CHAPTER I

Produced by David Clarke, Suzan Flanagan and the Online

Distributed Proofreading Team at http://www.pgdp.net (This

file was produced from images generously made available

by The Internet Archive/Million Book Project)

------------------------------------------------------------

Applied Psychology

POWER OF

MENTAL IMAGERY

_Being the Fifth of a Series of_

_Twelve Volumes on the Applications_

_of Psychology to the Problems of_

_Personal and Business_

_Efficiency_

BY

WARREN HILTON, A.B., L.L.B.

FOUNDER OF THE SOCIETY OF APPLIED PSYCHOLOGY

ISSUED UNDER THE AUSPICES OF

THE LITERARY DIGEST

FOR

The Society of Applied Psychology

NEW YORK AND LONDON

1920

------------------------------------------------------------

COPYRIGHT 1914

BY THE APPLIED PSYCHOLOGY PRESS

SAN FRANCISCO

(_Printed in the United States of America_)

------------------------------------------------------------

CONTENTS

Chapter

I. IMAGINATION AND RECOGNITION Page

RECOGNIZING THE PAST AS PAST 3

IMAGINATION, PAST, PRESENT AND FUTURE 5

II. KINDS OF MENTAL IMAGES

VISUAL IMAGERY 9

AUDITORY IMAGERY 11

IMAGERY OF TASTE AND SMELL 12

MUSCULAR AND TACTUAL IMAGERY 13

PERSONAL DIFFERENCES IN MENTAL IMAGERY 14

INVESTIGATIONS OF DOCTOR GALTON 15

INVESTIGATIONS OF PROFESSOR JAMES 16

INVESTIGATIONS OF PROFESSOR SCOTT 21

III. HOW TO INFLUENCE OTHERS THROUGH MENTAL IMAGERY

A RULE FOR INFLUENCING OTHERS 31

APPLICATION TO PEDAGOGY 32

HOW TO SELL GOODS BY MENTAL IMAGERY 33

A STUDY OF ADVERTISEMENTS 34

THE WORDS THAT CREATE DESIRE 35

A KEY FOR SELECTING A CALLING 36

IV. HOW TO TEST YOUR MENTAL IMAGERY

FINDING OUT YOUR WEAK POINTS 39

TESTS FOR VISUAL IMAGERY 40

TESTS FOR AUDITORY AND OLFACTORY IMAGERY 42

TESTS FOR IMAGERY OF TASTE AND TOUCH 43

TESTS FOR IMAGERY OF HEAT AND COLD 44

HOW TO CULTIVATE MENTAL IMAGERY 45

V. THE CREATIVE IMAGINATION

THE PROCESS OF CREATIVE IMAGINATION 49

BUSINESS AND FINANCIAL IMAGINATION 50

HOW WEALTH IS CREATED 51

THE KLAMATH PHILOSOPHY 52

HOW MEN GET THINGS 53

PREREQUISITES TO ACHIEVEMENT 54

HOW TO TAKE RADICAL STEPS IN BUSINESS 55

THE EXPANSION OF BUSINESS IDEALS 57

RISING TO THE EMERGENCY 58

THE CONSTRUCTIVE IMAGINATION 59

LITTLE TASKS AND BIG TASKS 60

WORKING UP A DEPARTMENT 61

IMAGINATION IN HANDLING EMPLOYEES 62

HOW TO TEST AN EMPLOYEE'S IMAGINATION 63

IMAGINATION IN BUSINESS GENERALLY 64

IMAGINATION AND ACTION 65

IMAGINATION AND RECOGNITION

[Illustration]

CHAPTER I

IMAGINATION AND RECOGNITION

[Sidenote: _Recognizing the Past as Past_]

In the preceding volume of this _Course_, entitled "The Trained

Memory," you learned that the memory process involves four

elements, Retention, Recall, Recognition and Imagination; and the

scope and operation of two of these elements, Retention and

Recall, were explained to you.

There remain Recognition and Imagination, which we shall make the

subject of this book. We shall treat of them, however, not only

as parts of the memory process, but also as distinct operations,

with an individual significance and value.

Both Recognition and Imagination have to do with mental images.

Recognition relates exclusively to those mental images that are

the replica of former experiences. _It is the faculty of the mind

by which we recognize remembered experiences as a part of our own

past._ If it were not for this sense of familiarity and of

ownership and of the past tense of recalled mental images, there

would be no way for us to distinguish the sense-perceptions of

the past from those of the present.

Recognition is therefore an element of vital necessity to every

act of memory.

[Sidenote: _Imagination, Past, Present and Future_]

Imagination relates either to the past, the present or the

future. On the one hand, it is the outright re-imagery in the

mind's eye of past experiences. On the other hand, it is the

creation of new and original mental images or visions by the

recombination of old experiential elements.

[Illustration: _Girls_--

You'll want to have it taste just right, especially if it's for

"him," so be careful of the directions: Make a paste, using a

tablespoonful of

Anderson's Chocolate

--to a cup of boiling milk--stir for a moment--then serve

this delightful beverage. Watch his eyes sparkle--note the

satisfaction in every sip--hear him murmur "You're a dear."

THIS ADVERTISEMENT COMBINES DIFFERENT ELEMENTS IN A SKILFUL

APPEAL TO THE SENSES. SEE TEXT, PAGE 34]

KINDS OF MENTAL IMAGES

[Illustration]

Power of Mental Imagery Being the Fifth of a Series of Twelve Volumes on the Applications of Psychology to the Problems of Personal and Business Efficiency · 第 1 / 5 章