CHAPTER XVII

Matravers knew after that night that his was a broken life. Any future

such as he had planned for himself of active, intellectual toil had

now, he felt, become impossible. His ideals were all broken down. A

woman had found her way in between the joints of an armour which he

had grown to believe impenetrable, and henceforth life was a wreck.

The old, quiet stoicism, which had been the inner stimulus of his

career, was a thing altogether overthrown and impotent. He was too old

to reconstruct life anew; the fragments were too many, and the wreck

too complete. Only his philosophy showed him very plainly what the end

must be. Across the sky of his vision it seemed to be written in

letters of fire.

Early in the morning, having made his toilette as usual with a care

almost fastidious, he went out into the sunlit streets, moving like a

man in a deep dream amongst scenes which had become familiar to him

day by day. At his lawyer's he made his will, and signed it, thankful

for once for his great loneliness, insomuch as there was no one

who could call the disposal of his property to a stranger an

injustice--for he had left all to little Freddy; left it to him

because of his mother's eyes, as he thought with a faint smile. Then

he called at his publisher's and at the office of a leading review to

which he was a regular contributor, telling them to expect no more

work from him for a while; he was going abroad to take a long-earned

holiday. He lunched at his club, speaking in a more than usually

friendly manner to the few men with whom at times he had found it a

pleasure to associate, and finally, with that sense of unreality

growing stronger and stronger, he found himself once more in the Park,

in his usual chair, looking out with the same keen sympathy upon the

intensely joyous, beautiful phase of life which floated around him.

The afternoon breeze rustled pleasantly among the cool green leaves

above his head, and the sunlight slanted full across the shaded walk.

On every hand were genial voices, cordial greetings, and light

farewells. With a sense almost of awe, he thought of the days when he

had sat there waiting for her carriage, that he might look for a few

moments upon that pale-faced woman, whose influence over him seemed

already to have commenced before even any words had passed between

them. He sat there, gravely acknowledging the salutes of those

with whom he was acquainted, wearing always the same faint and

impenetrable smile--wonderful mask of a broken heart. And still the

memories came surging into his brain. He thought of that grey morning

when he had sat there alone, oppressed by some dim premonitions of the

tragedy amongst whose shadows he was already passing, so that even the

wind which had followed the dawn, and shaken the rain-drops down upon

him, had seemed to carry upon its bosom wailing cries and sad human

voices. As the slow moments passed along, he found himself watching

for her carriage with some remnant of the old wistfulness. But it

never came, and for that he was thankful.

At last he rose, and walked leisurely back to his rooms. He gave

orders to his servant to pack all his things for a journey; then, for

the last time, he stood up in the midst of his possessions, looking

around him with a vague sorrowfulness at the little familiar objects

which had become dear to him, both by association and by reason of a

certain sense of companionship which he had always been able to feel

for beautiful things, however inanimate. It was here that he had come

when he had first left Oxford, full of certain definite ambitions, and

with a mind fixed at least upon living a serene and well-ordered life.

He had woven many dreams within these four walls. How far away those

days now seemed to be from him! He would never dream any more; for him

the world's great dream was very close at hand.

He poured himself out a glass of wine from a quaintly cut decanter,

and set it down on his writing-desk, emptying into it with scrupulous

care the contents of a little packet which he had been carrying all

day in his waistcoat pocket. He paused for a moment before taking up

his pen, to move a little on one side the deep blue china bowl of

flowers which, summer and winter alike, stood always fresh upon his

writing-table. To-day it chanced, by some irony of fate, that they

were roses, and a swift flood of memories rushed into his tingling

senses as the perfume of the creamy blossoms floated up to him.

He set his teeth, and, taking out some paper, began to write.

"Berenice, farewell! To-night I am going on a very long

journey, to a very far land. You and I may never meet again,

and so, farewell! Farewell to you, Berenice, whom I have

loved, and whom I dearly love. You are the only woman who

has ever wandered into my little life to teach me the great

depths of human passion--and you came too late. But that was

not your fault.

"For what I am doing, do you, at least, not blame me. If

there were a single person in the world dependent upon me,

or to whom my death would be a real loss, I would remain.

But there is no one. And, whereas alive I can do you no

good, dead I may! Berenice, your husband lives--in suffering

and in poverty; your husband and your little boy. Freddy has

looked at me out of your dark eyes, my love, and whilst I

live I can never forget it. I hold his little hands, and I

look into his pure, childish face, and the great love which

I bear for his mother seems like an unholy thing. Leave your

husband out of the question--put every other consideration

on one side, Freddy's eyes must have kept us apart for ever.

"And, dear, it is your boy's future, and the care of your

stricken husband, which must bring you into closer and more

intimate touch with the vast world of human sorrows. Love

is a sacrifice, and life is a sacrifice. I know, and that

knowledge is the comfort of my last sad night on earth,

that you will find your rightful place amongst her toiling

daughters. And it is because there is no fitting place for

me by your side that I am very well content to die. For

myself, I have well counted the cost. Death is an infinite

compulsion. Our little lives are but the veriest trifle in

the scale of eternity. Whether we go into everlasting sleep,

or into some other mystic state, a few short years here more

or less are no great matter, Berenice."

Again there came that curious pain at his heartstrings, and the

singing in his ears. The pen slipped from his fingers; his head

drooped.

"Berenice!" he whispered. "Berenice!"

* * * * *

And as though by a miracle she heard him, for she was close at hand.

Whilst he had been writing, the door was softly opened and closed, a

tall, grey-mantled figure stood upon the threshold. It was Berenice!

"May I come in?" she cried softly. Her face was flushed, and her

cheeks were wet, but a smile was quivering upon her lips.

He did not answer. She came into the room, close to his side. Her

fingers clasped the hand which was hanging over the side of his chair.

The lamp had burnt very low; she could scarcely see his face.

"Dear, I have come to you," she murmured. "I am sorry. I want you to

forgive me. I do love you! you know that I love you!"

The pressure of her fingers upon his hand was surely returned. She

stood up, and her cloak slipped from her shoulders on to the floor.

"Why don't you speak to me? Don't you hear? Don't you understand? I

have come to you! I will not be sent away! It is too late! My carriage

brought me here. I have told my people that I shall not be returning!

Come away with me to-night! Let us start now! Listen! it is too late

to draw back! Every one knows that I have come to you! We shall be so

happy! Tell me that you are glad!"

There was no answer. He did not move. She came close to him, so that

her cheek almost touched his.

"Tell me that you are glad," she begged. "Don't argue with me any

more. If you do, I shall stop your mouth with kisses. I am not like

you, dear! I must have love! I cannot live alone any longer! I have

touched the utmost limits of my endurance! I _will_ stay with you! You

_shall_ love me! Listen! If you do not, I swear--but no! You will save

me from that! Oh, I know that you will! But don't argue with me! Words

are so cold, and I am a woman--and I must love and be loved, or I

shall die.... Ah!"

She started round with a little scream. Her eyes, frightened and

dilated, were fixed upon the door. On the threshold a little boy was

standing in his night-shirt, looking at her with dark, inquiring eyes.

"I want Mr. Matravers, if you please," he said deliberately. "Will you

tell him? He don't know that I'm here yet! He will be so surprised!

Charlie Dunlop--that's where I live--has the fever, and dad sent me

here with a letter, but Mr. Matravers was out when we came, and nurse

put me to bed. Now she's gone away, and I'm so lonely. Is he asleep?

Please wake him, and tell him."

She turned up the lamp without moving her eyes from the little

white-clad figure. A great trembling was upon her! It was like a voice

from the shadows of another world. And Matravers, why did he not

speak?

Slowly the lamp burned up. She leaned forward. He was sitting with his

head resting upon his hand, and the old, faint smile parting his

lips. But he did not look up! He did not speak to her! He was sitting

like a carved image!

"For God's sake speak to me!" she cried.

Then a certain rigidity in his posture struck her for the first time,

and she threw herself on the ground beside him with a cry of fear.

She pressed her lips to his, chafed his cold hand, and whispered

frantically in his ear! But there was no answer--there never could be

any answer. Matravers was dead, and the wine-glass at his side was

untasted.

[Illustration: But there was no answer--there never could be any

answer]

* * * * *

Berenice did not faint! She did not even lose consciousness for a

moment. Moaning softly to herself, but dry-eyed, she leaned over his

shoulder and read the words which he had written to her, of which,

indeed, the ink was scarcely dry. When she had finished, she took

up the wine-glass in her own fingers, holding it so steadily that not

a drop was spilt.

Here was the panacea she craved! The problem of her troubled life was

so easily to be solved. Rest with the man she loved!

Her arms would fold around him as she sank to the ground. Perhaps he

was already waiting for her somewhere--in one of those mystic worlds

where the soul might shake itself free from this weary burden of human

passions and sorrows. Her lips parted in a wonderful smile. She raised

the glass!

There was a soft patter across the carpet, and a gentle tug at her

dress.

"I am very cold," Freddy cried piteously, holding out a little blue

foot from underneath his night-shirt. "If you don't want to wake Mr.

Matravers, will you take me up to bed, please?"

Through a mist of sudden tears, she looked down into her boy's

face. She drew a deep, quick breath--her fingers were suddenly

nerveless. There was a great dull stain on the front of her dress,

the wine-glass, shattered into many pieces, lay at her feet. She

fell on her knees, and with a little burst of passionate sobs took

him into her arms.

* * * * *

There were grey hairs in the woman's head, although she was still

quite young. A few yards ahead, the bath chair, wheeled by an

attendant, was disappearing in the shroud of white mist, which had

suddenly rolled in from the sea. But the woman lingered for a moment

with her eyes fixed upon that dim, distant line, where the twilight

fell softly upon the grey ocean. It was the single hour in the long

day which she claimed always for her own--for it seemed to her in

that mysterious stillness, when the shadows were gathering and the

winds had dropped, that she could sometimes hear his voice. Perhaps,

somewhere, he too longed for that hour--a dweller, it might be, in

that wonderful spirit world of the unknown, of which he had spoken

sometimes with a curiously grave solemnity. Her hands clasped the iron

railing, a light shone for a moment in the pale-lined face turned so

wistfully seawards!

Was it the low, sweet music of the sea, or was it indeed his voice in

her ears, languorous and soft, long-travelled yet very clear.

Somewhere at least he must know that hers had become at his bidding

the real sacrifice! A smile transfigured her face! It was for this she

had lived!

Then there came her summons. A querulous little cry reached her from

the bath chair, drawn up on the promenade. She waved her hand

cheerfully.

"I am coming," she cried; "wait for me!"

But her face was turned towards that dim, grey line of silvery light,

and the wind caught hold of her words and carried them away over the

bosom of the sea--upwards!

THE END.

E. PHILLIPS OPPENHEIM'S NOVELS

ILLUSTRATED. CLOTH. $1.50 EACH

_The Lost Ambassador_

A straightforward mystery story, the plot of which hinges on the sale

of two battleships.

_The Illustrious Prince_

The tale of a world-startling international intrigue.

Mr. Oppenheim is a past master of the art of constructing

ingenious plots and weaving them around attractive

characters.--_London Morning Mail_

_Jeanne of the Marshes_

An engrossing tale of love and adventure.

A real Oppenheim tale, abundantly satisfying to the

reader.--_New York World_

_The Governors_

A romance of the intrigues of American finance.

The ever welcome Oppenheim.--_Boston Transcript_

_The Missioner_

Strongly depicts the love of an earnest missioner and a worldly

heroine with a past.

An entrancingly interesting romance.--_Pittsburg Post_

_The Long Arm of Mannister_

A distinctly different story that deals with a wronged man's ingenious

plan of revenge.

Mannister is a powerfully drawn character.--_Philadelphia

Press_

_As a Man Lives, or the Mystery of the Yellow House_

Tells of an English curate and his mysterious neighbor.

Every page in it suggests a mystery.--_Literary World,

London_

LITTLE, BROWN, & COMPANY, _Publishers_, BOSTON

E. PHILLIPS OPPENHEIM'S NOVELS

ILLUSTRATED. CLOTH. $1.50 EACH

_A Maker of History_

A capital story that "explains" the Russian Baltic fleet's attack on

the North Sea fishing fleet.

An enthralling tale, with a surprisingly well-sustained

mystery, and a series of plots, counterplots, and

well-managed climaxes.--_Brooklyn Times_

_The Malefactor_

An amazing story of the strange revenge of Sir Wingrave Seton, who

suffered imprisonment for a crime he did not commit.

Spirited, aggressive, vigorous, mysterious, and, best of

all, well told.--_Boston Transcript_

_A Millionaire of Yesterday_

A gripping story of a West African miner who clears his name of a

great stain.

A thrilling story throughout.--_Philadelphia Press_

_The Man and His Kingdom_

An intensely dramatic tale of love, intrigue, and adventure in a South

American state.

A daring bit of fiction, full of vigorous life and

unflagging interest._--Chicago Tribune_

_The Betrayal_

An enthralling story of treachery of state secrets in high diplomatic

circles of England.

The denouement is almost as surprising as the mystery is

baffling.--_Public Opinion_

_A Daughter of the Marionis_

A melodramatic story of Palermo and London, that is replete with

action.

LITTLE, BROWN, & COMPANY, _Publishers_, BOSTON

E. PHILLIPS OPPENHEIM'S NOVELS

ILLUSTRATED. CLOTH. $1.50 EACH

_A Prince of Sinners_

An engrossing story of English social political life, with powerfully

drawn characters.

Thoroughly matured, brilliantly constructed, and

convincingly told.--_London Times_

It is rare that so much knowledge of the world, taken as a

whole, is set between two covers of a novel.--_Chicago Daily

News_

_Anna the Adventuress_

A surprising tale of London life, with a most engaging heroine.

The consequences of a bold deception Mr. Oppenheim has

unfolded to us with remarkable ingenuity. The story sparkles

with brilliant conversation and strong situations.--_St.

Louis Republic_

_Mysterious Mr. Sabin_

An ingenious story of a bold international intrigue with an

irresistibly fascinating "villain."

Intensely readable for its dramatic force, its absolute

originality, and the strength of the men and women who fill

its pages.--_Pittsburg Times_

_The Yellow Crayon_

Containing the exciting experiences of Mr. Sabin with a powerful

secret society.

This stirring story shows unusual originality.--_New York

Times_

_The Master Mummer_

The strange romance of Isobel de Sorrens and the part a mysterious

actor played in her life.

A love tale laden with adventure and intrigue, with a saving

grace of humor.--_Philadelphia North American_

_The Mystery of Mr. Bernard Brown_

A mystery story, rich in sensational incidents and dramatic

situations.

LITTLE, BROWN, & COMPANY, _Publishers_, BOSTON

E. PHILLIPS OPPENHEIM'S NOVELS

ILLUSTRATED. CLOTH. $1.50 EACH

_The Avenger_

Unravels an intricate tangle of political intrigue and private revenge

with consummate power of fascination.

A lively, thrilling, captivating story.--_New York Times_

_A Lost Leader_

Weaves a realistic romance around a striking personality.

Mr. Oppenheim is one of the few writers who can make a

political novel as interesting as a good detective

story.--_The Independent, New York_

_The Great Secret_

Deals with a stupendous international conspiracy.

Founded on a daring invention and daringly carried

out.--_The Boston Globe_

_Enoch Strone: A Master of Men_

The story of a masterful self-made man who made a foolish marriage

early in life.

In no other novel has Mr. Oppenheim created such life-like

characters or handled his plot with such admirable force and

restraint.--_Baltimore American_

_A Sleeping Memory_

The remarkable tale of an unhappy girl who consented to be deprived of

her memory, with unlooked-for consequences.

He deals with the curious and unexpected, and displays all

the qualities which made him famous.--_St. Louis

Globe-Democrat_

_The Traitors_

A capital story of love, adventure, and Russian political intrigue in

a small Balkan state.

Swift-moving and exciting. The love episodes have freshness

and charm.--_Minneapolis Tribune_

LITTLE, BROWN, & COMPANY, _Publishers_, BOSTON

TRANSCRIBER'S NOTE:

Minor changes have been made to correct obvious typesetter errors;

otherwise, every effort has been made to remain true to the author's

words and intent.

Berenice · 第 17 / 17 章