "lady of heaven."
20. Nin-si-anna Innanna mul Ištar the star (the planet Venus).
21. Nin Nin-tag-taga Nanaa a goddess identified with Ištar.
23. U-šah Nina-šah Pap-sukal the gods' messenger.
24. U-banda Lugal-banda Lugal-banda
26. U-Mersi Nin-Girsu Nin-Girsu the chief god of Lagaš.
27. Ma-sib-sib Ga-tum-duga Bau Bau, a goddess identified with Gula.
Four non-Semitic names of Gula follow, of which that in line 31 is the
most interesting:--
31. Gašan-ti-dibba Nin-tin-guua Gula "the lady saving from death."
33. Gašan-ki-gal Ereš-ki-gala Allatu Persephone.
36. U-mu-zi-da Nin-giš-zi-da Nin-giš-zida "the lord of the everlasting tree."
37. U-urugal Ne-eri-gal Nerigal Nergal.
42. Mulu-hursag Galu-hursag Amurru the Amorite god.
43. Gašan-gu-edina Nin-gu-edina (apparently the consort of Amurru).
In all probability this list is one of comparatively late date, though
its chronological position with regard to the others is wholly
uncertain--it may not be later, and may even be earlier, than those
beginning with Anu, the god of the heavens. The important thing about
it is, that it begins with /îlu/, god, in general, which is written,
in the standard dialect (that of the second column) with the same
character as that used for the name of Anu. After this comes Aa or Êa,
the god of the earth, and his consort, followed by En-lilla, the older
Bel--Illinos in Damascius. The name of Êa is repeated again in line 43
and following, where he is apparently re-introduced as the father of
Merodach, whose names immediately follow. This peculiarity is also
found in other lists of gods and is undoubtedly a reflection of the
history of the Babylonian religion. As this list replaces Anu by
/îlu/, it indicates the rule of Enki or Êa, followed by that of
Merodach, who, as has been shown, became the chief divinity of the
Babylonian pantheon in consequence of Babylon having become the
capital of the country.