CHAPTER XXIV. THE INTERRUPTED MASS

The morning of that Wednesday of Corpus Christi, fateful to all

concerned in this chronicle, dawned misty and grey, and the air was

chilled by the wind that blew from the sea. The chapel bell tinkled out

its summons, and the garrison trooped faithfully to Mass.

Presently came Monna Valentina, followed by her ladies, her pages, and

lastly, Peppe, wearing under his thin mask of piety an air of eager

anxiety and unrest. Valentina was very pale, and round her eyes there

were dark circles that told of sleeplessness, and as she bowed her

head in prayer, her ladies observed that tears were falling on the

illuminated Mass-book over which she bent. And now came Fra Domenico

from the sacristy in the white chasuble that the Church ordains for the

Corpus Christi feast, followed by a page in a clerkly gown of black, and

the Mass commenced.

There were absent only from the gathering Gonzaga and Fortemani, besides

a sentry and the three prisoners. Francesco and his two followers.

Gonzaga had presented himself to Valentina with the plausible tale that,

as the events of which Fanfulla's letter had given them knowledge might

lead Gian Maria at any moment to desperate measures, it might be well

that he should reinforce the single man-at-arms patrolling the walls.

Valentina, little recking now whether the castle held or fell, and still

less such trifles as Gonzaga's attendance at Mass, had assented without

heeding the import of what he said.

And so, his face drawn and his body quivering with the excitement of

what he was about to do, Gonzaga had repaired to the ramparts so soon

as he had seen them all safely into chapel. The sentinel was that same

clerkly youth Aventano, who had read to the soldiers that letter Gian

Maria had sent Gonzaga. This the courtier accepted as a good omen. If a

man there was among the soldiery at Roccaleone with whom he deemed that

he had an account to settle, that man was Aventano.

The mist was rapidly lightening, and the country grew visible for miles

around. In the camp of Gian Maria he observed a coming and going of men

that argued an inordinate bustle for so early an hour. They awaited his

signal.

He approached the young sentinel, growing more and more nervous as the

time for action advanced. He cursed Fortemani, who had selfishly refused

to take an active part in the admission of Gian Maria. Here was a task

that Fortemani could perform more satisfactorily than he. He had urged

this fact on Ercole's attention, but the swashbuckler had grinned and

shook his head. To Gonzaga fell the greater reward, and so Gonzaga must

do the greater work. It was only fair, the knave had urged; and

while Gonzaga was about it, he would watch the chapel door against

interruption. And so Gonzaga had been forced to come alone to try

conclusions with the sentry.

He gave the young man a nervous but pleasant “Good-morrow,” and observed

with satisfaction that he wore no body armour. His original intention

had been to attempt to suborn him, and render him pliable by bribery;

but now that the moment for action was arrived he dared not make the

offer. He lacked for words in which to present his proposal, and he was

afraid lest the man should resent it, and in a fit of indignation

attack him with his partisan. He little imagined that Aventano had been

forewarned by Ercole that a bribe would be offered him and that he

was to accept it promptly. Ercole had chosen this man because he was

intelligent, and had made him understand enough of what was toward,

besides offering a substantial reward if he played his part well, and

Aventano waited. But Gonzaga, knowing naught of this, abandoned at the

last moment the notion of bribing him--which Ercole had enjoined him,

and which he in his turn had promised Ercole was the course he would

pursue.

“You seem cold, Excellency,” said the young man deferentially, for he

had observed that Gonzaga shivered.

“A chill morning, Aventano,” returned the gallant, with a grin.

“True; but the sun is breaking through yonder. It will be warmer soon.”

“Why, yes,” answered the other abstractedly, and still he remained by

the sentinel, his hand, under the gay mantle of blue velvet, nervously

fingering the hilt of a dagger that he dared not draw. It came to him

that moments were passing, and that the thing must be done. Yet Aventano

was a sinewy youth, and if the sudden stab he meditated failed him, he

would be at the fellow's mercy. At the thought he shivered again, and

his face turned grey. He moved away a step, and then inspiration brought

him a cruel ruse. He uttered a cry.

“What is that?” he exclaimed, his eyes on the ground.

In an instant Aventano was beside him, for his voice had sounded

alarmed--a tone, in his present condition, not difficult to simulate.

“What, Excellency?”

“Down there,” cried Gonzaga excitedly. “There from that fissure in the

stone. Saw you nothing?” And he pointed to the ground at a spot where

two slabs met.

“I saw nothing, Illustrious.”

“It was like a flash of yellow light below there. What is under us here?

I'll swear there's treachery at work. Get down on your knees, and try if

anything is to be seen.”

With a wondering glance at the courtier's white, twitching face, the

unfortunate young man went down on all fours to do his bidding. After

all--poor fellow!--he was hardly intelligent as Fortemani opined.

“There is nothing, Excellency,” he said. “The plaster is cracked.

But---- Ah!”

In a panic of haste Gonzaga had whipped the dagger from its sheath and

sunk it into the middle of Aventano's broad back. The fellow's arms slid

out, and with a long-drawn, gurgling sigh he sank down and stretched

himself horribly on the stones.

In that instant the clouds parted overhead and the sun came out in a

blaze of golden glory. High above Gonzaga's head a lark burst into song.

For a moment the assassin remained standing above the body of his victim

with head sunk between the shoulders like a man who expects a blow, his

face grey, his teeth chattering, and his mouth twitching hideously. A

shudder shook him. It was the first life he had taken, and that carrion

at his feet filled him with sickly horror. Not for a kingdom--not

to save his vile soul from the eternal damnation that act had earned

it--would he have dared stoop to pluck the dagger from the back of the

wretch he had murdered. With something like a scream he turned, and fled

in a panic from the spot. Panting with horror, yet subconsciously aware

of the work he had to do, he paused a moment to wave a kerchief, then

dashed down the steps to the postern.

With trembling fingers he unlocked the door and set it wide to Gian

Maria's men, who, in answer to his signal, were now hurrying forward

with a bridge composed of pine trees, that they had hastily and roughly

put together during the previous day. This, with some efforts and more

noise than Gonzaga relished, was thrust across the moat. One of the men

crept across, and assisted Gonzaga to make fast his end.

A moment later Gian Maria and Guidobaldo stood in the castle-yard, and

after them came almost every man of the five score that Gian Maria had

brought to that siege. This was what Francesco had confidently expected,

knowing that it was not his cousin's way to run any risks.

The Duke of Babbiauo, whose face was disfigured by a bristling hedge of

reddish stubble--for in obedience to the vow he had made, he now carried

a fortnight's growth of beard on his round face--turned to Gonzaga.

“Is all well?” he asked, in a friendly tone, whilst Guidobaldo

contemptuously eyed the popinjay.

Gonzaga assured them that the whole thing had been effected without

disturbing the garrison at their prayers. Now that he deemed himself

well protected his usual serenity of manner returned.

“You may felicitate yourself, Highness,” he ventured to say, with a

grin, to Guidobaldo, “that you have reared your niece in devout ways.”

“Did you address me?” quoth the Duke of Urbino coldly. “I trust it may

not again be necessary.”

Before the look of loathing in his handsome face Gonzaga cringed. Gian

Maria laughed in his piping treble.

“Have I not served your Highness faithfully?” fawned the gallant.

“So has the meanest scullion in my kitchens, the lowliest groom in my

stables--and with more honour to himself,” answered the proud Duke. “Yet

he does not go the length of jesting with me.” His eye carried a menace

so eloquent that Gonzaga drew back, afraid; but Gian Maria clapped him

on the shoulder in a friendly manner.

“Be of good heart, Judas,” he laughed, his pale face a-grin, “I shall

find room for you in Babbiano, and work too, if you do it as well as

this. Come; the men are here now. Let us go forward whilst they are at

their prayers. But we must not disturb them,” he added, more seriously.

“I will not be guilty of an impiety. We can lie in wait for them

without.”

He laughed gaily, for he seemed in a preposterously good humour, and

bidding Gonzaga lead the way he followed, with Guidobaldo at his side.

They crossed the courtyard, where his men were ranged, armed to the

teeth, and at the door of the archway leading to the inner court they

paused for Gonzaga to open it.

A moment the gallant stood staring. Then he turned a face of

consternation on the Dukes. His knees shook visibly.

“It is locked,” he announced, in a husky voice.

“We made too much noise in entering,” suggested Guidobaldo, “and they

have taken the alarm.”

The explanation relieved the growing uneasiness in Gian Maria's mind. He

turned with an oath to his men.

“Here, some of you,” his sharp voice commanded. “Beat me down this door.

By the Host! Do the fools think to keep me out so easily?”

The door was broken down, and they advanced. But only some half-dozen

paces, for at the end of that short gallery they found the second

door barring their progress. Through this, too, they broke, Gian Maria

fiercely blaspheming at the delay. Yet when it was done he was none so

eager to lead the way.

In the second courtyard he deemed it extremely probable that they should

find Valentina's soldiers awaiting them. So bidding his men pass on, he

remained behind with Guidobaldo until he heard word that the inner court

was likewise empty.

And now the entire hundred of his followers were assembled there

to overpower the twenty that served Monna Valentina; and

Guidobaldo--despite Gian Maria's scruples--strode coolly forward to the

chapel door.

* * * * *

Within the chapel Mass had started. Fra Domenico at the foot of the

altar had pattered through the Confiteor, his deep voice responded to

by the soprano of the ministering page. The Kyrie was being uttered when

the attention of the congregation was attracted by the sound of steps

approaching the chapel door to the accompaniment of an ominous clank of

steel. The men rose in a body, fearing treachery, and cursing--despite

the sanctity of the place--the circumstance that they were without

weapons.

Then the door opened, and down the steps rang the armed heels of the

new-comers, so that every eye was turned upon them, including that

of Fra Domenico, who had pronounced the last “Christe eleison” in a

quavering voice.

A gasp of relief, followed by an angry cry from Valentina, went up when

they recognised those that came. First stepped the Count of Aquila in

full armour, sword at side and dagger on hip, carrying his head-piece on

the crook of his left arm. Behind him towered the bulk of Fortemani, his

great face flushed with a strange excitement, a leather hacketon over

his steel cuirass, girt, too, with sword and dagger, and carrying his

shining morion in his hand. Last came Lanciotto and Zaccaria, both fully

equipped and armed at all points.

“Who are you that come thus accoutred into God's House to interrupt the

holy Mass?” cried the bass voice of the friar.

“Patience, good father,” answered Francesco calmly, “The occasion is our

justification.”

“What does this mean, Fortemani?” demanded Valentina imperiously, her

eyes angrily set upon her captain, utterly ignoring the Count. “Do you

betray me too?”

“It means, Madonna,” answered the giant bluntly, “that your lap-dog,

Messer Gonzaga, is at this very moment admitting Gian Maria and his

forces to Roccaleone, by the postern.”

There was a hoarse cry from the men, which Francesco silenced by a wave

of his mailed hand.

Valentina looked wildly at Fortemani, and then, as if drawn by a greater

will than her own, her eyes were forced to travel to the Count. He

instantly advanced, and bowed his head before her.

“Madonna, this is no hour for explanations. Action is needed, and that

at once. I was wrong in not disclosing my identity to you before you

discovered it by such unfortunate means and with the assistance of the

only traitor Roccaleone has harboured, Romeo Gonzaga--who, as Fortemani

has just told you, is at this moment admitting my cousin and your uncle

to the castle. But that my object was ever other than to serve you, or

that I sought, as was represented to you, to turn this siege to my own

political profit, that, Madonna, I implore you in your own interests to

believe untrue.”

She sank on to her knees and with folded hands began to pray to the

Mother of Mercy, deeming herself lost, for his tone carried conviction,

and he had said that Gian Maria was entering the castle.

“Madonna,” he cried, touching her lightly on the shoulder; “let your

prayers wait until they can be of thanksgiving. Listen. By the vigilance

of Peppe there, who, good soul that he is, never lost faith in me or

deemed me a dastard, we were informed last night--Fortemani and I--of

this that Gonzaga was preparing. And we have made our plans and prepared

the ground. When Gian Maria's soldiers enter, they will find the outer

doors barred and locked, and we shall gain a little time while they

break through them. My men, as you will observe, are even now barring

the door of the chapel to impose a further obstacle. Now while they are

thus engaged we must act. Briefly, then, if you will trust us we will

bear you out of this, for we four have worked through the night to some

purpose.”

She looked at him through a film of tears, her face drawn and

startled. Then she put her hands to her brow in a gesture of bewildered

helplessness.

“But they will follow us,” she complained.

“Not so,” he answered, smiling. “For that, too, have we provided. Come,

Madonna, time presses.”

A long moment she looked at him. Then brushing aside the tears that

dimmed her sight, she set a hand on either of his shoulders, and stood

so, before them all, gazing up into his calm face.

“How shall I know that what you say is true--that I may trust you?”

she asked, but her voice was not the voice of one that demands an

overwhelming proof ere she will believe.

“By my honour and my knighthood,” he answered, in a ringing voice, “I

make oath here, at the foot of God's altar, that my purpose--my only

purpose--has been, is, and shall be to serve you, Monna Valentina.”

“I believe you,” she cried; to sob a moment later:

“Forgive me, Francesco, and may God, too, forgive my lack of faith in

you.”

He softly breathed her name in such sweet accents that a happy peace

pervaded her, and the bright courage of yore shone in her brown eyes.

“Come, sirs!” he cried now, with a sudden briskness that startled them

into feverish obedience. “You, Fra Domenico, cut off your sacerdotals,

and gird high your habit. There is climbing for you. Here, a couple of

you, move aside that altar-step. My men and I have spent the night in

loosening its old hinges.”

They raised the slab, and in the gap beneath it was disclosed a flight

of steps leading down to the dungeons and cellars of Roccaleone.

Down this they went in haste but in good order, marshalled by Francesco,

and when the last had passed down, he and Lanciotto, aided by others

below, who had seized a rope that he had lowered them, replaced the slab

from underneath, so that no trace should remain of the way by which they

had come.

A postern had been unbarred below by Fortemani, who had led the way with

a half-dozen of the men; and a huge scaling ladder that lay in readiness

in that subterranean gallery was rushed out across the moat, which at

this point was a roaring torrent.

Fortemani was the first to descend that sloping bridge, and upon

reaching the ground he made fast the lower end.

Next went a dozen men at Francesco's bidding, armed with the pikes

that had been left overnight in the gallery. At a word of command they

slipped quietly away. Then came the women, and lastly, the remainder of

the men.

Of the enemy they caught no glimpse; not so much as a sentry, for every

one of Gian Maria's men had been pressed into the investment of the

castle. Thus they emerged from Roccaleone, and made their way down that

rough bridge into the pleasant meadows to the south. Already Fortemani

and his dozen men had disappeared at the trot, making for the front of

the castle, when Francesco stepped last upon the bridge, and closed the

postern after him. Then he glided rapidly to the ground, and with the

assistance of a dozen ready hands he dragged away the scaling ladder.

They carried it some yards from the brink of the torrent, and deposited

it in the meadow. With a laugh of purest relish Francesco stepped to

Valentina's side.

“It will exercise their minds to discover how we got out,” he cried,

“and they will be forced to the conclusion that we are angels all, with

wings beneath our armour. We have not left them a single ladder or a

strand of rope in Roccaleone by which to attempt to follow us, even if

they discover how we came. But come, Valentina mia, the comedy is not

finished yet. Already Fortemani will have removed the bridge by which

they entered and engaged such few men as may have been left behind, and

we have the High and Mighty Gian Maria in the tightest trap that was

ever fashioned.”

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