On one occasion Hugh Brontë was riding home with a neighbor. When they

had reached the glen a headless man appeared on the road in front of

them. The neighbor’s horse stood shivering, as if rooted to the ground,

but Brontë’s horse, without any appearance of fear, walked up to the

dreadful object, and Brontë, unmoved, and without pause or word, simply

cracked his whip at it, and it disappeared in a flash of light.

Ghost baiting became a passion with the Brontës, and though they were

too proud to associate much with their neighbors, they were not averse

to being stared at and talked of by them.

The mill at the lower end of the glen, where now stand Mr. Ratcliffe’s

dwelling-house and offices, was haunted. Lights flitted through it at

night, and no one would go near it after sunset. When the terror was

at its height Hugh Brontë armed himself with a sword and a Bible, and

went alone to encounter the ghost or devil, or whatever it might be.

The neighbors, who saw Brontë marching to his doom, stood afar off in

the darkness, and awaited the result. Unearthly noises were heard, and

it was clear that a serious contest was proceeding. After a long delay

Brontë returned, bruised and battered and greatly exhausted, but he

would give no account of what had transpired.

His secrecy regarding his adventure increased the terror of the

superstitious, for it was given out and believed that Brontë, having

been worsted in the encounter, saved his life by making some compact

with the fiend or ghost. And some even believed that he was ever after

in league with the powers of darkness.

This fearsome theory seemed to be confirmed by Hugh Brontë’s subsequent

action. One dark and dismal night, the ghost in the glen began to wail

like a child in distress. The people barred their doors, covered their

heads in bed with their blankets, and stopped their ears, to keep out

the unearthly sounds; but Hugh Brontë went down quietly to the glen,

and soothed the ghost until by little and little its moaning died away.

On several occasions it was believed that Hugh was actually seen in the

glen, standing with his hand on the mane of a magnificent black horse,

but when any neighbor drew near, the black horse dwindled into a great

black cat, which kept purring around Brontë, and rubbing itself against

his legs. As soon as the neighbor withdrew, the cat would again develop

into the large black horse, and Brontë was often seen riding up and

down upon it, near precipices and ravines where there was no path!

There was also supposed to be a white-sheeted figure that used to

frequent the glen, carrying a little child in her arms. It was said

that she was in the habit of asking for a night’s lodging, but never

seemed disposed to accept it. She generally kept her face covered, or

averted, but when it was exposed it proved to be a toothless, grinning

skull, with a light shining from each eyeless socket.

One of the Brontë sisters and her daughter lived in a house near by, in

which a man called Fraser had hanged himself. The house was declared

to be haunted. Apparitions appeared in it, both by day and night, but

especially at night. Noises were heard in the rooms during the hours of

darkness. When the inmates slept at night, something like a huge frog

with claws used to rush up the clothes from the foot of the bed, settle

on their chests, and almost suffocate them.

Hugh went to his sister’s house one night, taking his gun with him. He

upbraided Fraser for his ungallant and mean conduct in frightening lone

women, and then called on him to come out like a man and face him. But

nothing appeared, the ghost evidently declining to face a loaded musket.

Brontë was importunate in his challenge, taunting Fraser’s ghost with

all kinds of sarcastic gibes and accusations, that he might irritate

it into appearing, but the ghost would not be drawn. Then he fired off

his gun, and challenged the ghost to meet him face to face, using every

scornful and reproachful epithet to drive it into a passion, but all in

vain.

On the following night Hugh returned to the haunted house with a

fiddle, and tried to coax the ghost to appear in response to the music.

The ghost, however, remained obdurate, regardless alike of threats,

reproaches, and blandishments. Brontë returned home that night in a

state of wild excitement. All the way he incessantly called on Fraser

to come and shake hands with him, and make up their quarrel.

He retired to bed in a delirium of frenzy, and during the night the

ghost appeared to him, and gave him a terrific squeeze, from which he

never recovered. He died shortly after in great suffering, upbraiding

Fraser for his heartless cruelty and cowardice, and he declared, dying,

that when he reached the land of shadows he would take measures to

prevent Fraser from haunting his sister and niece. After Hugh’s death

the rumblings and apparitions ceased to trouble his sister’s house.

The great horror, however, of the haunted glen was the _Headless

Horseman_. The phantom generally made its appearance among thickets of

tangled bushes, which no horse could penetrate, and glided silently

over uneven and broken ground, where no horse could have gone.

It always appeared to be ridden and guided by a man in flowing robes,

whose feet were firmly in the stirrups and whose hands held the bridle,

but whose head had been chopped off, leaving only a red and jagged

stump.

The ghastly spectacle was so minutely described by the Brontës that

others carried the picture of it in their imaginations, and it is

not to be wondered at if many thought they saw the spectre among the

shimmering shadows of the trees.

A neighbor of the Brontës, Kaly Nesbit, a very old and, I believe,

a very good man, once gave to a number of us a vivid account of the

apparition. He told the story with great earnestness, and with apparent

conviction as to its truth. I give his account as nearly as I can in

his own quaint language:

“I heerd the horse nichering in the glen. It was not the voice of a

horse but of a fiend, for it came out of the bowels of the earth, and

shook the hills, and made the trees quake. Besides, there was no room

for a horse on the steep bank, and among the bushes and brablack.

”I had just had a drap of whiskey, about a noggin, and I wasn’t a bit

afeard of witch or warlock, ghost or devil, and so I stepped into the

glen to see for myself whatever was to be seen.

“At first I could not see any inkling of a horse, but I heerd the

branches swishing along his sides, at the lower end of the glen. Then

I saw a large dark object as big as a haystack coming nixt me, and

walking straight through trees and bushes as if they were mere shadows.

“I juked down behind a hedge of broom, and as I hunkered in the shadow

he came on in the slightly dusk light. The horse was as big as four

horses, and at a distance I thought the rider was a huge blackavised

man; but when he came fornenst me the moon fell full upon him through

a break in the trees, and then I saw that he was crulged up on the

saddle, and that only a red and ghastly stump stuck up between his

shoulders, where his head should have been.

”I escaped unseen, but just as the terrible thing passed me it nichered

again horribly, and I saw sparks of fire darting out of its mouth.

“It then turned and cut triangle across the valley, passing over the

cockpit, and walking upon the air, as it emerged into the moonlight.

It walked up straight against the steep edge of the quarry-pit, and

vanished into the bank. I saw it vanishing by degrees, like a shadow,

at first black, but growing lighter and lighter, till it entirely

disappeared, and there was nothing on the high bank where it stopped

but the bright moonlight.”

Kaly Nesbit had the reputation of being a very good man. I knew him

pretty well, especially as a near relative of his had been my kind

old nurse, who imparted to me much Brontë lore. I am sure he believed

the fascinating story he told; but a noggin of whiskey is a rather

indefinite quantity, and Kaly Nesbit, on that night, may have had his

faculties for hearing and seeing in a rather sensitive condition.

However that may have been, his sober and earnest account of the

monstrous spectre, confirming, as it did, the wildest stories of the

Brontës, created a profound impression.

THE HYPNOTIC EXPERIMENTS OF DOCTOR LUYS.

BY R. H. SHERARD.

(Illustrated with photographs of Doctor Luys’s patients, taken at the

Charity Hospital in Paris.)

The scientific world is greatly interested in the dispute between

the believers in the value of hypnotic experiments for purposes of

therapeutics and psychology, and those who stigmatize the wonderful

results which the former claim to have obtained, as the mere outcome of

delusion or fraud.

[Illustration: DOCTOR LUYS.]

Ever since the possibility of producing phenomena by the effect of

animal magnetism was established, and their medical value asserted,

by Frederick Anthony Mesmer, in his theory of mesmeric cures, the

most violent hostility has been provoked. Volumes of controversy have

been written, the most ardent of the writers being Nees Von Esenbeck,

Kieser, Enemoser, Carus and Kluge amongst the Germans, and Deleaze and

Foissac among the French.

The report made by the commission appointed by the French Academy

of Sciences, the principal members of which were Benjamin Franklin,

Lavoisier, Bailly, and Guillotin, pronounced the whole theory of

Mesmer charlatanry, asserting that “there is no proof of the existence

of the animal magnetic fluid; that this fluid, having no existence,

is consequently without utility; and that the violent effects to

be observed are due to the manipulations, to the excitement of the

imagination, and to that sort of mechanical imitation which leads us to

repeat anything which produces an impression on the senses.”

The consensus of opinion among scientists was opposed to the soundness

of the theory of hypnotism. Yet such men as Laplace, Agassiz, Hufeland,

Sir William Hamilton, and Doctor William Carpenter were always among

its stanch supporters, so far as the fundamental facts were concerned.

THE NEW MESMERISM.

The novel development of the subject on sharply defined lines of

scientific method owes itself to J. Braid, a surgeon of Manchester,

England, who first published the results of his studies in 1840. But

it was many years before his studies became widely known and had

their due weight. He now shines _primus inter pares_ among those

who have shed most light on a perplexing problem. But just as the

modern French art school built itself upon the work of the Englishman

Constable, so it took the genius and enthusiasm of such investigators

as Doctors Charcot and Luys, and of Colonel Rochas d’Aiglun to carry on

Braid’s beginnings. These three scientists of recognized worth never

proclaimed that the secrets of hypnotism have been solved, or that its

possibilities have been more than foreshadowed; they simply asserted

that the results already obtained, many being practical in an eminent

degree, give encouragement to pursue their investigations.

[Illustration: PLEASING EFFECT OF THE NORTH POLE OF A MAGNET.]

It is my purpose to simply set forth that which has come under my

personal observation at the Charité Hospital, whose doctor-in-chief,

Doctor Luys, is to-day the most enthusiastic believer in experiments on

the hypnotic phenomena.

METHODS OF LA CHARITÉ HOSPITAL.

The hypnotic experiments practised by the doctor-in-chief of the

Charité Hospital, may be roughly divided into two classes. The first

are experiments of a speculative kind, that is to say, such as do not

produce practical effects. The second class includes such as often

produce such results. These last experiments are mainly the diagnosis

of patients by subjects in the hypnotic state, the cure of nervous

disorders by the transfer of the same from patients to subjects in the

hypnotic state, and the cure of moral and physical maladies by the

power of suggestion.

The hypnotic state is divided by Doctor Luys into five phases of

intensity: somnambulism, fascination, catalepsy, lethargy, and

hypo-lethargy, with various intermediary phases which have not yet been

tabulated. The hypnotic state in one or other of its phases is produced

in the subject or patient in two ways; by word of command or by the

use of the rotative mirror. The rotative mirror is often used where

hypnotic influence is first applied to an individual. This mirror much

resembles that used by bird catchers for snaring larks. It is composed

of four arms, overlaid with bright, polished metal. The arms revolve

by clockwork on a pivot, at a tremendous rate of speed. The patient is

seated in a high-backed chair with his back to the light, which shines

full on the mirror, and is bidden to keep his eyes fixed upon it, and

simultaneously to desire to be sent to sleep. The clockwork sets the

mirror in rotary motion with a dazzling effect. Sleep is not invariably

produced. Many persons are refractory; but, as a rule, in about twenty

per cent. of the cases the operation is successful, and after a period

varying from five to twenty minutes the patient is seen to drop to

sleep.

[Illustration: REPULSIVE EFFECT OF THE SOUTH POLE OF A MAGNET.]

“The eyes,” says a writer on the subject, “are first attracted by the

rays of light which flash from the wings of the mirror, then little

by little, and at the end of a period which varies according to the

temperament of the patient, a kind of fascination is produced, the

lids get tired and imperceptibly close, the head falls back, and the

patient sleeps a sleep which seems natural, but which is really one

of the first phases of the hypnotic sleep.” In other cases, that is

to say, in the case of patients who are more predisposed, a slight

shock is manifested during the state of fascination, due, no doubt, to

the sudden contraction of some muscle or system of muscles, and the

patient falls into a deep sleep, breathing hard. He is then completely

insensible, and apt for the reception of suggestion, having passed

quickly through the several stages of the hypnotic sleep, sometimes

to the last. In most cases, however, where the doctor has to do with

subjects who have often been hypnotized, the simple word of command,

without passes or gestures of any kind, suffices. With these he has

but to say, “Go to sleep,” and they fall at once into a hypnotic state

of greater or lesser profundity. Doctor Luys is, however, the sole

possessor of hypnotism I have seen who has this power; and both Charcot

and his assistant, Doctor Encausse, as well as Colonel Rachas, are

obliged to enforce their commands with certain gestures of the hands

and influence of the eyes.

THE DANGER OF HYPNOTISM.

Doctor Luys says: “From the social point of view, these new states

of instantaneous loss of consciousness into which hypnotic or merely

fascinated subjects may be made to pass deserve to be considered

with lively interest. As I shall have to explain to you later, the

individual in these novel conditions no longer belongs to himself; he

is surrendered, an inert being, to the enterprise of those who surround

him. He may be induced to become a homicide, an incendiary or suicide,

and all these impulses deposited in his brain during sleep become

forces stored up silently, which will then burst forth at a given

moment, causing acts like those performed by the really insane. All

these are real facts which you may meet with this very day in ordinary

life.”

This is, indeed, one of the most dangerous features of hypnotism, that

a being, apparently in perfect possession of himself, may be forced

to do things by the potency of a command given to him in a trance, a

fatal edict which he does not in the least remember, but is constrained

mechanically to obey. Doctor Luys and his _confrères_ insist that,

unjust as it may appear, the plea of having acted irresponsibly under

the effect of a hypnotic suggestion cannot, when the safety of society

is involved, be admitted as an excuse any more than drunkenness. This

justifies the French law that none but licensed physicians should

practise hypnotic experiments.

[Illustration: ESTHER, DOCTOR LUYS’ SUBJECT.]

Fortunately for the science of hypnotism the same energy towards useful

acts can be stimulated, and it is just this entire obedience of which

the professors take advantage for the practice of their healing art.

Thus the confirmed drunkard, the man of vicious habits, the lazy child,

the kleptomaniac, the suicidal or homicidal maniac can be cured. More

wonderful things have been achieved. The patient’s willpower can be

so intensified as to enable him to resume mastery of parts of the

body which, as the result of such nervous disorders as paralysis,

he may have entirely lost. Cases of ague, tic nerveux, neuralgia,

and analogous disorders have been cured by repeatedly enjoining the

patient, while in the hypnotic state, to conquer his trouble.

HOW CURATIVE PROCESSES ARE PURSUED.

These cures may be divided into two classes, the first effected by

auto-suggestion, that is to say, by inspiring the patient with the

determination to get the better of his disorder; and, second, those

effected by the transfer of the disorder from the patient in his

ordinary state to a subject in the hypnotic state.

In the same class may be named numerous cases of persons to whom

hypnotism has been administered, just as chloroform is in other cases,

as an anæsthetic: as, for instance, the case of a girl who came to the

hospital maddened with toothache, and who, once in the hypnotic state,

into which she was thrown by the influence of the revolving mirrors,

allowed two molar teeth, which till then had caused her the most

excruciating agony, to be removed without a sign of discomfort.

[Illustration: ESTHER IN THE LETHARGIC STATE.]

The second class of cures are, however, by far the most interesting

and the most wonderful. These are the “direct cures,” which are called

cures by transfer. This is the method used. One of the subjects

attached to Doctor Luys’ clinic--such subjects being persons who have

proved themselves very susceptible--is sent to sleep by a word of

command from the doctor, and in this state grasps the hands of the

patient who desires to be cured. In some cases the hands of the subject

are laid upon the patient’s head. The subject is now described as

“tapping” the patient of the nervous disorder that affects him. During

the process of the transfer an assistant passes a magnetized iron bar

over the arms and bodies of both patient and subject. The transfer

usually lasts about three minutes. During this period the subject, or

the person in the hypnotic state, assumes the individuality of the

patient for the nonce, and can answer the doctor’s questions as to the

patient’s state and progress. Thus it is the former and not the latter

whom the doctor will question how the case is progressing and what

ameliorations may be felt, and the subject will answer. In the cases

which I saw, the patient in every case described what the subject had

said about his state, symptoms, and progress as absolutely true and

exact. It is further stated that no injury whatever is wrought on the

substitute. While relieving the patient from whom the transfer is made,

this vicarious agent is considerably benefited.

[Illustration: ATTRACTION OF THE HAND IN THE LETHARGIC STATE.]

The detection of imposture on the part of the subject has invariably

resulted in immediate dismissal.

EXTRAORDINARY PHENOMENA.

All the experiments described above are, if genuine (but scientific

camps are divided on the question of their genuineness), of practical

value. The same thing may be said of another series of test studies,

which are also being pursued, though the value is less in degree.

Doctor Luys says that the subject in the hypnotic state has an

intensely increased visual faculty. Indeed, one of the symptoms of

this state is a very noticeable alteration of the appearance of the

eye. It is stated by the doctor, and the experiments publicly made may

be considered as convincing, that, thanks to this increased visual

faculty, the hypnotic subject is able to see in the human face what is

entirely hidden to ordinary sight.

[Illustration: THE ACTION OF WATER; THE HANDS ARE CLENCHED AND THE JAW

SET; THE SUBJECT CAN NEITHER SWALLOW NOR SPEAK.]

For some time past the doctor had established that when a magnet is

presented to a hypnotic subject in one of the phases of trance, the

effect produced varies, according as the north or south pole, that is

to say, the negative or the positive end of the magnet, is offered. The

north pole in all cases produces a state of intense delight, expressed

by gestures and outcries of pleasure. The subjects in this case declare

that they see at the end of the magnet emanations of a beautiful blue

light. When the bar is reversed the greatest horror and disgust at once

affect the subject. If asked what it is that causes this dismay the

subject will answer that it is the sight of a fearful red light playing

around the end of the magnet.

[Illustration: EXPRESSION OF PLEASURE CAUSED BY PEPPER PRESENTED TO THE

LEFT SIDE.]

Investigating further in this direction the doctor has discovered that

the same subjects can detect in the human face emanations corresponding

to those seen at the ends of the magnetic bar. Thus from the left eye

and left ear and left corner of the mouth in persons in a good state of

health, blue emanations can be seen by the hypnotized person, according

to the declarations of such subjects.

In cases of persons, however, suffering from nervous disorders, or from

the results of diseases or accidents, the colors vary. Thus, according

to one of the subjects, the red light proceeding from the right eye of

a person affected with shortsightedness and fatigue of the organ was

largely spotted with violet. Violet is the characteristic color in all

cases of great nervous fatigue. Black, green, and multi-colored flames

have been described by the subjects as showing from persons suffering

with various forms of nervous disorder. A man who had been wounded

in the eye with a rapier was characterized, at an interval of three

months, by two different subjects, who, according to Doctor Luys, had

had no means of inter-communication, as emitting a green light from the

injured organ.

[Illustration: EXPRESSION OF ANXIETY CAUSED BY PEPPER PRESENTED TO THE

RIGHT SIDE.]

If it can be established that certain diseases produce in those

suffering from them a variation in the color of the emanations, which

are perceptible to the hypnotic subject, the existence and nature of

the disease will be certified by the tint.

Amongst the experiments which have been classified as of a speculative

kind, and distinct from those of practical worth, none are more

interesting than those that involve the presentation to subjects in

the hypnotic state, of various substances and medicines contained in

hermetically sealed tubes. The manifestations, according as the tube

is presented on the right or the left side of the subject, indicate

emotions of a diametrically opposite nature. Thus, when a tube

containing ordinary red pepper was offered to the left, or, as the

doctor calls it, the blue side, of a girl subject in the hypnotic

state, symptoms of keen pleasure were discernible, which changed

suddenly to an expression of violent disgust when the tube was carried

to the red or right side. According to the doctor, the human being is

double, and does not feel the same on his red as on his blue side.

Thyme presented to one patient produced terrifying hallucinations; in

another it called forth an expression of calm delight. Singularly, in

the application of thyme there was a physiological effect, also, on

the thyroid gland of the throat, the size of the neck being increased

from thirty to thirty-three centimetres, or somewhat more than an inch.

Morphine in one patient bred fancies of an evidently terrifying nature;

in another, an intense drowsiness. The effect of frankincense presented

to the left of the neck was an emotion of terror. Some water in a tube,

held near the left side of a hypnotic subject’s head, caused a series

of spasms resembling those usual to patients suffering from hydrophobia.

McClure's Magazine, Vol. 1, No. 6, November 1893 · 第 9 / 10 段