LXIII

But she certainly had not planned to throw the carnation. The

missile hurled, she had been seized with paralyzing fright. The

shade of her grandmother seemed to rise, appalling in its shocked

propriety. One could almost hear her saying: "_My unhappy child, you

have become more like your mother than I could have believed, had I

not seen!..._"

Now in sheer desperation she mocked on, dissembling her terror.

"What is the matter? Why are you so dull and _distrait_? Are you

tired of living shut up in a garden? Answer me, I pray you,

Monsieur!"

He looked at her, and his cleft chin squared itself, and his broad

red eyebrows lowered into a line of determination. He said doggedly:

"The happiest time of my life has been spent shut up in this garden!

I believe you know that very well!"

She burst into silver laughter and cried to him teasingly:

"But you did not look at all happy when I peeped at you in the night

from my window. See! Thus, with the hands miles deep in the

pockets, and the shoulders elevated to the tips of the ears!"

She jumped up and mimicked the slouching gait of the midnight

cogitator, brilliantly and with fidelity, parading between the dinner

table and the long windows that opened toward the lawn. He

recognized himself, and reddened, while he laughed with vexation. He

had never before seen her in this mood of Puck-like mischief. He had

yet to become acquainted with another phase of Juliette.

"Did you learn to act so well at your Convent?" he asked her, and she

answered with sudden gravity:

"Acting can never be learned, Monsieur.... It is a gift, of the good

angels or the bad ones, which can be brought to perfection by use.

To 'make' an artist of the stage is not possible. He or she is born

... and that is all I know...." She added: "When I make my

appearance at the Théâtre Français, they shall send you a _billet de

faveur_. Then you shall see acting. I promise you!"

She was more like Queen Titania than ever as she held up her fairy

finger, and smiled and sparkled at the bewildered young man.

"For example, if MM. les Directeurs assign to me the part of a

grandmother of sixty, do you think I shall put on wrinkles with

paint? ... _Non, merci_! The true artist says to herself, '_I am

old!_' and she is old.... '_I am ugly!_' and she becomes hideous.

'_I am wicked!_' See here!... Is this a face to regard with love,

Monsieur?"

The last sentence had been croaked, rather than spoken. No Japanese

mask of a witch could well have been more furrowed, puckered,

scowling, or malignant than the face that had been Titania's a moment

back. Breagh called out in protest, half angry, half amused, wholly

fascinated; and Oberon's bright Queen came back again to say:

"Or I can be stupid, very stupid--if that will please you!...

Gentlemen sometimes admire stupid girls.... We had one at the

Convent--your countrywoman and a great heiress. Miss Smizz--the

daughter of Smizz and Co., Tea Merchants, of Mincing Lane."

She banished all expression save a smile of absolute fatuity, puffed

out her cheeks, narrowed her eyelids, permitting her eyes to twinkle

through the merest slits. She giggled inanely, and said, combining

the consonantal thickness of catarrh with the gobbling of a

hen-turkey...

"All the eggstras.... Whad does expedse battere whed you've got a

Forchud to fall bag od? Besides, Ba says I bust barry iddo the

Beerage, ad accoblishbeds are dod usually expegded of a doblebad's

wife!"

She added, in her own voice, summarily banishing Miss Smith, her

expectations, and her splutter:

"Do not be vexed with me, Monsieur Breagh, I beg of you!... I am

perhaps a little excited. There is something strange in the air....

I have a humming in my ears as though great crowds of people were

talking very softly.... What is it?" she asked in bewilderment,

pressing the fine points of her small fingers into her temples.

"What is the matter with me to-night?..."

Then P. C. Breagh spoke out, in a tone that hurled a challenge to

Destiny:

"There is nothing the matter with you!... That is the glory of it!

You were ill, and now you are well.... You can laugh again, and

sleep again, and cook a dinner and help to eat it.... You have made

capital use of your time!... For we came here on the twenty-first of

August, and this is the fifth of October. We have been shut up in a

garden, as you say yourself, for more than six weeks!..."

"Can it be possible?"

She looked at him intently and realized his earnestness. He answered

with a glow of pride in his work:

"Fact! And in all the time you have never seen a newspaper or asked

a question about the War. Even when you have heard the great guns

firing from the forts below Paris--Issy and Vanves and Montrouge and

the rest--you never said a word that showed you noticed.... Do you

know why?..."

His voice wavered exultantly. She looked at him and slightly shook

her head.

"No!..."

"Because I willed you to. By George! there are times when I believe

that even yet I'd make a doctor. Mental suggestion was the line I

took with you...." He rubbed his hands. "Not that I could have done

anything without the help of Madame Potier--first-class little

woman!--regular brick that she is!... You see, your brain had sucked

up all the trouble it was capable of holding. You wanted rest....

Well, you've had it, thank God! Night after night I've walked up and

down, backward and forward, on the lawn, just as you saw me doing

last night, saying: 'Sleep! Forget! You have my orders to!"

The tone of mastery thrilled, even while the muscles of her mouth

twitched with repressed laughter. He was beautiful in her eyes as he

leaned forward smiling at her. She said, repressing her tears, and

concealing her admiration:

"But last night you did not say 'Sleep!' but something else,

Monsieur...."

There was a swift change in him, telling her that for once he was not

listening. His eyes were alert, his ear eagerly drank in a sound

composed of many sounds that grew louder as they came more near. Now

the whole room was full of the trampling of horses and the fainter

clink of spur and scabbard and bridle.... Cavalry were passing up

one of the great avenues south of the Rue de Provence--not the Avenue

of St. Cloud--probably the Rue des Chantiers--there was a distant

roar of cheers.... Then in one little oasis of silence came the

rolling of carriages, and then the walls shivered with the roaring of

lusty lungs:

"_Hoch der König! Hoch der Kronprinz!_"--and the shouts were drowned

in a great burst of martial music, and the trampling of men and

horses, mingled with the beat of drums and the blare of trumpets,

rolled on tumultuously again.

The blood ebbed from Juliette's cheeks and lips to her heart as she

listened. Then the double doors of the dining room were butted open

with the corner of a wooden coffee tray, and Madame Potier appeared

with a steaming pot and two cups. She was pale round the hectic

patches that blazed in her thin face. Her black eyes leaped to

Breagh's with an eager question in them ... "_Have you told her?_"

... and he answered with an almost imperceptible shake of the head.

Then before either of them knew, Juliette had risen. She went to the

little woman and kissed her on the cheek. She said, taking one of

the gnarled work-worn hands in one of hers and holding out the other

to Carolan:

"Dear friends, to whom I owe so much, tell me now what in your great

compassion you have kept from me. For I think the time has come when

I must hear!"

The time had come, indeed, with the ring of Prussian cavalry hoofs

upon the ancient cobblestones, and the roll of the carriages that

came with them. And before either of those the girl addressed could

speak in answer, the resonant sound of a Prussian trumpet pierced

their silence:

"_Clear the way! Clear the way! Here comes the King!_"

And followed a cry, pitiful as the wail of a hare in a gin trap:

"Those are Prussians!" ... and another scream, shrill and thin and

clear.... Then a crash!... Madame Potier had dropped her coffee

tray.... Before the hot steam of the spilled liquid rose up from the

Tessier carpet, the small hand Breagh had clasped was suddenly,

violently snatched from him. He sprang to his feet, but Madame

Potier had been quicker than he. She had caught the girl round the

waist, and now wrestled with her.... The silent, desperate strife

was horrible. The slender black-clad figure writhed for freedom like

a snake.... Then all at once the life seemed to go out of it....

They carried her to the sofa and laid her down....

"Monsieur should have told her!" Madame Potier said angrily. "Why

leave it to the Prussians to break the news?..." Tears were running

down her cheeks as she unfastened the girl's dress, and rubbed the

limp hands, while Breagh dropped Cognac between the little teeth, a

drop or two at a time.

And presently Juliette was looking at them, not wildly, and Madame

Potier was answering: "It was nothing!... Madame was startled into

an attack of faintness when I was so clumsy as to drop the coffee

tray. Now I shall go and get more, and Monsieur will talk quietly to

Madame as she lies there. She must hear everything that we have kept

from her.... Yes, yes! that is quite understood!"

And she clumped away, with a backward glance of disdain directed at

the masculine boggler, and Breagh drew a chair near the sofa where

his wan Infanta lay, and sat down and told her all.

Red sunset flooded the autumn garden as he talked. Not a leaf

stirred, hardly a bird uttered a nooning note. But the strange sound

that had haunted not only the ears of Juliette went on incessantly.

It was the sighing and whispering and muttering of the vast crowds

that had filled the Rue des Chantiers behind the lines of troops to

witness the entrance of the conquerors, and now gorged the great

Place of the Prefecture (above whose entrance flaunted the standard

of the Hohenzollerns)--filled the upper end of the Avenue de

Paris--and surged over the vast expanse of the Place d'Armes, beating

in black and restless human waves against the lofty blue and golden

railings of the Royal Château, above whose golden dome floated the

black-and-white Prussian Standard and the white Flag with the red

Geneva Cross.

We know what he had to tell her.... The false step of MacMahon, the

unavailing attempt of Bazaine to break out of Metz, the conflict on

the Meuse, ending in defeat and the loss of 7,000 prisoners with guns

and transport. The flight and escape of the Emperor to the fortress

city of Sedan.... The battle between the ill-led, unfed, dispirited

French forces and the Three Armies. The taking of 20,000 French

prisoners, the wound of MacMahon, leading to his resignation of the

chief command into the hands of General Wimpffen, summoned from his

command in Algeria in time to capitulate. The pitiable surrender of

the Emperor's sword to the King of Prussia. His transport into

Belgium as a prisoner of War. The flight of the Empress from the

Tuileries. The formation at Paris of the New Government of National

Defense. The entry of the King of Prussia into Rheims, and the

arrival of the First and Third Armies in force before Paris. The

fight upon the heights of Châtillon--the defeat of Ducrot by a

Bavarian Division--the German advance upon Nemours and Pitiviers--the

investment of the capital, now encircled with an iron ring.

For three days the Crown Prince had been established with his Staff

at the Prefecture. This day had seen the Great Headquarters of the

Prussian King removed to Versailles, from Baron Rothschild's Castle

of Ferrières....

Truly it had been time to break the news to Juliette. She lay still

during the recital, only quivering now and then. She drank the

coffee when Madame Potier brought it, and thanked the faithful soul

affectionately. When the gas lamps were lighted, and the shutters

shut, she bade P. C. Breagh good night in a faint whisper, and gave

him both hands, saying with a liquid glance:

"Thank you, my friend!..."

He whispered as he kissed the little fingers:

"You will sleep to-night, will you not?..."

And she nodded in assent. But when he had gone to his bed at the

cottage, the old terrible thoughts came crowding back.

That electrifying blast of glorious sound from the silver instrument

of the Great Staff trumpeter had wakened and brought them like

hornets buzzing and stinging about her ears.... She longed for her

friend, but he had departed. And the loneliness was too terrible to

bear.

She caught up a little white shawl that she had brought with her, and

often wore when walking in the garden upon chilly evenings, or going

to Mass in the early mornings, before the sunshine had warmed the

air. One turn of the wrist draped it faultlessly about her head and

body. Thus shielded, she went into the hall, and laid her hand upon

the lock of the door.

As she did so, cavalry horses ridden at a sharp trot came clattering

down the cobbled street. They were pulled up outside the Tessier

mansion. There was an imperious tug at the gate bell. She waited

for the opening of the kitchen door.

Then she heard it unlocked, and the clatter of Madame Potier's clogs

upon the terrace. _Klop--klop--klop!_ they crossed the leads,

descended the three steps that led to the gravel walk, and went on to

the iron gate. It was locked, as always, in the absence of Madame

Tessier. Presently the keys clashed, the lock scrooped back from the

mortise, and the hinges uttered a protesting cry....

Then the harsh tones of a man, speaking French with a frightful

German accent, turned the listening girl to ice. There was an

exclamation from Madame Potier, a rejoinder in the stranger's

gutturals. A horse trampled. The rough voice of the rider swore at

the brute in German. Then there was a clatter of boots upon the

pavement, with a great clinking of spurs and scabbard, and the

now-dismounted rider said in his infamous French jargon:

"Go you before and open! His Excellency is coming in!"

Terrified, Madame Potier obeyed ... scuttling across the terrace like

a frightened beetle. Juliette, paralyzed with horror, heard the

heavy spurred footsteps crunch and jingle up the gravel walk and

ascend the steps to the hall door. Almost directly, as little Madame

Potier darted panting up the stairs from the kitchen, the hall

doorbell clanged a deafening peal.

A carriage had rolled down the Rue de Provence, and stopped before

the smaller gate, ere the doorbell's iron echoes had ceased shouting

through the house of the Tessiers. There were other voices at the

gate, other footsteps upon the gravel.... They mounted the steps. A

resonant, unforgotten voice said to the ringer in German:

"The Herr Intendant General may spare himself the trouble.... I will

interview the people of the house myself!"

The person addressed replied in the harsh tones that had terrified

Madame Potier:

"But supposing Your Excellency be met with some insolence?..."

The resonant voice answered with a smile in it: "In that case, Herr

Intendant General, my Excellency will take the risk. There are only

women in the house, and should they offer violence, I have Count

Hatzfeldt and Count Bismarck-Böhlen here!..."

There was a laugh--gay, mellow, and careless--and a young man's voice

answered:

"Your Excellency may safely rely on our protection!"

There was another laugh. Under cover of it, Madame Potier hissed

into the head folds of the white shawl:

"They have quartered the Prussian Chancellor and the Foreign Office

upon us. That is what the sacred brute in the big boots and

spectacles shouted, when I went down to open the front gate.... What

is the Prussian Foreign Office?"

From the white folds of the shawl a sibilant whisper hissed at her:

"It is a man. They call him Count Bismarck. Now if you love me, be

quiet, and watch and listen. He shall ring the bell with his own

hand.... Then I open the door!..."

"But, Madame!..." whispered the distracted caretaker.

No verbal answer.... The white shawl pulled closer, shrouding round

the slender form and girlish features. A little hand, firm and

unfaltering, ready upon the latch of the door.

Poor Potier whimpered....

"Madame Charles.... My child! my treasure! for the love of Christ

and Mary!... Tell me what you are going to do!"

The bell rang again, with a new and imperious hand upon it. She well

knew whose was the hand. And the snow-water in her veins became

liquid fire. She threw open the hall door and stepped back to admit

the Man of Iron.

He stood upon the doorsteps like the house's master, a huge

dominating figure, dressed as she had seen him on the battlefield of

Gravelotte, in his high black, pewter-buttoned military frock and

white peaked Cuirassier cap, riding cords, and great black jack-boots

with long steel spurs. He was powdered with dust as a man newly come

off a journey, though his boots were clean, for he had driven in a

carriage from Ferriéres. Upon the step below him stood Count

Hatzfeldt, his First Secretary, a man of thirty, tall,

broad-shouldered, and _débonnaire_, wearing, as did Bismarck-Böhlen,

the semi-military Foreign Office undress. The lean trap-jawed

personage in a dark uniform with velvet facings, whom we must

recognize as the Intendant General, waited in the background, glaring

through his spectacles at the tardy portress in the white shawl, and

the peaked face and flaring black eyes of little Madame Potier, who

stood beside her mistress as ready to spit and scratch for her sake

as a pussy cat to defend its young.

There was no pause. The dominating figure stepped into the hall.

His great Cuirassier sword clanked on the threshold. He touched the

peak of his cap with his bare right hand, and said, looking down from

his great height upon the women:

"This is the house of the Famille Tessier?"

One of the women, who was swaddled in a white shawl, dropped him a

stiff little middle-class reverence. Behind her, the other bobbed a

serving woman's curtsy. He went on, addressing White Shawl as the

superior:

"This house, Madame, has been selected as the official residence of

the Prussian Foreign Office. We shall pay you an adequate sum for

our accommodation, and remain here some weeks ... possibly three."

He glanced at Hatzfeldt, and said with a flicker of sardonic humor

playing in his heavy blue eyes, and about the corners of the deeply

cut mouth that was masked by the heavy iron-gray mustache:

"Though the actual duration of the visit depends--not upon

ourselves--but upon the decision of the United German Powers, and the

position which they shall decide to take up with regard to Conditions

of Peace. We are not the invited guests of France, whose stay can be

cut short because our manners do not prepossess our hostess. We came

because we thought it advisable ... we will go when it is convenient

to depart!"

"If Jules Faure could hear Your Excellency!..." said Bismarck-Böhlen,

grinning.

"He would cast up his fine eyes more tragically than he did at

Ferrières," said Hatzfeldt, "when the three words, '_Forfeiture of

Territory_,' drew from them so many patriotic tears...."

"He is a weeper," said the Minister, pulling off his left glove, "and

Wimpffen was a posturer, with his '_Moi, soldat de l'Armée

Français_'--and the Duke of FitzJames is a manufacturer of

bugaboos.... Our German caricaturists should draw him as a pavement

artist, holding the hat beside a horrible red-and-yellow chalk

picture of our atrocious cruelties in Bazeilles."

The Man of Iron · 第 76 / 94 题