CHAPTER XII.

“SPIRITS OF HEALTH, OR GOBLINS DAMN’D?”

Next morning, as usual, Brother Prudentius came to unlock the cathedral

doors. Utterly beyond the power of words would it be to describe the

Sacristan’s horror at finding his domain already occupied by—the ghost!

Sabina—not the living, rosy, comfortable little daughter of Niklaus the

goldsmith, but her terrible ancestress, the two centuries-dead Sabina

von Steinbach. There she—It—stood half way up the nave, shading Its

ghastly face with Its shadowy hand in a haze of bluish green, and the

blood gouts all staining Its flowing white robes. Ah! grisly, fearsome

sight! And Prudentius would have turned and fled, had not a sepulchral

voice called him by his name,—“Prudentius!”

And Prudentius stood all rooted with terror to the spot; then

staggering forward, sank on his knees, not three yards from the

apparition.

“Prudentius! get up; don’t be a fool.”

With quite military promptitude the Sacristan obeyed. If that awful

voice had said: “Prudentius, stand on thy head,” assuredly, had the

encumbrance of the flesh permitted, he would have striven his best to

obey. “Heaven help thee,” continued the voice; “was ever such a craven?

Do you take me for a ghost, that your jaws clatter in that fashion?

Speak, fellow.”

“Pardon—forgive—gracious——” stammered Prudentius, thus adjured; then he

broke down.

“Forgive, yes; you did but your duty, poor wretch; but I warn you not

to attempt ever again to dispute the right of way with Radegund von

Steinbach; do you hear?” and the Artist, for she it was, came near

and sternly measured the breadth and length of the unhappy little

Sacristan. She had stepped into the shadow now, and the mists of his

extremest terror clearing from his eyes, he began to perceive that

the ghastly haze which had enveloped her was but the azure and golden

reflection of those glorious choir windows, in the sunrays, pouring

down on the cathedral floor, and that Radegund von Steinbach and no

ghost stood before him; but the blood-flecks, ah! were they not still

there? Well, the Artist had already been two hours at her task, and

some small patches of vermilion had fallen from her paint-brush on to

her bodice, just as in these days an ink spot or two will now and again

stain the garments or the fingers of careless literary ladies, and at

least that bright red had an advantage in being picturesque.

“And now,” continued Radegund, “leave off mopping and mowing, and get

about your business, as I am doing.” Then she turned and began silently

to survey her morning’s work. It did not strike her that there was

any need for wasting words in explaining to the little Sacristan how

she had succeeded in obtaining the start of him in his own peculiar

hunting-grounds, and Prudentius was himself but too glad to escape

from her on such easy terms to “affairs demanding,” as he hurriedly

explained to her, “immediate attention” right away there in the Ladye

Chapel at the other end of the cathedral. Certainly his mind was

relieved when he found that the ghost was, after all, but the mortal

Radegund von Steinbach; yet only comparatively, for Prudentius stood

in the deepest awe of this dark-eyed handsome woman. That she had

dealings with the supernatural, he never doubted, therefore on these

and many other grounds she was much to be avoided. As to her beauty,

she was not all his style. Beauty indeed; why, was she a morsel like

the widow Hedwig, who always had a chatty word with him, when he went

to cater for his community at her _kraut_ stall. There was beauty if

you like, all plumpness, and wholesomeness, and colour. No angle about

her.

Not a scrap neither, like that sweet little maiden, Niklaus the

Burgomaster’s daughter, who came so regularly every day to tell her

beads up yonder in Saint Laurence’s Chapel, and whom, if he could tell

a cat from a king, Master Dasipodius was so sweet upon. No, Prudentius

was certain that Radegund von Steinbach was uncanny, and he was neither

by any means the only one who thought so. Mother Etzel was saying just

the same only last week, when this Radegund had caught her in the act

of pulling a hair or so out by the roots, from her imp of a child’s

head, for sitting in the middle of the gutter; and there out in the

street, regardless of all appearance, if my haughty madam did not rate

her in such sound fashion, that she was actually driven to promise she

would not do it again, just as if one was not to do as one pleased with

one’s own child! And then, too, when the blind beggar’s clumsy brute of

a dog got his leg broken under the trooper’s horse, if this Radegund,

who hasn’t ever a word to throw at a Christian, didn’t actually kneel

down in the mud, and bind it up with her own hands; and didn’t the

beast keep licking them all the while instead of biting, as it would

have done, if only her flesh had been true Christian flesh. And the leg

healed in no time too, like magic. Like?—it was magic! and now there

was this dog and his idiot of a master ready to worship the ground

she trod. Some folks said Radegund was a genius.—Well, we all know

what that means, genius or witch,—witch or genius, and Mistress von

Steinbach would come to a bad end. Why, you had only to look at her,

to see the devil peeping out at the corners of her eyes—Heaven save us

all! and then Prudentius always shivered and crossed himself, at least

half a dozen times.

But now Radegund had aggravated her offences; she had bewitched the

Bishop. Never before perhaps had such an instance of the frailty

of poor human nature been known. Here was my lord, goodness and

righteousness itself, a man apparently incorruptible, and yet to be

hoodwinked by a woman just because she happened to be able to smarten

up a piece of dirty canvas with paint! It was a sin and a shame, if

ever there was, to see how he had given in to all her whimsies, and

now this getting the run of the cathedral was just of a piece with all

the rest. She had been, as usual, twisting my lord round her little

finger, and lost no time about it neither; and now, if it pleased her,

and of course it would please her, she would be turning night into day.

Yes, there would be Walpurgis night in the place before long, and all

respectable God-fearing folks would be terrified out of their wits. In

such soliloquy the Sacristan relieved his mind, when he had put the

cathedral’s length between himself and the Artist. Then he proceeded

to replenish the stoups with holy water, “for,” said he, “there’ll be

oceans full of it wanted, if this Radegund is to have the run of the

place”.

Time however proved that Radegund was quite content with her own corner

of the cathedral, where stood the outworks of the Horologe. There, by

virtue of her little pass-key, she came and went at her own will, and

never so much as knew whether there was such a personage as the fat

little Sacristan about the precincts at all, and although this put him

sorely out, it was only, he said, of a piece with all the rest of her;

“despising dignities”; and then, too, all things considered, perhaps he

liked it best as it was, and so there ensued an interregnum of perfect

outward serenity, and the great work of the Horologe went prosperously

on.

Conrad Dasipodius also came and went to his work; and to the learned

in horology, the clock’s interior was even more beautiful than

its exterior. Once or twice Sabina and her father had been to the

mathematician’s studio to see the wonderful work, and very pretty

and amusing she thought were all those wheels and chains and shining

brasses which were being gradually knit together into a marvellous

whole; but she liked infinitely better the quaint automata which were

to perform their parts outside. Those were clever things indeed, and

when the artificers, gratified by the pretty little lady’s notice, set

the awkward arms and legs of the puppets into all sorts of wonderful

attitudes for her pleasure, she would clap her hands and cry aloud

with delight: “Oh! but how lovely! and it was you, of course, who

cut out this darling little man’s great nose, and stuck all his five

fingers in so nice and straight?” she said one day to Dasipodius, her

eyes brimming over with pride and admiration.

“Nay, I cannot accredit myself with such sort of skill,” answered the

mathematician; “that is the work of Kaspar Habrecht here,” and he laid

his hand on the boy’s head. But Sabina’s countenance fell: “You seem to

care for those needles and bits of chain, and things, much more than

you do for all these handsome little wooden ladies and gentlemen,” she

said.

“They are dearer to me, certainly,” admitted Dasipodius, with a grave

soft smile; “for these needles, and chains, and wheels are the life and

soul of the Horologe, Mistress Sabina.”

“And what of Radegund’s—my niece’s share in the work?” asked Niklaus.

“She gives us little of her confidence; but you—you have seen—what do

you think of it?”

“My Lord Bishop considers it very admirable so far; and there is not

you know, Burgomaster, a better judge of painting in all the city than

he is.”

“And you,” insisted Niklaus, “what is your own opinion?”

“I am no competent critic,” answered Conrad.

“But,” said Sabina, with a little _moue_, “you can say whether or not

you think it pretty, I suppose?”

“I have scarcely seen it, Mistress,” evaded Conrad; and Sabina was

enchanted with his reply. To her jealous little ears it seemed so

plainly to say: “I do not trouble my head about Radegund and her

doings”.

Yet doubtless in the innocence of that heart of his, which was

all Sabina’s, he would have accorded Radegund’s productions their

well-deserved meed of praise had he been able to see them. But he could

not see them; the magnificent pictures danced before his eyes like

great blots of scarlet and purple, and dazzling yellow, without shape

or outline, just as now the bright farthingale and silver-laced bodice

of his mistress, as she tripped about from bench to bench, made him

giddy; and it was only when her shapely head and neat rounded figure

flitted between himself and the casement, that with an agonising,

although outwardly imperceptible straining of the eye-nerves, he could

distinguish her beloved form from the clumsiest wooden block awaiting

the carver’s chisel in his studio.

Ever since that bitter grief-day, when he lay in the snow on

Chretei Herlin’s grave, Dasipodius had become nearly stone-blind.

There were moments when his vision cleared a little, but that

only made the returning darkness still darker; and yet, with all

their Will-o’-the-wisp cruelty, and false whisperings of hope, the

mathematician was very grateful for these light-flashes, because he

was able to clutch at them as they came, and so to use them, that they

should teach him what to be doing in that future when they should come

no more; for Bruno Wolkenberg, the surgeon, had told him that the hour

must come when they would cease altogether. That time seemed very close

at hand now; for while at first he had had many consecutive minutes

of comparatively clear vision, as the days passed, their angel visits

grew fewer and farther between; but once or twice in a week, and then

one week—two weeks would pass and they came not at all. Still, come or

go, as far as the Clock was concerned, it mattered little enough to

Dasipodius; his nature’s incorruptible honesty would at all hazards

have prompted him to give up the public work he had undertaken, had he

believed that it would have suffered by one hair’s-breadth from any

incapacity consequent on his deprivation; but Dasipodius was no more

incapable of fulfilling his trust now, than he had been in the days

of his perfect eyesight, and never perhaps was the great principle

of compensation more thoroughly demonstrated, than in the blind

mathematician’s case. Nature had but carefully gathered up all the

essence of the one lost sense of sight, to mingle it with the sense of

touch, and to the world no grain of his wondrous power had been lost

by his personal calamity; for with all its alleviations, a calamity it

undoubtedly was. What can blindness be else, even to the dullest, most

insensitive human atomy on the face of the earth? but on such a nature

as the mathematician’s, to which the blue sky, the waving grass, the

glance of his old dog Rappel’s wistful eye, the ripple on the river,

the wings of the dragon-fly glistening in the sun-light, the purple and

golden sheen of a painted window, and all those million sights which

wean the mind from for ever looking inward on miserable or merry self,

spoke so eloquently, the deprivation fell heavily indeed.

Yet who should talk of Heaven being unkind, or life a blank, now

Sabina loved him? Had such a compromise been possible, he would not

have bartered this love of his for a thousand eyes; why then should

he murmur, he whose lot was so immeasurably more blessed than that of

others? Barely even the shadow of a thought that Sabina might love him

the less for his affliction ever came to distress him. On the contrary:

“Had this affliction befallen her, as it has me,” he would argue to

himself, “would that have lessened my love for her? Dear little one!

no, surely;—love is love, and she loves me, that is enough.” And had it

been merely a question between himself and his mistress, he would, in

all thorough trustfulness, have confided to her his sad secret; but on

this same secret hung every question of his future, and of hers. Sabina

was in all things a very woman,—that was perhaps why he so devotedly

loved her—having all the idiosyncracies of a woman; and had he told her

of his blindness, how could he be sure she would not fall a weeping

and lamenting for her lover’s hard destiny, and so let the world know

what he so earnestly desired to keep hidden? Or, refraining from that,

as possibly she might, for Sabina was a brave little heart, she would

nurse her grief, and let concealment “feed on her damask cheek,” until

Niklaus, and he himself—though his own eyes might not see her faded

looks—would be driven distracted about her.

As to objections which the Burgomaster might raise against his

child’s uniting her fortunes with a blind man, he pondered much over

that; and a conflict had arisen in his heart, as to whether honour

and his boundless love for her did not urge him to give her up; but

that curious mingling of common sense and of sentiment which were

characteristic of the mathematician’s nature, argued that, as a man,

Sabina’s father approved him. Moreover, Niklaus liked money, and

providing a man was an honest fellow besides, Dasipodius believed that

with a little demurring, the goldsmith, if all else went well, would

come to forgive the blindness, and at least that part of the question

must take care of itself. “I cannot put folks into my skin, and nothing

short of that would ever make him, or others, believe that my eyes

are not essential to their Horologe; and, at all hazards, the secret

must remain a secret.” And so Dasipodius went about his work with calm

self-possession, and it so grew and glorified beneath his fingers, that

his co-workers would look on in loving wonder and admiration, and say

that their teacher was inaugurating a new era in mechanical science,

and that his fingers seemed almost enchanted.

“Ay,” muttered the only one among them whose wonderings were mingled

with envy and malice, “he is possessed,—he needs scarce look at what he

is doing. His eyes are as often cloud-wandering as on what he holds in

his hands. Do you mark that strange look in his eyes?” demanded Otto

von Steinbach of his comrades.

“It is inspiration,” said they.

“It is the devil!” said Otto.

The silver dial, volume 1 (of 3) · 第 12 / 17 章