CHAPTER II.

ROUND ABOUT THE RIDGEWAY.

'The year's at the spring

And day's at the dawn;

Morning's at seven;

The hillside's dew-pearled;

The lark's on the wing;

The snail's on the thorn:

God's in the heaven--

All's right with the world!'

R. B.

One fine May morning, after a night of soft, seasonable rain, we are up

betimes and away into the green borderland that encompasses Tenby town

upon its western side. Low, hazy clouds drift athwart the landscape,

with glints of sunlight touching it into life here and there; a gentle

breeze rustling the trees and bowing the growing crops before it.

A cottager, smoking a morning pipe on the bench before his door, gives

us the _sele_ of the day as we pass, and would fain spin a yarn about

the 'craps' and the drought; but, turning a deaf ear to his

lucubrations, we go our ways rejoicing, and ere long find ourselves

skirting a lush green tract of marshland, whose dark levels are gay with

yellow flags, marsh marigolds and feathery 'ragged Robin.'

Diverging to the right and plunging into a grove of aged ash-trees, we

soon emerge upon an open glade where stand the crumbling walls of an

ancient house called Scotsborough. This was the ancestral home of the

family of Ap Rhys, who repose in Tenby Church beneath the monument we

have already visited; and a ramble amidst the intricate passages and

loopholed chambers of the ruined mansion, with their huge chimneys and

cavernous ovens, shews that it was erected at a time when a man's house

still continued to do duty, at a pinch, as his castle. Having explored

this picturesque old pile, we hark back once more to the road. Trudging

along a hollow, shady lane past a pretty mill, we now strike into a

secluded pathway which drops steeply down beside a prattling rill,

beneath overarching trees whose interlacing branches fret the greensward

with a mantle of shadowy verdure.

Overhead the fleecy clouds are swept by the breeze into graceful forms

suggestive of sea-birds' wings; while the sunny air is musical with the

song of birds and the distant bleating of sheep, and sweet with the

scent of chestnut and elder bloom. A newly-fledged Burnet butterfly

tries his smart speckled wings; whilst a passing 'Blue' out-rivals the

hue of the dainty speedwell in the hedgerow; which peeps from amidst a

tangle of pushing young bracken, hooded 'lords and ladies,' bluebells

and wild geranium.

[Illustration: GUMFRESTON CHURCH.]

Here in this secluded nook, 'the world forgetting, by the world forgot,'

nestles the venerable church of Gumfreston; its ivy-mantled tower scarce

rivalling the lofty trees which screen it from the outer world.

Approached by footpaths only, a rustic wicket gives access to the

churchyard; crossing which we enter the lowly edifice by an arched

doorway that opens into a roomy old porch of primitive construction,

completely overgrown with ivy. This was in all probability the original

church, and is entirely built of stone; the roof, after the manner of

the older churches of the district, being fashioned into a simple kind

of vault. Upon either side is a rude stone bench; and a stoup, or font,

of archaic design is built into the wall.

Passing through the inner door, some slight traces of damaged fresco

which appear upon the whitewashed wall may, by a vigorous exercise of

the imagination, be conjectured to represent the martyrdom of St.

Lawrence, the patron saint of Gumfreston Church. Something roughly

resembling a tennis-racket may pass for the martyr's gridiron; while a

gigantic foot, and certain objects vaguely suggesting a pair of scissors

and a comb, are faintly discernible amidst a number of other

half-obliterated details.

A curious recess which bulges outwards from the same wall contains an

old stone font; and the small adjacent transept is connected with the

chancel by one of those singular 'squint' passages peculiar to this

locality.

An unusual effect is produced by the low, simple arch--scarce more than

5 feet wide--between the chancel and the nave, which has a shallow,

pointed recess on either side of it, doubtless designed to hold figures.

[Illustration: CHURCH PLATE AT GUMFRESTON.]

In one of these latter we observe the primitive-looking pewter flagon

and paten which serve the purpose of church plate. Alongside them stands

a queer little cracked handbell of bronze-green, rust-eaten metal; this

is the Sanctus-bell which, in pre-Reformation days, was rung in the

church upon the elevation of the Host, and was carried at the head of

funeral processions. Anent its present damaged condition the story goes

that, during some solemn rite of exorcism with bell, book and candle, a

certain fallen potentate suddenly appeared in a flash of brimstone

flame, and broke the bell in impotent revenge.

Passing through the chancel, we now enter a quaint little side-chapel

with pretty two-light window and low, groined ceiling whose stony ribs

look strong enough to carry a tower. The latter, however, is on the

other side of the church, and is probably of later date; it is built in

several stages, the one below the bell-chamber having pigeon-holes

around inside the walls; while overhead hangs an ancient bell inscribed

SANCTA MARIA ORA PRO NOBIS.

Hard by the church upon its southern side a flight of worn, stone steps

leads down to three clear springs, which well up side by side in a mossy

dell, and ripple away beneath lush grasses and flowering marsh plants.

These wells, although in such close proximity, have been found to differ

in their medicinal properties; and were resorted to as a cure for 'all

the ills that flesh is heir to' by the simple folk of a bygone

generation.

Near at hand is the site of an old cockpit. In days of yore this

exhilarating sport was very popular with Pembrokeshire men, who usually

chose Easter Monday and such-like 'times of jollitie' to indulge in

their favourite pastime.

At the corner of the churchyard stands an old deserted cottage which,

after many vicissitudes, has fallen upon degenerate days. Originally the

rectory, and then the poor-house of the parish, it is now a neglected

ruin half hidden amidst a tangle of shrubs and climbing plants.

Most visitors to Gumfreston will notice the fine old farmhouse that

rises cheek-by-jowl with the carriage-road from Tenby. If we are to

believe the tradition of the countryside, this is the most ancient abode

in the county. Be that as it may, the place bears traces of no mean

antiquity; and is an excellent specimen of a Pembrokeshire homestead of

the olden times.

Out from the main structure projects a mighty porch, running up the full

height of the house, and pierced with round holes by way of windows

above the main doorway. Penetrating into the interior, we enter a

low-browed kitchen with open raftered ceiling and roomy settle beside

the cavernous fireplace; its solid old timbers worn to a fine polish by

generations of rustic shoulders. A bright wood-fire burns on the open

hearth, and over it a big black kettle swings in the hollow of the

chimney.

The chimney stacks cropping boldly out, haphazard as it were, lean

independently this way or that in the quaintest way imaginable; and the

broad gable ends are pierced with many pigeon-holes. The place is built

as though intended to last for all time, and is enveloped in the

customary coating of weather-stained whitewash.

We now push merrily on beneath a cloudless sky; meeting an exhilarating

sea-breeze as the road mounts upwards. Luxuriant hedgerows (a rare sight

hereabouts) presently give place to open downland, affording

widespreading views across rich, rolling woodlands cropped close by the

strong salt breezes. Upon the broad slopes of the Ridgeway groups of

white farm-buildings sparkle amidst ruddy ploughfields; while far beyond

them are Caldey Island and the pale blue line of the sea.

Once more a pleasant field-path beguiles our errant footsteps. Leading

across an open common, it presently drops into a narrow by-lane, which

winds among hazel copses and undergrowth beside the marshy course of

the Ritec, where cattle are browsing leisurely, half hidden amidst lusty

water-plants.

Anon our lane degenerates into a hollow watercourse fringed with the

greenest of mosses and wineglass ferns; insomuch that, like Agag, we are

compelled to walk delicately across the rough stepping-stones that here

do duty as a footpath; while the hedgerows fairly meet overhead in a

tangle of wild roses, hawthorn and fragrant honeysuckle.

Emerging all too soon upon the dusty highway, we approach the pretty

village of St. Florence. Being by this time not a little 'sharp set,' we

enter a modest wayside inn, and proceed to whet our appetites upon the

rations that the _gute verständige Hausfrau_ soon sets before us. Let us

unfold our simple bill of fare: New-laid eggs galore; a mighty loaf of

likely-looking bread, sweet from the clean wood oven; and a draught of

the 'cup that'--in moderation--'cheers, but not inebriates.'

In one corner of the low-ceiled room, the glass panels of an

old-fashioned cupboard reveal a heterogeneous collection of rustic

crockery-ware. The narrow mantel-board is adorned with a curious

centrepiece, representing Wesley preaching to a sham china clock. This

_chef d'oeuvre_ is supported on either hand by china figures, rather

the worse for wear, riding to market upon a pillion; of which the

rickety mirror behind renders a dull and distorted replica.

From the opposite wall the bucolic face of a former proprietor stares

stonily out upon us, as he grasps his doll-like daughter's arm after the

manner of a pump-handle; this interesting group being flanked by the

inevitable memorial cards to lost ones long since 'buried.'

Meanwhile, as we ply the peaceful calumet, mine hostess tells of quaint

old customs that, until only the other day, survived in this quiet

countryside. 'I mind the time,' says she, 'when I was a girl, when there

used to be a Vanity Fair in the village every Michaelmas tide. It lasted

three whole days, and the men and maids would turn out in their best

then, and all the housen must be smartened up and put in order; and

Squire, he give every working man in the place a bran-new suit of

clothes to his back. Ah, there was fine doings then, and I've a-hard

tell that they'd used to run a keg of spirits, or what not, from the big

cellars down Tenby way. But that was afore my time.'

A stroll around the village reveals some picturesque corners here and

there; a few of the older cottages retaining the vast rounded chimneys,

bulging ovens and pointed doorways of an earlier age. The church, too,

contains attractive features. A peep into the little edifice reveals a

curious vaulted interior, with its queer 'squint' passage set askew, and

flat limestone arches of peculiar form on either side of the chancel.

The honours of the place are done by a garrulous old dame, whose

russet-apple complexion, set amidst well-starched frills above a

homespun 'whittle,' shows how well she has weathered her fourscore

hard-working winters.

Upon the gable wall outside, we notice a memorial slab commemorating a

venerable couple who attained the mellow ages of 102 and 104,

respectively; and a singular epitaph on Archdeacon Rudd: while the

broken shaft of an ancient cross rises amidst the well-tended monuments

of this flowery God's acre.

On our return to Tenby we pass a ruined water-mill, standing in a wooded

dingle beside a reed-grown stream. Lanes and field-paths lead us down

the valley of the Ritec, beside a group of tumbled houses whose massive,

ivy-wreathed walls, with their narrow loopholed windows, may possibly

guard those big cellars of which we have lately 'a-hard tell.'

Thence through a hollow dingle, where golden Fritillary butterflies

float to and fro in the dappled sunlight; and where the

fast-disappearing badger may still at times be met with. Anon we diverge

to Carswall, to examine a group of remarkable stone buildings with

vaulted chambers, huge fireplaces and bulging chimneys--puzzling objects

to the archæologist. From Carswall we strike across upland pastures,

where a farm lad is 'tickling' the ruddy soil with a primitive kind of

harrow, composed of a bundle of brushwood drawn behind a horse.

Erelong we turn aside to explore the recesses of Hoyle's Mouth; a vast

cavern worn deep in the solid limestone of the Ridgeway, and fringed

with fantastic stalactites resembling gigantic icicles. Relics of

remote antiquity, discovered here, prove that the cavern has been a

place of refuge in times beyond tradition; and a local fable affirms

that it is connected with that 'mervellows caverne,' yclept the Wogan,

far away beneath the Castle of Pembroke!

Half a mile hence, in a nook of the hill, stands the old farmhouse of

Trefloyne; erstwhile the abode of a loyal family who, during Civil War

times, paid the penalty of their constancy by being hunted forth by the

Parliamentary soldiers; while their home was delivered over to

destruction.

Another half-hour's walk takes us back to Tenby by way of Windpipe Lane;

where a marble tablet by the roadside marks the site of St. John's Well,

for many generations the sole water supply of the inhabitants. 'One

thinge,' says Leland, 'is to be merveled at; there is no Welle yn the

Towne, yt is said; whereby they be forced to fesh theyre Water from

Saint Johns without ye Towne.' Nowadays, however, they have changed all

that; and have provided a water supply more suited to modern

requirements.

In the early days of the century, considerable ruins of the ancient

Hospital of St. John still existed near this spot; of which, however,

every trace has since been quite obliterated.

Another pleasant excursion from Tenby takes the visitor past the little

secluded creek of Waterwinch; giving him, _en route_, a charming glimpse

of the town, rising above the wooded shores of the north bay. Thence a

steep, narrow lane leads to the village of Saundersfoot, a favourite

seaside resort with a diminutive harbour, an hotel and groups of

lodging-houses.

The whole of this district has been, at some remote geological period,

one vast forest, of which traces still exist upon the adjacent coast;

where submerged trees, and balks of timber encrusted with shells, are

occasionally found. Tall chimney-shafts, rising amidst the woods, attest

the presence of anthracite coal beneath our feet; this is raised from

several mines in the neighbourhood, and sent down by tramway to

Saundersfoot for exportation.

Pursuing a delightfully shady road that winds inland past the grounds

of Hean Castle, we soon find ourselves amidst some of the loveliest

sylvan scenery in all the countryside. Presently we get a peep at the

church of St. Issels, almost lost to view amidst green aisles of

embowering foliage.

As at Gumfreston, by footpaths only can the little edifice be

approached; while the stepping-stones across the rivulet are

supplemented by a rustic foot-bridge, for use in times when the stream

is in flood. This church has lately been restored by some appreciative

hand; it has the characteristic tall gray tower such as we have grown

accustomed to in this locality, and contains a handsome font of

respectable antiquity.

Hence the wayfarer may return to Tenby by way of Bonville's Court, a

fortified manor-house of the Edwardian period, of which but a single

dilapidated tower and stair-turret remain: or by fetching a compass

round, and wandering through quiet lanes draped with hartstongue fern,

ivy and convolvulus, he may explore the country away towards Jeffreyston

or Redberth; returning over high ground beside the finely-timbered

estate of Ivy Tower; and so home by the previously mentioned route

through Gumfreston village.

* * * * *

Nestling in a sunny nook where the Ridgeway meets the sea, the little

village of Penally, peeping coyly out from amidst embowering trees,

forms a pretty feature in many a local prospect.

The road, winding inland, leads us by a long causeway across a broad

tract of marshland, now golden with iris and kingcups, through which the

Ritec stream meanders to the sea. It is said that, in ancient times, the

tidal waters extended up this hollow vale as far as the village of St.

Florence; and there is an old map at Tenby in which a vessel in full

sail floats upon the very spot where we now stand.

[Illustration: PENALLY HOUSE.]

Thence up we climb again across the foot-hills of the Ridgeway, until

ere long the first cottages of Penally 'heave in sight,' bowered in

roses, clematis and honeysuckle, and set amidst gardens aglow with

gladiolus, peonies, tulips, geraniums, fuchsias and Japan lilies. Was

it not Washington Irving who remarked that we English had, in our

country gardens, 'caught the coy and furtive graces of Nature, and

spread them, like witchery, around these rural abodes'?

Before us lies a stretch of open greensward, shaded by groups of oak and

hawthorn, whence rises the gray tower of the parish church; a building

which has been restored to a semblance of newness that belies its

venerable traditions.

The interior has a pair of the now familiar 'squint' passages, a few old

tombs and a good stone font: and, _mirabile dictu_, is provided with the

electric light. For this valuable innovation the village is indebted to

Clement Williams, Esq., Mayor of Tenby, whose pretty country residence

stands just above the church. Beneath the overshadowing trees in the

churchyard stands a finely carved early Celtic cross, similar to those

found in Ireland; of which we shall see an even handsomer specimen when

visiting Carew.

In former days Penally was held in high veneration, from a tradition

that the miracle-working bones of St. Teilo, Bishop of Llandaff, rested

here during their progress through the district.

A curious incident occurred here many years ago. During a fox-hunt in

the vicinity, Reynard, being hard pressed by the hounds, sought refuge

upon the roofs of some old farm buildings near the church. Here he led

his pursuers a lively chase, but was eventually brought to earth and

captured after an unusually exciting run.

We now push on for the wild scenery of the rocky coast overlooking

Caldey Sound; pursuing a rough, sandy track amidst stretches of golden

gorse.

The springy turf underfoot is literally tapestried with wild thyme,

herb-Robert and thrift; over which butterflies, brown and azure-blue,

float to and fro in the warm, still air; while from the radiant sky the

lark's bright song falls pleasantly upon our ears. Hereabouts one must

needs keep one's 'weather eye' open, to elude a tumble among the

countless rabbit-holes that form pitfalls on every hand, whence the

startled denizens scamper briskly to cover from beneath our very noses.

Presently we approach the secluded haven of Lydstep, and obtain a

glimpse of the noble headland called Proud Giltar, whose red-brown

cliffs rise sheer from the blue waves, with Caldey Island lying in the

middle distance.

Traversing the pebbly beach, we pass near to Lydstep Point, a

picturesque headland curiously scarped by disused limestone quarries. We

now strike inland beneath a grove of trees growing in a sheltered

corner, and ascend a narrow lane to a lonely cottage at the head of the

glen. Hence we plunge down a deep, rocky ravine, whose seaward face is

honeycombed with the caverns for which the place is famous.

Before us, league upon league, an ocean of purest blue spreads to the

remote horizon; its sunny plain shimmering beneath white summer

cloudlets, and empurpled by a thousand transient shadows. Huge rocks

crop out on every hand from amidst the tangle of luxuriant undergrowth

that conceals the entrance to the Smugglers' Cave, a name we leave to

tell its own wild tale of bygone times. Onward we scramble, down to the

'beached margent' of the shallow bay; whence a scene of rare beauty is

beheld.

From the unsullied strand vast buttresses and pinnacles of lichen-clad

limestone rise sheer and inaccessible; their solid ribs pierced with

shadowy caverns wide as a cathedral vault and dark as Erebus, which

tempt the wanderer to explore their deep, unknown recesses.

Crystal-clear pools, fringed with dainty seaweeds and gemmed with

starfish and sea-anemones, nestle in every hollow of the rocky shore;

while shells of various tints encrust the untrodden sands.

Countless sea-birds wheel to and fro in the shadow of the cliffs, which

echo their discordant cries as they clamour above the heads of the

unwelcome intruders. Dusky cormorants scud with necks outstretched

athwart the sparkling waves, while kittiwakes and guillemots crowd

shoulder to shoulder upon the inaccessible ledges.

An hour is pleasantly spent groping amidst the hollows of a resounding

cavern, or peering into the jewelled depths of some rocky sea-pool; or,

anon, watching the plash of the translucent waves. At length, hungry as

hawks, we beat a retreat to a sheltered nook amongst the rocks, to

discuss _con gusto_ our _al-fresco_ lunch.

Fascinated by these entrancing prospects, we linger in this wonderland

until the advancing tide hints at a speedy departure, when, scrambling

once again to the upper world, we strike away for the solitary hamlet of

Lydstep.

Hard by the road stand two scattered groups of dilapidated buildings,

sometimes called by the imposing titles of the Palace, and the Place of

Arms. In the good old times--so runs the legend--Aircol Llawhir, King of

Dyfed, held his royal Court at this place.

Be that as it may, the existing structures are probably not older than

the fourteenth century, and may be ascribed to those yeomen proprietors,

a 'peg' above the common farmer folk, who erected these stout walls to

safeguard their goods and chattels.

The return journey lies along a pleasant, open road between the Ridgeway

and the cliffs; affording lovely glimpses of the rugged coast-line and

the land-locked sea. At Penally a return train puts in a timely

appearance, and conveys us in a few minutes back to quarters, while the

declining sun sets the world aflame in the glow of its lingering rays.

* * * * *

There is a spring-like feeling in the crisp morning air as we drive

leisurely along the Ridgeway road, bound westward ho! to 'fresh woods

and pastures new.'

Fairy cobwebs, gemmed with glistening dewdrops, sparkle in every

hedgerow as we mount slowly up the steep, ruddy flank of the Ridgeway.

Bowling merrily along the smooth, well-kept road that traverses its

breezy summit, we are in all probability following the course of some

primitive trackway, used from the earliest times when enemies lurked in

the lowlands.

Ever wider grows the outlook as we jaunt along; the glory of the scene

culminating as we clamber up the last of these steep 'pinches,' and call

a halt, near a farm called the Rising Sun, to scan the summer landscape

spread around.

Close at hand broad meadows, green with the promise of spring, spread

away down a winding valley tufted with shadowy woodlands, whence gray

old steeples peep above the clustering cottage roofs. Far away amidst

the folding hills, the walls and towers of lordly Carew rise near a

silvery sheet of water--an arm of Milford Haven--backed by leagues of

unexplored country, o'ertopped by the faint blue line of the Precelly

Mountains--a glorious scene indeed!

'Ah! world unknown! how charming is thy view,

Thy Pleasures many, and each pleasure new!'

Turning across the lane, we lean upon a neighbouring gate, and leisurely

scan the fair prospect over land and sea. Yonder the snow-white cottages

gleam amidst the ruddy ploughlands. Seawards, the gorse-clad downs

plunge in warm red sandstone cliffs to the all-encircling ocean, that

stretches in unbroken span from St. Govan's Head, past Caldey Isle, to

the gray-blue line of distant Devon, with Lundy lying under its lee.

Forward again, betwixt pleasant greenswards tangled with fragrant

gorse, brambles and unfurling bracken, within whose cool retreats the

yellow-hammer lurks in his new spring bravery; while smart little

goldfinches hunt in pairs amidst the thistle-heads under the hedgerow.

Gradually we slant away downwards, passing an ancient tumulus whence, in

the old war times, a beacon fire gave warning against threatened

invasion; and catching glimpses ahead of ruined towers and

curtain-walls, where time-honoured old Pembroke nods over its memories

of 'the days that are no more.' Soon we are clattering through the

diminutive village of Lamphey. Here we dismiss our driver, and, turning

across park-like meadows where cattle are grazing under the broad-limbed

oaks, we soon descry the ivy-mantled ruins of Lamphey Palace.

The graceful character of the architecture, and calm, reposeful

situation in this peaceful dell, combine to enhance the peculiar charm

that hangs around these venerable ruins. Thanks to the timely care of

their present owner, the remaining portions have been preserved from

further desecration, and are freely shown to visitors who pass this way.

[Illustration: AT LAMPHEY PALACE.]

At Lamphey the Bishops of St. Davids possessed an episcopal manor, and

built themselves a palace there; so that, from the middle of the

thirteenth century, they paid frequent visits to the place. Withdrawing

hither from affairs of State, they assumed the _rôle_ of the paternal

country squire; tilling the fat acres spread around their walls, and

stocking their snug granaries, such as may still be traced at the

farmstead called Lamphey Park.

John Leland, travelling this way in his tour through South Wales, tells

how he 'came by meane Hills and Dales to Llanfeith, where the Bishop of

St. Davids hath a place of Stoone, after Castel Fascion.'

Strolling through a ripe old garden, set round with sheltering walls, we

proceed to trace such features of the fine old fabric as the hand of

Time has spared to us. Passing the refectory, a picturesque building

draped in ivy and Virginia-creeper, we are confronted by the tall mass

of the banqueting-hall, with its pointed windows and pretty projecting

chimney.

Hence a winding stair in the thickness of the wall leads to the ruined

parapet. Near the east end of the hall stands the chapel, roofless now,

and wreathed in luxuriant ivy; one graceful traceried window alone

bearing witness to Bishop Vaughan's artistic genius.

Farther away across a verdant meadow, and standing, so to speak, _en

échelon_ to the main fabric, rise the ruins of the domestic apartments;

approached by a dilapidated flight of outside steps, and crowned with an

elegant open arcade such as is usually associated with the work of that

famous builder, Bishop Gower. In a corner of the adjacent field we

observe the vivarium, or fish-pond of the priory.

We now return to the neighbouring gardens, in order to sketch the

picturesque little tower which stands isolated amidst trim walks and

old-fashioned flower-beds.

It is difficult to assign a _raison d'être_ for the existence of this

quaint old structure. By some folks it has been called the gate-tower to

the inner ward; but others, again, have styled it the priests'

dwelling-place; and our investigations seem to point to some such use as

the latter.

A stone stairway, hollowed in the thickness of the wall, leads to an

upper chamber, which contains a niche (suggestive of a piscina), a

fireplace, and several small windows. The peaked roof, which is modern,

is surrounded by open, pointed arches corbelled out from the wall below,

and finished with plain battlements. Thus, with its picturesque medley

of weather-stained brick, stone and timber, touched here and there with

green moss and golden lichens, this curious tower proves an attractive

bit for the sketch-book.

At Lamphey Palace Robert Devereux, the ill-fated Earl of Essex, spent

several years of his youth; and is reputed to have quitted the place

'the most finished gentleman of his time.'

Superstitious folk, when approaching these ruins after nightfall, while

'the moping owl doth to the moon complain,' may (or may not) have their

nerves agreeably thrilled by the apparition of a mysterious white lady,

presumably a Devereux, who is said to haunt these historic shades at

that witching hour!

Lamphey Church, which lies a short half-mile away, has been too much

modernized to detain us long. The tall, plain tower has been preserved,

however, in its original simplicity; and the large square font, of early

type, has a little ornamentation of good character.

Crossing the railway bridge past _the_ shop of the village, with its

alluring display of miscellaneous _olla podrida_ in the window, we

pursue our shadows along a dusty country road; cutting off a circuitous

corner by taking to a pleasant field-path. A bright little country maid

pioneers us hence into Hodgeston, a sleepy hamlet consisting of some

half-dozen whitewashed cottages clustering around the sorry remnants of

a village green, now shrunk to half its old proportions owing to recent

encroachments.

Obtaining the key at one of these cottages, we now make straight for the

parish church, which rises beyond a grove of trees, less than a bowshot

away.

Seen from the outside, this little edifice looks unostentatious enough,

with its slender western tower, chancel, and nave devoid of the usual

excrescences; but upon entering we soon find matter to arouse our

keenest interest.

[Illustration: THE CHANCEL HODGESTON CHURCH]

The nave is simple, though well proportioned; setting off to fullest

advantage the rich and elaborate features that adorn the Decorated

chancel. Good traceried windows rise upon either hand, surmounted by an

open timber roof, with the pretty ball-flower ornament running around

the top of the wall.

Upon the south side of the chancel stands a handsome triple sedilia; its

shapely, richly-moulded arches aflame with elaborate crockets, which

cluster upwards to the large, florid finials. A plain stone bench flanks

the lower part of the wall, whence projects a flight of steps that gave

access to the vanished rood-loft.

We also notice a dainty piscina sunk in the thickness of the wall,

having a beautiful ornamental canopy, closely resembling that of the

sedilia, and a fine old Norman font. One cannot but feel surprise that

such rich design and delicate workmanship should be thus hidden away in

this remote locality; and can only hazard the conjecture that the

influence of Bishop Gower (whose handiwork is seen to such advantage in

his great palace at St. Davids) must have made itself felt even in

outlying parishes such as this. There is reason to suppose, too, that a

religious house existed at Hodgeston in olden times, which would

probably exert a refining influence upon the local craftsmen, for the

monks of old were often goodly builders.

These charming features, then, provide attractive matter for the

sketch-book, which keeps us pegging away until well on towards sundown:

so that, as we wend our way back to Lamphey Station, we lounge over a

stile formed from some broken ship's timbers to enjoy the exquisite

after-glow, which lingers still above the falling dusk as the train

carries us homeward to Tenby.

[Illustration: ANCIENT QUERN OR HAND MILL.]

Nooks and Corners of Pembrokeshire · 第 2 / 12 章