The church, as a rule, is placed right in the middle of the village. The

Wends value their church. For all their stubborn paganism in early days,

against which St. Columban, and St. Emmeran, and St. Rupert and St.

Eckbert all contended in vain, the Wends have, since they were

christianized, always been a devoutly religious people, and at

present--barring a little drinking and a little stealing (which latter,

however, is strictly confined to fruit and timber, in respect of which two

commodities they hold communistic opinions)--they are exemplary

Christians. With their parsons they do not always stand on the best of

terms. But that is because some of the parsons, raised from peasant rank,

are, or were--for things have altered by the introduction of fixed

stipends--a little exacting in the matter of tithes and offerings, and the

demand that there should be many sponsors at a christening, for the sake

of the fees. There are some queer characters among that forest-clergy. One

that I knew was a good deal given to second-hand dealing. He attended

every sale within an accessible radius, to bring home a couch, or a whip,

or a pair of pole-chains, or a horse-cloth, for re-sale. His vicarage was

in truth a recognised second-hand goods store, in which every piece of

furniture kept continually changing. Another was greedy enough to claim a

seat at the Squire's table, at the great dinners given in connection with

the annual _battues_, as a matter of "prescription." A third drank so hard

that on one occasion he had to be propped up against the altar to enable

him to go on with the service. The most curious of all was the "chaplain"

of Muskau, who married his couples wholesale, on the Manchester "sort

yourselves" principle. Sometimes, when things went a little slowly, and he

grew impatient, it was _he_ who "sorted" the couples, and then

occasionally it would happen that, giving the word of command like a

Prussian corporal, he would "sort" them wrongly. They were far too well

drilled to discipline not to obey. But when the ceremony was over they

would lag sheepishly behind, scratching their heads and saying: "_Knes

duchowny_, _I_ should have married _that_ girl, and this girl should have

married _him_." However, the Church had spoken, and the cause was

finished. Married they were and married they must remain. Even to this the

patient Wends submitted; and, perhaps, they were all the happier for it.

But all this has nothing to do with the Church proper, as distinct from

the parson. Their religious instinct appears born with the Wends. Religion

seems to be in all their thoughts and most of their acts. The invariable

greeting given is "God be with you." They talk habitually of "God's rain,"

"God's sun," "God's crops," "God's bread"--to them "every good gift and

every perfect gift cometh from above." Worshippers returning from church

are hailed with a "Welcome from God's Word." When the sun goes down, it is

to "God" that it goes to rest. Whenever a bargain is struck, the appeal to

the other party is "God has seen it," or "God has heard it." And although

German jurisdiction, with its partiality for oaths slily extracted _after_

a statement, has imported here and there a little false swearing, in the

main that ancient confirmation of the contract is still respected. In

Wendland the churches are filled as nowhere else in Germany, and however

prosily the parson may preach--as he generally does--nowhere is he more

attentively and devoutly listened to. In Wendland alone of all Germany

have I noticed that Protestants bow at the mention of the name of

"Jesus." Barring some ten thousand Roman Catholics in Saxony, the Wends

are all staunch Protestants of that nondescript Lutheran-Calvinist creed,

which the kings of Prussia have imposed upon their country. But not a few

of their beliefs and superstitions and legends hark back to older days.

They still keep _Corpus Christi_. In their religious legends, which are of

very ancient origin, the Virgin plays a prominent part--leading off, among

other things, a nocturnal dance, in which the angels all join, clad in

silken gowns with green wreaths on their heads, meeting for the purpose,

of all unsuitable places, in the church, and carefully locking the door

against human intruders. The Virgin's flight into Egypt is put into

strongly agricultural language, "Has a woman with a child passed this

way?" ask Herod's ruthless emissaries. "Aye," answers the truthful Wend,

"while I was sowing this barley." "You fool, that must have been three

months ago." In truth, by a miracle the barley has grown to maturity in

one brief hour. By this expedient the Virgin escapes. The Virgin spins;

the Virgin sews shirts; the Virgin does all that Wendish women are taught

to do. In Scripture-lore the Wends have their own localised versions of

the destruction of Sodom and Gomorrah; of the fight of St. George and the

Dragon; and an even more localised tale of the doings of King David. The

archangel Michael is made to fight for Budyssin against the Germans. Judas

Iscariot, according to their national tradition, comes to grief mainly

through gambling. The Saviour gave him thirty pieces of silver to buy

bread with. These he staked--tempted by Jews whom he saw gambling by the

wayside--on an unlucky card; and to recover them it was that he sold his

Master. To cap all this unorthodoxy, the Wends make the Creator call after

Judas that he is forgiven. But remorse drives him to hang himself,

notwithstanding. He tries a pine and a fir, but finds them too soft, so he

selects an aspen tree--hence the perpetual agitation of its leaves. One of

their peculiar legendary saints is Diter Thomas, who was so holy that he

could hang his clothes when going to bed--which he appears to have done in

the daytime--on a sunbeam. One day, however, at church this devout man

espied the Devil seated behind the altar, engaged in taking down on a

fresh cowhide the names of all whom he saw sleeping in church. There must

have been an unusually large number, for the cowhide proved too small, and

Satan was fain to stretch it by holding one end with his teeth and pulling

at the other with his hands. As it happened, his teeth let go, and back

went his head against the wall, with a bang which woke up all the

sleepers. This aroused in pious Thomas so much mirth that he forgot the

respect due to the holy place, and laughed aloud--in punishment for which

offence his grace departed from him, and he was thenceforth reduced to the

necessity of using pegs. For their regularity in attendance at church I

half suspect that the peculiar fondness of the Wends for singing is, in

not a small degree, accountable; and, it may be, also the attraction of a

little gossip after service, and the excitement of an occasional little

fair.

The Wends would indeed not be Slavs if they were not engrossingly fond of

singing. Singing is, in fact, among young folk reckoned the principal

accomplishment. And they have a rich store of songs, set to exceedingly

melodious airs. They have them of all descriptions--legends and convivial

songs, martial songs, sacred hymns, short _roncka_ and _reje_ for the

dancing-room, and long elegies and ballads for the field, to shorten the

long summer's day out at work. They have their own curious instruments,

too, still in use--a three-stringed fiddle, a peculiar sort of hautboy,

and bagpipes of two different sizes, the larger one invariably ornamented

with a goat's head. To be a _kantorka_ (precentress) in church, or even in

a spinning-room, is a thing for a Wendish girl to be proud of, and to

remember to her old age. What a Wendish village would in winter time be

without those social spinning meetings it is difficult to imagine. To no

race do conviviality, mirth, harmless but boisterous amusement, seem so

much of a necessary of life. And none appears to be so thoroughly devoted

to the practice of homely household virtues. Spinning, poultry-breeding,

bee-keeping, gardening, coupled with singing, and nursing children, and

making model housewives--these are the things which occupy girls'

thoughts. At her very christening the baby-girl, borne back from church

"as a Christian," is made to find a spindle and a broom carefully laid in

the room, to act as charms in setting her infant thoughts in the right

direction. Her "sponsor's letter" is sure to contain some symbolic grains

of flax and millet. And a lover's principal gift to his sweetheart

invariably consists of a carefully turned and brightly-painted

"kriebatsche," an antiquated spindle and distaff that is, which is held

dear as a family Bible. Spinning, indeed, is among Wends a far more

important occupation than elsewhere. For men and women alike wear by

preference linen clothes, made of good, stout, substantial stuff, thick

enough to keep out the cold. In rural Germany a peasant girl is expected

as an indispensable preparative for marriage to knit her "tally" of

stockings. In Wendland the _trousseau_ consists all of spun linen.

Servants invariably receive part of their wages in flax. Spinning

accordingly is about the most important work to be accomplished in a

household. And as it lends itself capitally to sociability and mirth, the

Wendish maidens take to it with peculiar zest. The date for beginning

these gatherings throughout Lusatia is the 11th of October, St. Burkhard's

Day in the Wendish calendar. On that day the young unmarried women tell

themselves off into _psazas_, that is, spinning companies, consisting of

twelve at the outside, all of them girls of unblemished character. Among

no race on earth is purity more valued and insisted upon--in both

sexes--than among these poor forest Wends. Wherever corruption has crept

in, it is wholly due to the evil seductions of Germans, who have taken

advantage of the helplessness of Wendish girls when away on service. In a

Wendish village, to have made a _faux pas_ deprives a young fellow and

girl alike of their character for life. The girl must not sit with the

other girls in church when the young are catechised; she must not walk up

to the altar on high festivals; she must not join in the singing; and the

spinning companies will not have her. In olden time she was not even

allowed to dance. Young men going notoriously astray used to be punished

in their own way.

Some time before the eventful eleventh, the _psazas_ assemble to decide

in whose house the spinning gatherings are to be held. In that house they

meet throughout the winter, spinning industriously with wheel or with

spindle from seven to ten, and requiting the housewife for her hospitality

with welcome assistance in various kinds of domestic work. On the first

evening the company quite expect to be treated to a good supper of roast

goose. How all the spinners, with the resident family, and those young

fellows who, of course, will from time to time pay the lasses a

visit--either in disguise or in their own proper garb--manage to meet, and

work, and lark, and dance, where they do, it is rather a problem to solve.

For many of the rooms are not large. They are plain, of course, in their

equipment, like all Wendish rooms (in which paint is allowed only on

chairs, all the other woodwork being subject to the scrubbing-brush), but

strikingly peculiar. Almost in one corner--but far enough away from the

wall to leave space for a little, cosy nook behind--stands the monster

tile stove, very adequately heated with peat or wood, and showing,

tolerably high up, a little open fireplace, in which burns a bright little

wood fire, rather to give light and look cheerful, than to diffuse warmth.

That is the vestal hearth of the Wendish house, without which there would

be no home. In another corner stands the solid, large deal table, with

painted chairs all round. The walls are all wainscoted with deal boards;

and round the whole room runs a narrow bench, similar to the _murka_, a

seat far more tempting, which encircles the stove. Nearly all the

household implements in use are neatly ranged about the walls, or else

placed on the floor--the _boberzge_, a peculiar plate rack; the _polca_,

to hold pots and spoons; and the _standa_, for water. There are baskets,

cans, tubs disposed about, and a towel hung up for show. This room grows

tolerably lively when the spinning company assemble, telling their tales,

playing their games, gossiping and chatting, but mostly singing. "Shall we

have any new songs?" is the first question invariably asked when the

_psaza_ constitutes itself. And if there is a new girl come into the

village, the inquiry at once passes round, "Does she know any new songs?"

Indeed, the _psazas_ serve as the principal singing classes for the young

women in the village. They are kept up throughout the year as special

choirs and sub-choirs, so to speak, singing together on all sacred and

mundane occasions where singing is required. Whenever "the boys" look in,

there is great fun. Sometimes one will dress up as a "bear," in a "skin"

made up of buckwheat straw; or else he will march in as a "stork," which

causes even greater amusement. Once at least in the season the funny man

of the set makes his appearance transformed into what, by a very wild

flight of imagination, may be taken for a pantomime horseman, with a horse

made up of four big sieves, hung over with a white sheet. Before calling

in a real, formal way, the boys are always careful to ask for leave, which

means that they will bring _piwo_ and _palenza_ (beer and spirits), the

girls revenging themselves by providing cake and coffee; and then the

entertainment will wind up with a merry dance. One very amusing occasion

is the _dopalowak_, or _dolamowak_, that is, the last spinning evening

before Christmas, when the boys sit in judgment upon the girls, and,

should they find one or other to be guilty of idleness, condemn her to

have her flax burnt or else her spindle broken, which penalties are, of

course, in every case commuted into a fine. This sort of thing goes on

till Ash Wednesday, when the "Spinte" is formally executed by stabbing, an

office which gives fresh scope to the facetiousness and agility of the

funny man. The night before is the social evening _par excellence_. It is

called _corny wecor_, "the black evening," because girls and boys alike

amuse themselves with blackening their faces like chimney-sweeps, and with

the very same material. The boys are allowed to take off the girls' caps

and let down their hair--the one occasion on which it is permitted to hang

loose. And there is rare merrymaking throughout the night. Indeed, all

Shrovetide is kept with becoming spirit, perhaps more boisterously than

among any other folk, and in true excitable Slav style. The boys go about

a-"zampering," and collecting contributions; the girls bring out their

little savings; and then the young people dance their fill, keeping it up

throughout Lent. Indeed, they dance pretty well all the year round--

"Njemski rady rejwam,

Serski hisce radsjo;"

which may be rendered thus:

"The German way I love to dance,

But the Wendish dance I dote on."

To witness the _serska reja_--the only truly national dance preserved

among the Wends--at its best, you should see it danced on some festive

occasion, when the blood is up, out in the open air, on the grass plot,

where stands the sacred lime tree. There is plenty of room there. The very

sight of the green--say of the young birches planted around for decoration

at Whitsuntide or Midsummer--seems to fire the susceptible spirits. The

dancers throw themselves into the performance with a degree of vigour and

energy of which we Teutons have no notion. The _serska reja_ is a

pantomimic dance. Each couple has its own turn of leading. The cavalier

places his partner in front of him, facing her, and while the band keeps

playing, and the company singing one of those peculiarly stirring Wendish

dance tunes, he sets about adjuring her to grant him his desire, and dance

with him. She stands stock still, her arms hanging down flop by her side.

The cavalier capers about, shouts, strikes his hands against his thighs,

kneels, touches his heart--with the more dramatic force the better. At

length the lady gives way, and in token of consent raises her hand.

Briskly do the two spin round now for the space of eight bars, after which

for eight more they perform something like a cross between a _chassez

croisez_ and a jig, and so on for a little while, after which the whole

company join in the same performance. As a finish the cavalier "stands"

the band and his partner some liquor, and a merry round dance concludes

his turn of leading, to the accompaniment of a tune and song, _roncka_,

selected by himself.

Lent is a season more particularly consecrated to song. Every Saturday

afternoon, and on some other days, the girls of the various _psazas_

assemble under the village lime tree, the seat around which is

scrupulously reserved for them, to sing, amid the rapt attention of the

whole village, some of their delightful sacred songs peculiar to the

season. This singing reaches its climax on Easter night, when young

fellows and girls march round the village in company, warbling in front of

every door, in return for which they receive some refreshment. For a brief

time only do they suspend their music to fetch "Easter water" from the

brook, which must be done in perfect silence, and accordingly sets every

mischief-maker at work, teasing and splashing, and playing all sorts of

practical jokes, in order to extract a word of protest from the

water-fetching maidens. As the clock strikes midnight the young women form

in procession and march out to the fields, and all round the cultivated

area, singing Easter hymns till sunrise. It produces a peculiarly striking

effect to hear all this solemn singing--maybe, the same tunes ringing

across from an adjoining parish, as if echoed back by the woods--and to

see those tall forms solemnly moving about in the early gloaming, like

ancient priestesses of the Goddess Ostara. While the girls are singing,

the bell-ringers repair to the belfry (which in many villages stands

beside the church) to greet the Easter sun with the traditional

"Dreischlag," the "three-stroke," intended to indicate the Trinity.

Lent sees the Wends perform another curious rite, of peculiar antiquarian

interest. The fourth Sunday in Lent is by established custom set apart for

the ceremony of "driving out Death"--in the shape of a straw figure decked

out with the last bridal veil used, which the bride is expected to give up

for the purpose. This poor figure is stoned to destruction to the cry of

_Lec hore, lec hore_, which may be borrowed from the Lutheran name for

the Sunday in question, _Laetare_. In some places the puppet is seated in

a bower of pine boughs, and so carried about amid much infantine

merriment, to be ultimately burnt or drowned. The interesting feature of

this rite is, that it does not really represent the Teuton "expulsion of

winter" so much as the much older ceremony of piously visiting the site on

which in Pagan times bodies used to be burnt after death. It is a heathen

All Saints' Day.

I have no space here to refer to anything like all the curious Wendish

observances which ought to be of interest to folk-lorists: the lively

_kokot_, or harvest home, so called because under the last sheaf it was

usual to conceal a cock, _kokota lapac_ with legs and wings bound, which

fell to the lot of the reaper who found it; the _lobetanz_; the _kermusa_,

or _kirmess_, great and small, the merry children's feast on May Day; the

joyful observance of Whit Sunday and Midsummer; the peculiar children's

games, and so on. It is all so racy and peculiar, all so merry and yet so

modest in the expenditure made upon it, it all shows the Wends so much to

advantage as a contented, happy, cheerful people--perhaps a little

thoughtless, but in any case making the best of things under all

circumstances, and glad to show off their Slav finery, and throw

themselves into whatever enjoyment Providence has vouchsafed, with a zest

and spirit which is not to be excelled, and which I for one should be

sorry to see replaced by the more decorous, perhaps, but far less

picturesque hilarity of the prosy Prussians. If only the Wends did not

consume such unconscionable quantities of bad liquor! And if in their cups

they did not fall a-quarrelling quite so fiercely! It is all very well to

say, as they do in one of their proverbs, with truthful pithiness, that

"there is not a drop of spirit on which do not hang nine devils." But

their practice accords ill with this proverbial wisdom. The public-house

is to them the centre of social life. Every new-comer is formally

introduced and made to shake hands with the landlord. They have a good

deal of tavern etiquette which is rigidly adhered to, and the object of

which in all cases is, like George the Fourth's "whitewash," to squeeze an

additional glass of liquor into the day's allowance. Thus every guest is

entitled to a help from the landlord's jug, but in return, from every

glass served is the landlord entitled to the first sip. Thus again, after

a night's carousal, the guests always expect to be treated by the host to

a free liquor round, which is styled the _Swaty Jan_--that is, the Saint

John--meaning "the Evangelist," whose name is taken in vain because he is

said to have drunk out of a poisoned cup without hurt. All the invocation

in the world of the Saint will not, however, it is to be feared, make the

wretched _palenza_ of the Wends--raw potato fusel--innocuous. It is true,

their throats will stand a good deal. By way of experiment, I once gave an

old woman a glass of raw spirit as it issued from the still, indicating

about 82 per cent. of alcohol. She made a face certainly, but it did not

hurt her; and she would without much coaxing have taken another glass.

This article has already grown so long that of the many interesting

customs connected with the burial of the dead and the honouring of their

memory I can only refer to one very peculiar and picturesque rite. Having

taken the dying man out of his bed, and placed him (for economy) on straw

(which is afterwards burnt) to die, put him in his coffin, with whatever

he is supposed to love best, to make him comfortable--and in addition a

few bugs, to clear the house of them--the mourners carry him out of the

house, taking care to bump him on the high threshold, and in due course

the coffin is rested for part of the funeral service in front of the

parsonage or the church. In providing for the comfort of the dead the

survivors show themselves remarkably thoughtful. No male Wend is buried

without his pipe, no married female without her bridal dress. Children are

given toys, and eggs, and apples. Money used to be put into the coffin,

but people found that it got stolen. So now the practice is restricted to

the very few Jews who are to be found among the Wends and who, it is

thought, cannot possibly be happy without money; and, with a degree of

consideration which to some people will appear excessive, some stones are

added, in order that they may have them "to throw at the Saviour." In

front of the church or parsonage the coffin is once more opened, and the

mourners, all clad in white--which is the Wendish colour for mourning--are

invited to have a last look at the body. Then follows the _Dobra noc_, a

quaint and strictly racial ceremony. The nearest relative of the dead, a

young person, putting a dense white veil over his or her head and body, is

placed at the back of the coffin, and from that place in brief words

answers on behalf of the dead such questions as affection may prompt near

friends and relatives to put. That done, the whole company join in the

melodious _Dobra noc_--wishing the dead one last "Good-night." After that,

the lid is once more screwed down and the coffin is lowered into the

grave.

There are few things more picturesque, I ought to say, than a funeral

procession in the Spreewald, made up of boats gliding noiselessly along

one of those dark forest canals, having the coffin hung with white, and

all the mourners dressed in the same colour, the women wearing the

regulation white handkerchief across their mouths. The gloom around is not

the half-night of Styx; but the thought of Charon and his boat

instinctively occurs to one. The whole seems rather like a melancholy

vision, or dream, than a reality.

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