CHAPTER I

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Volume I is available as Project Gutenberg ebook #57365.

THAMES VALLEY VILLAGES

WORKS BY CHARLES G. HARPER

=The Portsmouth Road=, and its Tributaries: To-day and in Days

of Old.

=The Dover Road=: Annals of an Ancient Turnpike.

=The Bath Road=: History, Fashion, and Frivolity on an Old

Highway.

=The Exeter Road=: The Story of the West of England Highway.

=The Great North Road=: The Old Mail Road to Scotland. Two Vols.

=The Norwich Road=: An East Anglian Highway.

=The Holyhead Road=: The Mail-Coach Road to Dublin. Two Vols.

=The Cambridge, Ely, and King’s Lynn Road=: The Great Fenland

Highway.

=The Newmarket, Bury, Thetford, and Cromer Road=: Sport and

History on an East Anglian Turnpike.

=The Oxford, Gloucester, and Milford Haven Road=: The Ready Way

to South Wales. Two Vols.

=The Brighton Road=: Speed, Sport, and History on the Classic

Highway.

=The Hastings Road= and the “Happy Springs of Tunbridge.”

=Cycle Rides Round London.=

=A Practical Handbook of Drawing for Modern Methods of

Reproduction.=

=Stage Coach and Mail in Days of Yore.= Two Vols.

=The Ingoldsby Country=: Literary Landmarks of “The Ingoldsby

Legends.”

=The Hardy Country=: Literary Landmarks of the Wessex Novels.

=The Dorset Coast.=

=The South Devon Coast.=

=The Old Inns of Old England.= Two Vols.

=Love in the Harbour=: a Longshore Comedy.

=Rural Nooks Round London= (Middlesex and Surrey).

=Haunted Houses=: Tales of the Supernatural.

=The Manchester and Glasgow Road.= This way to Gretna Green.

Two Vols.

=The North Devon Coast.=

=Half Hours with the Highwaymen.= Two Vols.

=The Autocar Road Book.= Four Vols.

=The Tower Of London=: Fortress, Palace, and Prison.

=The Somerset Coast.=

=The Smugglers=: Picturesque Chapters in the Story of an

Ancient Craft.

=The Cornish Coast.= North.

=The Cornish Coast.= South.

=The Kentish Coast.= [_In the Press._

=The Sussex Coast.= [_In the Press._

[Illustration: BISHAM CHURCH.]

THAMES VALLEY

VILLAGES

BY

CHARLES G. HARPER

VOL. II

_ILLUSTRATED FROM PHOTOGRAPHS BY W. S. CAMPBELL

AND FROM DRAWINGS BY THE AUTHOR_

[Illustration: TAMESIS]

LONDON: CHAPMAN & HALL, LTD.

1910

PRINTED AND BOUND BY

HAZELL, WATSON AND VINEY, LD.,

LONDON AND AYLESBURY.

CONTENTS

PAGE

CHAPTER I

SONNING—HURST, “IN THE COUNTY OF WILTS”—SHOTTESBROOKE—WARGRAVE 1

CHAPTER II

HENLEY—THE BRIDGE AND ITS KEYSTONE-MASKS—REMENHAM—

HAMBLEDEN—MEDMENHAM ABBEY AND THE “HELL FIRE

CLUB”—HURLEY—BISHAM 25

CHAPTER III

GREAT MARLOW—COOKHAM—CLIVEDEN AND ITS OWNERS—MAIDENHEAD 51

CHAPTER IV

BRAY AND ITS FAMOUS VICAR—JESUS HOSPITAL 69

CHAPTER V

OCKWELLS MANOR-HOUSE—DORNEY COURT—BOVENEY—BURNHAM ABBEY 82

CHAPTER VI

CLEWER—WINDSOR—ETON AND ITS COLLEGIANS—DATCHET—LANGLEY

AND THE KEDERMINSTERS 109

CHAPTER VII

DATCHET—RUNNYMEDE—WRAYSBURY—HORTON AND ITS MILTON

ASSOCIATIONS—STAINES MOOR—STANWELL—LALEHAM AND MATTHEW

ARNOLD—LITTLETON—CHERTSEY—WEYBRIDGE—SHEPPERTON 131

CHAPTER VIII

COWAY STAKES—WALTON-ON-THAMES—THE RIVER AND THE WATER

COMPANIES—SUNBURY—TEDDINGTON—TWICKENHAM 157

CHAPTER IX

PETERSHAM 185

CHAPTER X

ISLEWORTH—BRENTFORD AND CÆSAR’S CROSSING OF THE THAMES 211

CHAPTER XI

STRAND-ON-THE-GREEN—KEW—CHISWICK—MORTLAKE—BARNES 236

CHAPTER XII

PUTNEY—FULHAM BRIDGE—FULHAM 258

INDEX 293

LIST OF ILLUSTRATIONS

SEPARATE PLATES

BISHAM CHURCH _Frontispiece_

PAGE

SONNING BRIDGE 5

SHOTTESBROOKE CHURCH 13

WARGRAVE CHURCH 19

UNDER THE WILLOWS: A BACKWATER NEAR WARGRAVE 23

ARCH CARRYING THE ROAD, PARK PLACE 27

REMENHAM CHURCH 27

HENLEY-ON-THAMES 31

REGATTA ISLAND 35

MEDMENHAM ABBEY 39

THE BELL INN, HURLEY 43

BISHAM ABBEY 47

“TOP O’ THE TOWN,” GREAT MARLOW 47

A THAMES REGATTA 53

COOKHAM LOCK 57

COOKHAM CHURCH 61

BRAY CHURCH 61

COOKHAM WEIR 65

LYCHGATE, BRAY 71

JESUS HOSPITAL, BRAY 79

THE HALL, OCKWELLS 83

DORNEY CHURCH: THE MINSTREL-GALLERY 87

THE PALMER SAMPLER, WORKED ABOUT 1620 91

DORNEY COURT 95

DORNEY COURT: THE GREAT HALL, SHOWING THE MODEL PINE-APPLE 99

PRESENTATION TO CHARLES THE SECOND OF THE FIRST PINE-APPLE

GROWN IN ENGLAND 103

BURNHAM ABBEY 107

AN ENGLISH FARMYARD: BURNHAM ABBEY FARM 111

BOVENEY 113

THE KEDERMINSTER PEW: INTERIOR 117

THE KEDERMINSTER PEW: EXTERIOR 121

THE KEDERMINSTER LIBRARY 125

THE ALMSHOUSES, LANGLEY 129

BACKWATER NEAR WRAYSBURY 133

HORTON CHURCH 139

LALEHAM CHURCH 147

MATTHEW ARNOLD’S GRAVE, LALEHAM 147

LITTLETON CHURCH 151

INTERIOR, LITTLETON CHURCH 155

SHEPPERTON 159

GRAVE OF THOMAS LOVE PEACOCK’S DAUGHTER, SHEPPERTON 163

HALLIFORD 171

WATERSPLASH NEAR HALLIFORD 171

SUNBURY 175

A BUSY DAY, MOLESEY LOCK 179

TEDDINGTON WEIR 183

TWICKENHAM CHURCH 187

PETERSHAM POST-OFFICE 187

PETERSHAM POST-OFFICE 191

PETERSHAM: THE “FOX AND DUCK,” OLD LOCK-UP AND VILLAGE POUND 195

PETERSHAM, FROM THE MIDDLESEX SHORE 199

THE OLD LODGES OF PETERSHAM PARK 203

RIVER LANE, PETERSHAM 207

ISLEWORTH 213

THE DOCK AT ISLEWORTH 217

THE “LONDON APPRENTICE,” ISLEWORTH 217

“OLD ENGLAND” 223

“OLD ENGLAND”: MOUTH OF THE BRENT, AND BRENTFORD FERRY 227

STRAND-ON-THE-GREEN 239

STRAND-ON-THE-GREEN: VIEW UP-RIVER 243

CHISWICK CHURCH 249

MONUMENT TO VISCOUNT MORDAUNT, FULHAM CHURCH 271

THE TOWER, FULHAM CHURCH 277

THE FITZJAMES COURTYARD, FULHAM PALACE 281

THE GREAT HALL, FULHAM PALACE 287

ILLUSTRATIONS IN THE TEXT.

Hour-Glass and Wrought-Iron Stand, Hurst 8

St. Lawrence Waltham 11

East Window, Shottesbrooke 16

Medmenham 37

From the Monument to Sir Myles Hobart, Great Marlow 52

Brass to an Eton Scholar, Wraysbury 136

Bradshaw’s House, Walton-on-Thames 165

Brass to John Selwyn 167

Walton-on-Thames Church 169

Ferry Lane, Brentford 233

Tomb of Edward Rose, Barnes 255

The Old Toll-House, Barnes Common 261

THAMES VALLEY VILLAGES

CHAPTER I

SONNING—HURST, “IN THE COUNTY OF WILTS”—SHOTTESBROOKE—WARGRAVE

As Reading can by no means be styled a village, seeing that its

population numbers over 72,000, the fact of its not being treated of in

these pages will perhaps be excused. You cannot rusticate at Reading:

the electric tramways, the great commercial premises, and the crowded

state of its streets forbid; but Reading, taken frankly as a town and

a manufacturing town at that, is not at all a place for censure. The

Kennet, however, that flows through it, has here become a very different

Kennet from that which sparkles in the Berkshire meads between Hungerford

and Kintbury, and has a very dubious and deterrent look where it is

received into the Thames.

The flat, open shores at Reading presently give place to the wooded banks

approaching Sonning, where the fine trees of Holme Park are reflected in

the waters of the lock—the lock that was tended for many years, until his

death, about 1889, by a lock-keeper who also kept bees, made beehives,

and wrote poetry. Sonning, and its Thames-side “Parade,” certainly invite

to poetry.

To say there is no Thames-side village prettier, or in any way more

delightful, than Sonning is vague praise and also in some ways

understates its peculiar attractiveness, which, strange to say,

seems to increase, rather than decrease, with the years. It might

have been expected that a village but three miles from the great and

increasing town of Reading would suffer many indignities from that

proximity, and would be infested with such flagrant nuisances as wayside

advertisement-hoardings and street-loafers, but these manifestations of

the _zeitgeist_ are, happily, entirely absent.

Let us, however, halt for a moment to give a testimonial of character to

Reading itself, which is far above the average of great towns in these

and many other matters. Loafers and street-hoardings are found there,

without doubt—and can we find the modern town of its size where they are

not?—but they do not obtrude; and, in short, Reading is, with all its

bustle of business, a likeable place.

There are reasons for Sonning remaining unspoiled. They are not

altogether sufficient reasons, for they obtain in other once delightful

villages similarly situated, which have unhappily been ravaged by modern

progress; but here they have by chance sufficed. They are found chiefly

in the happy circumstances that Sonning lies three-quarters of a mile

off the main-road—off that Bath road, oh! my brethren, that was once

so delightful, with its memories of a bypast coaching-age; and is now

little better than a race-track for motor-cars, and, by reason of their

steel-studded tyres, cursed with a bumpy surface full of pot-holes.

Time was when the surface of the Bath road was perfection. Nowadays, no

ingenuity of mortal road-surveyors can keep it in repair, for the suction

of air caused by pneumatic tyres travelling at great speed tears out the

binding material and leaves only loose grit and stones. The Bath road on

a fine summer’s day has become unendurable by reason of the dust raised

in this manner. If you stand a distance away, in the fields, out of sight

of the actual road, its course can yet be distinctly traced for a long

way by the billows of dust, rising like smoke from it.

Happily, motor-cars do but rarely come into Sonning, although at the

turning out of the high road a prominent advertisement of the Bull, the

White Hart, or the French Horn—the three hostelries that Sonning can

boast—invites them hither.

The other prominent reason for this village being allowed to remain quiet

is found in the fact of Twyford, the nearest railway station, being two

miles distant.

There are many branching streams of the Thames here, and the hamlet of

Sonning Eye, on the Oxfordshire side, takes its name either from this

abundance of water, or from the eyots, or islands, formed by these

several channels, crossed by various bridges.

Sonning Bridge _par excellence_ is a severely unornamented structure of

red brick, obviously built by the very least imaginative of architects,

in the eighteenth century. If it were new it would be an offence, but

there is now a mellowness of colour in that old red brick, embroidered

richly as it is in green and gold by the lichens of nearly two

centuries, that gives the old bridge a charm by no means inherent in its

originator’s design.

Trees, great, noble, upstanding woodland trees, lovingly enclasp Sonning

village and form a background for its ancient cottages and fine old

mansions, and against the dark green background of them you see on summer

afternoons the blue smoke curling up lazily from rustic chimneys. In

midst of this the embattled church-tower rises unobtrusively; and indeed

the church is so hidden, although it is a large church, that strangers

are generally directed to find it by way of the Bull Inn: a rambling old

hostelry occupying two sides of a square, and covered in summer with a

mantle of roses and creepers. And it must, by the way, not be forgotten

that Sonning in general displays a very wealth of flowers for the delight

of the stranger.

I would it were possible to be enthusiastic upon the church, but thorough

“restoration,” and a marvellously hideous monument to Thomas Rich,

Alderman of Gloucester, 1613, and his son, Sir Thomas Rich, Bart., 1667,

forbid. There are brasses on the floor of the nave, to Laurence Fyton,

1434, steward of the manor of Sonning, and to William Barber, 1549,

bailiff of the same manor; with others.

[Illustration: SONNING BRIDGE.]

Here, too, is a monument of Canon Pearson, vicar for over forty years,

and reverently spoken of—or is it the monument that is reverenced?—by

the caretaker. I have sought greatly to discover something by which the

Canon’s career may be illustrated in these pages, but, upon my soul, the

most notable things available are precisely that he held this excellent

living for that long period, and that he sometimes preached before Queen

Victoria. These things do not in themselves form a title to reverence.

Something of the distinct stateliness of Sonning is due to the fact that

anciently the Bishops of Salisbury were owners of the manor, and before

them the Bishops of the Saxon diocese of Dorchester. Their manor-house

was in the time of Leland “a fair old house of stone by the Tamise ripe”;

but of this desirable residence nothing remains. The Deanery, too, has

disappeared, but the fine old stone and brick enclosing-walls of its

grounds remain, and there a picturesque modern residence has been built.

Those walls, of an immense thickness and solidity, are indeed a sight to

see, for the saxifrage and many beautiful flowering plants growing in and

upon them.

[Illustration: HOUR-GLASS AND WROUGHT-IRON STAND, HURST.]

Sonning itself, being a place so delightful, invites those to whom

locality has interest to explore into the country that lies in the rear

of it. In a work styled _Thames Valley Villages_ we may go very much

where we please, and here the valley broadens out considerably, for it

includes, and insensibly merges with, that of the river Loddon, which

flows down quite a long way, even from the heights of northern Hampshire.

The Loddon, the loveliest tributary of the Thames, flows into it by three

mouths, from one mile to two miles and a half below Sonning, and its

various loops and channels make the four-mile stretch of country in the

rear a particularly moist and water-logged district. Here, crossing the

dusty Bath road at Twyford, which takes its name from the ancient double

ford of the Loddon at this point, the secluded village of Hurst may be

found. Its name of “Hurst,” i.e. a woodland, indicates its situation in

what was once the widespreading Windsor Forest. The village lies along

gravelly roads, scattered about fragments of village green and a large

pond; its church, hidden three-quarters of a mile away, forming, with a

country inn and some old almshouses, a curiously isolated group. To see

the interesting Norman and Early English church, with red-brick tower,

dated 1612, crowned with quaint cupola, is worth some effort; for it

contains a very handsome chancel-screen, probably placed here _circa_

1500. The repainting of it in 1876, under the direction of J. D. Sedding,

the architect who then restored the church, is, if indeed in accordance

with the traces of the original decoration then found, certainly more

curious than beautiful; but it should be seen, if only to show that our

ancestors were, after all, not a little barbaric in their schemes of

decoration. The hour-glass, with beautiful wrought-iron bracket dated

1636, should be noticed. Behind it, on the wall, is painted “As this

Glasse runneth, so Man’s Life passeth.” A queer memorial brass to Alse

Harison, representing the lady in a four-poster bed, is on the north

wall. A large grey-and-white marble monument to others of the Harison

family includes an epitaph on Philip Harison, who died in 1683. The

sorrowing author of it ends ingeniously:

“A double dissolution there appears,

He into dust dissolves; she into tears.”

Surely a mind capable of such ingenious imagery on such a subject cannot

have been wholly downcast.

The old almshouses by the church were founded, as appears on a tablet

over the entrance, by one William Barker:

This Hospitall for the

Maintenance of eight poor persons,

Each at 6_d._ pr diem for euer, was

Erected and Founded in ye year 1664

At the Sole Charge of

WILLIAM BARKER

of Hurst, in the County of

Wilts, Esq.

Who dyed ye 25th of March, 1685

And lies buried in the South

Chancell of this Parish.

Note you that, gentle reader, “the county of Wilts,” we being in the

midst of Berkshire? A considerable tract of surrounding country is

in fact (or was until comparatively recent years) a detached portion

of Wiltshire, and was invariably shown so on old maps. Examples of

such isolated portions of counties, and even of detached fragments

of parishes, are by no means rare: Worcestershire in England and

Cromartyshire in Scotland, forming the most notable examples; but the

reasons for these things are obscure, and all attempts at explaining them

amount to little more than the unsatisfying conclusion that they are

thus because—well, because they are, you know! That is the net result of

repeated discussions upon the subject in _Notes and Queries_, in which

publication of wholly honorary and unpaid contributions the majority of

noters, querists, and writers of replies have during the space of some

sixty years past been engaged in chasing their own tails, like so many

puppies. The process is amusing enough, but as you end where you began,

the net result is no great catch.

Apart from legends and traditions, it would seem that the explanation of

the Berkshire districts of Hurst, Twyford, Ruscombe, Whistley Green, and

a portion of Wokingham having been accounted in Wiltshire, may be found

in the fact, already remarked, that Sonning was a manor of the Bishops of

Salisbury. The question appears to have been largely an ecclesiastical

affair. The anomaly of a portion of Wiltshire being islanded in Berkshire

was, however, ended by Acts of Parliament during the reigns of William

the Fourth and Queen Victoria, by which the area concerned was annexed to

Berkshire.

Returning from Hurst to Twyford, expeditions to Ruscombe, St. Lawrence

Waltham, and Shottesbrooke will amply repay the explorer in these

wilds—for wilds they are in the matter of perplexing roads. They are good

roads, in so far that they are level, but they would seem to have come

into existence on no plan; or, if plan there ever were, a malicious plan,

intended to utterly confound and mislead the stranger. But this is no

unpleasant district in which to wander awhile.

[Illustration: ST. LAWRENCE WALTHAM.]

Ruscombe is notable as the place where William Penn, founder of

Pennsylvania, died, in 1718. Its church stands solitary in the meadows—a

red-brick, eighteenth-century building, as ruddy as a typical beef-eating

and port-drinking farmer of Georgian days. The neighbouring St.

Lawrence Waltham is entirely delightful. The fine church tower of St.

Lawrence, the ancient brick and plaster and timbered Bell Inn, and the

old village pound, with an aged elm at each corner of it, composing a

rarely-beautiful picture.

The stone spire of Shottesbrooke church is seen, not far off, peering

up from among the trees of Shottesbrooke Park, in which it is situated.

When we see a stone church spire in Berkshire, where we do not commonly

find ancient spires, we are apt to suspect at once a modern church, and

our suspicions are generally well-founded; but here is a remarkably fine

Decorated building of the mid-fourteenth century (it was built 1337). It

stands finely in a noble park for many years belonging to the Vansittart

family, and has been well described as “a cathedral in miniature.” Its

origin appears by tradition to have been due to the unexpected recovery

of Sir William Trussell, the then owner of the estate, who had been

brought to the verge of death by a long-continued course of drunkenness.

He built it by way of thankoffering, and as he would seem to have been

intemperate in all he did, he not only built this very large and noble

church, but founded a college for five priests. This establishment

went the way of all such things, hundreds of years ago, and the great

building, standing solitary in the park, except for the vicarage and the

manor-house, now astonishes the stranger at its loneliness. He wonders

where the village is, and may well continue to wonder, for village there

is none.

[Illustration: SHOTTESBROOKE CHURCH.]

A versifier in the Ingoldsby manner narrates the building of it by

Trussell:

“An oath he sware

To his lady fair,

‘By the cross on my shield,

A church I’ll build,

And therefore the deuce a form

Is so fit as a cruciform;

And the patron saint that I find the aptest

Is that holiest water-saint—John the Baptist.’”

A legend of the building of the spire tells how the architect, completing

it by fixing the weathercock, called for wine to drink a health to the

King, and, drinking, fell to the ground and was dashed to pieces. The

only sound he uttered, says the legend, was “O! O!” and that exclamation

was the sole inscription carved upon his tomb, erected upon the spot

where he fell. Many have been those pilgrims drawn to Shottesbrooke by

this picturesque story, seeking that tomb. Tombstones of any kind are few

in Shottesbrooke churchyard, and the only one that can possibly mark the

architect’s grave is a coped stone on which an expectant and confiding

person may indeed faintly trace “O, O”; but as the stone is probably not

so old as the fourteenth century, and as it is extremely likely that

an expectant person will, if in any way possible, find that which he

expects, it would not be well to declare for the genuineness of it. But

it is at any rate a very old and cracked and moss-grown stone.

Of a bygone Vansittart, who filled this family living for forty-four

years, we read some highly eulogistic things upon a monument near by.

Born 1779, he died 1847, “the faithful pastor of an attached flock.

Meek, mild, benevolent. In domestic life tender, kind, considerate. In

all relations revered, respected, beloved.” One is tempted to repeat the

unfortunate architect’s exclamation, “O! O!”

The church, serving no village, and standing in a park close by the noble

country seat of the Vansittarts, is for all practical purposes a manorial

chapel. That it has long been used as such is very evident from the many

tablets to Vansittarts which line its walls. The remains of the founder’s

tomb are seen in the north transept, in a long stretch of delicate

arcading along the north wall, beautifully wrought in chalk.

[Illustration: EAST WINDOW, SHOTTESBROOKE.]

A singular effigy to William Throckmorton, Doctor of Laws, “warden of

this church,” who died in 1535, is on the north side of the chancel. It

is of diminutive size, and is what archæologists call an “interrupted

effigy,” showing only head and breast and feet, the middle being occupied

by a brass with Latin inscription.

There are several brasses in the church: the finest of them, a

fourteenth-century example in the chancel, very deeply and beautifully

cut, representing two men; one with forked beard, a long gown and a

sword; the other an ecclesiastic. They stand side by side, and are

reputed to represent the founder and his brother, but the inscription

has been torn away, together with most of the canopy.

A brass in the north transept to Richard Gill, Sergeant of the

“Backhouse”—i.e. the Bakehouse—to Henry the Seventh and Henry the Eighth,

describes him as “Bailey of the Seaven Hundreds of Cookeham and Bray in

the Forest Division.” Near by is a brass to “Thomas Noke, who for his

great Age and vertuous Lyfe was reverenced of all Men, and was commonly

called Father Noke, created Esquire by King Henry the Eight. He was of

Stature high and comly; and for his excellency in Artilery made Yeoman of

the Crowne of England which had in his Lyfe three Wives, and by every of

them some Fruit and Off-spring, and deceased the 21 of August 1567 in the

Yeare of his Age 87, leaving behind him Julyan his last Wife, two of his

Brethren, one Sister, one only Son, and two Daughters living.”

Thomas Noke is represented with his three wives, while six daughters and

four sons are grouped beneath.

Returning through Twyford to Sonning, the outlet of the Loddon,

“The Loddon slow, with verdant alders crowned,”

is found in that exquisite backwater, the Patrick Stream, where a

picture of surpassing beauty is seen at every turn. By a long, winding

course, fringed richly with rushes, and overhung with lovely trees, the

Patrick Stream wanders through meadow lands and finally emerges into the

Thames again, just below Shiplake Lock. By dint of making this long but

delightful _détour_, and thus avoiding Shiplake Lock, it is possible to

do the Thames Conservancy out of one of those many threepences for which

it has so insatiable an appetite.

Shiplake, on the Oxfordshire bank, is the place where Tennyson was

married, but the church has been largely rebuilt since then. The windows

are mostly filled with ancient glass brought from the abbey of St.

Bertin, at St. Omer. Shiplake Mill, once a picturesque feature, is now,

at this time of writing, a squalid heap of ruins.

Wargrave, on the Berkshire side, is said to have once been a market-town,

and it is now growing again so rapidly that a town it will soon be once

more. Its houses crowd together on the banks, where the George and Dragon

Inn stands, giving upon the slipway to the water: all looking out upon

the spacious Oxfordshire meadows. The sign of the George and Dragon Inn—a

double-sided one—painted by G. D. Leslie, R.A., and J. E. Hodgson, R.A.,

in 1874, shows St. George on one side, as we are accustomed to see him on

the reverse of coins, engaged in slaying the dragon; and on the other,

the monster duly slain, the saint is refreshing himself with a noble

tankard of ale.

[Illustration: WARGRAVE CHURCH.]

Wargrave church has been restored extensively, and its tower is of red

brick, and not ancient; but it forms, for all that, a very charming

picture. Here we may see a tablet to the memory of that remarkable prig,

Thomas Day, the author of that egregious work for the manufacture of

other prigs, _Sandford and Merton_. He was born about 1748, and died

1789. Of his good and highly moral life there can be no doubt; but moral

philosophers are rarely _personæ gratæ_ in a naughty and frivolous world.

We fight shy of them, and of all instructive and improving persons, and

make light of their works; and if nowadays we read _Sandford and Merton_

at all, it is for the purpose of extracting some satirical amusement from

the pompous verbiage of the Reverend Mr. Barlow, and from the respective

“wickedness” and goodness of Tommy and the exemplary Harry.

Among Thomas Day’s peculiar views was that by a proper method of

education (i.e. a method invented by himself) there was scarcely anything

that could not be accomplished. He certainly began courageously, about

the age of twenty-one, by choosing two girls, each about twelve years of

age, whom he proposed to educate after his formula, and then to marry

the most suitable of them. He, however, did not carry this plan so far

as the marrying of either. It is not clear whom we should congratulate:

the girls or their eccentric guardian, who at last met his death from

the kick of a horse which resented the entirely novel philosophical

principles on which he was training it.

In the churchyard is the grave of Madame Tussaud, of the famous waxworks,

and here lies Sir Morell Mackenzie, the surgeon who attended the Emperor

Frederick. He died in 1892. Near by is a quite new columbarium for

containing the ashes of cremated persons.

A singular bequest left to Wargrave by one Mrs. Sarah Hill is that by

which, every year at Easter, the sum of £1 is to be equally divided, in

new crown pieces, between two boys and two girls, who qualify for this

reward by conduct that must needs meet with the approval of all. The

five-shilling pieces are not forthcoming unless the candidates are known

never to have been undutiful to their parents, never to swear, never to

tell untruths, or steal, break windows, or do “any kind of mischief.”

The good lady would appear either to have been bent upon finding the

Perfectly Good Child, or to have been a saturnine humorist, with a

cynical disbelief in these annual distributions ever being made. But they

_are_ made; and we can only suppose that the vicar and churchwardens

allow themselves just a little charitable latitude in the annual judging.

And, you know, after all, is it worth while being so monumentally

good for the poor reward of five shillings a year? Consider how much

delightful mischief you forgo.

Hennerton backwater, below Wargrave, is another of the delightful

side-streams that are plentiful here, and is now, after a good deal of

litigation, pronounced free. The wooded road between Wargrave and Henley

skirts it, and is carried over a lovely valley in the grounds of Park

Place by a very fine arch of forty-three feet span, built of gigantic

rough stones.

[Illustration: UNDER THE WILLOWS: A BACKWATER NEAR WARGRAVE.]

Thames Valley Villages, Volume 2 (of 2) · 第 1 / 12 章