CHAPTER L.

Towards seven o’clock on the evening of Thursday, Carmina recognised

Teresa for the first time.

Her half-closed eyes opened, as if from a long sleep: they rested on the

old nurse without any appearance of surprise. “I am so glad to see you,

my dear,” she said faintly. “Are you very tired after you journey?” None

of the inquiries which might have been anticipated followed those first

words. Not the slightest allusion to Mrs. Gallilee escaped her; she

expressed no anxiety about Miss Minerva; no sign of uneasiness

at finding herself in a. strange room, disturbed her quiet face.

Contentedly reposing, she looked at Teresa from time to time and said,

“You will stay with me, won’t you?” Now and then, she confessed that her

head felt dull and heavy, and asked Teresa to take her hand. “I feel as

if I was sinking away from you,” she said; “keep hold of my hand and I

shan’t be afraid to go to sleep.” The words were hardly spoken, before

she sank into slumber. Occasionally, Teresa felt her hand tremble and

kissed it. She seemed to be conscious of the kiss, without waking--she

smiled in her sleep.

But, when the first hours of the morning came, this state of passive

repose was disturbed. A violent attack of sickness came on. It was

repeated again and again. Teresa sent for Mr. Null. He did what he

could to relieve the new symptom; and he despatched a messenger to his

illustrious colleague.

Benjulia lost no time in answering personally the appeal that had been

made to him.

Mr. Null said, “Serious derangement of the stomach, sir.” Benjulia

agreed with him. Mr. Null showed his prescription. Benjulia sanctioned

the prescription. Mr. Null said, “Is there anything you wish to suggest,

sir?” Benjulia had nothing to suggest.

He waited, nevertheless, until Carmina was able to speak to him. Teresa

and Mr. Null wondered what he would say to her. He only said, “Do

you remember when you last saw me?” After a little consideration, she

answered, “Yes, Zo was with us; Zo brought in your big stick; and we

talked--” She tried to rouse her memory. “What did we talk about?”

she asked. A momentary agitation brought a flush to her face. “I can’t

remember it,” she said; “I can’t remember when you went away: does it

matter?” Benjulia replied, “Not the least in the world. Go to sleep.”

But he still remained in the room--watching her as she grew drowsy.

“Great weakness,” Mr. Null whispered. And Benjulia answered, “Yes; I’ll

call again.”

On his way out, he took Teresa aside.

“No more questions,” he said--“and don’t help her memory if she asks

you.”

“Will she remember, when she gets better?” Teresa inquired.

“Impossible to say, yet. Wait and see.”

He left her in a hurry; his experiments were waiting for him. On the way

home, his mind dwelt on Carmina’s case. Some hidden process was at work

there: give it time--and it would show itself. “I hope that ass won’t

want me,” he said, thinking of his medical colleague, “for at least a

week to come.”

The week passed--and the physiologist was not disturbed.

During that interval, Mr. Null succeeded in partially overcoming the

attacks of sickness: they were less violent, and they were succeeded by

longer intervals of repose. In other respects, there seemed (as Teresa

persisted in thinking) to be some little promise of improvement. A

certain mental advance was unquestionably noticeable in Carmina. It

first showed itself in an interesting way: she began to speak of Ovid.

Her great anxiety was, that he should know nothing of her illness.

She forbade Teresa to write to him; she sent messages to Mr. and Mrs.

Gallilee, and even to Mr. Mool, entreating them to preserve silence.

The nurse engaged to deliver the messages--and failed to keep her word.

This breach of promise (as events had ordered it) proved to be harmless.

Mrs. Gallilee had good reasons for not writing. Her husband and Mr.

Mool had decided on sending their telegram to the bankers. As for

Teresa herself, she had no desire to communicate with Ovid. His absence

remained inexcusable, from her point of view. Well or ill, with or

without reason, it was the nurse’s opinion that he ought to have

remained at home, in Carmina’s interests. No other persons were in

the least likely to write to Ovid--nobody thought of Zo as a

correspondent--Carmina was pacified.

Once or twice, at this later time, the languid efforts of her memory

took a wider range.

She wondered why Mrs. Gallilee never came near her; owning that her

aunt’s absence was a relief to her, but not feeling interest enough in

the subject to ask for information. She also mentioned Miss Minerva. “Do

you know where she has gone? Don’t you think she ought to write to me?”

Teresa offered to make inquiries. She turned her head wearily on the

pillow, and said, “Never mind!” On another occasion, she asked for Zo,

and said it would be pleasant if Mr. Gallilee would call and bring her

with him. But she soon dropped the subject, not to return to it again.

The only remembrance which seemed to dwell on her mind for more than

a few minutes, was her remembrance of the last letter which she had

written to Ovid.

She pleased herself with imagining his surprise, when he received it;

she grew impatient under her continued illness, because it delayed her

in escaping to Canada; she talked to Teresa of the clever manner in

which the flight had been planned--with this strange failure of memory,

that she attributed the various arrangements for setting discovery at

defiance, not to Miss Minerva, but to the nurse.

Here, for the first time, her mind was approaching dangerous ground. The

stealing of the letter, and the events that had followed it, stood next

in the order of remembrance--if she was capable of a continued

effort. Her weakness saved her. Beyond the writing of the letter, her

recollections were unable to advance. Not the faintest allusion to any

later circumstances escaped her. The poor stricken brain still sought

its rest in frequent intervals of sleep. Sometimes, she drifted back

into partial unconsciousness; sometimes, the attacks of sickness

returned. Mr. Null set an excellent example of patience and resignation.

He believed as devoutly as ever in his prescriptions; he placed the

greatest reliance on time and care. The derangement of the stomach (as

he called it) presented something positive and tangible to treat: he had

got over the doubts and anxieties that troubled him, when Carmina

was first removed to the lodgings. Looking confidently at the

surface--without an idea of what was going on below it--he could tell

Teresa, with a safe conscience, that he understood the case. He was

always ready to comfort her, when her excitable Italian nature passed

from the extreme of hope to the extreme of despair. “My good woman, we

see our way now: it’s a great point gained, I assure you, to see our

way.”

“What do you mean by seeing your way?” said the downright nurse. “Tell

me when Carmina will be well again.”

Mr. Null’s medical knowledge was not yet equal to this demand on it.

“The progress is slow,” he admitted, “still Miss Carmina is getting on.”

“Is her aunt getting on?” Teresa asked abruptly. “When is Mistress

Gallilee likely to come here?”

“In a few days--” Mr. Null was about to add “I hope;” but he thought

of what might happen when the two women met. As it was, Teresa’s face

showed signs of serious disturbance: her mind was plainly not prepared

for this speedy prospect of a visit from Mrs. Gallilee. She took a

letter out of her pocket.

“I find a good deal of sly prudence in you,” she said to Mr. Null.

“You must have seen something, in your time, of the ways of deceitful

Englishwomen. What does that palaver mean in plain words?” She handed

the letter to him.

With some reluctance he read it.

“Mrs. Gallilee declines to contract any engagement with the person

formerly employed as nurse, in the household of the late Mr. Robert

Graywell. Mrs. Gallilee so far recognises the apology and submission

offered to her, as to abstain from taking immediate proceedings. In

arriving at this decision, she is also influenced by the necessity of

sparing her niece any agitation which might interfere with the medical

treatment. When the circumstances appear to require it, she will not

hesitate to exert her authority.”

The handwriting told Mr. Null that this manifesto had not been written

by Mrs. Gallilee herself. The person who had succeeded him, in the

capacity of that lady’s amanuensis, had been evidently capable of giving

sound advice. Little did he suspect that this mysterious secretary was

identical with an enterprising pianist, who had once prevailed on him to

take a seat at a concert; price five shillings.

“Well?” said Teresa.

Mr. Null hesitated.

The nurse stamped impatiently on the floor. “Tell me this! When she does

come here, will she part me from Carmina? Is that what she means?”

“Possibly,” said prudent Mr. Null.

Teresa pointed to the door. “Good-morning! I want nothing more of you.

Oh, man, man, leave me by myself!”

The moment she was alone, she fell on her knees. Fiercely whispering,

she repeated over and over again the words of the Lord’s Prayer: “‘Lead

us not into temptation, but deliver us from evil.’ Christ, hear me!

Mother of Christ, hear me! Oh, Carmina! Carmina!”

She rose and opened the door which communicated with the bedroom.

Trembling pitiably, she looked for a while at Carmina, peacefully

asleep--then turned away to a corner of the room, in which stood an old

packing-case, fitted with a lock. She took it up; and, returning with it

to the sitting-room, softly closed the bedroom door again.

After some hesitation, she decided to open the case. In the terror and

confusion that possessed her, she tried the wrong key. Setting this

mistake right, she disclosed--strangely mingled with the lighter

articles of her own dress--a heap of papers; some of them letters and

bills; some of them faded instructions in writing for the preparation of

artists’ colours.

She recoiled from the objects which her own act had disclosed. Why had

she not taken Father Patrizio’s advice? If she had only waited another

day; if she had only sorted her husband’s papers, before she threw the

things that her trunk was too full to hold into that half-empty case,

what torment might have been spared to her! Her eyes turned mournfully

to the bedroom door. “Oh, my darling, I was in such a hurry to get to

You!”

At last, she controlled herself, and put her hand into the case.

Searching it in one corner, she produced a little tin canister. A dirty

label was pasted on the canister, bearing this quaint inscription in the

Italian language:

“If there is any of the powder we employ in making some of our prettiest

colours, left in here, I request my good wife, or any other trustworthy

person in her place, to put a seal on it, and take it directly to the

manufactory, with the late foreman’s best respects. It looks like nice

sugar. Beware of looks--or you may taste poison.”

On the point of opening the canister she hesitated. Under some strange

impulse, she did what a child might have done: she shook it, and

listened.

The rustle of the rising and falling powder--renewing her terror--seemed

to exercise some irresistible fascination over her. “The devil’s dance,”

she said to herself, with a ghastly smile. “Softly up--and softly

down--and tempting me to take off the cover all the time! Why don’t I

get rid of it?”

That question set her thinking of Carmina’s guardian.

If Mr. Null was right, in a day or two Mrs. Gallilee might come to the

house. After the lawyers had threatened Teresa with the prospect of

separation from Carmina, she had opened the packing-case, for the first

time since she had left Rome--intending to sort her husband’s papers as

a means of relief from her own thoughts. In this way, she had discovered

the canister. The sight of the deadly powder had tempted her. There were

the horrid means of setting Mrs. Gallilee’s authority at defiance! Some

women in her place, would use them. Though she was not looking into the

canister now, she felt that thought stealing back into her mind. There

was but one hope for her: she resolved to get rid of the poison.

How?

At that period of the year, there was no fire in the grate. Within

the limits of the room, the means of certain destruction were slow

to present themselves. Her own morbid horror of the canister made her

suspicious of the curiosity of other people, who might see it in her

hand if she showed herself on the stairs. But she was determined, if she

lit a fire for the purpose, to find the way to her end. The firmness

of her resolution expressed itself by locking the case again, without

restoring the canister to its hiding-place.

Providing herself next with a knife, she sat down in a corner--between

the bedroom door on one side, and a cupboard in an angle of the wall on

the other--and began the work of destruction by scraping off the paper

label. The fragments might be burnt, and the powder (if she made a vow

to the Virgin to do it) might be thrown into the fire next--and then the

empty canister would be harmless.

She had made but little progress in the work of scraping, when it

occurred to her that the lighting of a fire, on that warm autumn day,

might look suspicious if the landlady or Mr. Null happened to come in.

It would be safer to wait till night-time, when everybody would be in

bed.

Arriving at this conclusion, she mechanically suspended the use of her

knife.

In the moment of silence that followed, she heard someone enter the

bedroom by the door which opened on the stairs. Immediately afterwards,

the person turned the handle of the second door at her side. She had

barely time enough to open the cupboard, and hide the canister in

it--when the landlady came in.

Teresa looked at her wildly. The landlady looked at the cupboard: she

was proud of her cupboard.

“Plenty of room there,” she said boastfully: “not another house in the

neighbourhood could offer you such accommodation as that! Yes--the lock

is out of order; I don’t deny it. The last lodger’s doings! She spoilt

my tablecloth, and put the inkstand over it to hide the place. Beast!

there’s her character in one word. You didn’t hear me knock at the

bedroom door? I am so glad to see her sleeping nicely, poor dear! Her

chicken broth is ready when she wakes. I’m late to-day in making my

inquiries after our young lady. You see we have been hard at work

upstairs, getting the bedroom ready for a new lodger. Such a contrast

to the person who has just left. A perfect gentleman, this time--and

so kind in waiting a week till I was able to accommodate him. My ground

floor rooms were vacant, as you know--but he said the terms were too

high for him. Oh, I didn’t forget to mention that we had an invalid in

the house! Quiet habits (I said) are indeed an essential qualification

of any new inmate, at such a time as this. He understood. ‘I’ve been an

invalid myself’ (he said); ‘and the very reason I am leaving my present

lodgings is that they are not quiet enough.’ Isn’t that just the sort of

man we want? And, let me tell you, a handsome man too. With a drawback,

I must own, in the shape of a bald head. But such a beard, and such a

thrilling voice! Hush! Did I hear her calling?”

At last, the landlady permitted other sounds to be audible, besides the

sound of her own voice. It became possible to discover that Carmina was

now awake. Teresa hurried into the bedroom.

Left by herself in the sitting-room, the landlady--“purely out of

curiosity,” as she afterwards said, in conversation with her new

lodger--opened the cupboard, and looked in.

The canister stood straight before her, on an upper shelf. Did Miss

Carmina’s nurse take snuff? She examined the canister: there was a

white powder inside. The mutilated label spoke in an unknown tongue. She

wetted her finger and tasted the powder. The result was so disagreeable

that she was obliged to use her handkerchief. She put the canister back,

and closed the cupboard.

“Medicine, undoubtedly,” the landlady said to herself. “Why should she

hurry to put it away, when I came in?”

Heart and Science: A Story of the Present Time · 第 50 / 63 章