The enthusiasm with which Matravers' play had been received on the
night of its first appearance was, if anything, exceeded on the night
before the temporary closing of the theatre for the usual summer
vacation. The success of the play itself had never been for a moment
doubtful. For once the critics, the general press, and the public,
were in entire and happy agreement. The first night had witnessed an
extraordinary scene. An audience as brilliant as any which could have
been brought together in the first city in the world, had flatly
refused to leave the theatre until Matravers himself, reluctant and
ill-pleased, had joined Fergusson and Berenice before the footlights;
and now on the eve of its temporary withdrawal something of the same
sort was threatened again, and Matravers only escaped by standing up
in the front of his box, and bowing his acknowledgments to the
delighted audience.
It was a well-deserved success, for certainly as a play it was a
brilliant exception to anything which had lately been produced upon
the English stage. The worn-out methods and motives of most living
playwrights were rigorously avoided; everything about it was fresh and
spontaneous. Its sentiment was relieved by the most delicate vein of
humour. It was everywhere tender and human. The dialogue, to which
Matravers had devoted his usual fastidious care, was polished and
sprightly; there was not anywhere a single dull or unmusical line. It
was a classic, the critics declared,--the first literary play by a
living author which London had witnessed for many years. The bookings
for months ahead were altogether phenomenal. Fergusson saw a certain
fortune within his hands, and Matravers, sharing also in the golden
harvest, found another and a still greater cause for satisfaction.
For Berenice had justified his selection. The same night, as the
greatest of critics, speaking through the columns of the principal
daily paper, had said, which had presented to them a new writer for
the stage, had given them also a new actress. She had surprised
Matravers, she had amazed Fergusson, who found himself compelled
to look closely to his own laurels. In short, she was a success,
descended, if not from the clouds, at least from the mists of
Isteinism, but accorded, without demur or hesitation, a foremost place
amongst the few accepted actresses. Her future and his position were
absolutely secured, and her reputation, as Matravers was happy to
think, was made, not as the portrayer of a sickly and unnatural type
of diseased womanhood, but as the woman of his own creation, a very
sweet and pure English lady.
The house emptied at last, and Matravers made his way behind, where
many of Fergusson's friends had gathered together, and where
congratulations were the order of the day. A species of informal
reception was going on, champagne cup and sandwiches were being handed
around and a general air of extreme good humour pervaded the place.
Berenice was the centre of a group of men amongst whom Matravers was
annoyed to see Thorndyke. If he could have withdrawn unseen, he would
have done so; but already he was surrounded. A little stir at the
entrance attracted his attention. He turned round and found Fergusson
presenting him to a royal personage, who was graciously pleased,
however, to remember a former meeting, and waved away the words of
introduction.
It chanced, without any design on his part, that Berenice and he left
almost at the same time, and met near the stage door. She dropped
Fergusson's arm--he had left his guests to see her to her
carriage--and motioned to Matravers.
"Won't you see me home?" she asked quietly. "I have sent my maid on,
she was so tired, and I am all alone."
"I shall be very pleased," Matravers answered. "May I come in with
you?" Fergusson lingered for a moment or two at the carriage door, and
then they drove off. Berenice, with a little sigh, leaned back amongst
the cushions.
"You are very tired, I am afraid," he said gently. "The last few weeks
must have been a terrible strain upon you."
"They have been in many ways," she said, "the happiest of my life."
"I am glad of that; yet it is quite time that you had a rest."
She did not answer him,--she did not speak again until the carriage
drew up before her house. He handed her out, and opened the door with
the latch-key which she passed over to him.
"Good night," he said, holding out his hand.
"You must please come in for a little time," she begged. "I have seen
you scarcely at all lately. You have not even told me about your
travels."
He hesitated for a moment, then seeing the shade upon her face, he
stepped forward briskly.
"I should like to come very much," he said, "only you must be sure to
send me away if I stay too long. You are tired already."
"I am tired," she admitted, leading the way upstairs, "only it will
rest me much more to have you talk to me than to go to bed. Mine is
scarcely a physical fatigue. My nerves are all quivering. I could not
sleep! Tell me where you have been."
Matravers took the seat to which she motioned him, and obeyed her,
watching, whilst she stooped down over the fire and poured water into
a brazen coffee-pot, and took another cup and saucer from a quaint
little cupboard. She made the coffee carefully and well, and
Matravers, as he lit his cigarette, found himself wondering at this
new and very natural note of domesticity in her.
[Illustration: Matravers found himself wondering at this new and very
natural note of domesticity in her]
All the time he was talking, telling her in a few chosen sentences
of the little tour for which she really was responsible--of the
pink-and-white apple-blossoms of Brittany, of the peasants in their
quaint and picturesque garb, and of the old time-worn churches, the
exploration of which had constituted his chief interest. She listened
eagerly; every word of his description, so vivid and picturesque, was
interesting. When he had finished, he looked at her thoughtfully.
"You too," he said, "need a change! You have worked very hard, and you
will need all your strength for the autumn season."
"I am going away," she said, "very soon. Perhaps to-morrow."
He looked at her surprised.
"So soon!"
"Why not? What is there to keep me? The theatre is closed. London is
positively stifling. I am longing for some fresh air."
He was silent for a moment or two. It was so natural that she should
go, and yet in a sense it was so unexpected. Looking steadily across
at her as she leaned back amongst the cushions of her chair, her dark
eyes watching his face, her attitude and expression alike convincing
him in some subtle way of her satisfaction at his presence, he became
suddenly conscious that the time which he had dimly anticipated with
mingled fear and pleasure was now close at hand. His heart was beating
with a quickened throb! He was aghast as he realized with quick,
unerring truth the full effect of her words upon him. He drew a sharp
little breath and walked to the open window, taking in a long draught
of the fresh night air, sweetly scented with the perfume of the
flowers in her boxes. Her voice came to him low and sweet from the
interior of the room.
"There is a little farmhouse in Devonshire which belongs to me. It is
nothing but a tumbledown, grey stone place; but there are hills, and
meadows, and country lanes, and the sea. I want to go there."
"Away from me!" he cried hoarsely.
"Will you come too?" she murmured.
[Illustration: She did not answer him. But indeed there was no need]
He turned back into the room and looked at her. She was standing
up, coming towards him; a faint tinge of pink colour had stained her
cheek--her bosom was heaving--her eyes were challenging his with a
light which needed no borrowed brilliancy. Go with her! The man's
birthright, his passion, which through the long days of his austere
life had lain dormant and undreamt of swept up from his heart. He held
out his arms, and she came across the room to him with a sweet effort
of self-yielding which yet waited for while it invited his embrace.
"You mean it?" he murmured, "you are sure?"
She did not answer him. But indeed there was no need.