FIRST IMPRESSIONS.

There is no doubt that one's first impressions are always the brightest

and the best; therefore I resolve to record the first impressions of a

first visit to the Italian lakes.

_British Bellagio._--"Hôtel Victoria, Prince de Galles et des Iles

Britanniques," or some such name, is usually, as _Baedeker_ says,

"frequented by the English." They are here certainly, and one hears

one's native language everywhere. There are the honeymoon couples,

silent and reserved, who glare fiercely at anyone who might be supposed

to imagine for a moment that they are newly married; there are people

who converse in low monotonous voices about the weather, which changes

every hour; there is an old lady, who gives one startling information,

telling one, for instance, that PAUL VERONESE was born at Verona; and

there are two or three British menservants, gazing with superb disdain

at the poor foreigners. The hotel is very quiet. The evening of a

week-day is like Sunday evening, and Sunday evening is----!!! If only

the weather were not also English, or even worse. On the last day of

September the only warm place is by the fire in the _fumoir_. So let us

hurry off from this wintry climate to somewhere, to anywhere. By the

first boat we go.

[Illustration]

Still English everywhere. At Bellagio a great crowd, and heaps of

luggage. At Cadenabbia a greater crowd, and more heaps of luggage. Here

they come, struggling along the gangway in the wind. There is a

sad-faced Englishman, his hands full of packages, his pockets stuffed

with others, carrying under his arm a little old picture wrapped loosely

in pink tissue paper, which the wind blows here and there. He is a

forgetful man, for he wanders to and fro collecting his possessions.

With him is another forgetful Englishman in very shabby clothes, who

also carries packages in paper, and who drags after him an immensely fat

bull-dog at the end of a cord five yards long, which winds round posts

and human legs and other obstacles. At last they are all on board--the

forgetful Englishmen have darted back for the last time to fetch in an

ice-axe and an old umbrella--and on we go over the grey water, past the

grey hills, under the grey sky, towards Como. At Cernobbio the shabby

Englishman lands, dragging his bull-dog at the end of the cord, and

carrying in his arms two rolls of rugs, a bag, and other trifles. His

sad-faced companion, still holding his tiny Old Master in the

ever-diminishing pink paper, wanders in and out seeking forgotten

treasures, an ice-axe, a bag, another paper parcel. Finally all are

landed; the gangway is withdrawn, the steamer begins to move. Suddenly

there is a shout. The shabby Englishman has forgotten something. The

sympathetic passengers look round. There is a solitary umbrella on a

seat. No doubt that is his. A friendly stranger cries, "Is this yours?"

and tosses it to him on the quay. Then there is another shout. "_Ach

Himmel_, dat is mine!" The frantic German waves his arms, the umbrella

is tossed back, he catches it and is happy. But meanwhile another

English man, the most egregious ass that ever lived, has discovered yet

another solitary umbrella, which he casts wildly into space. For one

moment the captain, the passengers, the people on the quay, gaze

breathless as it whirls through the air. It falls just short of the

landing-stage, and sinks into the grey waters of that chilly lake, never

more to be recovered, in any sense of the word. In those immeasurable

depths its neat silk covering will decay, its slender frame will fall to

pieces. It has gone for ever. Beneath this grey Italian sky some Italian

gamp must keep off these Italian showers. Then the captain, the

passengers, and the people smile and laugh. I, who write this, am the

only one on whose face there is not a grin, for that umbrella was mine.

Punch, or the London Charivari, Vol. 107, October 20, 1894 · 第 20 / 24 题