CHAPTER XII.

PALESTRINA AND THE ORIGINS OF MODERN MUSIC.

Italy in Renaissance produces no National School of Music--Flemish

Composers in Rome--Singers and Orchestra--The Chaotic, Indecency

of this Contrapuntal Style--Palestrina's Birth and Early

History--Decrees of the Tridentine Council upon Church Music--The

Mass of Pope Marcello--Palestrina Satisfies the Cardinals with his

New Style of Sacred Music--Pius IV. and his Partiality for

Music--Palestrina and Filippo Neri--His Motetts--The Song of

Solomon set to Melody--Palestrina, the Saviour of Music--The

Founder of the Modern Style--Florentine Essays in the Oratorio

Renaissance in Italy, Volumes 6 and 7 (of 7) The Catholic Reaction · 第 7 / 14 章