CHAPTER X

ISLEWORTH—BRENTFORD AND CÆSAR’S CROSSING OF THE THAMES

Isleworth, an ancient and almost forgotten village overlooking the

Thames, is not by any manner of means to be confounded with the station

of that name, or with the better-known outlying portion of the parish

known as Old Isleworth. The reason of this popular ignorance of Isleworth

is easily to be found in the pronounced bend of the river by which

it stands, the great roads in the neighbourhood going approximately

direct, and leaving Isleworth in a very rarely travelled nook, not often

penetrated, except by those who have some especial reason for calling at

Isleworth itself. It is thus a singularly old-world place, and, strangely

enough, it is more often seen from afar, from the towing-path on the

Surrey side, than at hand.

The village, however little known it may be to-day, was sufficiently well

known to the compilers of Domesday Book, in whose pages it appears in

the grotesque spelling, “Ghistelworde.” Afterwards it is found written

Yhistleworth, Istelworth, Ysselsworth, and at last, before the present

formula was found for it, “Thistleworth.” A vast deal of contention has

raged around the meaning of the place-name, and with such an orthographic

choice you could give it almost any meaning you chose; but there can

be little question but that it comes from two words, the Celtic _uisc_

for water, and the Saxon _worth_ for village. It is, indeed, distinctly

a water-village, for not only does the Thames flow by it, but here the

Crane, rising near Northolt, and coming down through Cranford, falls

into the Thames, near by a little nameless brook that rises on Norwood

Green. It is indeed the confluence of the Crane and the Thames that

contributes so largely to the picturesqueness, the somewhat squalid

waterside picturesqueness, of Isleworth; for the outlet of the smaller

into the larger river is closed by little dock-gates, and the space thus

shut in is presided over by the huge, and in themselves unbeautiful,

flour mills of Messrs. Samuel Kidd & Sons. There is, however, always a

something attractive about flour-mills, let the builders of them build

never so prosaically; and here, where the little stream comes sliding out

beneath the massive buildings, and where the road passes over the little

dock, the sight of the barges coming up, each laden with their thousand

or so quarters of wheat for the mills, is found generally interesting,

especially to boys sent about some urgent business; the more immediate

and pressing the errand, the more attractive the mills; which have their

historical interest to the well-read in local story, for they are the

successors, on this same spot, of the ancient water-mills of the Abbey of

Sion.

[Illustration: ISLEWORTH.]

Most of the houses at Isleworth are old brick structures, with heavily

sashed windows, and the humbler houses and cottages are very much out of

repair. There is a look of the passive mood and of the past tense about

the place, and you expect (and probably would find if you inquired) holes

in the stockings of every other inhabitant, patches on their posteriors,

and mere apologies for soles on their footgear; while shocking bad hats

are the only wear. The artist who knows what’s what will already have

perceived that Isleworth is a place likely to have pictorial qualities,

and in his supposition he will be quite correct. It would certainly have

captivated Whistler. Imagine the parish church on the river-bank, at

the end of this rather feckless street of houses; imagine a very large

old inn, the London Apprentice, almost dabbling in the water, and then

conceive two large islands, or eyots, or aits, as they may with equal

correctitude be called, off-shore, dividing the stream of Thames in two.

They are extremely interesting eyots, for they grow to this day abundance

of osiers, whose periodical harvesting, for the making of baskets, is a

by no means negligible local industry. Lately I walked through Isleworth

on the day before Christmas, and there, stepping down between two rows of

little tenements forming Tolson’s Almhouses, and looking down upon the

river from the railed wall at the farther end, could be seen lying six or

eight great barges that had come, not from foreign climes, but from the

creeks and ports of the Essex and the Kentish coasts, from the Swale, the

Medway, the Blackwater, or the Crouch. Each and all of them had at their

mastheads a bundle of holly fastened to a spar, in honour of the coming

Day. Beyond them rose the ivy-clad tower of the church, and an occasional

pallid gleam of sunshine broke upon the river. It was a pretty and a

touching scene.

A great deal of very unreliable and really unveracious “history” has

been written about the inn, the London Apprentice, said to have been a

favourite haunt of highwaymen, among whom our ubiquitous old friend, Dick

Turpin, of course figures; but we may disregard such tales. It was once,

however, a favourite resort for water-parties from London.

The tower of the church is a really beautiful and sturdy pinnacled stone

Gothic building, but the body of the church was rebuilt in 1705, from

designs left, so it is said, by Sir Christopher Wren; and it is, within

and without, typical of the style then prevalent: that well-known type of

exterior of red brick, pierced with tall, factory-like windows, and an

interior modelled after a “classic” type, with galleries, and painted and

gilded more like a place of amusement than a place of worship.

A few much-worn brasses remain from an older building, notably one to

Margaret Dely, a Sister of Sion during the brief revival of the Abbey

under Queen Mary.

[Illustration: THE DOCK AT ISLEWORTH.]

[Illustration: THE “LONDON APPRENTICE,” ISLEWORTH.]

But the most interesting monument is one of ornate design, in marble,

placed in the west entrance lobby, under the tower. This is partly to

the memory of Mrs. Ann Tolson, and partly to Dr. Caleb Cotesworth, and

narrates, in the course of a very long epitaph, a romantic story. Ann

Tolson was the donor of the group of almshouses already mentioned,

for six poor men and an equal number of poor women. She married, as

the epitaph very minutely tells us, firstly Henry Sisson and then one

John Tolson. When he died “she was reduced to Narrow and Confined

Circumstances, and supported herself by keeping School for the Education

of Young Ladies, for which She was well Qualified by a Natural Ingenuity.

A strict and Regular Education, and mild and gentle Disposition. By the

loss of Sight She became unfit for her Employment, and a proper object

to receive that Charity, She was Sollicitous to Distribute.” In the

midst of these misfortunes, Dr. Caleb Cotesworth, a connection of hers

by marriage, died. As the epitaph, with meticulous particularity goes on

to report, he “had By a long and Successful practice at London” amassed

a fortune of “One Hundred and Fifty Thousand Pounds and upwards.” A part

he distributed by his will among relatives, “and the residue, One Hundred

and Twenty Thousand Pounds and upwards he gave to his Wife.

They both died on the 2nd May, 1741

BUT SHE SURVIVED,

and Dying Intestate, her Personal Estate became Distributable among her

three next Of Kin, one of whom was the above Ann Tolson. With a sense of

this Signal Deliverance and unexpected Change from a State of Want, to

Riches and Affluence, She forthwith appointed the Sum of Five Thousand

Pounds to the establishment of Almshouses for Six men and six women,”

and then the giddy old thing went and married a third time, although over

eighty years of age, one Joseph Dash, merchant, of London. She died, aged

89, in 1750; and this monument, for which she had left £500, for the

narration of her interesting story, was soon afterwards duly placed here.

Opposite the monument of this lady is that of Sir Orlando Gee, a factotum

of Algernon, Duke of Northumberland and Registrar of the Admiralty, who

died in 1705. It is a very fine marble monument, with a half-length

portrait effigy of Sir Orlando himself, in the costume and the elaborate

wig of his period. He is represented in the act of reading some document

unspecified.

The Middlesex shore, when once past Sion Park, now grows thickly

cumbered with buildings, and the view of the Surrey side from Middlesex

is distinctly preferable to that of Middlesex from Surrey. For on the

opposite shore stretch the long reaches of Kew Gardens, whose beauties no

one, I suppose, has ever yet exhausted; the grounds are so extensive and

their contents so varied, so rich and rare.

But, after all, I see, the extent of Kew Gardens is not so great,

measured by acreage instead of their riches. I detest mere facts,

and love impressions; but here is a fact, for once in a way books of

reference give the size of Kew Gardens as some 350 acres only.

The Director and his colleagues in botany and arboriculture look across

to the factory chimneys of Brentford with dismay, and write alarming

things in annual reports about the effects of the noxious fumes from

those chimneys upon the trees and plants of the gardens, so Brentford, we

may take it, is a menace, and since the Brentford Gas Company is a highly

prosperous and expanding business, and is certainly in the front rank

as a fume-producer, the menace we may further suppose to be increasing.

The end of these things no man can foresee, but the passing away of Kew

Gardens would be a thing too grievous to contemplate.

Brentford, it is true, cannot by any means be styled a village, and

it owns indeed the dignity of the county town of Middlesex. Thus it

would find no place in these pages, were it not that Brentford sets

up as the rival of Coway Stakes near Walton, for the honour of being

that historic spot where Julius Cæsar crossed the Thames. It is only of

recent years that this claim has been put forward, and until then Coway

Stakes scarcely knew a competitor. But at different times during dredging

operations in the bed of the river, and in the course of building new

wharves and other waterside structures, great numbers of ancient oak

stakes have been discovered, extending with intervals, from about

four hundred yards below Isleworth ferry down to the upper extremity

of Brentford eyot. Near Isleworth ferry they were found in 1881, in

a threefold line, interlaced with wattles and boughs, and continue,

generally in a single line, at intervals, under the river banks, with

advanced rows in the bed of the river, past the places where the river

Brent falls into the Thames in two branches. The stakes, that have been

numerously extracted in these last thirty years, are in fairly good

preservation, and measure in general fifteen inches in circumference.

The criticism, of course, arises here, How could the Britons at such

necessarily short notice have executed so extensive a work to impede

the passage of the Romans, who came swiftly up from Kent and who could

not have been confidently expected at any one point? The stakes extend

for about two miles and appear to have been thoroughly and methodically

arranged. The wattling, too, is evidence of care and deliberation. Doubts

must arise. They may have been already long in existence before Cæsar

came, and have been intended for defence against rival tribes; or again,

they may not really be so ancient as supposed; and their object merely

for the protection of the banks from being eroded by the current.

[Illustration: “OLD ENGLAND.”]

The name, Brentford, refers of course to a ford across the Brent near its

confluence with the Thames, which is broad and deep here; but there was

also, doubtless, a ford across the Thames, at this place, for the present

depth of the river has been produced in modern times by the industrious

dredging works of the Thames Conservancy. But still at low tide between

Brentford ferry and Kew bridge the river has normally only three feet

depth of water, and in summer sometimes much less. Children can at such

times often be seen wading far out into the bed of the stream. There must

evidently have been a ford across the Thames here in ancient days, as

well as across the Brent, and we know from later historic events that

undoubtedly took place here that this junction of rivers was always an

important point.

Thus much may be said in support of the modern contention that it was

here Cæsar crossed on his way to Verulam, and it may be conceded to those

who hold this view that the delta formed by the two outlets of the Brent

is curiously named “Old England.” It will be found so called on large

Ordnance maps, and by that name it has been known from time immemorial.

Much significance may be found in that title in such a place as this.

Nothing is known as to the origin of it. It has just come down to us

from the old, dim ages of oral tradition, and is now fixed by printed

maps. The significance of the name is, however, strangely supported by

that of a spot far indeed removed from it, but (if we accept the theory

that Brentford is really the scene of Cæsar’s crossing) most intimately

correlated in history. This second name has also been handed down in like

manner out of the misty past. We need not wonder at it. Tradition was

everywhere strong in times before the people could read, but their memory

has become gradually atrophied since they have become literate, and the

wisdom and the legends of our forefathers are fading away. Fortunately,

the art of printing, which, in conjunction with the widespread ability to

read, has destroyed much oral tradition, has at the same time fixed and

perpetuated many floating legends and memories.

This fellow traditional name is “Old England’s Hole,” the title given

by many generations of rustics to a hillock on the summit of Bridge

Hill, beside the Dover road between Canterbury and Dover, and adjoining

Barham Downs, where Cæsar fought with and defeated the Britons, July 23,

54 B.C. It is a hillock with a crater-like hollow in the crest, and was

one of the forts in which the Britons long held out. Cæsar himself, in

his _Commentaries_, describes these forts and the storming of them by

his soldiers; and the rustics of the neighbourhood have fixed upon this

particular spot, and say in effect “This is Old England’s Hole, and here

a last stand for freedom was made by your British forefathers.”

“Old England,” on the banks of Brent and Thames, is partly included

within Syon Park and in part extends over the squalid canal outlet

and the sidings, docks, and warehouses the Great Western Railway has

established here; but the name more particularly attaches to the meadow

just within the park. It forms from the Surrey shore a charming picture

not at all injured by those commercial activities of docks and railways

adjoining: perhaps even gaining by contrast. There the earthy banks of

the Thames, in general hereabouts steep and some ten or twelve feet high,

are lower and shelve gradually; and in the meadows a noble group of bushy

poplars stands behind a few willows that look upon the stream. There are

trees, too, in the background, and the spire of the modern church of St

Paul, Brentford, forms a not unpleasing feature on the right.

[Illustration: “OLD ENGLAND”: MOUTH OF THE BRENT, AND BRENTFORD FERRY.]

Brentford Ferry, down below “Old England,” commands an extensive view

down river, towards Kew Bridge and along the northern channel of

the Thames, divided here into two channels by the long and narrow

Brentford Eyot, thickly grown with grass and underwood, and planted with

noble trees. It is acutely pointed out by Mr. Montagu Sharpe that the

boundary-line dividing the counties of Middlesex and Surrey is not at

this point made to follow the stream midway, as customary elsewhere, but

is traced along the northern channel; and he sees in this fact a hint

that the original course of the river was along that branch, and assumes

that the main stream is of later origin; that the river at some time

later than the era of the Romans made this new way for itself.

On the steep bank above Brentford Ferry there was placed in May 1909 a

sturdy granite pillar with inscriptions setting forth the historical

character of the spot. The events known to have taken place at Brentford,

and the crossing here by Cæsar, now boldly assumed, form a very

remarkable list, as this copy of those inscriptions will sufficiently

show:

54 B.C.

At this ancient fortified ford the British tribesmen under

Cassivellaunus bravely opposed Julius Cæsar on his march to

Verulamium.

A.D. 780-1

Near by, Offa, King of Mercia, with his Queen, the bishops, and

principal officers, held a Council of the Church.

A.D. 1016

Here Edmund Ironside, King of England, drove Cnut and his

defeated Danes across the Thames.

A.D. 1642

Close by was fought the Battle of Brentford, between the forces

of King Charles I. and the Parliament.

A.D. 1909

To commemorate these historical events this stone was erected

by the Brentford Council.

This memorial has certainly been placed in a most prominent position, and

challenges the attention of the passer-by along the footpath past Kew

Gardens, on the opposite shore. As you approach by the ferry-boat, the

crazy old stone and brick stairs leading steeply up, beside the broad and

easy incline of the shingly ferry-slip, look most imposing, and group

well with their surroundings.

Where the old original ford across the Brent was situated no man knows,

but perhaps near to its junction with the Thames, at a spot where the

waters from the greater tidal river rendered the ford impassable except

at the ebb. That was the awkward situation of Old Brentford, and one

not for very long to be endured by travellers along the great West of

England road that runs through this place. Thus it gave way at a very

early period to a new ford, somewhat higher up the Brent; and around

it in the course of time rose the town of New Brentford, whose being

and name in this manner derived directly from the needs of travellers

for a ford passable at all hours. The ford was replaced by a bridge in

1280, and that by later stone bridges, or patchings and enlargements

of the original. The present representative of them is a quite recent

and commodious iron affair, built over the stone arch: very much more

convenient for the traffic, but not at all romantic. New Brentford church

stands near by; that of Old Brentford is a good quarter of a mile along

the road, back towards London, but there is nothing old or interesting

about it, seeing that it was entirely rebuilt a few years ago.

The Brent, as it flows through the town, is not easily to be

distinguished amid the several canal cuts, where the close-packed barges

lie, but it may with some patience be traced at the western end of the

broad and retired road called “The Butts,” an ancient name significant of

a bygone Brentford, very different from the present aspect of the place.

“The Butts” is a broad open space, rather than a road, and the houses,

old and new, in it are of a superior residential character that would

astonish those—and they are far the greater number—who know Brentford

only by passing through its narrow and squalid and tramway-infested main

street. “The Butts” would appear to have been an ancient practice-ground

in archery.

The Brent appears at the extremity, down below a very steep bank, and

barges lie in it, on the hither side of a sluice. It goes thenceforward

in a pronounced curve, to fall into the docks, and passes by the backs of

old houses and some still surviving gardens, with the church-tower of St.

Leonard’s, New Brentford, peering over old red roofs and clustered gables.

In an old-world town such as this there are many charming village-like

corners and strange survivals, when once you have left the main arteries

of traffic. Brentford is, of course, a byword for its narrow, congested,

squalid High Street, down which the gasworks send a quarter-of-a-mile of

stink to greet the inquiring stranger; but it is a very long High Street,

and the gasmaking is in Old Brentford; and at the westward end, New

Brentford, you are far removed from those noisome activities and among

the barges instead. It is largely a bargee population at this end; and

the bargee himself, the cut of his beard (when he has one it is generally

of the chin-tuft fashion affected by the Pharaohs, as seen by the ancient

statues in the British Museum), the style of his clothes, and his manner

of living his semi-amphibious life are all interesting. It would need a

volume to do justice to the history, the quaintnesses, and the anomalies

of Brentford, which, although the “county town” of Middlesex, and thus

invested with a greater if more nebulous dignity than London—merely

the capital of the Empire—is not even a corporate town. If I wanted to

justify myself for including it in a book on villages, I should feel

inclined to advance this fact, and to add that, although the traditional

“two Kings of Brentford,” with only one throne between them, are famous

in legend, no one ever heard of a Mayor of Brentford, either in legend

or in fact. When it is added that Old Brentford owns all the new things,

such as the gasworks, the brewery, and the waterworks, and that the

old houses are mostly in New Brentford, the thing is resolved into an

engaging and piquant absurdity. It is to be explained, of course, in the

fact of Old Brentford being so old that it has had to be renewed.

[Illustration: FERRY LANE, BRENTFORD.]

The very names of Brentford’s streets tell a tale of eld. It is only in

these immemorially ancient places that such names as “Town Meadow,” “The

Butts,” “The Hollows” “Old Spring Gardens,” “New Spring Gardens,” “The

Ham,” “Ferry Lane,” or “Half Acre” are met with. They are names that tell

of a dead and gone Brentford little suspected by the most of those who

pass by. No unpleasing place this waterside town when the “Town Meadow,”

that is now a slummy close, was really a piece of common land green with

grass and doubtless giving pleasantly upon the river. And when Old and

New Spring Gardens first acquired their name, perhaps about the age when

Herrick wrote his charming poems, or that era when Pepys gossiped, they

were no doubt idyllic spots where the springs gushed forth amid shady

bowers. To-day they are old-world alleys, with houses declining upon a

decrepit age that invites the attention of improving hands. There was

an ancient congeries of crooked alleys and small cottage property near

the corner of Half Acre known as “Troy Town.” It stood hard by where

the District Council offices are now placed, but tall hoardings facing

the road now disclose the fact that Troy Town is in process of being

abolished. The name is curious, but not unique. It is found frequently in

England, and seems generally to occur as the name of an old suburb of a

much older town; some place of picnicking and merry-making, where there

were arbours, and above all, a maze, either cut in the turf or planted in

the form of a hedge, like that most glorious of mazes at Hampton Court.

Such were the original “Troy Towns”; and whatever once were the clustered

alleys in Brentford that were called by that name, certainly they have

carried out to the full, and to the last, the mazy, uncharted idea.

But this old suburb of Old Brentford must at an early date have been

swallowed up in the growth of New Brentford and at a remote time have

lost everything of its original character except its old traditional

name. Names, we know, survive when all else has vanished or been utterly

changed.

Ferry Lane is one of Brentford’s many quaint corners. There is an old inn

there, the “Waterman’s Arms,” and a stately old mansion, “Ferry House.”

And there is a curious old malthouse, too, which, in the artistic way,

simply makes the fortune of Ferry Lane, so piquant are the outlines

of its roofs and its two ventilating shafts, like young lighthouses.

Buildings of such simple, yet such picturesque lines do not come into

existence nowadays.

And so to leave Brentford, with much of its story untold. To tell it were

a long business that would lose the sense of proportion which to some

degree, let us hope, distinguishes these volumes. So nothing shall be

said of those two mysterious “Kings of Brentford” who shared, according

to tradition, the throne; nothing, that is, but to note that a brilliant

idea has of late occurred to antiquaries, puzzled beyond measure by

these indefinite kings. It is now conceived that the legend originally

was of the two kings _at_ Brentford, and that so far from sharing one

throne happily together, they were Edmund Ironside, the Saxon king, and

Canute the invading Dane (or Cnut, as it seems we are expected to style

him now), who was severely defeated here by Edmund, and driven out of

Brentford across the river.

Thames Valley Villages, Volume 2 (of 2) · 第 10 / 12 章