I. THE WOODLANDS IN JANUARY

Humanity has always turned to nature for relief from toil and strife.

This was true of the old world; it is much more true of the new,

especially in recent years. There is a growing interest in wild things

and wild places. The benedicite of the Druid woods, always appreciated

by the few, like Lowell, is coming to be understood by the many. There

is an increasing desire to get away from the roar and rattle of the

streets, away from even the prim formality of suburban avenues and

artificial bits of landscape gardening into the panorama of woodland,

field, and stream. Men with means are disposing of their palatial

residences in the cities and moving to real homes in the country,

where they can see the sunrise and the death of day, hear the rhythm

of the rain and the murmur of the wind, and watch the unfolding of the

first flowers of spring. Cities are purchasing large parks where the

beauties of nature are merely accentuated, not marred. States and the

nation are setting aside big tracts of wilderness where rock and rill,

waterfall and cañon, mountain and marsh, shell-strewn beach and

starry-blossomed brae, flowerful islets and wondrous wooded hills

welcome the populace, soothe tired nerves and mend the mind and the

morals. These are encouraging signs of the times. At last we are

beginning to understand, with Emerson, that he who knows what sweets

and virtues are in the ground, the waters, the plants, the heavens,

and how to come at these enchantments, is the rich and royal man. It

is as if some new prophet had arisen in the land, crying, "Ho, every

one that is worn and weary, come ye to the woodlands; and he that hath

no money let him feast upon those things which are really rich and

abiding." While we are making New Year resolves let us resolve to

spend less time with shams, more with realities; less with dogma, more

with sermons in stones; less with erotic novels and baneful journals,

more with the books in the running brooks; listening less readily to

gossip and malice, more willingly to the tongues in trees; spending

more pleasureful hours with the music of bird and breeze, rippling

rivers, and laughing leaves; less time with cues and cards and colored

comics, more with cloud and star, fish and field, and forest. "The

cares that infest the day" shall fall like the burden from Christian's

back as we watch the fleecy clouds or the silver stars mirrored in the

waveless waters. We shall call the constellations by their names and

become on speaking terms with the luring voices of the forest

fairyland. We shall "thrill with the resurrection called spring," and

steep our senses in the fragrance of its flowers; glory in the gushing

life of summer, sigh at the sweet sorrows of autumn, and wax virile in

winter's strength of storm and snow.

* * * * *

We shall begin our pilgrimages lacking in Nature's lore, many of us,

as were four men who recently walked down a city street and looked at

the trees which lined the way. One confessed ignorance as to their

identity; another thought he knew but couldn't remember; a third said

they looked like maples; and a fourth thought that silence, like

honesty, as the copybooks used to tell us, was the best policy. And

yet the name linden was writ large on those trees,--on the beautiful

gray bark, the alternate method of twig arrangement, the fat red

winter buds, which shone in the sunshine like rubies, and especially

on the little cymes of pendulous, pea-like fruit, each cyme attached

to its membranaceous bract or wing. Of course, if the pedestrians had

been in the midst of rich woods and there found a trunk of great girth

and rough bark, surrounded by several handsome young stems with

close-fitting coats, the group looking for all the world like a

comfortable old mother with a family of fresh-faced, willowy,

marriageable daughters, every member of the quartet would have

chorused, bass-wood.

But no one need be ashamed to confess an ignorance of botany.

Botanical ignorance is more common than poverty. It has always been

prevalent. And the cause of it may be traced back to the author of all

our short-comings, old Adam. We read that every beast of the field and

every fowl of the air were brought to Adam to see what he would call

them; and whatsoever Adam called every living creature, that was the

name thereof. But why, oh why, didn't he name the trees? If he had

known enough of the science to partake of the fruit of the tree of

life he might have lived long enough to write a systematic botany,

satisfactory alike to the Harvard school of standpat systematists and

their manual-ripping rivals in nomenclature. But he didn't; and no one

else may ever hope to do it.

Eve had never read a book on how to know the wild fruits, and her

first field work in botany had a disastrous termination; it

complicated the subject by the punishment of thorns and thistles.

Cain's conduct brought both botany and agriculture into disrepute.

Little more is heard until Pharaoh's daughter went botanizing and

found Moses in the bulrushes. Oshea and Jehoshua showed some

advancement by bringing back grapes and figs and pomegranates from the

brook Eschol as the proudest products of the promised land. But

Solomon was the only man in the olden times who ever knew botany

thoroughly. We are told that he was wiser than all men. "Prove it,"

says some doubting reader, moving for a more specific statement. So

the biographer adds: "He spake of trees, from the cedar that is in

Lebanon even unto the hyssop that springeth out of the wall."

Four centuries later, Daniel, Shadrach, Meshach, and Abednego

anticipated Emerson's advice about eating bread and pulse at rich

men's tables. The historian tells us that they were men skilful in all

wisdom, cunning in knowledge, and understanding science. Possessing

such wisdom, Daniel knew it would be easy to mix up the wicked elders

who plotted against the virtue of the fair Susanna by asking them a

question of botany. One said he saw her under a mastick tree and the

other under a holm tree. This gave Shakespeare that fine line in _The

Merchant of Venice_, "A Daniel come to judgment; yea, a Daniel." But

in these latter days we rarely read the story of Susanna, and

Shakespeare's line is not understood by one play-goer in fifty.

When the diminutive Zaccheus climbed into a shade tree which graced a

town lot in Jericho he gave the translators for "the Most High and

Mighty Prince James" another puzzle, for they put him on record as

going up into a sycamore tree. We had always supposed that this was

because the sycamore's habit of shedding its bark made smooth climbing

for Zaccheus. But scientific commentators tell us now that it was not

a sycamore tree, but a hybridized fig-mulberry!

* * * * *

But all this is digression. The best time to begin keeping that New

Year's nature resolution is now, when the oaks are seen in all their

rugged majesty, when the elms display their lofty, graceful, vase-like

forms, and when every other tree of the forest exhibits its peculiar

beauty of trunk, and branch, and twig. Often January is a most

propitious month for the tenderfoot nature-lover. Such was the year

which has just passed. During the first part of the month the weather

was almost springlike; so bright and balmy that a robin was seen in an

apple-tree, and the brilliant plumage of the cardinal was observed in

this latitude. Green leaves, such as wild geranium, strawberry and

speedwell, were to be found in abundance beneath their covering of

fallen forest leaves. Scouring rushes vied with evergreen ferns in

arresting the attention of the rambler. In one sheltered spot a clump

of catnip was found, fresh, green, and aromatic, as if it were July

instead of January.

Sunday, the sixth, was a day of rare beauty and enticement. Well might

the recording angel forgive the nature lover who forgot the promises

made for him by his sponsors that he should "hear sermons," and who

fared forth into the woods instead, first reciting "The groves were

God's first temples," and then softly singing, "When God invites, how

blest the day!"

* * * * *

They err who think the winter woods void of life and color. Pause for

a moment on the broad open flood-plain of the river, the winter fields

and meadows stretching away in gentle slopes on either side. There are

but few trees, but they have had room for full development and are

noble specimens. All is gaiety. A blue-jay screams from a broad-topped

white ash which is so full of winged seeds that it looks like a mass

of foliage. The sable-robed king of the winter woods, the American

crow, in the full vigor of his three-score years, maybe, (he lives to

be a hundred) caws lustily from the bare white branches of a big

sycamore, that queer anomaly of the forest which disrobes itself for

the winter. The merry chickadees divide their time between the

rustling, ragged bark of the red birches and the withered heads of

heath-aster and blue vervain below. In the one they get the meat

portion of their midday meal, and in the other the cereal foods. No

wonder they are sleek and joyous.

A few steps farther and we leave this broad alluvial bottom to enter

the cañon through which the river, ages ago, began to cut its course.

These ridges of limestone, loess and drift rise a hundred feet or more

above the level of the plain from which the river suddenly turns

aside. They are thickly covered with timber. There is no angel with a

flaming sword to keep you from passing into this winter paradise! The

river bank is lined with pussy willows; they gleam in the sunshine

like copper. Farther back there are different varieties of dogwood,

some with delicate green twigs and some a cherry red. The wild rose

and the raspberry vines add their glossy purplish and cherry red stems

to the color combination, and a contrast is afforded by the silvery

gray bark of stray aspens. A still softer and more beautiful shade of

silver gray is seen in the big hornet's nest of last year which still

hangs suspended from a low sugar maple. On all of these the sunlight

plays and makes a wondrous color symphony. "Truly the light is sweet

and a pleasant thing it is for the eyes to behold the sun." To be

sure, this colorful arrangement of the stems and twigs is not

brilliant, like the flaming vermilion blossoms of the _Lobelia

cardinalis_ in August, the orange yellow of the rudbeckias in

September, or the wondrous blue of the fringed gentian in early

October. It is more like the delicate tints and shadings of an arts

and crafts exhibition, stained leather, hammered copper and brass, art

canvas, and ancient illuminated initials in monks' missals. The

tempered winter sunlight is further softened by the trees; as it

illuminates the soft red rags of the happy old birch it seems

sublimated, almost sanctified and spiritual, like that which filters

through rich windows in cathedrals, and makes a real halo around the

heads of sweet-faced saints.

* * * * *

There are strange sounds for January. All the winter birds are doing

their share in the chorus and orchestra; crows, jays, woodpeckers,

nut-hatches, juncos, tree-sparrows. But suddenly a woodpecker begins a

new sound,--his vernal drumming! Not the mere tap, tap, tap, in quest

of insects, but the love-call drumming of the nidification season,

nearly three months ahead of time.

Swollen by recent rains, the river is two feet higher than usual.

There is a sheet of ice on either shore, but the water swiftly flows

down the narrow channel in the middle with a sound halfway between a

gurgle and a roar, mingled anon with the sound of grinding cakes of

ice. Suddenly away up at the bend of the river there is a sharp crack,

like the discharge of a volley of musketry. Swiftly it comes down the

ice, passes your feet with a distinct tremor, and your eyes follow the

sound down the river until the two walls of the cañon meet in the

perspective. In a small way you know how it would feel to hear the

rumble of an approaching seismic shock. Only there was no terror in

this. It was the laughter of the sunbeam fairies as they loosened the

architecture of "the elfin builders of the frost."

The recent rains have vivified the mosses clinging to the gray rocks

which jut out, halfway up the slope. Very tender and beautiful is

their vivid shade of green. Winter and summer, the mosses are always

with us. When the last late aster has faded, the last blue blossom of

the gentian changed to brown, the green mosses still remain. And the

more they are studied, the more fascinating they become. Take some

home and examine them with a hand lens, then with a microscope. You

will be charmed with the exquisite finish of their most minute parts.

Nature glories in the artistic excellence of infinitesimal

workmanship. The most beautiful part of her handiwork is that which is

seen through a microscope. There is beauty, beauty everywhere; the

crystals of the snow, the cell structure of the leaf, the scales of

the butterfly's wing, the pedicels, capsules and cilia of these

mosses. No wonder that many distinguished men have been led to give

their whole lives to the study of mosses and have felt well repaid.

* * * * *

Here are Nature's only two elementary forms of growth, the cell and

the crystal, wrestling for the mastery over each other in a life and

death struggle. The moss is built up of cell, the rock of crystal

forms. Below this Devonian limestone, its crystals sparkling in the

sunshine, with its coral fossils, its fragments of crinoids, and its

broken shells of brachiopods, down through the Devonian, the Silurian,

the Ordovician, and the Cambrian rocks, down to the original crust

formed when first the earth began to cool, if any there be remaining;

all these miles of rocks are inorganic, built up of crystals. But here

on the surface, the tender green mosses and the bright lichens have

begun the struggle of the cellular system for supremacy. These humble

little rock-breakers will not rest until they have pulverized the

rocks into soil sufficient to sustain higher forms of vegetable life.

Once before, many millions of years ago, the cell life had won a

partial victory over the crystal. In the great sub-tropical sea which

once covered this spot, corals lived and flourished as they do now in

similar seas. Myriads of brachiopods lived, moved, and had their

being. Gigantic fish sported in the waters. Meanwhile older rocks were

being denuded and disintegrated. Millions of tons of sediment were

brought by the rivers and streams to the shores of the Devonian sea.

Upheaval, change, transformation followed, and the tide of battle

turned. Cell life was powerless before the vanquishing crystals of the

infiltrating calcite. Only the inorganic part of that vast world of

organic life here remains in these fossils to tell the story--the

walls of the corals, the shells of the brachiopods, the teeth of the

monster fishes. Then came succeeding ages, and finally the great

glaciers which brought down the drift, rounded the sharp ridges,

filled up the deep valleys and gorges, and gave to Iowa her fertile

and inexhaustible soil. The earth was prepared to receive her king.

The glaciers receded. Man came.

Now here, on this bit of limestone rock, the struggle is on again. The

mosses and the lichens have proceeded far enough in their work of

disintegration to provide substance for the slender red stem of

dogwood, which is growing out of the soil they have made. The fallen

leaves of the surrounding trees follow the pioneer work of the mosses.

The rain and the cracking frosts are other agencies. By and by the

organic will triumph over the inorganic, the cell over the crystal,

the plant over the rock, and where now the fossils lie beautiful

flowers will bloom.

The short winter day draws rapidly to a close and there is time for

only a brief survey of the beauty of the upland trees. The fairy-like

delicacy of the hop hornbeam, with its hop clusters and pointing

catkins; the slender gracefulness of the chestnut oak; the Etruscan

vase-like form of the white elm; the flaky bark and pungent, aromatic

twigs of the black cherry; the massive, noble, silver-gray trunk of

the white-oak; the lofty stateliness, filagree bark, and berry-like

fruit of the hackberry; the black twigs of the black oaks, ashes,

hickories and walnuts etched against the sky,--all these arrest your

attention and retard your steps until the sun is near the horizon and

you look over the tangled undergrowth of hazel, sumac, and briers, far

through the trunks of the trees to the western sky which is bathed in

flame color, as if from a forest fire.

You are alone and yet not alone. A rabbit scurries across your

pathway. A faint little squeak voices the fright of a mouse. There is

a swoop of wings which you neither distinctly hear nor clearly see,

yet you are aware, in a less marked degree than was the mouse, that an

owl was near. You feel certain that the downy woodpecker is asleep in

that neat little round hole on the southwest side of a tree trunk,

just a little higher than you can reach. In the early afternoon you

saw a red squirrel go gaily up a tall red oak and climb into his nest

of leaves. You fancy he is snugly coiled there now. This recent hill

of fresh dirt--strange sight in January--was surely made by a mole,

and you know that they are all somewhere beneath your feet: moles,

pocket gophers, and the pretty striped gopher which used to sit up on

his hind legs, fold his front paws, and look at you in the summer

time, then give a low whistle and duck; meadow mice in their cozy

tunnels through which the water will be pouring when the spring

freshets come; the woodchuck in his long, long sleep, and the chipmunk

with his winter store of food. And so watching, listening, and musing

you come at length to the western edge of the woodland and look across

the prairie, far as the eye can reach, to where the red ball of the

sun hangs scarce a yard above the horizon. You look upon a scene which

is peculiar to this part of Iowa alone. It is not found in any other

state or nation on earth. "These are the gardens of the desert, for

which the speech of England has no name--the Prairies."

_"Lo they stretch

In airy undulations, far away,

As if the ocean, in his gentlest swell

Stood still, with all his rounded billows fixed,

And motionless, forever."_

The "rounded billows fixed" are the paha ridges which the glaciers

made. They are not high enough to obstruct the view, nor to mar its

ocean-like effect. In the middle distance you may see a farm windmill

from sail to platform, but away across the snow-plain sea you catch

only the uppermost part of the white sails. The rest is concealed from

view by the illusory rise of the foreground toward the horizon--for

this twenty-mile stretch of prairie has an illusory curve similar to

that seen from all ocean shores. But now the sun has disappeared and

the windmills, houses, groves, and fences which looked like black

etchings against the flame-colored sky slowly vanish, first far away

toward the bluffs on the yon shore of the prairie sea, then nearer,

nearer, comes the gloom until the fence across the first field is

scarcely discernible. The bright vermilion fades at length to misty

gray and lights appear in the windows of the farm homes.

* * * * *

This sunset and twilight scene, peculiar to Iowa, is succeeded by the

pageant of the stars. These are not peculiar, in neighboring

latitudes, to any clime or time. They are the same stars which sang

together when the foundations of the earth were fastened; the same

calm stars upon which Adam gazed in remorse, the night he was driven

from the garden of Eden. The Chinese, the Chaldeans, the Egyptians,

the Hebrews, the Greeks, the Romans counted the hours of the night by

the revolutions of the Greater and the Lesser Bear around Polaris, and

guided their crafts and caravans by that sure star's light:

_"And therefore bards of old,

Sages and hermits of the solemn wood,

Did in thy beams behold

That bright eternal beacon, by whose ray

The voyager of time should shape his needful way."_

Some Winter Days in Iowa · 第 6 / 12 题